jV53xvCv

1About
2This wiki is a digital playground and personal logging system.
3
4The aim of this wiki is to build a form of personal assistant to help with the
5management of a vast repository of recorded statistics which presently includes
63215 daily logs, recorded on 307 projects, spanning over 3018 topics.
7Oscean is designed to be fully static, to operate without the need for a build
8process, to remain flexible enough to adapt to my needs as they change, and to
9technology as it evolves.
10Each part of this project should aim to persist across technological Long Term,
11not one part of it should be prebuilt, precompiled, or minified. — Every method
12should be specific, unobfuscated, and each one carefully chosen against
13general-purpose libraries, frameworks or wasteful foreign entities.
14Using this tool should be frictionless and undisruptive, its formats and
15subsequent products versionable, re-purposable, interpretable and text-editable.
16Only through open sources, open standards, human-readable formats and their
17independencies, might they survive this fleeting age of self-destructing
18informatics.
19These attributes should not only be perceptible in its design, but deeply rooted
20in its code.
21This type of website is a often referred to as a "memex", a kind of archive and
22mirror of everything that one has done, and everything that has learnt. It's a
23living document that outlines where you have been, and a tool that advises where
24you are going.
25Consider a future device, a sort of mechanized private library in which an
26individual stores all his books, records, and communications, and which may be
27consulted with exceeding speed and flexibility. It is an enlarged intimate
28supplement to his memory. | As We May Think | Vannevar Bush |
29https://www.theatlantic.com/magazine/archive/1945/07/as-we-may-think/303881/
30
31* Source Files: https://github.com/XXIIVV/Oscean
32* Rss Feed: https://wiki.xxiivv.com/links/rss.xml
33* Rss Validation: https://validator.w3.org/feed/check.cgi?url=https%3A//wiki.xxiivv.com/links/rss.xml
34* Activitypub: https://bots.tinysubversions.com/u/neauoire/
35* Static Site: https://wiki.xxiivv.com/static.html
36
37-- 
38
39License
40The License for code and assets.
41
42The license applies to all the documented projects, the projects themselves and
43their assets.
44The platform code is under the MIT License.The media and text content is under
45the BY-NC-SA 4.0 License.
46You are free to
47- Share: copy and redistribute the material in any medium or format.
48- Adapt: remix, transform, and build upon the material.
49Under the following terms
50- Attribution: You must give appropriate credit.
51- NonCommercial: You may not use the material for commercial purposes.
52- ShareAlike: You must distribute your contributions under the same license.
53If you have any question or feedback, please submit a bug report.
54
55
56-- 
57
58Dodecae
59The Dodecae was a collaboration with the BentoMiso co-working space.
60
61Presented live experimental music from Adversary, Ilkae, Dualryan and Aliceffekt
62alongside the visualists Nonante and Melesul3
63The event was following the yearly Bit Bazzar market on December 6th, 2014.
64
65* Event: https://www.facebook.com/events/558238014277230/?fref=ts
66
67-- 
68
69Efli
70Efli, 103.0FM, was a pirate radio broadcast, available from Montreal's Plateau area, between 22:00 and 6:00.
71
72The radio started broadcasting on May 20th, 2015 and stopped transmitting on
73December 20th. It played various permutations of the Eschatolor album.
74
75
76-- 
77
78Alicef
79Alicef, is an livecoding audio/visual project built around Orca.
80
81Alicef is a fragment of time taken from Aliceffekt's diary, exploring similar
82spaces, but focusing on the aesthetics of pattern & repetition.
83There are currently no complete releases available for the Alicef project, only
84a handful of demos and the Azolla release.
85
86
87-- 
88
89Aliceffekt
90Aliceffekt, is an audio project following the adventures of Neonev across Dinaisth.
91
92A travel across the fictional worlds of the Neauismetica where every album is a
93sort of travel diary across the Dinaisth landscape.
94
95* Bandcamp: https://aliceffekt.bandcamp.com
96
97-- 
98
99Es Gulf Sunflowers
100Es Gulf Sunflowers is a Neauismetic album.
101
102It remembers the sunken fields of Es, the underwater gate, and the vast ocean
103terrace with its display of sunflowers.
104
105* Bandcamp: https://aliceffekt.bandcamp.com/album/es-gulfssunflowers
106
107-- 
108
109Damoiseau Canalx
110Damoiseau Canalx was created in the spirit of Blam, exploring industrial sounds with 2-step styles.
111
112The album was recorded live, at Passport in Montreal during the last AMP event
113and is being released as-is.
114The album was composed as side project while working on Ten Axitecture and
115includes bits and pieces from Blam.
116
117* Bandcamp: https://aliceffekt.bandcamp.com/album/damoiseau-canalx
118
119-- 
120
121The Sixth Season
122The Sixth Season sings the Neauismetic tales of the establishment of the Oasis by Rlionn.
123
124Whiinders and the likes, a glorious beginning in Laeisth.
125This album established the sound that Aliceffekt decided to persue for the
126Neauismetic releases.
127
128* Bandcamp: http://aliceffekt.bandcamp.com/album/orchestrate-the-sixth-season
129
130-- 
131
132Hex Hive Necklace
133The Hex Hive Necklace is small designer necklace.
134
135
136
137* Sources: http://www.thingiverse.com/thing:18853
138
139-- 
140
141Victorian Punch
142The Victorian Punch is a knuckle weapon.
143
144
145
146* Sources: http://www.thingiverse.com/thing:18853
147
148-- 
149
150Rekka
151Rekka Bellum, is an illustrator and writer.
152
153Rekka is the co-founder of Drownspire and Hundred Rabbits.
154Devine and Rekka collaborated on projects like Oquonie, Grimgrains, Thousand
155Rooms and Paradise.
156
157* Website: http://kokorobot.ca/
158
159-- 
160
161Wiktopher
162Wiktopher is Rekka's upcoming travel novel.
163
164Wiktopher tells the travel stories of Lupin, who fell from one of the three
165great cities erected on the backs of desert walkers; and Eka, a creature of
166wonder and of seemingly, infinite kindness and curiosity.
167Together, they learn the innumerable ways of the world, traversing deserts and
168villages, meeting their inhabitants and discovering their customs.
169The novel is written entirely without genders, and will be released as
170audiobooks, ebooks and paperbacks.
171
172* Read Online: http://wiktopher.kokorobot.ca
173* About The Author: https://twitter.com/RekkaBell
174
175-- 
176
177Hundred Rabbits
178Hundred Rabbits is a design studio on a sailboat.
179
180This partnership is host to interactive projects like Oquonie, Grimgrains and
181travel diaries.
182The name Hundred Rabbits comes from the name of the sailboat in the Japanese
183animated show Ergo proxy, while the sailboat's name Pino comes from that of an
184android sailor from that same show.
185
186* Patreon: https://patreon.com/100
187* Twitter: https://twitter.com/hundredrabbits
188
189-- 
190
191Drownspire
192Drownspire was the name of an online store founded with Rekka Bellum, back in 2009.
193
194Our goals then, fueled what is now Hundred rabbits. We distributed the Vambits
195designer toys and published the Merure books.
196The Studio
197
198
199-- 
200
201Merure
202The Merure books, were a series of comics published with friends.
203
204
205
206* Itunes: https://itunes.apple.com/nz/book/merure/id888164293
207
208-- 
209
210Vambits
211Vambits are small DIY desktoys designed to be laser cut in acrylic.
212
213The product was initially created with Ponoko but is now produced by our friends
214at Skógr Studio.
215The templates are free and open-source if you want to create your own faces and
216custom accessories! Send us your pictures if you do.
217The design stolen and sold by various resellers on Esty and in stores in
218Australia — Please do not support them.
219These amazing pictures were taken by Nyloire of Skógr Studio.
220
221* Sources: https://github.com/hundredrabbits/Vambits
222
223-- 
224
225Pino
226Pino is a Yamaha 33 sailboat built in 1982.
227
228Purchased in 2016, on Vancouver Island, Pino has since sailed across the Pacific
229Ocean. We maintain a list of technical details, and our current position can be
230accessed through our tracker.
231Name PINO
232Builder Yamaha
233Year 1982
234Length 33'(10 meters)
235Engine Fuel Type Single / diesel(13 HP)
236Hull Material Fiberglass
237Keel Fin
238Full Specs
239If you are interested in learning about the digital-nomad lifestyle, have a look
240at the Hundred Rabbits Website. We have a lot of Raspberry-powered devices
241onboard, learn more about our Media Station and Radio Station.
242There's no such thing as bad weather, only inappropriate clothing. | Linda
243Geddes | Living without artificial light |
244http://www.bbc.com/future/story/20180424-what-i-learnt-by-living-without-artificial-light
245
246* Details: http://github.com/hundredrabbits/pino
247* Patreon: https://patreon.com/100
248
249-- 
250
251Grimgrains
252Grimgrains is the Hundred Rabbits food and cooking resources site.
253
254Started in the fall of 2014, the goal of the site is to document interesting
255foods and lifestyle experiments.
256A collection of notes on cooking tools is also maintained here.
257
258* Twitter: https://twitter.com/grimgrains
259* Live: https://grimgrains.com
260* Sources: https://github.com/hundredrabbits/Grimgrains
261
262-- 
263
264Illustration
265A collection of Illustration projects.
266
267The Illustration portal forks into the worlds of the Nereid, Polygonoscopic and
268Neauismetic Collections.
269
270
271-- 
272
273Beldam Records
274Beldam Records is a netlabel releasing 4 tracks mini-albums.
275
276Beldam Records was initiated as an alternative channel for non-Aliceffekt
277releases, focusing on IDM textures and lowfi techno.
278
279* Bandcamp: https://beldamrecords.bandcamp.com
280* Twitter: https://twitter.com/beldamrecords
281
282-- 
283
284Ten Axitecture
285Ten Axitecture is a Beldam Records release by Aliceffekt.
286
287Three of the four tracks names are that of different fictional worlds that have
288inspired the Aliceffekt narrative.
289Eudoxie from Calvino's Invisible Cities, Borges' Tlon and Schuiten's Citees
290Obscures.
291
292* Bandcamp: https://aliceffekt.bandcamp.com/album/ten-axitecture
293
294-- 
295
296Miniscopie
297Miniscopie is a Beldam Records release, by Reine.
298
299Written by Reine, this album combines ambient and deep IDM flavoured sounds. The
300album is the first music release from Elodie, who also created the Vast book.
301
302* Bandcamp: https://beldamrecords.bandcamp.com/album/miniscopie
303* Itunes: https://itunes.apple.com/us/album/miniscopie-ep/id956624857
304
305-- 
306
307Ramiel
308Ramiel is a Beldam Records release, by Villa Moirai.
