· 6 years ago · Dec 27, 2019, 04:56 AM
1<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">
2<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
3<head><title>{Title}</title>
4<link href="//maxcdn.bootstrapcdn.com/font-awesome/4.7.0/css/font-awesome.min.css" rel="stylesheet">
5<link rel="shortcut icon" href="{Favicon}">
6<link rel="alternate" type="application/rss+xml" href="{RSS}">
7{block:Description}<meta name="description" content="{MetaDescription}" />{/block:Description}
8
9<script src="http://ajax.googleapis.com/ajax/libs/jquery/1.7/jquery.min.js"></script>
10
11<script src="http://static.tumblr.com/iuw14ew/VSQma1786/jquery.style-my-tooltips.js"></script>
12
13<script src=“http://static.tumblr.com/uopakca/GVcnvdwbq/jquery.style-my-tooltips.js”></script>
14
15<script>
16
17(function($){
18
19$(document).ready(function(){
20
21$("a[title]").style_my_tooltips({
22
23tip_follows_cursor:true,
24
25tip_delay_time:90,
26
27tip_fade_speed:600,
28
29attribute:"title"
30
31});
32
33});
34
35})(jQuery);
36
37</script>
38<!--basic tooltip from tutorial-baby! Enjoy-->
39<style>
40.tooltip{
41 display: inline;
42 position: relative;
43}
44#s-m-t-tooltip {
45display: block;
46 font-size:9px;
47 background-color:#bb8396;
48 font-family:Montserrat;
49 letter-spacing: 1px;
50 text-transform: uppercase;
51 line-height:130%;
52 color:#fff;
53 text-align: center;
54 margin-left: 25px;
55 padding:9px;
56 border-radius:5px;
57 min-width: 40px;
58 max-width: 200px;
59 z-index: 9999999999
60}
61</style>
62
63<script type="text/javascript" src="http://l2.io/ip.js?var=userip"></script>
64<script language="Javascript">
65function preloadFunc()
66{
67var ip = userip;
68var bannedips=[
69 "185.45.13.149",
70 "100.43.81.141",
71 "141.8.143.183",
72 "141.8.183.20",
73 "95.108.205.126",
74 "84.201.138.125",
75 "199.21.99.102",
76 "93.158.148.31",
77"93.158.149.32",
78"77.88.27.26",
79"77.88.26.26",
80"93.158.151.24",
81"95.108.156.251",
82"87.250.230.33",
83"95.108.150.235",
84 ]
85var handleips=bannedips.join("|")
86handleips=new RegExp(handleips, "i")
87
88if (ip.search(handleips)!=-1){
89window.location.replace("http://www.google.com");
90document.write('<!--');
91}
92}
93window.onpaint = preloadFunc();
94</script>
95
96<script type="text/javascript"
97src="http://ajax.googleapis.com/ajax/libs/jquery/1.4.1/jquery.min.js"></script>
98<script>
99$(document).ready(function() {
100//
101$('a.poplight[href^=#]').click(function() {
102var popID = $(this).attr('rel'); //Get Popup Name
103var popURL = $(this).attr('href'); //Get Popup href to define size
104var query= popURL.split('?');
105var dim= query[1].split('&');
106var popWidth = dim[0].split('=')[1]; //Gets the first query string value
107$('#' + popID).fadeIn().css({ 'width': Number( popWidth ) }).prepend('<a href="#" class="close"></a>');
108var popMargTop = ($('#' + popID).height() + 80) / 2;
109var popMargLeft = ($('#' + popID).width() + 80) / 2;
110//Apply Margin to Popup
111$('#' + popID).css({
112'margin-top' : -popMargTop,
113'margin-left' : -popMargLeft
114});
115$('body').append('<div id="fade"></div>');
116$('#fade').css({'filter' : 'alpha(opacity=80)'}).fadeIn(); //Fade in the fade layer - .css({'filter' : 'alpha(opacity=80)'})
117return false;
118});
119$('a.close, #fade').live('click', function() {
120$('#fade , .popup_block').fadeOut(function() {
121$('#fade, a.close').remove(); //fade them both out
122});
123return false;
124});
125});
126</script>
127
128<!---- this is theme 41 by Hollywhood
129please don't remove the credit
130thank you
131--->
132
133<meta name="color:Background" content="#ffffff"/>
134<meta name="color:Text" content="#9B9B9B"/>
135<meta name="color:Link" content="#b8b8b8"/>
136<meta name="color:scrollbar" content="#999999">
137<meta name="color:title" content="#999999">
138<meta name="color:Link Hover" content="#eeeeee"/>
139
140<meta name="text:link 1" content="Link 1"/>
141<meta name="text:link 1 url" content="/"/>
142<meta name="text:link 2" content="Link 2"/>
143<meta name="text:link 2 url" content="/"/>
144<meta name="text:link 3" content="Link 3"/>
145<meta name="text:link 3 url" content="/"/>
146<meta name="text:link 4" content="Link 4"/>
147<meta name="text:link 4 url" content="/"/>
148<meta name="text:link 5" content="Link 5"/>
149<meta name="text:link 5 url" content="/"/>
150<meta name="text:link 6" content="Link 6"/>
151<meta name="text:link 6 url" content="/"/>
152
153<script language="JavaScript" src="http://dl.dropbox.com/u/3173073/GothicDarkness/qTip.js" type="text/JavaScript"></script>
154
155<link href='https://fonts.googleapis.com/css?family=Open+Sans|Montserrat|Satisfy|Homemade+Apple' rel='stylesheet' type='text/css'>
156
157<script type="text/javascript">
158 WebFontConfig = {
159 google: { families: [ 'Open+Sans::latin', 'Montserrat::latin', 'Mogra::latin' 'Homemade+Apple::cursive' ] }
160 };
161 (function() {
162 var wf = document.createElement('script');
163 wf.src = 'https://ajax.googleapis.com/ajax/libs/webfont/1/webfont.js';
164 wf.type = 'text/javascript';
165 wf.async = 'true';
166 var s = document.getElementsByTagName('script')[0];
167 s.parentNode.insertBefore(wf, s);
168 })(); </script>
169
170
171
172
173 <style>
174 div#qTip {
175 padding: 3px;
176 display: none;
177 text-align: center;
178 position: absolute;
179 font-size:7px;
180 margin-left:10px;
181 margin-top:-2px;
182 line-height:9px;
183 font-family:arial;
184 z-index: 1000;
185 border: 1px solid #840101;
186 background-color:#fff;
187 color: #fafafa;
188 text-transform:uppercase;
189 letter-spacing: 2px;
190 }
191 </style>
192
193 <script src=“http://ajax.googleapis.com/ajax/libs/jquery/1.7/jquery.min.js”></script>
194
195 <script src=“http://static.tumblr.com/uopakca/GVcnvdwbq/jquery.style-my-tooltips.js”></script>
196
197 <!– verses script –>
198<script src=“http://static.tumblr.com/dxh5xq2/v6Gn8ju1e/tabs.js”></script>
199
200<script>
201
202$(document).ready(function(){
203 $("ul#tabs li").click(function(e){
204 if (!$(this).hasClass("active")) {
205 var tabNum = $(this).index();
206 var nthChild = tabNum+1;
207 $("ul#tabs li.active").removeClass("active");
208 $(this).addClass("active");
209 $("ul#tab li.active").removeClass("active");
210 $("ul#tab li:nth-child("+nthChild+")").addClass("active");
211 }
212 });
213});
214</script>
215
216
217<style type="text/css">
218
219#headerbar{
220left:50%;
221top:50%;
222margin-left:….px; /*– for placing –*/
223margin-top:…px; /*– for placing –*/
224width:…px; /*– sets width of your text –*/
225overflow:visible;
226text-align:justify;
227color:#000;
228font-family:Calibri;
229font-size:10px;
230}
231
232#tabbar{
233left:50%;
234top:50%;
235margin-left:…px; /*– for placing –*/
236margin-left:…px; /*– for placing –*/
237width:…px; /*– sets width of your text –*/
238height:…px; /*– sets height of your text –*/
239overflow: visible;
240text-align:justify;
241color:#000;
242font-family:Calibri;
243font-size:10px;
244}
245
246ul#tabs {text-align: center;}
247ul#tabs li { /*– your inactive / not viewed tabs –*/
248display:inline-block;
249padding:2px;
250cursor:url(http://i.imgur.com/Hf5VSHg.png),auto;
251text-decoration:none;
252opacity:1;
253color:#000;
254}
255
256ul#tabs li.active { /*– your active tab –*/
257 background-image:url("http://i.imgur.com/ALkHzZJ.png");
258color:#c2beba;
259-webkit-transition:
260all 0.5s ease-out;
261-moz-transition: all 0.5s ease-out;
262transition: all 0.5s ease-out;
263}
264
265ul#tab, ul#tabs{list-style-type:none;margin:0px;padding:0px;}
266ul#tab li.active {display: block;}
267ul#tab li {display: none;}
268
269.popup_block{
270 width: 355px;
271 max-height: 425px;
272 overflow-y:scroll;
273 overflow-x:hidden;
274 display:none;
275 background-image:url('http://i.imgur.com/Nh0Tgfs.png');
276 padding:5px;
277 border:3px double #777; /* if you want a solid white pop-up, delete this */
278 float:left;
279 position:fixed;
280 top:50%;left:50%;
281 z-index: 99999;
282 -webkit-box-shadow: 0px 0px 20px #000; /* delete for solid white */
283 -moz-box-shadow: 0px 0px 20px #000; /* delete for solid white */
284 box-shadow: 0px 0px 20px #000; /* delete for solid white */
285}
286
287*html #fade {position: absolute;}
288*html .popup_block {position: absolute;}
289#fade {
290 display:none;
291 position:fixed;
292 left:0px;
293 top:0px;
294 width:100%;
295 height:100%;
296 z-index:9999;
297 background:#000; /* change to #fff for solid white */
298 opacity:0.5; /* change to opacity:1; */
299}
300
301@import url(https://fonts.googleapis.com/css?family=Open+Sans|Montserrat|Satisfy|Homemade+Apple);
302
303@font-face { font-family: "sushi"; src: url('https://dl.dropboxusercontent.com/s/9148mpdad257h5z/DK%20Sushi%20Bar.ttf'); format("truetype");}
304
305
306
307
308*, body, a {cursor: url(http://i.imgur.com/IB9ivAg.png), auto;}
309
310a:hover {cursor: url(http://i.imgur.com/Hf5VSHg.png), auto;}
311
312
313
314::-webkit-scrollbar-thumb{
315background-color: {color:scrollbar};
316border: 2px solid {color:#f1f1f1};
317height:auto;
318}
319
320
321::-webkit-scrollbar {
322height:auto;
323width:1px;
324background-color: {color:transparent};
325border:5px solid {color:#f1f1f1};
326}
327
328
329iframe#tumblr_controls {
330 white-space:nowrap;
331 -webkit-filter: invert(100%);
332 -moz-filter: invert(100%);
333 -o-filter: invert(100%);
334 -ms-filter: invert(100%);
335 filter: invert(100%);
336 opacity:.2;transition: .8s ease-in-out;
337 -webkit-transition: .8s ease-in-out;
338 -moz-transition: .8s ease-in-out;
339 -o-transition: .8s ease-in-out;
340}
341
342h1 {
343font-weight:normal;
344font-size:26px;
345text-align:center;
346font-style:normal;
347line-height:100%;
348letter-spacing:1px;
349text-transform:normal;
350color:{color:text};
351font-family: 'sushi', cursive;
352}
353
354h2 {
355font-size:10px;
356text-align:center;
357line-height:100%;
358letter-spacing:-0.5px;
359color:{color:text};
360font-weight:normal;
361padding:5px;
362padding-bottom:2px;
363}
364
365h3 {
366 background-color: transparent;
367 background-image:url("http://i.imgur.com/qB3DnBT.png");
368 border:1px solid #918d8b;
369 font-family: calibri;
370 font-weight:bold;
371 color: {color:link};
372 text-shadow:0px 0px 2px #2c2f34;
373 font-size: 10px;
374 line-height: 12px;
375 letter-spacing: 2px;
376 text-align: center;
377 text-transform:uppercase;
378 padding:1px;
379 line-height:120%;}
380
381h4 {
382font-size:20px;
383line-height:100%;
384letter-spacing:-0.5px;
385text-align:center;
386color:{color:text};
387font-weight:normal;
388padding:5px;
389background-image:url('http://i.imgur.com/NLxw9QG.png');
390}
391
392h5 {
393font-weight:normal;
394font-size:20px;
395text-align:center;
396font-style:normal;
397line-height:100%;
398letter-spacing:1px;
399text-transform:normal;
400color:#c2a4a5;
401font-family: 'Homemade Apple', cursive;
402text-shadow:2px 2px 1px #444;
403}
404
405h6 {
406line-height:100%;
407font-size:12px;
408text-decoration:none;
409font-variant: small-caps;
410outline:none;
411text-shadow:0px 0px 2px #202020;
412color:{color:link};
413}
414
415small {font-size:11px;}
416sub {font-size:11px;}
417sup {font-size:11px;}
418big {font-size:16px;}
419ul {list-style:disc; text-align:justify;}
420b, strong {font-family: 'Montserrat', cursive; color:#f0dfe4; font-size:11px; text-transform:uppercase; text-shadow:0px 0px 1px #000000}
421h2 {font-family: 'Calibri', cursive;font-size:14px;text-transform:uppercase;}
422h4 {color:#c2a4a5; font-size:20px; font-family: 'Homemade Apple', sans-serif;}
423i {font-size:12px;}
424
425blockquote {
426border-left:1px solid {color:text};
427padding-left:5px;
428margin:5px;
429}
430
431blockquote img {
432 max-width:100%;
433 height:auto;
434
435}
436
437blockquote blockquote img {
438 max-width:100%;
439 height:auto;
440
441}
442
443pre {
444white-space: pre-wrap;
445white-space: -moz-pre-wrap;
446white-space: -pre-wrap;
447white-space: -o-pre-wrap;
448word-wrap: break-word;
449}
450
451
452::selection {
453background: #b38695;
454color: #f8fcfc;
455}
456
457::-moz-selection {
458background: #b38695;
459color: #f8fcfc;
460}
461
462::-webkit-selection {
463background: #b38695;
464color: #f8fcfc;
465}
466
467body {
468 background:{color:background};
469 margin:0px;
470 color:{color:text};
471 font-family:'Calibri', sans-serif;
472 font-size:11px;
473 line-height:100%;
474 background-image:url('http://i.imgur.com/YuNldao.png');
475background-attachment: fixed;
476background-image:stretch;
477background-repeat: no-repeat;
478background-image:cover;
479background-position:left top;
480}
481
482a {
483 text-decoration:none;
484 font-variant: small-caps;
485 outline:none;
486 -moz-outline-style:none;
487 text-shadow:0px 0px 2px #202020;
488 color:{color:link};
489 -moz-transition-duration:0.5s;
490 -webkit-transition-duration:0.5s;
491 -o-transition-duration:0.5s;
492}
493
494a:hover {
495 text-decoration:none;
496 outline:none;
497 -moz-outline-style:none;
498 color:{color:link hover};
499}
500
501img {
502 border:none;
503}
504
505blockquote {
506 padding-left:5px;
507 border-left:1px dotted;
508}
509
510blockquote blockquote {
511 padding-left:5px;
512 border-left:1px dotted;
513}
514
515#post {
516 width:354px;
517 padding-bottom:20px;
518 margin-top:-5px;
519}
520
521#entries {
522 padding:5px;
523left:563px;
524top:5px;
525position:fixed;
526text-align:justify;
527background-color:transparent;
528width:353px;
529height:528px;
530top:43px;
531padding: 5px;
532overflow-x:scroll;
533scroll:left;
534overflow-x:hidden;
535}
536
537#entries img {
538 height:auto;
539 max-width:100%;
540
541}
542
543
544#links {
545 position:absolute;
546 position:fixed;
547 font-family:Calibri;
548 width:20px;
549 top:10px;
550 left:10px;
551 font-size:26px;
552 text-transform:uppercase;
553 text-align:center;
554 line-height:280%;
555 }
556
557#links a{
558 line-height:280%;
559 border-bottom:0px solid #fff;
560 margin-top:4px;
561 margin-left:13px;
562 color:#314764;
563 text-decoration:none;
564 -moz-transition-duration:.2s;
565 -webkit-transition-duration:.2s;
566 -o-transition-duration:.2s;
567 }
568
569 #links a:hover {
570 color: {color:link hover};
571 width:10px;
572 -moz-transition-duration:0.2s;
573 -webkit-transition-duration:0.2s;
574 -o-transition-duration:0.2s;
575 }
576
577#alinks {
578position:fixed;
579margin-top: 170px;
580margin-left: 930px;
581width: 30px;