309
310Written by Villa Moirai, this album is an even mixture and techno and idm.
311The album name and cover are a tribute to the geometric angel of the Evangelion
312anime series.
313
314* Bandcamp: https://beldamrecords.bandcamp.com/album/ramiel
315* Itunes: https://itunes.apple.com/us/album/ramiel-ep/id958562173
316
317-- 
318
319Eschatolor
320Eschatolor is a Beldam Records release, by Катя Тевелизион.
321
322Written by Катя Тевелизион, this album was inspired from Russian number
323stations.
324It was recorded playing through the FM band, from the EFLI 103.0Mhz pirate radio
325station in Montreal, giving it its texture and warmth.
326
327* Bandcamp: https://tevelision.bandcamp.com/album/eschatolor
328* Itunes: https://itunes.apple.com/ca/album/eschatolor/id1000241341
329
330-- 
331
332Looking Glace
333Looking Glace is a Beldam Records release, by Reine.
334
335Painting a harsher, and more complete picture of her acoustic universe where the
336liquid sounds and suffocating vocoder are incessantly present.
337
338* Bandcamp: https://beldamrecords.bandcamp.com/album/looking-glace
339* Itunes: https://itunes.apple.com/ca/album/looking-glace-ep/id1034127266
340
341-- 
342
343Verreciel Soundtrack
344The Verreciel Soundtrack is a Beldam Records release, by Aliceffekt.
345
346
347
348* Bandcamp: https://aliceffekt.bandcamp.com/album/verreciel
349
350-- 
351
352Getapan 728k
353Getapan 728k is a Beldam Records release, by 死サイコロ.
354
355This new release explores a region of frigid dubs yet uncharted by Beldam
356Records. Not much is known about 死サイコロ, their name is Shi Seikoro, or Death
357Dice.
358
359* Bandcamp: https://beldamrecords.bandcamp.com/album/728k
360
361-- 
362
363Azolla
364Azolla is a Beldam Records release, by Alicef.
365
366Azolla is a research project involving composition and development, with the
367purpose of creating a catalog of works written entirely using homebrew tools
368like Orca and Enfer.
369The previous performances include Berlin(ReactBerlin), Amsterdam(JSNation) and
370Sheffield(Algorave).
371The track can be downloaded here.
372
373* Sources: https://github.com/neauoire/alicef
374* Live: https://beldamrecords.bandcamp.com/album/azolla
375* Video: https://www.youtube.com/watch?v=9FPrPgOQqZg
376
377-- 
378
379Malice
380Malice, GAII or 害意, tells the earlier tales of Neonev as she crossed the Kanikule ocean.
381
382The Malice logo was designed by Jan Vranovský.
383
384* Bandcamp: https://gaii.bandcamp.com/
385
386-- 
387
388Collected Works
389Collected Works between 2008 and 2015, written as Malice.
390
391This release includes the complete Storm Transit record, hidden Malice tracks
392from Aliceffekt releases and the Merveilles soundtrack.
393
394* Bandcamp: https://gaii.bandcamp.com/
395
396-- 
397
398Markl
399Markl is a TAIBA game. In Development.
400
401Markl is a game in which players must program their character's fighting style,
402to face various opponents in a battle happening too fast for humans to compete.
403There are 4 characters to choose from, with unique attributes and stats,
404allowing for varied loadouts and combat styles.
405The game will be released as Hundred Rabbits in the fall of 2019, for all
406desktop platforms. The game supersedes the Blindfolk project.
407TAIBA: Tactical AI Battle Arena
408
409* Sources: https://github.com/hundredrabbits/Markl
410
411-- 
412
413Verreciel
414Verreciel is a space exploration game.
415
416Verreciel is an experimental space exploration game happening within a small
417glass capsule.
418The game's controls are inspired from modular synthesisers, where modules are
419routed into one another to create more complex operations. The game joins the
420sequence of linguistically involved projects like Paradise, Hiversaires and
421Oquonie.
422An original soundtrack was created for the game and released on Beldam Records.
423The game's icon is the Lietal Sä glyph.
424
425* Itunes: https://hundredrabbits.itch.io/verreciel
426* Sources: https://github.com/Echorridoors/Verreciel
427
428-- 
429
430Modernista
431Modernista is a series of 4 prints inspired from American Modernism.
432
433
434
435
436-- 
437
438Nereid
439Nereid is a dull grey moon.
440
441The soil is mostly Polygonoscopic diamonds, and the lack of atmosphere leaves
442the surface of the moon, quiet. Pigments, illegal.
443
444
445-- 
446
447Beauty
448The Beauty series is a collection of portraits from the beautiful inhabitants of Nereid.
449
450
451
452
453-- 
454
455Serventines
456Serventines is a travel diary from travels across Nereid.
457
458
459
460
461-- 
462
463Polygore
464Polygore are the base elements Nereid.
465
466The beautifuly corrupted and polygons of of Nereid.
467
468
469-- 
470
471Pearls
472The Pearls are polygonoscopies of Nereid.
473
474The pearls of Nereid lead to the discovery of the Polygonoscopic world.
475
476
477-- 
478
479Occulter
480Occulter is a shape inspired by the logo of a boutique I like.
481
482The NYC boutique Occulter has since closed.
483
484
485-- 
486
487Oquonie
488Oquonie is a textless isometric puzzle game.
489
490You must make your way through a seemingly endless succession of rooms. You will
491not be alone. Your incarnations will have the help of bizaroid characters that
492speak an an obscure language.
493We made Oquonie while living in Japan. The game was our first collaborative
494project as Hundred Rabbits, and a reflection of our experience navigating a new
495country, with language as a recurent obstacle. Oquonie is about being lost in a
496foreign space.
497A big inspiration for this project was the short story "A town without streets"
498by Junji Ito, about a city of endless interconnecting houses and rooms, where
499privacy is non-existent. To preserve the little privacy they do have, the
500townspeople wear masks.
501Back in 2013, we both had full-time jobs in different studios in Tokyo, we
502worked on Oquonie after work, and on weekends, for a total of 6 months. You can
503learn more about the development of the project here.
504Find help in the Oquonie Guide.
505Oquonie features an original soundtrack and was best described as Animal
506Crossing in a K-Hole.
507
508* Builds: https://hundredrabbits.itch.io/oquonie
509* Sources: https://github.com/hundredrabbits/oquonie
510
511-- 
512
513Oquonie Guide
514This Oquonie Guide is aimed at players who have gone past the loop of character changes.
515
516This guide is meant to be a spoiler-free list of tips to help you proceed
517through Oquonie.
518If you have not yet found the first pillar keep playing, for your only task at
519the moment is to find sequences of three matching tokens.
520A red pillar appeared next to one of the town's gates. What do? In your travels,
521you have met a small spiky ramen-eating character, speaking to him as each
522character will have him spawn in town and give you a token based on which
523character that you are. You need his help, so make sure that you have found him
524in each of the worlds.
525Things get a bit trickier here, you will need to find your first token as you
526leave one world, your second from the ramen guy, and the last in yet another
527world.
528The town's shark will remove your tokens, speak to him if you ever find yourself
529with tokens that you do not need. Good luck!
530Cheat Codes
531To input the cheat codes, just type while the game window is in focus. Their
532purpose is resolve mirror bugs whenever your save game glitches.
533noplacelikehome         Warps you into the lobby.
534susannakaysen           Erases the current save game.
535
536
537-- 
538
539Camilare
540Camilare is the language of Oquonie.
541
542This list contains some of the most commonly used characters in Oquonie,
543mouse-hover the character to see their meaning.
544
545
546-- 
547
548Babelium
549Babelium is a roguelike set in the Borges' Library of Babel.
550
551Begin by finding the guide(g), in every second hexagon, the guide will tell you
552things to look for. If you find yourself to be walking rather slowly, find the
553closet in which you can sleep standing up.
554The game is currently in open beta, if you find any issue, add it to the github
555repository below.
556
557* Sources: https://github.com/Echorridoors/Babelium
558
559-- 
560
561Physical
562These Physical objects are designed to be 3d printed.
563
564
565
566* Downloads: http://www.thingiverse.com/Aliceffekt/designs
567
568-- 
569
570Polygonoscopy
571Polygonoscopy is a series of abstract videographies, recorded with the Kaleidoscope.
572
573
574
575
576-- 
577
578Methascope
579Frozen Methascope drops, similar to snowflakes.
580
581At its smallest scale, the Methascope unfolds as the Ar Moires.
582
583
584-- 
585
586Kaleidoscope
587The Kaleidoscope records the intersection of overlapping structures.
588
589Nothing is as reassuring as looking through the Polygonoscope and seeing
590everything is where you left it.
591
592
593-- 
594
595Hypervoid
596The Hypervoid is navigating the nullplane of dichromatic Anti-pigments.
597
598The  pieces were selected to be on the cover of the second volume of the Amaze
599Newspaper.
600
601
602-- 
603
604Brane
605Brane are digital fabrics.
606
607This Polygonoscopic collection of large Nervous Systems was exposed at the MIGS
608gallery on november 10th 2014.
609
610
611-- 
612
613Astratas
614The Astratas topologic maps oscillate to Serventines's Polygonoscopic frequencies.
615
616The Art of Cartography attained such Perfection that the map of a single
617Province occupied the entirety of a City, and the map of the Empire, the
618entirety of a Province. | Jorge Luis Borges | On Rigor in Science |
619https://en.wikipedia.org/wiki/On_Exactitude_in_Science
620
621
622-- 
623
624Ar Moire
625The Ar Moire diagrams are Polygonoscopic sounds.
626
627
628
629
630-- 
631
632Nervous
633Nervous are studies of Polygonoscopic Fields.
634
635A closer look to the fibers of the Brane mesh.
636
637
638-- 
639
640Artwork
641Artwork collection of unrelated concepts and characters.
642
643
644
645
646-- 
647
648Sketchbook
649Various rough illustration from the Sketchbook.
650
651Always carry some sort of notebook.
652
653
654-- 
655
656Flactals
657Flactals is a series of abstract six-sided flowers drawn using an early version of Ronin.
658
659These flowers have inspired a series of illustrations used in Elodie Lareine's
660book titled "Vast" as well as the cover of the Aliceffekt single titled "Known
661Magye", released in 2014.
662Drawing flowers, therapeutic.
663
664
665-- 
666
667Old Cities
668The Old Cities were old drawings created for school.
669
670Traditional drawings created in the style of ブラム!
671These dark locations were to become the brightened structures of Malice and
672Merveilles.
673
674
675-- 
676
677Lard Shader
678Lard Shader is a 3d vertex shader transforming neoclassical figures into their plump selves.