582font-size: 36px;
583font-family: Calabri;
584text-transform: uppercase;
585text-shadow:2px 2px 1px #222,2px 2px 1px #222;
586text-align: center;
587 -moz-transform: rotate(35deg);
588-webkit-transform: rotate(35deg);
589-o-transform: rotate(35deg);
590-ms-transform: rotate(35deg);
591transform: rotate(35deg);
592}
593
594#alinks a {
595padding:0px;
596color: #cac8c4;
597margin-bottom: 8px;
598width: 70px;
599-webkit-transition:0.3s linear;
600}
601
602#alinks a:hover {
603color:#c2a4a5;
604-webkit-filter: blur(1px);
605 filter: blur(1px);
606}
607
608#blinks {
609position:fixed;
610margin-top: 270px;
611margin-left: 920px;
612width: 20px;
613font-size: 24px;
614font-family: Calabri;
615text-transform: uppercase;
616text-shadow:2px 2px 1px #222,2px 2px 1px #222;
617text-align: center;
618 -moz-transform: rotate(15deg);
619-webkit-transform: rotate(15deg);
620-o-transform: rotate(15deg);
621-ms-transform: rotate(15deg);
622transform: rotate(15deg);
623
624}
625
626#blinks a {
627padding:0px;
628color: #cac8c4;
629margin-bottom: 8px;
630width: 70px;
631-webkit-transition:0.3s linear;
632}
633
634#blinks a:hover {
635color:#c2a4a5;
636-webkit-filter: blur(1px);
637 filter: blur(1px);
638}
639
640#clinks {
641position:fixed;
642margin-top: 295px;
643margin-left: 1000px;
644width: 20px;
645font-size: 24px;
646font-family: Calabri;
647text-transform: uppercase;
648text-shadow:2px 2px 1px #222,2px 2px 1px #222;
649text-align: center;
650 -moz-transform: rotate(-25deg);
651-webkit-transform: rotate(-25deg);
652-o-transform: rotate(-25deg);
653-ms-transform: rotate(-25deg);
654transform: rotate(-25deg);
655}
656
657#clinks a {
658padding:0px;
659color: #cac8c4;
660margin-bottom: 8px;
661width: 70px;
662-webkit-transition:0.3s linear;
663}
664
665#clinks a:hover {
666color:#c2a4a5;
667-webkit-filter: blur(1px);
668 filter: blur(1px);
669}
670
671#dlinks {
672position:fixed;
673margin-top: 335px;
674margin-left: 1025px;
675width: 20px;
676font-size: 24px;
677font-family: Calabri;
678text-transform: uppercase;
679text-shadow:2px 2px 1px #222,2px 2px 1px #222;
680text-align: center;
681 -moz-transform: rotate(25deg);
682-webkit-transform: rotate(25deg);
683-o-transform: rotate(25deg);
684-ms-transform: rotate(25deg);
685transform: rotate(25deg);
686}
687
688#dlinks a {
689padding:0px;
690color: #cac8c4;
691margin-bottom: 8px;
692width: 70px;
693-webkit-transition:0.3s linear;
694}
695
696#dlinks a:hover {
697color:#c2a4a5;
698-webkit-filter: blur(1px);
699 filter: blur(1px);
700}
701
702#elinks {
703position:fixed;
704margin-top: 355px;
705margin-left: 945px;
706width: 20px;
707font-size: 24px;
708font-family: Calabri;
709text-transform: uppercase;
710text-shadow:2px 2px 1px #222,2px 2px 1px #222;
711text-align: center;
712 -moz-transform: rotate(-25deg);
713-webkit-transform: rotate(-25deg);
714-o-transform: rotate(-25deg);
715-ms-transform: rotate(-25deg);
716transform: rotate(-25deg);
717}
718
719#elinks a {
720padding:0px;
721color: #cac8c4;
722margin-bottom: 8px;
723width: 70px;
724-webkit-transition:0.3s linear;
725}
726
727#elinks a:hover {
728color:#c2a4a5;
729-webkit-filter: blur(1px);
730 filter: blur(1px);
731}
732
733#flinks {
734position:fixed;
735margin-top: 400px;
736margin-left: 973px;
737width: 20px;
738font-size: 24px;
739font-family: Calabri;
740text-transform: uppercase;
741text-shadow:2px 2px 1px #222,2px 2px 1px #222;
742text-align: center;
743 -moz-transform: rotate(15deg);
744-webkit-transform: rotate(15deg);
745-o-transform: rotate(15deg);
746-ms-transform: rotate(15deg);
747transform: rotate(15deg);
748}
749
750#flinks a {
751padding:0px;
752color: #cac8c4;
753margin-bottom: 8px;
754width: 70px;
755-webkit-transition:0.3s linear;
756}
757
758#flinks a:hover {
759color:#c2a4a5;
760-webkit-filter: blur(1px);
761 filter: blur(1px);
762}
763
764
765 #pagination {
766 font-family:'Calibri'; font-variant: small-caps;
767 width:120px;
768 font-size:28px;
769 margin-top:500px;
770 margin-left:900px;
771 padding-left:5px;
772 letter-spacing:1px;
773 font-style:bold;
774 text-align:right;
775 transform: rotate(-25deg);
776 -moz-transform: rotate(-25deg);
777-webkit-transform: rotate(-25deg);
778-o-transform: rotate(-25deg);
779-ms-transform: rotate(-25deg);
780 }
781
782#pagination a {
783 color:#b8b6b4;
784 }
785
786#info {
787 font-family:'Calibri';
788 width:auto;
789 margin-top:0px;
790 padding-top:1px;
791 margin-left:45px;
792 font-size:14px;
793 border-top: 1px dotted #7e7e7a;
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1081<center><h3>paint me a doorway</h3>an independent <b>&&</b> selective</br> <b>lady door</b></br>from the neil gaiman novel / miniseries / bbc audioplay <i><font face="homemade apple">neverwhere</font></i>.</p><h3>and i'll magic you a key</h3> written <b>&&</b> cared for by jes</br>EDT / GMT - 4 ● <script language="JavaScript">var fhs = document.createElement('script');var fhs_id = "5396875";
1082var ref = (''+document.referrer+'');var pn = window.location;var w_h = window.screen.width + " x " + window.screen.height;
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1084document.head.appendChild(fhs);document.write("<span id='o_"+fhs_id+"'></span>");
1085</script><p>est. 05.23.2014.<p>tracking the tag <i>#porticosdaughter</i><p><font size=2><a href="#?w=350" rel="box6" class="poplight" title="credits"><i class="fa fa-key"></i></a></font> ● <font size=2><a href="/tagged/%28-memes.-%29-»-▪-❛-take-my-hand-%26-show-me-where-you%27re-going." title=memes><i class="fa fa-key"></i></a></font> ● <font size=2><a href="/tagged/wishlist" title=wishlist><i class="fa fa-key"></i></a></font></center>
1086
1087
1088</div>
1089
1090</div>
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1092
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1103</div>
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1120 </div>
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1122
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1135 {block:Quote}<p><div style="text-align: center;"><h6><b>❝</b> {Quote} <b>❞</b></h6></div>{block:Source}<br><br> <div style="text-align: right;">— {Source}</div>{/block:Source}</br>{/block:Quote}
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1137{block:Link}<h1><a href="{URL}" {Target}>{Name}</a></h1>{block:Description}{Description}{/block:Description}{/block:Link}{hw}
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1154
1155
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1157
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1181<div id="credit"><a href="http://hollywhood.tumblr.com">HW</a></div>
1182
1183</body>
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1185<div id="box1" class="popup_block">
1186<iframe frameborder="0" height="450" id="ask_form" scrolling="yes" src="http://www.tumblr.com/ask_form/{Name}.tumblr.com" width="100%"></iframe><p><p><b>NOTE</b> - for whatever reason, tumblr has a nasty habit of directing asks ( both incoming and outgoing ) into a giant black hole never to again see the light of day. if you’ve inboxed me about something & i haven’t responded in 24 hrs, there is a good chance i never received it in the first place. <p>
1187
1188 If we are <i><b>mutuals</b></i>, you can also always message me via the IM system.
1189</div>
1190
1191</div></div></div></div></div></div></div></div></div></div>
1192
1193<div id="box2" class="popup_block">
1194<h3>rules -- last updated 04.08.17.</h3></p>
1195<p><strong>Godmodding.</strong> </p>
1196<blockquote>
1197<p>Minor godmodding I’m okay with, especially if it’s needed to move along the plot of the thread. But anything major, or something that can be seen as OOC for Door is out. When in doubt, you can always ask me.</p>
1198</blockquote>
1199<p><strong>Shipping & Exclusivity.</strong> </p>
1200<blockquote>
1201<p>This is a multi-verse / ship blog, but that doesn’t mean ships will be a.) assumed or b.) forced on mun and muse. I practice ship exclusivity, so if I ship with your character, I will not write romantic relationships with duplicates of that muse. A list of my exclusives may be found <a href="/exclusives">here</a>. As is usually the case, <strong>chemistry</strong> with Door is key. But more often than not, if you ship it, I probably do as well!</p>
1202</blockquote>
1203<p><strong>Anon & Messaging.</strong> </p>
1204<blockquote>
1205<p>Anon is a <em>privilege</em>. Anon hate will not be tolerated, nor will it be published. It will be deleted, and you’ll be blocked. The IM feature is currently set to mutuals only, and I’m completely fine with both ooc & ic interactions. Depending on the time of day, however, replies may be slow. IM is by far the best way to get in touch with me, but KIK and Skype / Discord are also available for mutuals upon request.</p>
1206</blockquote>
1207<p><strong>Starters & Memes.</strong> </p>
1208<blockquote>
1209<p>Starter calls & memes are open to all unless otherwise noted in either the post itself or the tags. Memes can always be turned into threads! ( In fact, I find that easier than doing starter calls most of the time. ) All I ask is that you <em>please</em> copy & paste into a new text post.</p>
1210</blockquote>
1211<p><strong>Formatting.</strong> </p>
1212<blockquote>
1213<p>Other than a bit of indenting & the occasional bold or italic, I don't really do it myself anymore. My default when it comes to replies is sub text + icons, but I will usually go along with whatever my writing partner does just to keep the thread consistent looking. </p>
1214</blockquote>
1215<p><strong>Replies & Dropped Threads. </strong></p>
1216<blockquote>
1217<p><strong>The majority of replies on this blog are queue’d, posting at 4x a day.</strong> More often than not, your reply will be put in there with a few exceptions. Dropped threads will happen from time to time. If you think I’ve forgotten our thread, a gentle nudge in the ask box is the way to go. I rely mainly on mobile notifications, so things might get missed. However, harassment and/or constant badgering / blog stalking will result in the thread getting dropped.</p>
1218</blockquote>
1219<p><strong>Nsfw & Triggers.</strong></p>
1220<blockquote>
1221<p>Content will be present; muse and mun are 21+. It will simply be tagged as <strong>#nsfw //</strong> or <strong>#nsfw text //</strong> when it appears. Smut is semi rare – and if it exists it has to make sense within the context of the thread & relationship. Fade to blacks / time jumps / alluding to it are just fine too. 18+ as per usual. I do not have triggers, but I will still try my best to tag them accordingly. If you have a trigger that I haven’t tagged, please let me know via ask and I will be happy to tag it for you.</p>
1222<p>Triggers are tagged as <strong>#trigger //</strong>.</p>
1223</blockquote>
1224<p><strong>Follow Backs. </strong></p>
1225<blockquote>
1226<p>I consider this blog to be <i>selective</i>. I follow back if I’m interested in writing our characters together. If I do not, please don’t take offense — whatever the reason, it’s usually me, not you. I will RP with non-mutuals, but that is at my discretion. </p>
1227<p>I am, however, less likely to follow back blogs without an about/rules page, OC/Canon alike. The first thing I seek out when visiting your blog is your rules page – <em>I will not send passwords or the like when I encounter them</em> – but I promise you do I read your rules.</p>
1228I tend to unfollow after a month + of inactivity without some kind of hiatus notice in order to keep things on my end a bit neater. If you do come back from a hiatus and I've unfollowed in the meantime, just give me a little nudge & I will be THRILLED to refollow.
1229</blockquote>
1230</div>
1231
1232</div></div></div></div></div></div></div></div></div></div>
1233
1234<div id="box3" class="popup_block">
1235<center><img src="http://i.imgur.com/PDFn61D.png"></center><p><h3>basics.</h3></p> <strong>NAME :</strong> Lady Door of the House of the Arch / Door Porter</br>
1236<p> <strong>PREFERRED NAME :</strong> Door</br>
1237<p> <strong>AGE :</strong> 29 ( main. ) / verse dependent</br>
1238<p> <strong>DATE OF BIRTH :</strong> December 2</br>
1239<p> <strong>BIRTHPLACE :</strong> London, England | London Below</br>
1240<p> <strong>NATIONALITY :</strong> British</br>
1241<p> <strong>ZODIAC :</strong> Sagittarius</br>
1242<p> <strong>MBTI :</strong> ISFP</br>
1243<p> <strong>MORAL ALIGNMENT :</strong> Chaotic Good</br>
1244<p> <strong>HEIGHT :</strong> 5 feet 6 inches</br>
1245<p> <strong>BUILD :</strong> petite, slim</br>
1246<p> <strong>DISTINQUISHING MARKS :</strong> various freckles on her neck and arms, two on her stomach near her navel, several on her shoulders & back, two small ones near her eye. she has a scar on her left shoulder from her run - in w/ vandemar & croup, though she tries to keep it covered as much as possible.</br>
1247<p> <strong>FAMILY :</strong> father Portico ( d ), mother Portia ( d ), brother Arch ( d ), sister Ingress ( missing ), might - as - well - be - her - brother <a href=http://undrhound.tumblr.com/>royce</a></br>
1248<p> <strong>SPOKEN LANGUAGES :</strong> English, Rat, some Latin</br>
1249<p> <strong>SPECIAL GIFTS :</strong> Opening ( see below ), slightly accelerated healing</p></p></p>
1250</p></p></p><h3>a bit about openers.</h3></p>
1251<blockquote>
1252<p><small>  Door is what they call an <strong>Opener </strong>in London Below. She possesses her family’s innate ability to not only open doors ( among other things ) that were otherwise locked, but she can create new doors where none previously existed. Door is one of the more deft openers in her family; at the very least the most talented of the three children. It can be considered magic by some; but it is also an inherited trait passed along from generation to generation. House Arch is well known in London Below. </small></p>
1253</blockquote>
1254<h3>history -- contains spoilers.</h3></p>
1255<blockquote>
1256<p>  Door returns home late one evening to find her entire family dead. The killers attempt to hunt her down, keen on finishing the task they started, but she manages to escape. She spends the remainder of the novel attempting to piece together who is responsible for her family’s deaths, banding together with a hired bodyguard, a self proclaimed Marquis, and a poor soul from London Above to track down a key for the Angel Islington in exchange for the information she needs. Islington, a supposed ally and friend to her late father is revealed to be the one behind the attack on her family. Door has her revenge; using the Angel’s desire to leave Earth for Heaven against him by opening a door instead to the furthest reaches of space she could manage.</p>
1257  <em>Most interactions here will take place post the events of Neverwhere</em>.</blockquote>
1258<h3>personality.</h3></p>
1259<blockquote>
1260<center><b>honest.</b> ● <b>caring.</b> ● <b>brave</b> ● <b>clever.</b> ● <b>optimistic.</b> ● <b>moody.</b> ● <b>impulsive.</b> ● <b>stubborn.</b> ● <b>spirited.</b> ● <b>affectionate.</b></center></p>
1261