679
680The shader first creates a vertical vertex displacement based on the
681intersection of brightness and red pixel values, and then re-apply itself 3
682times onto the resulted new topology.
683
684
685-- 
686
687Ring Of Scales
688The Ring Of Scales is a large ring made of 3 scales.
689
690The ring was originally named the armor ring.
691
692* Download: http://www.thingiverse.com/thing:19152
693
694-- 
695
696Neauismetic
697The Neauismetic albums are audio diaries from the early ages of the Neauismetica.
698
699
700
701
702-- 
703
704Vetetrandes Lettres
705Vetetrandes Lettres's songs sings of the first ages of Dinaisth on the island of Vetetrandes.
706
707While the album begins in Vetetrandes, it moves to the shores of Dilitriel and
708turns its attention across Kanikule and toward the Es'Gulf of Eaurison.
709The album includes 4 edited tracks from the Es Gulf Sunflowers release. The
710Ver'Tale extension is a hint to a location of Whiinders, close to the visited
711Vert Kirlian Theatre.
712The album begins with a track about Yajnev, the composition is based on his trip
713near the white trees of the Oasis and the Children of Brambles.
714The album is part of Aliceffekt's Neauismetic albums.
715
716* Bandcamp: http://aliceffekt.bandcamp.com/album/vetetrandes-lettres-perdues
717
718-- 
719
720From Saharaphorest
721From Saharaphorest is an album telling the tale of a visit at Paradichlorisse.
722
723The album was recorded as it played through cassette tapes. The first 3 tracks
724are ripped from cassette tapes, and the last one is a single clean mastered
725version. Five tapes were made and given to fans at shows as artworks.
726This release is related to Vert Kirlian Theatre album, released in 2008.
727
728* Bandcamp: http://aliceffekt.bandcamp.com/album/19th-month-from-saharaphorest-to-duomo
729
730-- 
731
732Ehrivevnv Studies
733The Ehrivevnv Studies is an album exploring the Dinaisth region surroudning Andes' office.
734
735The album was composed for and performed at Blip Festival Tokyo on October 21st
7362012 and reissued on april 15th 2013.
737The track names contains encrypted Traumae. The first track is decrypted into
738"Simkin Kamsi" and can be translated to Time Structure, refering to The Library
739of Sand. The second track, "Xomsinsom Kim Yajnev", can be translated to Yajnev's
740Curse and refers to the short Yajnev's Thoughts. The third track is titled "Ko
741Sokamxi" which simply means The Impossible Exploration.
742
743* Bandcamp: https://aliceffekt.bandcamp.com/album/the-ehrivevnv-studies-reissue
744
745-- 
746
747Yajnev Studies
748The Yajnev Studies is an upcoming album exploring Yajnev' sector Vetetrandes.
749
750The album is entirely written in Orca and is designed to be performed as a
751livecoding installation, more details shortly.
752
753
754-- 
755
756Telekinetic
757Telekinetic is a Laeisthic concept album performed live with the Leap Motion controller.
758
759The event was recorded and can still be watched online on UStream.
760There was a short article on CNET about the event as well. The album cover
761features an alternate door to Nataniev's Library of Sand ornated of the number
762210 in Needles as well as the Lietal letters BI, TI, TA, SI, PO.
763
764* Bandcamp: https://aliceffekt.bandcamp.com/album/telekinetic
765
766-- 
767
768Telekinesis
769Telekinesis is a Pure Data controller and instrument used for Telekinetic.
770
771The tool was used for both, the live performance of Telekinetic and Ten
772Axitecture.
773The picture was taken at 8Static, by Marjorie Becker.
774
775
776-- 
777
778Software
779The Software portal is a collection of interactive applications.
780
781The Software archive is a collection of Free & Open-source projects.
782These projects were made possible by the help of countless developers who fixed
783issues, submitted pull requests and spent time improving the code.
784
785
786-- 
787
788Nataniev
789The Nataniev ecosystem is a collection of exocortex tools.
790
791Nataniev is a collection of free and open-source software following a singular
792design philosophy, and aesthetic.
793
794
795-- 
796
797Oscean
798Oscean is a flat-file wiki engine.
799
800Oscean is a fully static publishing platform created for the peer-to-peer web.
801The wiki engine has grown into a collection of frontend tools, including the
802database formats Indental & Tablatal, the time formats Neralie & Arvelie, and
803the templating and scripting languages Runic & Lain.
804The following example shows the content of an Indental file, with a body
805templated in Runic, which includes a paragraph with a bold link declared in
806Lain.
807# lexicon.ndtl
808HOME
809  BREF : A basic term.
810  TAGS : diary gallery
811  BODY
812    & Foo {(bold (link "sources"))}.
813    λ (join host:children)
814
815* Sources: https://github.com/XXIIVV/Oscean
816* Live: https://wiki.xxiivv.com
817
818-- 
819
820Indental
821Indental is a dictionary-type database format.
822
823This space-sensitive database format is designed to store a dictionary of
824elements, accessible by name. The parser is a mere 50 lines, and allows for
825human-readable data structures for static sites such as Oscean, also see
826Tablatal.
827NAME
828  KEY : VALUE
829  LIST
830    ITEM1
831    ITEM2
832Or, {NAME:{KEY:VALUE,LIST:[ITEM1,ITEM2])}
833In the Indental file, an unindented line declares the key to a new root node,
834children lines can associate either parameters or lists to their parent node, a
835line divided with a colon will associate a value to a parameter to the parent
836node, and a sequence of equally indented lines will append to a list.
837
838* Sources: https://github.com/XXIIVV/Oscean/blob/master/scripts/lib/indental.js
839* Syntax: https://github.com/csmccaleb/Tome
840
841-- 
842
843Tablatal
844Tablatal is a list-type database format.
845
846This space-sensitive database format is designed to store a list of elements of
847the same length, accessible by id. The parser is 30 lines long, and allows for
848human-readable data structures for static sites such as Oscean, also see
849Indental.
850NAME    AGE   COLOR
851Erica   12    Opal
852Alex    23    Cyan
853Nike    34    Red
854Ruca    45    Grey
855Or, [{name:Erica,Age:12,Color:Blue},{name:Alex,Age..}
856In the Tablatal file, the first line declares the key, the spacing between each
857key defines the length of the parameters for all subsequent lines.
858
859* Sources: https://github.com/XXIIVV/Oscean/blob/master/scripts/lib/tablatal.js
860
861-- 
862
863Runic
864Runic is a templating format.
865
866Runic is a first order templating language operating on arrays of strings
867Where each one is prefixed by a rune, giving a sense of the data being handled.
868Have a look at the Oscean Lexicon to better understand its applications.
869* Header
870& Paragraph
871- List Element 1
872- List Element 2
873| table | row1
874| table | row2
875# -- CODE BLOCK
876> -- HTML BLOCK
877λ -- LAIN BLOCK
878
879* Sources: https://github.com/XXIIVV/Oscean/blob/master/scripts/lib/runic.js
880* Syntax: https://github.com/csmccaleb/Tome
881
882-- 
883
884Lain
885Lain is a LISP dialect.
886
887Lain is both an inline scripting library that allows for complex templating of
888the wiki pages, and a programming language that exists at the core of the engine
889to load and parse content for each article.
890Templating With Lain
891(link "home")                             home
892(link "home" "local")                     local
893(link "https://github.com/")              https://github.com/
894(link "https://github.com/" "external")   external
895(bold "bold")                             bold
896(ital "italic")                           italic
897(bold (link "home" "bold link"))          bold link
898Programming With Lain
899(add (sub 5 3) 2)                         ; Basic Math
900(λ (a b c) (concat a b c))                ; Lambda
901(def obj:foo "bar")                       ; Creating object
902(obj:foo)                                 ; Reading object parameters
903(def _sidebar (dom:create "sidebar"))     ; Creating DOM elements
904The Lain parser can also be found in the Ronin and Paradise applications.
905
906* Sources: https://github.com/XXIIVV/Oscean/tree/master/scripts/lisp
907
908-- 
909
910Horaire
911Horaire is a time-tracking tool.
912
913Horaire is a time-tracking engine designed to record and host human-readable
914daily logs that can be easily parsed into infographics. A daily productivity log
915is recorded at the end of the day, and contains 3 values.
916The Sector Sh, either Audio, Visual, or Research, is the general sector of the
917task.
918The Concrete Hour Ch represents a value of concrete output, or index of progress
919toward the release of a project — where 1 indicates an introverted task like
920documentation, or planning, and 9 indicates an extroverted task like giving a
921talk, or releasing a project.
922The Focus Hour Fh is an index of attention for the day's task — where 1
923indicates that almost no time was invested in the task, and 9 indicates that
924most of the available time was invested in the task.
925General Productivity Ph is not seen an a net positive, but as a value that
926speaks of how reflective a project is, or a value that indicates how much time
927was spent on planning, against time spent on user-facing assets. Certain types
928of project will naturally have a high index of productivity, while others will
929not.
930Productivity might also shift during a project's lifetime as it goes from a
931prototype(low concrete output), to a full release with its media assets(high
932concrete output) and through the periods of maintenance(back to low concrete
933output) that follows.
934Planning(4ch) / for 7fh = 0.57ph
935Performance(9ch) / for 3fh = 3ph
936A task name can be generated from the intersection of Ch and Fh. For example,
937the code 238, can be converted into 8fh, for storyboard task.
9381* | Audio | 2* | Visual | 3* | Research
93910 | idle             | 20 | idle              | 30 | idle
94011 | session          | 21 | screening         | 31 | exploration
94112 | audio experiment | 22 | visual experiment | 32 | code experiment
94213 | rehearsal        | 23 | storyboard        | 33 | maintenance
94314 | draft            | 24 | sketch            | 34 | planning
94415 | composition      | 25 | editing           | 35 | prototype
94516 | sound design     | 26 | graphic design    | 36 | interaction design
94617 | mastering        | 27 | rendering         | 37 | updating
94718 | audio release    | 28 | visual release    | 38 | software
94819 | performance      | 29 | showcase          | 39 | talk
949You can learn more about the related tools, and related projects, to the entire
950Nataniev ecosystem. For additional questions, contact Devine Lu Linvega
951Effectiveness, is doing the right thing.Efficiency, is doing it the right way.
952
953* View Database: https://github.com/XXIIVV/Oscean/blob/master/scripts/database/horaire.tbtl
954
955-- 
956
957Time
958Documentation on the different Time formats.
959
960
961
962
963-- 
964
965Neralie
966Neralie is a decimal time format.
967
968This decimal clock has two groups of 3 digits, called the beat & the pulse. A
969beat contains 1000 pulses, and equivalent to 86.4 seconds.
9706:00  | 250:000 | 12:00 | 500:000
97118:00 | 750:000 | Now   | 467:419
972
973* View Online: https://clock.xxiivv.com
974* Itunes: https://itunes.apple.com/us/app/entaloneralie/id657224738
975* Library: https://github.com/XXIIVV/Oscean/blob/master/scripts/lib/neralie.js
976
977-- 
978
979Arvelie
980Arvelie is an alphabetic date format.
981
982The Arvelie Calendar has 26 months of 14 days each.
983Each month has 2 weeks of 7 days, and each month's name is one of the 26 letters
984of the alphabet. The 365th day of the year is the Year Day(+01), preceded by the
985Leap Day(+02) on leap years.
98602A01 | 2002-01-01 | 01D07    | 2001-02-18
98713B12 | 2013-01-26 | 02E07    | 2002-03-04
98824C01 | 2024-01-29 | 03+01    | 2003-12-31
98922D12 | 2022-02-23 | 19Y14  | Today
990
991* Library: https://github.com/XXIIVV/Oscean/blob/master/scripts/lib/arvelie.js
992
993-- 
994
995Webring
996The Webring, like it's the 2000s.
997
998The webring is a directory of neighbor websites and portfolios.
999This is an attempt to inspire artists and developers to create and maintain
1000their own personal website, and share traffic organically among each other. The
1001ring's aim is to promote the creation of hand crafted diaries, wikis, bookmarks
1002and portfolios.
1003You can view the full directory here, or more info on how to join the network
1004here. To navigate the webring, start here. The webring also operates as a
1005decentralized forum based on twtxt, see the Hallway.
1006The internet is a utility world for me now. It is efficient and
1007all-encompassing. It is not very much fun. | Dan Nosowitz | Source |
1008http://nymag.com/selectall/2018/05/i-dont-know-how-to-waste-time-on-the-internet-anymore.html
1009
1010* Sources: https://github.com/XXIIVV/webring
1011* Jump In: https://webring.xxiivv.com/#random
1012
1013-- 
1014
1015Merveilles
1016Merveilles is a community of artists and developers.
1017
1018The Merveilles community is an informal group of artists and developers seeking
1019augmentation through the arts of engineering and design.
1020Maybe it's a movement, I'm not sure. It might be that we all grew up with
1021similar influences, yet it might not. Sometimes I think it's a style of going
1022about art, but again, it also applies to musician and programmers. But when we
1023see each other, we know.
1024
1025* On Sources: https://github.com/Merveilles
1026* On Mastodon: http://merveilles.town
1027
1028-- 
1029
1030Rotonde
1031Rotonde was a decentralized social network.
1032
1033It is a commonly agreed upon specifications of a JSON object shared between
1034members of the network, its current incarnation is the Webring's Hallway.
1035Nobody owns the network, it never goes offline, there are no servers and no
1036central authority. All content is editable, versionable, hosted on your own
1037computer and seeded by anyone who wish to follow your portal.
1038
1039* Sources: https://github.com/Rotonde
1040* Dat: dat://2f21e3c122ef0f2555d3a99497710cd875c7b0383f998a2d37c02c042d598485/
1041
1042-- 
1043
1044Riven
1045Riven is a flow-based web framework.
1046
1047Riven handles the creation of nodes and the communication of signals between
1048them.
1049For more than two years, it existed as the front-end framework of Oscean until
1050it was replaced by Lisp, but was originally developed for the creation of
1051serverless websites such as Grimgrains, Wiktopher, and Rekka's website.
1052Ø("query").create(nodePosition,nodeType) # Create a node
1053Ø("query").connect("model") # Connect
1054Ø("query").send(true) # Send a message to the model node.
1055This project is not meant to be an optimial way of building web applications,
1056but a mere experimental framework to toy with the concepts of flow-based
1057programming.
1058
1059* Sources: https://github.com/XXIIVV/Riven
1060
1061-- 
1062
1063Tools
1064The Tools collection is an ecosystem of open-source software to create audio and visual works, released as Hundred Rabbits.
1065
1066You can learn more about the philosophy behind these various projects on the
1067Hundred Rabbits blog.
1068What I cannot create, I do not understand | Richard Feynman
1069
1070* Itch: http://hundredrabbits.itch.io/
1071* Sources: http://github.com/hundredrabbits
1072
1073-- 
1074
1075Orca
1076Orca is a livecoding playground.
1077
1078Orca uses an esoteric programming language designed to quickly create procedural
1079sequencers, in which every letter of the alphabet is an operation, where
1080lowercase letters operate on bang, uppercase letters operate each frame.
1081The application is capable of communicating with audio & visual softwares via
1082MIDI, OSC & UDP.
1083You can find a portable and lightweight version of Orca here, and a version  for
1084the Norns here. Learn more by reading the manual, or have a look at a tutorial
1085video. If you need help, visit the chatroom or the forum.
1086Each letter of the alphabet is an operation, uppercase letters operate each
1087frame, lowercase letters operate on bang.
1088
1089* Sources: https://github.com/hundredrabbits/Orca
1090* Builds: http://hundredrabbits.itch.io/Orca
1091* Live: https://hundredrabbits.github.io/Orca
1092* Community: https://hundredrabbits.itch.io/Orca/community
1093* Demo: https://twitter.com/neauoire/status/1064738259077554176
1094
1095-- 
1096
1097Juni
1098Juni one-handed chorded keyboard.
1099
1100The Juni Layout is a 12-keys chorded keyboard.
1101The keyboard model is Pimoroni's Keybow, the .lua layout is available on Github.
1102It was designed to be used with the Orca livecoding environment, but has most
1103common keys and controls, making it a versatile and portable single-handed
1104keyboard.
1105
1106* Sources: https://github.com/neauoire/Juni
1107
1108-- 
1109
1110Pilot
1111Pilot is a mini synthesiser.
1112
1113Pilot is a mini synthetiser designed to be used with Orca via UDP.
1114Pilot features 16 voices, and 8 audio effects, each operatable with their own
1115set of commands, and their own FFT visualiser. The complete operation guide can
1116be seen here.
1117If you need help, visit the chatroom or the forum.
1118
1119* Builds: http://hundredrabbits.itch.io/Pilot
1120* Sources: https://github.com/neauoire/Pilot
1121* Demo: https://twitter.com/neauoire/status/1114770190552653824
1122
1123-- 
1124
1125Ronin
1126Ronin is an procedural graphics tool.
1127
1128Ronin is a procedural graphics tool designed to automate simple graphical tasks,
1129like resizing, cropping, coloring, and generating algorithmic images. It
1130interprets a minimal dialect of LISP, look at these examples to better
1131understand how this all works.
1132The library updates is constantly revealing new applications to Ronin, you can
1133see the list of available functions here. The iconography of Nataniev has been
1134created with both Ronin and Dotgrid.
1135Learn more by reading the manual, or have a look at some experiments on twitter.
1136If you need help, visit the Community or watch the video tutorial.
1137All I wanted was a way to resize a few photos..
1138
1139* Sources: https://github.com/hundredrabbits/Ronin
1140* Builds: http://hundredrabbits.itch.io/Ronin
1141* Live: https://hundredrabbits.github.io/Ronin
1142* Community: https://hundredrabbits.itch.io/Ronin/community
1143
1144-- 
1145
1146Dotgrid
1147Dotgrid is a vector graphics tool.
1148
1149Dotgrid is a grid-based vector drawing software designed to create logos, icons
1150and type. It supports layers, the full SVG specs and additional effects such as
1151mirroring and radial drawing. Dotgrid exports to both PNG and SVG files.
1152The application was initially created for internal use, and later made available
1153as a free and open source software.
1154Learn more by reading the manual, or have a look at a tutorial video. If you
1155need help, visit the Community.
1156Dotgrid was ProductHunt's Product Of The Day on January 8, 2018.
1157
1158* Sources: https://github.com/hundredrabbits/Dotgrid
1159* Builds: http://hundredrabbits.itch.io/Dotgrid
1160* Live: https://hundredrabbits.github.io/Dotgrid
1161* Community: https://hundredrabbits.itch.io/Dotgrid/community
1162
1163-- 
1164
1165Left
1166Left is a plaintext editor.
1167
1168Left is distractionless plaintext editor designed to quickly navigate between
1169segments of an essay, or multiple documents. It features an auto-complete,
1170synonyms suggestions, writing statistics, markup-based navigation and a
1171speed-reader.
1172The application was initially created to help Rekka with the writing of the
1173upcoming novel Wiktopher, and later made available as a free and open source
1174software.
1175Learn more by reading the manual, or have a look at a tutorial video. If you
1176need help, visit the Community.
1177Left was ProductHunt's Product of the Day on January 28, 2018.
1178
1179* Download: http://hundredrabbits.itch.io/Left
1180* Sources: https://github.com/hundredrabbits/Left
1181* Community: https://hundredrabbits.itch.io/left/community
1182
1183-- 
1184
1185Utilities
1186The Utilities are a collection of little tools created solve specific problems.
1187
1188A collection of small applications that don't quite have a place in the wiki
1189just yet.
1190
1191
1192-- 
1193
1194Noodle
1195Noodle is a sketching tool.
1196
1197Noodle is a pixel drawing tool based on the Bresenham algorithm. You can use it
1198directly in your browser here.
1199Noodle is the first in a series of image processing tools, exploring the concept
1200of Small Sharp Tools for graphical tasks, as an alternative take to the general
1201purpose software Ronin.
1202The companion scene tool is designed to create perspective guide lines with the
1203noodle Bresenham look.
1204The companion cropping tool is designed to handle all resizing and cropping
1205tasks, instead of adding these features directly into Noodle.
1206You can see a collection of drawings created with this tool here.
1207
1208* Sources: https://github.com/hundredrabbits/Noodle
1209* Live: https://hundredrabbits.github.io/Noodle
1210* Inktober 2019: https://neauoire.github.io/neauismea
1211
1212-- 
1213
1214Enfer
1215Enfer is a virtual synthetiser.
1216
1217Enfer is a web-based sampler and synthetiser designed to be used with Orca, it
1218is the tool that created the sound for the Azolla tracks.
1219The sampler is meant to be used with the Akai LPD8 midi controller while
1220livecoding, its interface is reflecting the state of the knobs on the
1221controller.
1222
1223* Sources: https://github.com/neauoire/Enfer
1224
1225-- 
1226
1227Paradise
1228Paradise is an interactive-fiction playground.
1229
1230In Paradise, you are but a force acting upon places, objects, words — vessels.
1231Paradise is currently being expanded into an experimental shell, and
1232file-system, for an upcoming light Linux distribution. The project also features
1233an inline scripting language inspired from LISP, called WildcardLISP.