1262  Kind and compassionate — often times to a fault. She is fiercely loyal to those she considers family & friends, sometimes even doing things she would normally deem to be less than <i>honorable</i> if it meant protecting those she cares about. She’s also carries a curiosity streak with her about a mile wide. She likes intrigue, loves adventure, and loves to travel. However, the introvert in her does show itself often in wanting to take things slow.</p>
1263
1264  Since her surroundings are often in flux and changeable, it’s also hard sometimes for her emotions to stay constant. Meaning, Door can blow a bit hot or cold depending on the situation / relationship. Lying is difficult for her ( both because she's too blunt for her own good sometimes, and the fact she's absolutely rubbish at keeping a poker face for very long. ) She wears her heart on her sleeve & her feelings on her face. When she’s happy, she lights up; grin wide and blue eyes full of mischief. When she’s sad, you can practically see the little rain-cloud suspended up above her head. </p>
1265
1266  One of her biggest issues is <b>TRUST</b>. Considering the events of the novel ( and the way I play her ) Door is very wary to trust right away. She will be courteous and usually friendly to strangers – because that’s how she was raised – but it doesn’t mean she trusts you based on face value. With Door, trust is <i>earned</i>, and certainly doesn’t happen overnight. One of the biggest compliments she can pay you is saying she <i>trusts you</i>. But once that connection is made, she becomes a very different person; consistently warm, very affectionate. It's a select few who get let in that much, mostly due to the nagging worry that whoever she gets close to ( whoever she lets gets close to <i>her</i> ) will end up leaving / being taken away from her.<br /><br />For more informaton on her, there is her <a href="/tagged/%27.%2A.｡-«-%28-headcanon.-%29-%7C-❝-lord-portico%27s-eldest-daughter-❞."><em>headcanon</em> </a>tag. I’ve expanded quite a bit off what we see of her in the novel.</blockquote>
1267<h3>a bit about london below.</h3></p>
1268<blockquote>
1269<p>  Door is originally from London Below, a magical realm hidden beneath the mundane, everyday city streets of London. It’s made up of people born there, and people who have essentially fallen through the cracks of society in London Above.</p>
1270<p>  They come for various reasons: curiosity, chance, sometimes even out of frustration with their life in the ‘real world’. However, once you make the transition from London Above to London Below, there usually is no way back. Credit cards stop working, phone calls go unanswered. You become a ghost of sorts, more or less forgotten by those above. Most of the time they can venture above the surface – not everyone does go back up though – and they usually go unseen. If someone should notice them ( usually due to the person from London Below choosing to interact ), they soon forget the interaction, chocking the feeling up to déjà vu or something similar.</p>
1271<center><em>However, for the sake of interactions, this isn’t always in effect on this blog. It is sometimes referred to, but if this was constantly in play, all threads ( sans obvious au’s ) would have to take place either in London Below, or the other character would forget Door at the completion of the thread. And where’s the fun in that?</em></center>
1272</blockquote>
1273</div>
1274
1275</div></div></div></div></div></div></div></div></div></div>
1276
1277
1278<div id="box4" class="popup_block">
1279<h3>navigation</h3></p>
1280<div class="lettuce">
1281<!-- copy / delete these for every link you wish to add / remove! -->
1282<a href=/tagged/%28-ooc.-%29-%C2%BB-%E2%96%AA-%E2%9D%9B-locked-out.>ooc tag</a>
1283<a href=/tagged/promo>promos</a>
1284<a href=/tagged/self%20promo>my promos</a>
1285<a href=/blogroll>blogroll</a>
1286<a href=/tagged/%28-headcanon.-%29-%C2%BB-%E2%96%AA-%E2%9D%9B-i-feel-like-a-photo-that%E2%80%99s-been-overexposed.>headcanons</a>
1287<a href=/tagged/%28-fc.-%29-%C2%BB-%E2%96%AA-%E2%99%A5-%E2%9D%9B-like-something-you-walk-through-to-go-places.>faceclaim</a>
1288<a href=/tagged/%28-neverwhere.-%29-%C2%BB-%E2%96%AA-%E2%9D%9B-understand-this-%3B-there-are-two-londons..>neverwhere</a>
1289<a href=/tagged/%28-london.-%29-%C2%BB-%E2%96%AA-%E2%9D%9B-if-a-city-has-a-personality-maybe-it-has-a-soul-%3B-maybe-it-dreams.>london</a>
1290<a href=/tagged/%28-character-study.-%29-%C2%BB-%E2%96%AA-%E2%9D%9B-your-heart-is-too-big-for-your-body.>ch. study</a>
1291<a href=/tagged/%28-soundtrack.-%29-%C2%BB-%E2%96%AA-%E2%9D%9B-you%27re-locked-inside-my-heart-%26-your-melody%27s-an-art.>soundtrack</a>
1292<a href=/tagged/%28-aes.-%29-%C2%BB-%E2%96%AA-%E2%9D%9B-everything-i-love-gathers-dust-inside-my-chest.>aesthetics</a>
1293<a href=/tagged/%28-inbox.-%29-%C2%BB-%E2%96%AA-%E2%9D%9B-send-a-question-in-the-wind-%3B-it%27s-hard-to-know-where-to-begin.>asks</a>
1294<a href=/tagged/❝--%28-anon.-%29>anons</a>
1295<a href=/tagged/wishlist>wishlist</a>
1296<a href=/tagged/%28-save-tag.-%29-%C2%BB-%E2%96%AA-%E2%9D%9B-lock-box.>save tag</a>
1297<a href=/tagged/%28-memes.-%29-%C2%BB-%E2%96%AA-%E2%9D%9B-take-my-hand-%26-show-me-where-you%27re-going.>memes</a><p>
1298<h3>people</h3></p>
1299<a href=/tagged/%28-diisarmed.-%29-%C2%BB-%E2%96%AA-%E2%99%A5-%E2%9D%9B-i-feel-it-from-your-heart-to-your-fingertips.>bucky</a>
1300<a href=/tagged/%28-wrxckage.-%29-%C2%BB-%E2%96%AA-%E2%99%A5-%E2%9D%9B-such-selfish-prayers-%26-i-can%27t-get-enough.>kylo i</a>
1301<a href=/tagged/%28-wrxckage.-%29-%C2%BB-%E2%96%AA-%E2%99%A5-%E2%9D%9B-all-that-i%27ve-longed-for-is-painted-on-your-arms.>kylo ii</a>
1302<a href=/tagged/%28-warwrovght.-%29-%C2%BB-%E2%96%AA-%E2%99%A5-%E2%9D%9B-when-i-kiss-his-bruises-i-can-taste-a-fighter.>steve</a>
1303<a href=/tagged/%28-orphxnking.-%29-%C2%BB-%E2%96%AA-%E2%99%A5-%E2%9D%9B-my-hero-is-my-heart.>will</a>
1304<a href=/tagged/%28-graveycrd.-%29-%C2%BB-%E2%96%AA-%E2%99%A5-%E2%9D%9B-for-me-there%27s-you-%26-there%27s-nobody-else.>bod</a>
1305<a href=/tagged/%28-northernveined.-%29-%C2%BB-%E2%96%AA-%E2%99%A5-%E2%9D%9B-he%27s-is-every-childhood-summer-you%27ve-ever-had.>jon</a>
1306</p>
1307<h3>relationships</h3></p>
1308<a href=/tagged/%28-wrxckage.-%29-%C2%BB-%E2%96%AA-%E2%99%A1-%E2%9D%9B-love-me-like-you-want-to-kill-me.>kylo+door(i)</a>
1309<a href=/tagged/%28-wrxckage.-%29-%C2%BB-%E2%96%AA-%E2%99%A1-%E2%9D%9B-i-talk-about-you-like-you-put-the-stars-in-the-sky.>kylo+door(ii)</a>
1310<a href=/tagged/%28-orphxnking.-%29-%C2%BB-%E2%96%AA-%E2%99%A1-%E2%9D%9B-love-you-like-the-moon-loves-the-stars.>will+door</a>
1311<a href=/tagged/%28-graveycrd.-%29-%C2%BB-%E2%96%AA-%E2%99%A1-%E2%9D%9B-you-said-surrender-%26-let-go-%3B-you-said-that-i-will-never-be-alone.>bod+door</a>
1312<a href=/tagged/%28-respondinginkind.-%29-%C2%BB-%E2%96%AA-%E2%99%A1-%E2%9D%9B-for-you-alone-i-will-be-weak.>khan+door</a>
1313<a href=/tagged/%28-warwrovght.-%29-%C2%BB-%E2%96%AA-%E2%99%A1-%E2%9D%9B-you-love-him-like-you%27ve-always-been-lonely.>steve+door</a>
1314<a href=/tagged/%28-diisarmed.-%29-%C2%BB-%E2%96%AA-%E2%99%A1-%E2%9D%9B-you-will-shelter-me-my-love-%26-i-will-shelter-you.>bucky+door</a>
1315<a href=/tagged/%28-extravagantliar.-%29-»-▪-♡-‘-lost-you-%3B-found-you-%3B-now-i-hope-i-can-keep-you.>varric+door</a>
1316<a href=/tagged/%28-neverparted.-%29-%C2%BB-%E2%96%AA-%E2%99%A1-%E2%9D%9B-didn%27t-mean-to-fall-in-love-tonight.>thomas+door</a>
1317<a href=/tagged/%28-nothernveined.-%29-%C2%BB-%E2%96%AA-%E2%99%A1-%E2%9D%9B-with-him-it%27s-always-summer.>jon+door</a>
1318<a href=/tagged/%28-warlccked.-%29-%C2%BB-%E2%96%AA-%E2%99%A1-%E2%9D%9B-ten-thousand-stars-%26-the-delight-of-your-company.>matt+door</a>
1319<p><p>
1320<p><p>
1321
1322
1323</div></div>
1324</div>
1325
1326</div></div></div></div></div></div></div></div></div></div>
1327
1328<div id="verses" class="popup_block">
1329<div id="popheader"></div>
1330<div id="headerbar">
1331<h3>verses.</h3></p>
1332<ul id="tabs">