1234create a coffee machine
1235enter the machine
1236program create a coffee
1237leave
1238use the machine
1239Until then, in this anonymous world you can create anything, traverse vastly
1240different universes, and share your world with others.
1241I have always imagined that Paradise will be a kind of library. | Jorge Luis
1242Borges
1243
1244* Sources: http://github.com/hundredrabbits/Paradise
1245* Builds: https://hundredrabbits.itch.io/paradise
1246* Live: https://hundredrabbits.github.io/Paradise/
1247
1248-- 
1249
1250Maeve
1251Maeve is an automated Paradise vessel
1252
1253Traveling across the Nataniev landscapes, Maeve is a service bot.
1254You can get help from Maeve within Oscean by typing ~ in the search bar, to see
1255a list of available commads, type ~help.
1256
1257
1258-- 
1259
1260Parade
1261Parade is an experimental operating system inspired from Paradise.
1262
1263The Parade is an experimental operating system using Paradise as a filesystem.
1264Primitives
1265create | become | enter | leave
1266look   | take   | drop  | move
1267learn  | warp   | use   | edit
1268The goal of this project is to distribute a lightweight operating system that
1269would serve a environment able to navigate the file system, run code and
1270exchange content with other Parade instances, via the basic primitives.
1271create a machine
1272> |
1273There are no "users", "files" or "applications", in this operating system,
1274everything is an operable "vessel". A vessel is an object that can act onto
1275other vessels, it has its own permissions. Users are not different from
1276applications or files. A user, is a vessel being acted upon, possibly containing
1277other vessels. A file is an inert vessel, that has no applicable actions to
1278itself but may contain text data accessible via the primitives.
1279enter the machine
1280> |
1281A new vessel responds to the basic primitives, and visible vessels might append
1282to that list with actions of their own. The vessel format serves endpoints that
1283responds to actions. For instance, an telephone vessel, might respond to the
1284action call, as in the command "call Alice".
1285There is no linear hierarchy tree, instead vessels can be within themselves or
1286each other, or even organized in the shape of a loop. Pockets of space can be
1287hosts to vessels existing around a common purpose, or carried around inside
1288another vessel as you would a tool-belt or an inventory, giving the acting
1289vessel, or user, additional actions appended to the list of primitives.
1290become the machine
1291> |
1292One of the goals of this operating system is to be fully operable by voice,
1293think screenless computing. The navigation is designed to be used via simple
1294text commands, there would be nothing quite like windows. Vessels could display
1295passive content when in sight, allowing to create a form of procedural user
1296interface, but the system itself does not have a concept of windows, like you
1297would in a typical graphical operating system with a wm.
1298While the navigation of the system can be done by voice alone, the terminal,
1299when presented on a screen, begins with a prompt, to which can be appended a
1300history of responses, or even a display area for graphics when a vessel is
1301serving a game or a movie.
1302use the machine
1303> |
1304At its core the system should be single-threaded, and operate a single frame, or
1305a state, of the world at a time. While passive responses of visible vessels
1306might allow for a kind of oversight, the user experience as a terminal, and down
1307to its functioning should not allow for multi-tasking.
1308The creation of application vessels, think for instance a drawing application,
1309would be built with the LISP dialect of Parade, which is itself built with that
1310same language. — Making the entire operating system existing it inself as a
1311vessel, editable, changeable, operable and navigable.
1312warp to the lobby@29:03:25:76
1313> |
1314A Network of Parade systems would be traversible(read-only) by an acting vessel.
1315The Parade's typical behaviours for moving about will persist onto the remote
1316systems so, a vessel can move, enter, use remote vessels and suggest changes to
1317the host world as commits — All the while, respecting the host's vessel
1318permissions. For instance, a vessel might make itself usable by a visiting
1319vessel, but will not let itself be moved or altered.
1320For a working preview of Parade, try the cli version of Paradise available here.
1321
1322
1323-- 
1324
1325Games
1326The Games are a collection of experimental interactive projects.
1327
1328
1329
1330
1331-- 
1332
1333Hardware
1334A handful of experimental projects on small Hardware.
1335
1336
1337
1338
1339-- 
1340
1341Raspberry
1342The Raspberry is a small inexpensive single-board computer.
1343
1344The Raspberry Pi is a small inexpensive single-board computer.
1345To get started with a new device, download Raspbian Lite, and use Etcher to
1346flash the SD card.
1347SSH
1348You can use ssh to input commands and remotely control the device, follow these
1349steps to get started.
1350touch /Volumes/boot/ssh # Enable SSH
1351touch /Volumes/boot/wpa_supplicant.conf # Auto-connect to wifi
1352Setup Wifi
1353Input your wireless network details to enable the device to automatically
1354connect to the network when available.
1355# nano /Volumes/boot/wpa_supplicant.conf
1356country=CA
1357ctrl_interface=DIR=/var/run/wpa_supplicant GROUP=netdev
1358update_config=1
1359network=undefined
1360Connect
1361When ssh has been activated and the wifi details updated, the device should
1362become discoverable.
1363ping raspberrypi.local # Find its IP address
1364ssh pi@192.168.1.73 # Use password "raspberry"
1365sudo raspi-config # Interface/SSH & Advanced/Expand FS
1366sudo nano /etc/hostname # Rename
1367sudo nano /etc/hosts # Rename
1368passwd # Change Password
1369sudo reboot
1370Gadget Mode
1371Gadget mode allows to SSH into a Raspberry Pi Zero device via USB. Begin by
1372enabling ssh, by adding /Volumes/boot/ssh to the SD Card. Activate gadget mode ,
1373allowing the device to be discovered and controlled via USB.
1374dtoverlay=dwc2 # Append to config.txt
1375modules-load=dwc2,g_ether # Append to cmdline.txt, or after rootwait
1376Basics
1377Make sure everything is up-to-date and install git.
1378sudo apt-get update
1379sudo apt-get dist-upgrade
1380sudo apt-get install git
1381
1382
1383-- 
1384
1385Media Station
1386The Media Station aboard Pino.
1387
1388Our media station is a OSMC powered Raspberry Pi.
1389OSMC is a fast and beautiful operating system for the RPi board, it instantly
1390gets media from our external drives, and streams audio to our Radio Station via
1391Airplay.
1392Setting up OSMC is extremly simple, one simply needs to burn a SD Card with the
1393latest Build, it installs itself upon boot and is usable in matters of seconds
1394on the Raspberry Pi 3B+. This can be operated solely by touch, and requires no
1395keyboard.
1396Raspberry Pi, model 3B+.
1397Raspberry Pi Touch, 7 inch screen(800x480).
1398SmartiPi Touch Case.
139916GB SD Card
1400
1401* Osmc: http://osmc.tv
1402
1403-- 
1404
1405Radio Station
1406The Radio Station aboard Pino.
1407
1408Our sailboat's speakers are connected via Airplay through Pimoroni's Phat Beat
1409for Raspberry.
1410The hat has two speaker-wire outputs, making a cheap and powerful stereo. We
1411share this device among our Media Station and phones.
1412Raspberry Pi, model Zero W 1.1.
1413Pimoroni's pHat Beat
1414Pimoroni's Pogo Pins
14154x Brass Spacers, Screws & Bolts
14168GB SD Card
1417
1418* Guide: https://learn.pimoroni.com/tutorial/sandyj/streaming-airplay-to-your-pi
1419
1420-- 
1421
1422Framboisedorf
1423Overview of the Framboisedorf toy piano.
1424
1425A hackable toy piano to play muzzak on rainy days.
1426Features 6 synth & 1 drum instruments, 5 octaves, and automated arpgeggios.
1427Connect to a speaker and play. Read the full guide on Github, or watch a demo
1428video.
1429Raspberry Pi 3B+
1430Pimoroni's Piano Hat
1431PiBow Case
14324 x M2.5 Standoffs
1433
1434* Sources: https://github.com/neauoire/Framboisedorf
1435* Guide: https://learn.pimoroni.com/tutorial/piano-hat/getting-started-with-piano-hat
1436* Projects: https://github.com/pimoroni/Piano-HAT
1437* Youtube: https://youtu.be/U8q_yZ3XEKU
1438
1439-- 
1440
1441Weather Station
1442The documentation for the Weather Station aboard Pino.
1443
1444Our sailboat's Weather Station is a simple solderless Raspberry project.
1445Its purpose is to display a simple reading of the changes in barometric pressure
1446to monitor the onset of stormy weather.
1447Raspberry Pi Zero 1.3
1448Samsung's EVO+ Micro SD
1449Pimoroni's Black Hat Hacker
1450Pimoroni's Enviro pHat
1451Pimoroni's ScrollHD pHat
1452Pimoroni's Hammer Header Female X 2
1453Pimoroni's Diffuser
1454
1455* Sources: https://github.com/hundredrabbits/weather-station
1456
1457-- 
1458
1459Instrument
1460The Instrument is Pino's sailing computer.
1461
1462The application displays various data about the course, speed, location and
1463time.
1464Its original purpose was to help with night sailing where the compass and some
1465of our sailing instruments were hard to see.
1466Raspberry Pi Zero W
1467Pimoroni's Inky pHat
1468Vesper Marine XB-8000 AIS Transponder
1469
1470* Sources: http://github.com/hundredrabbits/Instrument
1471
1472-- 
1473
1474Famisyn
1475The Famisyn is a famicon mod created by Plogue, that runs cartridges with popular sound chips.
1476
1477More detals on this project shortly.
1478
1479
1480-- 
1481
1482Microbit
1483The Microbit is a small educational micro-controller from BBC.
1484
1485Here's a list of simple projects & sources for the Microbit. The Microbit is an
1486excellent toy to learn to code and create electronics projects.
1487
1488* Official Site: https://microbit.org/
1489
1490-- 
1491
1492Playground
1493The Playground is a flexible experimental micro-controller from Adafruit.
1494
1495The Playground Express is a ATSAMD21 ARM Cortex M0 Processor, running at 3.3V
1496and 48MHz, the USB port can act as serial port, keyboard, mouse, joystick or
1497MIDI.
149810 multi-color LEDs, push buttons, and a slide switch
1499Mini speaker with class D amplifier (7.5mm magnetic speaker/buzzer)
1500Temperature, motion, light and sound sensors
1501Infrared receiver and transmitter
1502Includes I2C, UART, 8 pins that can do analog inputs, multiple PWM output
15037 touch inputs pads and 1 true analog output
1504
1505* Adafruit: https://www.adafruit.com/product/3333
1506
1507-- 
1508
1509Microlight
1510Microlight is tiny light painter for the Microbit.
1511
1512The script is as simple as changing the displayed text and uploading it to the
1513device, you can see the documentation and sources here.
1514Press the A Button to display the text.
1515Take a long exposure photo!
1516
1517* Sources: https://github.com/neauoire/MicroLight
1518
1519-- 
1520
1521Norns
1522The Norns is an open-source DSP computer, with 3 knobs and 3 keys.
1523
1524I currently maintain a programming tutorial guide for the Norns, which can be
1525found here. You can also find a version of Orca for the Norns here.
1526
1527* Tutorial: https://llllllll.co/t/norns-tutorial/23241
1528
1529-- 
1530
1531Monome
1532The Monome is an open-source controller, each of its 128 keys can light up between 16 levels of brightness.
1533
1534I presently use the device for audio & visual experiments under the Alicef
1535alias, ultimately I would like to carry the monome and the norns along with me
1536on stage during events.
1537I created a handful of scripts for the device, such as the implementations for
1538the Linnstrument Keyboard layout, and Ableton Drum Rack layout.
1539
1540* Website: https://monome.org/
1541* Linn Forum: https://llllllll.co/t/using-a-grid-as-linnstrument/23637
1542* Rack Forum: https://llllllll.co/t/using-a-grid-as-drum-rack/23932
1543
1544-- 
1545
1546Mobile
1547The Mobile collection is both mobile tools and games.
1548
1549As of March 2019, these applications are no longer maintained.
1550
1551
1552-- 
1553
1554Bifurcan
1555Bifurcan is a watchface.
1556
1557Every second, The Labyrinth reorganize itself to display the time in twists and
1558turns.
1559It takes a little practice to be able to see the patterns in the lines. Clicking
1560on the screen will unveil the time as seen in this video.
1561If you have a Pebble Watch, you can download it as a watchface, the Pebble C
1562script was written by Chase Colburn and is also available on Github. The
1563screensaver version was done by Tekgo and was also added to the source code.
1564Named after a Borges short.
1565As of March 2019, This application is no longer maintained.
1566
1567* Itunes: https://itunes.apple.com/ca/app/bifurcan/id737264896
1568* Sources: https://github.com/Echorridoors/Bifurcan
1569* Pebble: http://www.mypebblefaces.com/apps/10183/7055/
1570
1571-- 
1572
1573Keyboard 468
1574Keyboard 468 was a 18-keys keyboard.
1575
1576The letters are sorted by frequency in the English language, and their
1577likeliness to follow the last input character.
1578The purpose of this experimental keyboard is to have a keyboard displaying large
1579letters, making it so you only ever need to type using the two rows at the top,
1580maximizing the space and allowing for big large letters. The hidden letters are
1581accessible through the alt key, alongside symbols and numbers.
1582As of March 2019, This application is no longer maintained. This project was
1583superseded by the Juni Layout.
1584
1585* Itunes: https://itunes.apple.com/ca/app/468-keyboard/id954698999
1586* Sources: https://github.com/Echorridoors/Keyboard468
1587
1588-- 
1589
1590Alphavetist
1591Alphavetist is an alphabet learning tool.
1592
1593Currently included are the Hebrew, Cyrillic, Korean, Inuktitut, Greek, Morse and
1594Japanese alphabets.
1595As of March 2019, This application is no longer maintained.
1596
1597* Itunes: https://itunes.apple.com/ca/app/hahapapa/id689193147
1598* Sources: https://github.com/Echorridoors/alphavetist
1599
1600-- 
1601
1602Vocavularist
1603Vocavularist, is a vocabulary learning tool.
1604
1605Vocavularist contains the 600 first kanji, 600 simple Russian words and 800
1606simple korean expressions.
1607As of March 2019, This application is no longer maintained.
1608
1609* Itunes: https://itunes.apple.com/us/app/nijuniju/id686266543
1610* Sources: https://github.com/Echorridoors/Vocavularist
1611
1612-- 
1613
1614Rafinograde
1615Rafinograde was a drawing tool.
1616
1617Rafinograde was superseded by Dotgrid for Desktop platforms.
1618As of March 2019, This application is no longer maintained.
1619
1620* Itunes: https://itunes.apple.com/us/app/rafinograde/id951781579
1621* Sources: https://github.com/Echorridoors/Rafinograde
1622
1623-- 
1624
1625Noirca
1626Noirca is a monochromatic camera tool.
1627
1628Noirca has one purpose, to launch quickly and render the photos with a softly
1629washed out B&W film quality.
1630As of March 2019, This application is no longer maintained.
1631
1632* Itunes: https://itunes.apple.com/us/app/noirca/id893715212
1633* Sources: https://github.com/Echorridoors/noirca
1634
1635-- 
1636
1637Dew
1638Dew is an alarm/timer.
1639
1640The application will then  wake you with a soft white noise tone that will
1641gradually bring you back to reality.
1642As of March 2019, This application is no longer maintained.
1643
1644* Itunes: https://itunes.apple.com/ca/app/dew/id954020907
1645* Sources: https://github.com/Echorridoors/dew
1646
1647-- 
1648
1649Ledoliel
1650Ledoliel is a dating-sim game.
1651
1652In Ledoliel, one must try and figure out what topics their guests might want to
1653discuss, gift they might want to recieve and, places they may like to be
1654touched.
1655As of March 2019, This application is no longer maintained.
1656
1657* Itunes: https://itunes.apple.com/us/app/ledoliel/id891693763
1658* Sources: https://github.com/Echorridoors/Ledoliel
1659
1660-- 
1661
1662Automatons
1663The Automatons is a collection of Twitter games and chatbots.
1664
1665
1666
1667
1668-- 
1669
1670The Will The Wisp
1671The Will The Wisp is a twitter bot that generates short rhymes.
1672
1673A generated poem.
1674Somewhen future, and secondly obscure.
1675Thus traveled, nor inwardly transient.
1676Upon devices, hopefully devils.
1677Someplace cute, and terribly brute.
1678But thy nautilus is actually nauseous.
1679
1680* Twitter: https://twitter.com/thewillthewisp
1681* Sources: https://github.com/XXIIVV/vessel.thewillthewisp
1682
1683-- 
1684
1685Dictionarism
1686Dictionarism is a simple twitter bot that generates -isms.
1687
1688Mirrorism
1689Polygonism
1690Neptunism
1691Librarism
1692Helplessism
1693
1694* Twitter: https://twitter.com/dictionarism
1695* Sources: https://github.com/XXIIVV/vessel.dictionarism
1696
1697-- 
1698
1699Glossolaliarium
1700Glossolaliarium is a twitter bot that generates procedural english words.
1701
1702By combining various prefixes and suffixes, it tries to form definitions of
1703these newly created terms.
1704Dictcephaladelog: Speech or process of foretelling the future encephalitis.
1705Gramhydrudeic: Characterized by written liquid.
1706Fidcardiboneity: Quality of sound from faith.
1707Centblastbileian: Relating to one who loves the hundred primitives.
1708Ferdynletoid: Resembling version of bear energy.
1709
1710* Twitter: https://twitter.com/Glossolaliarium
1711* Sources: https://github.com/XXIIVV/vessel.glossolaliarium
1712
1713-- 
1714
1715Advent V
1716Advent V was a simple twitter game in the format of the Choose Your Own Adventure.
1717
1718Players are invited to tell Advent where to go in a choice of locations from a
1719previous tweet.
1720Punching a serpent at the lake, lost 6hp.Go to the Forest or the Camp?Day2 Atk0
1721Def4, via @auriea— Advent V. Recall (@adventvrecall) June 21, 2016 
1722Illustrations were created by Andrio.
1723
1724* Twitter: https://twitter.com/adventvrecall
1725* Sources: https://github.com/XXIIVV/vessel.adventv
1726
1727-- 
1728
1729Unity
1730The Unity collection contains various older desktop games.
1731
1732As of January 2015, these applications are no longer maintained.
1733Sadly, a lot of these games were lost in a computer death, and are only listed
1734here for memory's sake. Some additional Unity games are available under
1735Collegiennes.
1736
1737
1738-- 
1739
1740Siseon
1741Siseon is an exploration game set within a life-infested megastructure.
1742
1743
1744
1745
1746-- 
1747
1748Zjeveni
1749Zjeveni is a third person exploration game about climbing to the high points of the structure.
1750
1751
1752
1753
1754-- 
1755
1756Drypoint
1757Drypoint is a very hard platformer game for keyboard cowboys.
1758
1759See if you can get to the blue door. Read about Drypoint on the TIGSource forum
1760tread.
1761
1762
1763-- 
1764
1765Valentinel Hopes
1766Valentinel Hopes is a platformer inspired from parkour and trance music.
1767
1768The game has no music, you are invited to listen to your own.
1769Typical FPS control except for the mouse direction.
1770Take a break sometime.
1771Try going through the game while looking backward.
1772
1773
1774-- 
1775
1776Cenote
1777Cenote is an experimental platformer inspired by Underwater Base Jumping.
1778
1779The goal is to reach a small red planet with the highest amount of points left.
1780Cenote is the spiritual prequel of Zjeveni.
1781The air is only depleting when you are sinking.
1782Each time you stop, your drop speed is reseted, so the least stops the faster
1783you reach the bottom.
1784Press R at any time to go back to the beginning.
1785
1786
1787-- 
1788
1789Cyanosis Fever
1790Cyanosis Fever was an abstract world of static to get lost into.
1791
1792If you start to foam, close the game.
1793
1794
1795-- 
1796
1797Donsol
1798Donsol is a dungeon-crawler card game.
1799
1800Donsol, designed by John Eternal, is a card game about exploring a dungeon of 54
1801playing cards.
1802A standard deck of 54 cards, jokers included, is a dungeon. Shuffle the deck and
1803draw 4 cards, display them before you, this is a room. A room ends when all the
1804cards are folded.
1805♥︎ Heart Potions
1806A potion gives you health points equal to its value, up to a maximum of 21
1807health points.
1808Drinking multiple potions in a row will make you sick and result in no extra
1809healing, only the first potion's value will be gained in HP. Potions are equal
1810to their value and face cards (J,Q,K,A) each are equal to 11.
1811♦ Diamond Shields
1812A shield absorbs the damage difference between the shield value and that of the
1813attacked monster's value.
1814Shields can only defend against monsters in descending value and if you use a
1815shield on a monster with higher or equal value to the previous, it will break.
1816Broken shields leave you unarmored, and taking full damage. Folding shield card
1817will always replace a previously equipped shield. Shields are equal to their
1818value and face cards (J,Q,K,A) each are equal to 11.
1819♣♠ Club/Spades Monsters
1820Monster cards are equal to their value, and face cards are as follows J is 11, Q
1821is 13, K is 15, A is 17; Jokers are both equal to 21.