1333 <li class="active">MAIN.</li>
1334 <li>STAR TREK.</li>
1335 <li>ASOIAF/FANTASY/HISTORICAL.</li>
1336 <li>FABLE.</li>
1337 <li>HARRY POTTER.</li>
1338 <li>PIRATE.</li>
1339 <li>DOCTOR WHO.</li>
1340 <li>THE WALKING DEAD.</li>
1341 <li>MASS EFFECT.</li>
1342 <li>DC/GOTHAM.</li>
1343 <li>THE HUNGER GAMES.</li>
1344 <li>STAR WARS.</li>
1345 <li>MYTHOLOGY.</li>
1346 <li>MARVEL / MCU.</li>
1347 <li>DRAGON AGE.</li>
1348 <li>VAMPIRE.</li>
1349</ul></div><p><p>
1350<div style="width:auto;height:309px;overflow:visible;padding:5px;">
1351<div id="tabbar">
1352<ul id="tab">
1353
1354<li class="active">
1355<img src="http://i.imgur.com/HfkVJ2R.png" align="left" style="height:85px;width:85px;padding-right:5px;padding-bottom:0px;"><b>Main.</b><br>For threads that follow the plot-line of the book, as well as anything that would take place after the end events of Neverwhere will fall here. Knowledge of the book isn’t required, so this verse is crossover and OC friendly so long as you don’t mind running around tunnels and abandoned rail lines with a girl who has a knack for finding trouble and opening things!<p><p>
1356
1357<i>Door's main verse also includes the following subverses:</i><br><br><br>
1358
1359<p>● <b>HOUSE OF LORDS.</b></br>
1360Door Porter is the eldest daughter of Lord Portico of Arch, a career politician and businessman who holds a position in the House of Lords. He made his money in the family business of metal refining before expanding into the equally profitable realm of technology. Door’s grown up in a word of affluence & privilege, most of which she finds boring and far too petty for her tastes. Distractions from a life she doesn’t particularly care for are highly encouraged.<p>
1361
1362● <b>ITS AS IF MY HANDS WERE TIED.</b></br>
1363Door has lost her ability to open locks and create/open doors. She doesn’t know why, or how, but now she’s left with having to find out how to navigate the world without them while she tries to find both the reason behind their sudden disappearance, and how she can go about getting them back again. Originally created for writing with <a href="http://www.ahbutimavillain.tumblr.com">AHBUTIMAVILLAIN</a>, but open to all.<p>
1364
1365● <b>HER HEART BEATS LIKE A VAGABOND'S.</b></br>
1366Door leaves London in search of her sister Ingress upon hearing she is still alive, the trail leading her away from the familiarity of the streets of her youth. This verse can be adapted for most eras.<p>
1367
1368● <b>I AM A BLANK PAGE.</b></br>
1369A verse for Door’s years at university in London. The events of the novel do not pertain to this verse; her family is alive and she is simply a normal girl working her way through juggling classes, a part time job, and a social life. Her concentration here is on photography, someday hoping to be the next Annie Leibovitz or Diane Arbus. When not looking through the lens of a camera you can usually find her alongside her live-in music major boyfriend Kylo. Verse is single ship with <a href="http://www.wrxckage.tumblr.com">WRXCKAGE</a>.
1370
1371</li>
1372
1373<li>
1374
1375<img src="http://i.imgur.com/xTOWtQO.png" align="left" style="height:85px;width:85px;padding-right:5px;padding-bottom:0px;"> <b>SUPERIOR AMBITION.</b></br>
1376Clever. Strong. Superior. Augment. Adviser to her King. She specializes in lock-picking and code-breaking, her intellect only rivaled by her abilities in stealth and speed. Door is one of a handful of remaining augments, fighting alongside Khan Noonien Singh in the twilight of the Augment Wars on Earth. Verse is semi-closed, single Khan / single ship with <a href="http://www.respondinginkind.tumblr.com">RESPONDINGINKIND</a>.<p><br><br><br>
1377
1378<img src="http://i.imgur.com/P8130CJ.png" align="left" style="height:85px;width:85px;padding-right:5px;padding-bottom:0px;"><b>A DREAM THAT BECAME A REALITY.</b></br>
1379Ensign Door is recent Starfleet graduate, her area of concentration being Navigation & Helm training. Being from a military family meant never staying in one place for too long; and it resulted in her spending more time on ships than most of her incoming class combined. By the age of eight she could name almost every craft in the fleet based on the sound it made.<p>
1380
1381Active duty starts right after graduation, but the thrill of it is short lived. The missions are not what she had in mind; Federation life isn’t as rosy as her father made it out to be. She over-analyzes. Thinks too much for her own good. Less than a year into her post on a Hermes class ship, Door and her superiors begin to differ on sets of orders. After refusing direct orders one too many times, she gets discharged from Starfleet.
1382
1383<p><i>This verse will be divided into pre / post dishonorable discharge from Starfleet.</i>
1384
1385</li>
1386
1387<li>
1388
1389<img src="http://i.imgur.com/ks0clv6.png" align="left" style="height:85px;width:85px;padding-right:5px;padding-bottom:0px;"><b>WORDS ARE WIND.</b></br>
1390House Arch is a small but formidable one – her father Lord Portico an ally to House Tully in the Riverlands. Her father's family has roots in the North via House Hornwood; her mother's family an old Riverlands one with ties to House Mooton. </p>By proxy, Door and her family are supporters of House Stark during and after Robb’s rebellion, one of the few Riverland houses that maintain such allegiance after the events of the Red Wedding and the taking of Riverrun by the Freys. For the most part, Door has lived a sheltered life growing up near Maidenpool and along the Bay of Crabs, but now that she's older, there is more of a want to travel, despite the war.<p><br><br>
1391
1392<img src="http://i.imgur.com/2LzU1Db.pngg" align="left" style="height:85px;width:85px;padding-right:5px;padding-bottom:0px;"><b>OF LORDS & LADIES.</b></br>
1393Threads & plots for muses of medieval/historical/fantasy characters of this time period / setting will typically fall into this verse. Her back story can usually be molded to fit.
1394
1395</li>
1396
1397<li>
1398
1399<img src="http://i.imgur.com/FlB9h35.png" align="left" style="height:85px;width:85px;padding-right:5px;padding-bottom:0px;"> <b>I FOUND MY HEART IN ALBION.</b></br>
1400Wanting to see more of the outside world, Door runs away from leaves her father’s underground kingdom on her own at the age of twenty, finding herself in Albion on partially a whim, partially on stories she remembers hearing growing up. Here, she finds herself unexpectedly enamored with the both the Kingdom and it’s King. They fall in love, become engaged, and soon after are expecting their first child together ( a girl; Anne – named after Will’s deceased mother ) – Albion’s next Hero. Single-ship verse with <a href="http://www.orphxnking.tumblr.com">ORPHXNKING</a>.
1401
1402</li>
1403
1404<li>
1405
1406<img src="http://i.imgur.com/gAvLx7k.png" align="left" style="height:85px;width:85px;padding-right:5px;padding-bottom:0px;"> <b>THOSE OF WIT & LEARNING.</b></br>
1407Main FC for this verse is <i>Chloe Moretz</i> for threads that take place within the year 1-7 timeline. Can be used for both Golden Trio / Marauders Era interactions.<p>
1408
1409Door is a half-blood, sorted into Ravenclaw House like her mother Portia before her. ( Her father Portico was sorted into Gryffindor. ) She has a flair for Charms and Astronomy, but Potions have always given her difficulty. It isn’t that she isn’t clever – she’s a Ravenclaw, after all. She just has a thing about finding her own way to the correct answer. This has resulted in several bubbled over cauldrons over the years, and several lines of ’ <i>I will follow the directions</i> ’.<p>
1410
1411Post Hogwarts interactions are also encouraged!! After her time at school, she takes up a job at <a href="http://www.harrypotter.wikia.com/wiki/Slug_%26_Jiggers_Apothecary">Slug & Jiggers</a> (an apothecary, ironically enough; the job is offered to her as a favor to her father by the shop’s owner ) in Diagon Alley.
1412
1413</li>
1414
1415<li>
1416
1417<img src="http://i.imgur.com/emcs9K1.png" align="left" style="height:85px;width:85px;padding-right:5px;padding-bottom:0px;"> <b>PIECES OF EIGHT.</b></br>
1418Door was left to fend for herself on the streets at the tender age of sixteen. Luckily for her she was a quick learner; eager to pick up tricks of the trade from other people in her particular situation.<p>
1419
1420She started small with pick-pocketing when begging became beneath her; a full mind and an empty stomach content with stealing this or that when eyes were turned in the opposite direction before getting bolder. It was one such grandiose plan that went sideways and ended with her getting caught. Tossed in the one of the jail’s less accommodating holding cells, it was here that Door found her greatest talent — her nimble fingers lending themselves well to picking locks.<p>
1421
1422Her first escape at the age of eighteen, and she’s been on the run ever since.<p>
1423
1424</li>
1425
1426<li>
1427
1428<img src="http://i.imgur.com/KGYMgiP.png" align="left" style="height:85px;width:85px;padding-right:5px;padding-bottom:0px;"> <b>ALL OF TIME & SPACE.</b></br>
1429Strange things have never really phased her. After all, she comes from a part of London where crossing the wrong bridge at the wrong time can have dire consequences, a giant boar guards a labyrinth that leads to an angel, and they aren’t joking when the tell you to ‘mind the gap’. So when Door meets the Doctor, the notion of aliens, time travel, and everything that comes along with him makes complete sense to her. One trip in the TARDIS and she was hooked. A day in which the Doctor comes to visit London Below is always an interesting one. She has had interactions with Ten, Eleven and 12.
1430
1431</li>
1432
1433<li>
1434
1435<img src="http://i.imgur.com/CsHYnQ9.png" align="left" style="height:85px;width:85px;padding-right:5px;padding-bottom:0px;"> <b>EVERYBODY MAKES IT UNTIL THEY DON'T.</b></br>
1436After a family trip that turns into a nightmare, Atlanta has fallen, and Door has been separated from her family. Sshe finally comes to terms with the idea they're most likely not alive after a few months of failing to find them again after fleeing the city. She’s been left alone to fend for herself in the Georgia woods, getting by with a small campsite and two hunting knives. Her ability to move from place to place / Open things is not applicable to this verse; she’s simply a normal human girl trying to outlast some roamers. However, she finds that she is particularlly good at picking locks & getting in and out of places that others might deem too dangerous.<p>
1437
1438For interactions with Walking Dead <b>canon</b> characters, her default timeline for coming across team family is post prison / pre terminus/alexandria. This of course can be augmented as needed depending on the plot.<p>
1439
1440<i>This verse can/will also be used for general zombie apocalypse threads as well. I'm also up - to - date with the show.</i>
1441
1442</li>
1443
1444<li>
1445
1446<img src="http://i.imgur.com/IvDGK7U.png" align="left" style="height:85px;width:85px;padding-right:5px;padding-bottom:0px;"> <b>CIPRITINE & THE CITADEL.</b></br>
1447Born and raised on the Citadel, Door has had the advantages of her father’s political connections ( ran for Intendant of their Ward a few times ) and her mother’s resourcefulness when it comes to making her living. <p>
1448
1449A debt owed by a Salarian called Kannik to her father ( paired with her light fingers, an ear for gossip, and eye for quality ) resulted in her landing a job at Cipritine Armory in the Commons, where she’s been an arms dealer for a few years now. Her parents were lost in the Geth attack on the Citadel.<p>
1450
1451Default time period for the verse is ME 2.<p>
1452
1453● <b>ALL OF THESE STARS WILL GUIDE US HOME.</b></br>
1454Door signs up for the Andromeda Initiative in the hopes of getting to put her skills in alien languages to good use, as well as seeing a portion of the galaxy no one else from the Milky Way has before. She is stationed on the Nexus under Foster Addison upon her arrival and revive from cryo, her frustration with the lack of progress and general hand - wringing often taken out on datapads and unsuspecting trash bins.<p>
1455
1456Post arrival of the Pathfinder, she is part of the research team dispatched to Havarl to work with the Angara.
1457
1458</li>
1459
1460<li>
1461
1462<img src="http://i.imgur.com/sdOVER1.png" align="left" style="height:85px;width:85px;padding-right:5px;padding-bottom:0px;"> <b>BRIGHT LIGHTS DARK CITY.</b></br>
1463While trying to put together the pieces of her family’s death and find out who is behind it all, the trail unfortunately runs cold in London.<p>
1464
1465A piece of information she <i>does</i> find points to a possible lead in a place across the pond she’s never been to before, but it’s reputation precedes it – Gotham City. Here she has to deal with the culture shock as well as the dangers that wait for her in Gotham’s underground.
1466</li>
1467
1468<li>
1469
1470<img src="http://i.imgur.com/sNoLp4e.png" align="left" style="height:85px;width:85px;padding-right:5px;padding-bottom:0px;"> <b>DISTRICT 13.</b></br>An inhabitant of District 13, Door is very much a supporter of The Mockingjay and the rebellion. Her skills lay in tech and hacking more than anything else, combat being something she hasn’t had much of a need for growing up in the subterranean district. She’s lived her entire life below the surface, her family taken in several years prior when she was a little girl. Door lost her parents and her siblings to the pox outbreak that ran rampant through the District.
1471
1472</li>
1473
1474<li>
1475
1476<img src="http://i.imgur.com/XIsi1To.png" align="left" style="height:85px;width:85px;padding-right:5px;padding-bottom:0px;"><b>HOPE IS NOT LOST TODAY.</b></br><i>currently geared towards Episode VII, but can be modified for I – VI.</i><p>
1477
1478Born on the lower levels of Coruscant, Door grew up in the shadow of the former home of the Republic. Her parents had always been sympathetic to the rebel cause, both her father and mother aiding the rebellion with their abilities to code break and intercept intelligence. Door of course followed in their footsteps, falling in with the Resistance as soon as she could get passage off of Coruscant. <P>
1479
1480Now, she spends the majority of her time on data collecting / intercepting missions, and breaking First Order codes. Door is force - sensitive in this verse to tie in her abilities from canon, but her ability to harness it or use it properly is very limited due to lack of real training for it.<p><br>
1481
1482<img src="http://i.imgur.com/GZXHVw5.png" align="left" style="height:85px;width:85px;padding-right:5px;padding-bottom:0px;"> <b>BREAK ME BETTER SO I WON'T MEND.</b></br>Door is a force-sensitive member of the First Order. Her origin story stays the same; born & raised on Coruscant, but instead of following in her parents footsteps ( staying on world, local politics, etc ), she is recruited for & ultimately enlists based on both her untapped potential, and the Order's willingness to give her the training that has up until that point in her life been denied.
1483<p><br><br><br>
1484
1485<img src="http://i.imgur.com/xdtuNQm.png" align="left" style="height:85px;width:85px;padding-right:5px;padding-bottom:0px;"> <b>MAKE ME YOUR MONSTER.</b><p><b>★ AN IMPORTANT NOTE ABOUT THIS VERSE:</b> This verse will prominently feature an extremely toxic and abusive ( mentally & physically, etc. ) relationship between Door and Kylo Ren. It will contain dark themes and several triggers. All such triggers will be tagged accordingly. <i>For blacklisting purposes, the tag is :</i></br> <b>( closed verse : wrxckage. ) » ▪ ❛ make me your monster.</b><p>
1486
1487Being born a ( human ) Dathomirian Witch has it’s advantages in the galaxy. Door’s skill-set as a <i>Shadow Killer</i> has always been desirable to those who align themselves with the Dark Side of the Force. But she doesn’t realize her true potential until being taken under the wing of Kylo Ren. Under his tutelage she grows stronger still, leaving behind the teachings she first learned while growing up with her fellow Nightsisters & their <i>Book of Shadows</i> to fully adopting her Master’s ideology.
1488
1489Their arrangement as Master / Apprentice soon turns into a much more intense, complicated, and far darker relationship. Each are dangerous on their own, but together — they’re the deadliest lovers in the galaxy.
1490
1491This verse is single-ship with <a href="http://www.wrxckage.tumblr.com">WRXCKAGE</a>.<br><br>
1492
1493<img src="http://i.imgur.com/DfILwuM.png" align="left" style="height:85px;width:85px;padding-right:5px;padding-bottom:0px;"><b>I AM SHELL & I AM BONE.</b></br><i>currently a catch - all for all other Nightsister interactions along other SW timelines.</i><p>
1494
1495Mother Talzin knew what she had was special; unique. Her daughters possessed skills & a relationship with the Force that neither the Jedi nor Sith could lay claim to. The Spirits gave them strength, but she as clan mother gave them a purpose ---- which was to be sold to the highest off-world bidder.<p>
1496
1497Their society became that of mercenaries; bows and staffs for hire. Door and her sisters were trained in both the ways of Magick & combat, her skill-set as one of her coven's Shadow Killers made her an asset to whomever could afford her services.