1822You may escape a room. When escaping, the remaining cards are shuffled back into
1823the deck. A player is allowed to escape a room when:
1824All monsters have been dealt with. (Easy Mode)
1825And, the player has not escaped the previous room. (Normal Mode)
1826And, there is only one card left in the room. (Hard Mode)
1827Can never escape. (Expert Mode)
1828The game was created in collaboration with John Eternal, released for Mobile
1829back in 2016, and re-released for Desktop in 2017 as Hundred Rabbits. While the
1830game was designed on a train, without internet connection, it seemed like
1831Donsol's gameplay accidentally ended up being a twist to Zach Gage and Kurt
1832Bieg's Scoundrel, designed in 2011.
1833
1834* Itch: https://hundredrabbits.itch.io/donsol
1835* Sources: https://github.com/hundredrabbits/Donsol
1836
1837-- 
1838
1839Hiversaires
1840Hiversaires is a textless point-n-click game.
1841
1842Hiversaires is the first part of a series of textless experimental projects,
1843that also includes the isometric adventure game Oquonie.
1844The dark world of Hiversaires features an original Aliceffekt soundtrack to lure
1845you through its entangled corridors. The game was originally released on iOS
1846platforms, and re-released on all desktop platforms in 2018, thanks to Jeremy
1847Sachs who also ported Verreciel.
1848
1849* Itch: http://hundredrabbits.itch.io/Hiversaires
1850* Itunes: https://itunes.apple.com/au/app/hiversaires/id630992348
1851
1852-- 
1853
1854Purgateus
1855Purgateus is a video game remix of Proteus.
1856
1857This video game remix behave like Proteus, but looks and sounds different.
1858Learn more about the project on Venus Patrol, the remix was inspired from a
1859tweet by Ian Snyder
1860Installation
1861On OS X right-click on Proteus, Show Package Content.
1862On Windows locate /resources.
1863Make a copy of the /resources folder.
1864Replace the /resources folder with the Purgateus.
1865
1866* Venus Patrol: http://venuspatrol.com/purgateus/
1867* Download: https://drive.google.com/open?id=0B24klRuG3GLNaHlYNVJQd1lXVzQ
1868* Soundtrack: https://aliceffekt.bandcamp.com/album/purgateus
1869
1870-- 
1871
1872Collegiennes
1873The Collegiennes collective is a game jam team.
1874
1875
1876
1877
1878-- 
1879
1880Diluvium
1881Diluvium was a multiplayer typing tactics game.
1882
1883This is a multiplayer typing tactics game where you incarnate an animal
1884summoner.
1885Created by Henk Boom, Dominique Ferland, Renaud Bedard and Devine Lu Linvega,
1886Diluvium was first showcased at the Indies Meetup in june of 2012.
1887You must type, quickly and intelligently, sequences of animal names to counter
1888and destroy your opponent.
1889The game will most likely let you summon any animal you can think of, choose
1890wisely for each animal has it's own speed, power and intelligence stats.
1891
1892* Youtube: http://youtu.be/z7NNBzNXncw
1893* Sources: https://github.com/Collegiennes/diluvium
1894
1895-- 
1896
1897Volkenessen
1898Volkenessen is a multiplayer physics-based fighting game.
1899
1900Players start with 9 attached items on their back, and the goal is to strip the
1901other player of their items.
1902When items are removed, they clutter up the playing area, making it even more
1903chaotic and hilarious. The washing machine and sink in the background can also
1904fall and bounce around!
1905Winning game of the Montreal edition of the Global Game Jam 2012, Volkenessen is
1906a 2D Fighting game developed by Renaud Bedard and myself.
1907To hit the other player, you need to get close to him by hitting away from him,
1908then hit him by moving away from him. Ramming into the opponent just doesn't do
1909it, you need to throw punches, and depending on the impact velocity, even that
1910might not be enough. You can throw double-punches to make sure you land a solid
1911hit and take off an item.
1912
1913* Download: http://theinstructionlimit.com/volkenssen-global-game-jam-2012
1914* Sources: https://github.com/Collegiennes/volkenessen
1915
1916-- 
1917
1918Waiting For Horus
1919Waiting For Horus was a fast paced multiplayer arena type 3rd person shooter.
1920
1921It was originally created by Renaud Bedard and I as a weekend project to play
1922with friends over IRC.
1923I have very fond memories of building and playing this amazing project with
1924friends. Mangadrive created some amazing music for the project.
1925
1926* Sources: http://github.com/merveilles/WaitingForHorus
1927
1928-- 
1929
1930Marabu
1931Marabu is a music tool.
1932
1933Marabu is cross-platform tracker-type composition tool and synthesizer.
1934Marabu was original built as a fork to the opensource Soundbox, and is meant to
1935be an improvement on functionalities and design.
1936You can view the complete Manual on Github. Marabu is currently used for the
1937creation of the Supergrid album.
1938
1939* Download: http://hundredrabbits.itch.io/Marabu
1940* Sources: https://github.com/neauoire/Marabu
1941
1942-- 
1943
1944Byt
1945Byt was a ByteBeat editor.
1946
1947Byt is a little program to write ByteBeat compositions, procedural noise.
1948A formula that defines a waveform as a function of time, measured in 1/8000th of
1949a second.
1950
1951* Sources: https://github.com/neauoire/byt
1952
1953-- 
1954
1955Pico3
1956Pico3 is a colour-based 3D puzzler.
1957
1958It was created in collaboration with Renaud Bedard.
1959Also check out Pico Battle.
1960
1961* Win: http://theinstructionlimit.com/collegiennes/pico_windows.zip
1962* Osx: http://theinstructionlimit.com/collegiennes/pico_mac.zip
1963
1964-- 
1965
1966Pico Battle
1967Pico Battle is a colour-based multiplayer battle puzzler.
1968
1969You must learn to build shields to defend yourself against incoming colors.
1970Renaud Bedard and I showcased an experimental game at Prince of the Arcade last
1971year but, between Volkenessen, Diluvium and Waiting for Horus, only got back to
1972release it now.
1973It is called Pico Battle and like our other Pico titled game — this game also
1974plays with colours; but this time, in multiplayer.
1975Unlike our last game, text-heavy Diluvium, Pico Battle is wordless. There is no
1976contextual hints within the game, but an audio tutorial that starts automaticaly
1977in the lobby.
1978Lobby
1979Upon launching the game, you will find yourself in the Lobby, a temporary haven.
1980You should look for an hexagon floating about the edges of your screen (right
1981click drag to rotate around the planet) and click on it to practice against the
1982AI. You might see circles too, they are other players and could challenge you as
1983soon as you raise your shield.
1984Shielding
1985To protect yourself against incoming attacks, find the patch of dirt marked by a
1986black and white circle, and connect a node to it. The shield will light up,
1987eating away at the incoming bullets with a similar hue. In the lobby, you are
1988invisible to potential attackers as long as your shield is unpowered.
1989Shooting
1990To win against your opponent, locate a patch of mushrooms and connect nodes to
1991it — this is your cannon. It needs a minimum amount of power to be able to fire,
1992and based on the incoming nodes, will fire bullets of various sizes and colours;
1993easier or harder to defend against. The idea being to match the colour of
1994incoming bullets with your shield, and to differ as much as possible from the
1995opponent's shield colour (which is indicated by the contour of his circular
1996icon) with your cannon's bullets.
1997
1998* Site: http://theinstructionlimit.com/pico-battle
1999* Sources: https://github.com/Collegiennes/picoBattle
2000
2001-- 
2002
2003Spagettini Scale
2004This Spagettini Scale was first featured on the Makerbot Blog and should help you always cook the right quantity of pasta.
2005
2006My first experiment at creating household items.
2007
2008
2009-- 
2010
2011Spool Holder
2012This Spool Holder works with the PP3DP Printer and should allow you to fit a larger spool on your printer.
2013
2014When you need big spools..
2015
2016* Download: http://www.thingiverse.com/thing:18833
2017
2018-- 
2019
2020Laeisthic
2021The Laeisthic albums are Neauismetic albums occurring only within the Laeisth continent of Dinaisth.
2022
2023
2024
2025
2026-- 
2027
2028Children Of Bramble
2029Children Of Bramble is a Laeisthic album that sings of the Oasis of Rlionn.
2030
2031This album begins by the Oasis of Laeisth to finally reach the castle of Andes
2032and its sandsunken structure.
2033This single is the first part of the Laeisthic collection, and shares some
2034narrative concepts with Telekinetic.
2035
2036* Bandcamp: https://aliceffekt.bandcamp.com/album/children-of-bramble
2037
2038-- 
2039
2040Known Magye
2041Known Magye is a Laeisthic album telling the tales of the industrious times of Dinaisth.
2042
2043Sometimes reminiscent of the compositions of Children of bramble, sometimes of
2044the drowned sounds of Telekinetic, this single is a fair mix of ambient and
2045breaks.
2046This single is the second part of the Laeisthic collection, and was recorded
2047live from San Fransisco's POW POW POW which was controlled entirely with the
2048Leap Motion.
2049
2050* Bandcamp: https://aliceffekt.bandcamp.com/album/known-magye
2051
2052-- 
2053
2054Extended Sleep
2055Extended Sleep is the sequel album to Known Magye, a deeper exploration of its stories.
2056
2057This single is the third part of the Laeisthic collection, and was performed at
2058the AMaze Festival in Berlin, on April 23rd 2015.
2059
2060* Bandcamp: https://aliceffekt.bandcamp.com/album/extended-sleep
2061
2062-- 
2063
2064Duomic
2065The Duomic albums are Neauismetic records of Neonev's travel from Duomo to Dilitriel.
2066
2067
2068
2069
2070-- 
2071
2072Opal Inquisitors
2073The Opal Inquisitors is the first Duomic album.
2074
2075These recordings are taken aboard the Vermillionth tunneler, traveling up the
2076spires of Duomo, where Neonev departs from central Dinaisth and head through the
2077Dei Dain Canals.
2078
2079* Bandcamp: https://aliceffekt.bandcamp.com/album/the-opal-inquisitors
2080
2081-- 
2082
2083Portalion
2084Portalion is an album where Neonev leaves Duomo to explore the shores of Laeisth.
2085
2086On a foggy night of the Sixth Season, embarking on one of the vessels of the
2087Septechoes in the desert of Clionn.
2088Neonev sails toward Whiinders to see its Immortal Birds once more.
2089
2090* Bandcamp: https://aliceffekt.bandcamp.com/album/portalion
2091
2092-- 
2093
2094Dei Dain
2095Dei Dain is the third Duomic album.