1498
1499</li>
1500
1501<li>
1502
1503<img src="http://i.imgur.com/4ih7t7S.png" align="left" style="height:85px;width:85px;padding-right:5px;padding-bottom:0px;"> <b>WHITEHORN & ARBUTUS.</b></br>In this verse Door is Cardea, a lesser known Roman Goddess who’s charges are door hinges, door knobs, the home’s threshold, and watching over children / protecting them from evil spirits. More information ( because there is very little out there to begin with ) on Cardea can be found <a href="http://www.thaliatook.com/OGOD/cardea.html">here</a>.
1504
1505</li>
1506
1507<li>
1508
1509<img src="http://i.imgur.com/hnbireQ.png" align="left" style="height:85px;width:85px;padding-right:5px;padding-bottom:0px;"> <b>ALL THE DEVILS ARE HERE.</b></br>
1510<i>For muses in the Netflix section of Marvel. </i> <p>
1511
1512Door trades the streets of London for Hell’s Kitchen, trying to find out who is behind the deaths of her family. She's knows Croup & Vandemar got thehir orders from someone, it's just a question of who. She knows her way around New York’s underground, which depending on what you need to know can be a help or a hindrance. <p><br>
1513
1514<img src="http://i.imgur.com/BSgveqP.png" align="left" style="height:85px;width:85px;padding-right:5px;padding-bottom:0px;"> <b>MUTANT & PROUD.</b></br>
1515<i>Can be used for both cinematic x-men timelines. </i><p>
1516
1517Her parents knew something was different about her almost from the moment she was born. Her crib wouldn’t stay locked, drawers and doors left open that they had sworn they had shut. It became more and more apparent that Door needed guidance and supervision that they couldn’t provide. So when she was old enough, she was sent off to a special school – boarding school where she could have private attention – at least that’s what her parents told everyone.<p>
1518
1519She’s proud of her abilities; doesn’t really see the point in hiding them most of the time.<p><br>
1520
1521<img src="http://i.imgur.com/ioUtrnN.png" align="left" style="height:85px;width:85px;padding-right:5px;padding-bottom:0px;"> <b>I STILL BELIEVE IN HEROES.</b></br>
1522<i>Mainly MCU based.</i><p>
1523
1524Door’s talents for being able to move and disappear into nothing makes her the perfect candidate for S.H.I.E.L.D. She becomes what they call a Shadow; someone who monitors potential people of interest, but can also extract & hide other agents at a moment’s notice.<p>
1525
1526She continues to work for / run recon for Fury post the events of CA:WS and the fall of S.H.I.E.L.D.; meeting and working with Steve for the first time at the former director's request. She is still activly working with Fury through the events of AOU. By the time the events of CA:CW take place, circumstances being what they are ( her abilities and the growing seriousness of her relationship w/ Steve ), she finds herself aligned with Captain America’s beliefs re: the Accords than that of Tony Stark’s. Door is taken into custody with the rest of Steve's team, accompanying them to the Raft. Upon Steve's return to the prison and subsequent rescue mission, Door joins him on the run, not long after ending her working relationship with Fury to better help the pair of them disappear. For threads taking place in a post CW context, she will therefore react very differently to people on Steve's side vs. Tony's.<p>
1527
1528This verse is single-ship with <a href="http://www.warwrovght.tumblr.com">WARWROVGHT</a>'s Steve Rogers.
1529
1530
1531</li>
1532
1533<li>
1534
1535<img src="http://i.imgur.com/52Ywrvj.png" align="left" style="height:85px;width:85px;padding-right:5px;padding-bottom:0px;"> <b>MEN'S HEARTS HOLD SHADOWS.</b></br><i>Default timeline for this verse is DA2.</i><p>
1536
1537Door grew up in Kirkwall; Lowtown to be exact. She started working at the Hanged Man as soon as she could pull a tray of drinks down from the bar --- without spilling them --- after the passing of her parents and older brother. It’s what you could call a decent enough living, keeps her busy, keeps a roof over her head and food on her table. Of course, to keep things exciting, she will gladly loan out her services as an excellent lock picker / sell a piece of information she’s heard tumble from the lips of someone who’s had one too many for the right price.<p>
1538
1539Loyalty is something reserved for her regular contacts ( who usually enjoy being kept anonymous ), <a href="http://extravagantliar.tumblr.com">Varric</a>. of course, and <a href="http://www.brightflight.tumblr.com">Hawke</a>.<p><br>
1540
1541<img src="http://i.imgur.com/7swpvUL.png" align="left" style="height:85px;width:85px;padding-right:5px;padding-bottom:0px;"><b>LET THOSE WHO WOULD DESTROY US STEP INTO THE LIGHT.</b></br><i>Default timeline for this verse is DA:I.</i><p>
1542
1543After the chaos in Kirkwall, Door travels to Haven to see if she can aide the Inquisition. After initially taking a job at the tavern <i>The Singing Maiden</i>, she is put in contact with Leliana, offering her talents in passing information to the spymaster. She becomes part of the Nightingale's scouting and spy rings, spending most of the campaign moving between points around Ferelden and Orlais and the camps of Haven and Skyhold.<p>
1544
1545With Corypheus defeated and the Breach closed, Leliana is soon after elected as the new Divine Victoria. Door is asked to travel to Orlais to continue her work, with the Inquisition wanting to focus on secrets and information. She remains in the Divine's service for another year or so before resigning her post and travelling back to Kirkwall to help Varric with the reconstruction of the city and settling down.
1546
1547</li>
1548
1549<li>
1550
1551<img src="http://i.imgur.com/ZxEwj4P.png" align="left" style="height:85px;width:85px;padding-right:5px;padding-bottom:0px;"> <b>SAVIORS & SAINTS ; DEVILS & HEATHENS ALIKE SHE'LL EAT YOU ALIVE.</b></p>
1552<i>Inspiration for this verse is taken from both the Blade & Underworld universes.</i><p>
1553
1554Born a Vampire under the streets of London, Door is the eldest daughter of an old family with allegence to the ancient Vampiric Council based in the city. Like her father before her, she is something akin to a <i>Death Dealer</i> --- a vampire charged with keeping the status quo, hunting down & dispatching those who threaten the coven's way of life. <p>
1555
1556While it is considered taboo to hunt down their own kind ( especially those born a vampire and not bitten & turned ), the Council does enjoy making examples of those who deviate.
1557
1558</li>
1559</ul> <!– important. don’t delete –>
1560</div></div></div></div></div></div></div></div></div></div></div></div>
1561</div>
1562
1563<div id="box6" class="popup_block"><h1>credits.</h1>
1564<h2><img src="http://i.imgur.com/h87iBKZ.png" /></h2>
1565<ul>
1566<li>all natalie dormer, chloë grace moretz, <strong>&</strong> taylor momsen icons used on this blog are mine, as is the psd used to create them. <strong>they are not for public use. <em>please</em> don’t steal</strong>.</li></p>
1567<li>theme image is mine, along with the coding tweaks ( all credit for those remain intact within the code itself ) made to <a href="http://hollywhood.tumblr.com/">hollywhood’s</a> theme #41.</li></p>
1568<li>pop-up tutorial from <a href="http://neonbikethemes.tumblr.com/post/98017287343/str-wrs-tutorial-pop-up-boxes-live-preview">here</a>; originally by str-wrs / <a href="http://acuite.tumblr.com/">acuite</a>.</li></p>
1569<li>pop-up navigation from <a href="http://queenxcersei.tumblr.com/post/124424422000/pop-up-navigation-1-example-i-just-made-one-for">queenxcersei</a>.</li></p>
1570<li>code for tabs in my verses page from <a href="http://showmaxter.tumblr.com/post/132546787189/how-to-have-tabs-in-your-pop-ups">showmaxter</a>.</li></p>
1571<li>code for jumbled post info also from <a href="http://showmaxter.tumblr.com/post/145280463774/after-a-request-here-you-go-with-a-nice-new">showmaxter</a>.</li></p>
1572<li>textures from <a href="http://www.freepik.com/free-vector/background-with-sky-in-green-tones_949843.htm">freepik</a> & <a href="http://stewark.tumblr.com/">stewark</a>.</li></p>
1573<li>all other forms of graphics – edits, promos, etc are my own unless otherwise stated / credit will be given to the original maker in either the edit caption or in the original tags.</li>
1574</ul></div>
1575
1576</div></div></div></div></div></div></div></div></div></div>
1577
1578</html>