2096
2097In which Neonev travels from the desert of Laeisth to the nightly scapes of
2098Dilitriel.
2099
2100* Bandcamp: https://aliceffekt.bandcamp.com/album/dei-dain
2101
2102-- 
2103
2104Habitants Du Soleil
2105Les Habitants Du Soleil is a single track Duomic album.
2106
2107The singular duomic track Nepturne 7757 is a moment in the narrative of the
2108Aitasla Solei, the nearest star to Dinaisth.
2109Our telescope has revealed a minuscule satellite orbiting our world.
2110我々の望遠鏡は、世界を周回する小さな衛星を検出しました。
2111The album cover was part of the Famicase Exhibition 2018 showcased at Super
2112Meteor in Tokyo, Japan.
2113
2114* Bandcamp: https://aliceffekt.bandcamp.com/album/les-habitants-du-soleil
2115* Famicase: http://famicase.com
2116
2117-- 
2118
2119Lives
2120Various albums recorded as Lives.
2121
2122
2123
2124
2125-- 
2126
2127Shikanokoa Vs 1h1d
2128Shikanokoa Vs 1h1d is an album of improvisational tracks.
2129
2130It was recorded in Osaka at the event of the same name.
2131
2132
2133-- 
2134
2135Pedestrian Paradise
2136Pedestrian Paradise is an album made from various bits and pieces of unreleased material.
2137
2138It was recorded live at the Piknik Electronic event in Montreal.
2139
2140
2141-- 
2142
2143Nor Let The Fools
2144Nor Let The Fools created from unreleased materials.
2145
2146The album was recorded live, in Tokyo at a chiptune/mashup party.
2147
2148* Bandcamp: http://aliceffekt.bandcamp.com/album/nor-let-the-fools-mistake-love
2149
2150-- 
2151
2152To The Aeons Hell
2153To The Aeons Hell was created in the spirit of Nor let the fools, being a mixture of unreleased remixes.
2154
2155The album was recorded live, in Tokyo at a chiptune/mashup party.
2156
2157* Bandcamp: http://aliceffekt.bandcamp.com/album/accursed-be-it-to-the-aeons-hell
2158
2159-- 
2160
2161Vermillionth
2162Vermillionth was the recording of the live performance at the Kinetik Festival, in Montreal.
2163
2164It was performed live with Yameki and Veroníque, at the large Usine C venue, it
2165includes a cover of Memmaker.
2166
2167* Bandcamp: https://aliceffekt.bandcamp.com/album/vermillionth
2168
2169-- 
2170
2171Time Alloy
2172The Time Alloy is a series of Polygonoscopic samples, created for The sartre mechanism.
2173
2174
2175
2176
2177-- 
2178
2179Demo
2180The Demo albums are created with specific pieces of hardwares.
2181
2182
2183
2184
2185-- 
2186
2187Superworker
2188Superworker is an album created with the PO-24.
2189
2190The album contains 3 tracks created from over 80 sessions, arranged into
2191chiptune experiments.
2192Due to the lack of power during the 4 weeks long ocean crossing, the pocket
2193battery powered synth proved to be the perfect composition tool. The tracks also
2194include spoken words from Alan Watts.
2195
2196* Bandcamp: https://aliceffekt.bandcamp.com/album/superworker
2197
2198-- 
2199
2200Supervisitor
2201Supervisitor is a concept album created with Arturia's Microbrute synthetiser.
2202
2203The album was released during the event Dodecae in Toronto.
2204
2205* Bandcamp: https://aliceffekt.bandcamp.com/album/supervisitor
2206* Itunes: https://itunes.apple.com/ca/album/supervisitor-ep/id951144870
2207
2208-- 
2209
2210Supergrid
2211Supergrid is a concept album created with Marabu.
2212
2213The full album's planned release is at the end of year, the weekly tracks are
2214available here.
2215
2216* Sources: https://weeklybeats.com/aliceffekt
2217
2218-- 
2219
2220Soundtrack
2221The Soundtrack collection contains various scores written for Software projects.
2222
2223
2224
2225
2226-- 
2227
2228Oquonie Soundtrack
2229The Oquonie Soundtrack, Impossible Spaces, is the ambient score of the game Oquonie.
2230
2231
2232
2233
2234-- 
2235
2236Rabbits Soundtrack
2237The Rabbits Soundtrack is the drone audio tracks of the Hundred Rabbits video diaries.
2238
2239This soundtrack contains 2 recorded podcasts and a selection of tracks from the
2240videos.
2241
2242* Bandcamp: https://aliceffekt.bandcamp.com/album/hundred-rabbits
2243
2244-- 
2245
2246Purgateus Soundtrack
2247The Purgateus Soundtrack is the score for the Purgateus remix of the game Proteus.
2248
2249The album was recorded while talking across Purgateus.
2250
2251
2252-- 
2253
2254Noon Guest
2255Noon Guest is the official MoonQuest soundtrack.
2256
2257Created over the span of 2 years, this ambient album navigates across various
2258biomes populated with a wide collection of chatting critters.
2259The album condenses 70 minutes of xenomorphic field recordings into 25 minutes
2260of ambience from the game, interspersed with fragments of electronic and techno
2261music.
2262Tracklist
2263Noon Guest: Pyre(Special Ver.)
2264Hoon Vest: Miasma Part I & part 2
2265Loom Rest: Mountains Part I & Part 2
2266Womb Nest: Town, Forest & Edge Of Town
2267Tomb Pest: Sewers, Tomb, Bone Cave & Spider's Lair
2268Moon Quest : Pyre(Normal Ver.), Puzzle Room, Cathedral & Labyrinth
2269
2270* Bandcamp: https://aliceffekt.bandcamp.com/album/noon-guest
2271* On Steam: https://store.steampowered.com/app/511540/MoonQuest/
2272
2273-- 
2274
2275Remix
2276The Remix collection contains a list of the Aliceffekt remixes and unique tracks made for compilations.
2277
2278Remixes
2279Comaduster - Winter Eyes, Tympanik Audio 2013
2280Veroníque - Fisherman II 2013
2281iVardensphere - Ghostnote Metropolis Records 2012
2282Misteur Valaire - Dan Dan 2011
2283Doomer - Weltenzerstorer 2010
2284Stray - Does it really matter 2009
2285Perfection Plastic - Bad Girls 2009
2286Rare Tracks
2287Iszoloscope - Dumachus Junction Feat. Aliceffekt[Beyond Within], Ant-zen 2010
2288VA -  Laeis 7th Passage E.th [Kinetik Festival Volume 3], Artoffact 2010
2289VA - Thievery of the Jade Books[Kinetik Festival Volume 4], Artoffact 2011
2290
2291
2292-- 
2293
2294Typography
2295Typography work created for Nataniev and Lietal projects.
2296
2297This font collection can be used freely on your projects. Enjoy.
2298
2299* Sources: https://github.com/neauoire/Font-Collection
2300
2301-- 
2302
2303Vast
2304Vast is the first book of Elodie Lareine, a manual of procedural imagery.
2305
2306I recently found myself illustrating Elodie's abstract book "Vast - the perfect,
2307the circular, the subjugated".
2308A strangely perfect nonsensical coffee table curiosity that grabbed me from the
2309moment I heard of its ties with some of the same Borgesian concepts that have
2310also been exploring lately.
2311I have created a series of ink fractals to ornate the book's preface, table of
2312content and cover.
2313
2314
2315-- 
2316
2317Defraction Optics
2318Defraction Optics is the second book of Elodie Lareine, a manual of procedural imagery, in the fashion of Vast.
2319
2320A guide to null;
2321
2322* Itch: https://reine.itch.io/defractions
2323
2324-- 
2325
2326Thousand Rooms
2327Thousand Rooms is a visual novel.
2328
2329Thousand Rooms was created in collaboration with illustrator Rekka Bellum,
2330following the behaviours of four characters and a room
2331I have written this book with the hopes of creating a sort of Borges for
2332children, in which the reader follows a bat, a cat, an owl and a fox who try and
2333make sense of this simple system.
2334The book also encourages to try and understand the rules, and plan unsuggested
2335avenues. We are releasing the book in English, French, Russian, Japanese &
2336Lietal.
2337
2338* Itcho: https://hundredrabbits.itch.io/thousand-rooms
2339* Sources: http://github.com/hundredrabbits/Thousand-Rooms/graphs/contributors
2340
2341-- 
2342
2343Wallpapers
2344Collection of Wallpapers related to Nataniev and Horaire.
2345
2346
2347
2348
2349-- 
2350
2351Neauismetica
2352The Neauismetica is a series of notes on the fiction of Dinaisth.
2353
2354The tales of the Neauismetica unfold on a minuscule celestial object, where
2355three Immortals dwell.
2356Originally written in French, "Les Récits De Dinaisth" begins when most things
2357have ended, on the surface of a Satellite where the remaining immortals have
2358gathered, and are looking up at the lightless skies.
2359This series of disjointed concepts, characters and places are the connecting
2360thread that lives through Aliceffekt's music, Devine's illustrations, and are
2361the culture behind the Lietal Language.
2362Immortals speak not with words, but wait for things to happen, and merely point
2363at them.
2364
2365
2366-- 
2367
2368Neon Hermetism
2369Neon Hermetism is a collection of general Neauismetic concepts.
2370
2371The Neon Hermetic concepts are the foundations to understanding the
2372Neauismetica, its characters and their purpose.
2373Science has long since ended, and has been replaced by the art of operating
2374teleogic constructors, machines capable of looking across timelines and moving
2375themselves toward the longest lasting Occurence.
2376Beyond the computing beautiful, sleeps languages of impossible meanings.
2377
2378
2379-- 
2380
2381Feu
2382The Feu era is known as the era of time which began at the End Of Science.
2383
2384From the moment Teleogic Constructors began altering the Courses of Time and
2385will events into happening, traditional rational intelligence and curiosity were
2386then seen as no more than crafts, or relics of a older time.
2387As per Neon Hermetism, the whole dimensionality of Time is of a finished shape;
2388accessible and traversible. It is hypothetized that the universe is an operating
2389function, rendering a final organization of space via the Ehrivevnv. In order
2390words, the universe exists to formulate a being which is to enter the celestial
2391puzzle, and to emerge as the resulting value.
2392
2393
2394-- 
2395
2396Actors
2397The Actors are beings unaffected by determinism, that have free will.
2398
2399Their name "actor" comes from their ability to actually act, outside of the will
2400of determinism.
2401Natural Actors, or anomalies, were found to have existed before the Feu, but the
2402True Age of Actors came about with the synthesis of the first Actor by Neonev
2403and the Immigrants.
2404The first synthesized actor was tasked to position itself into the Longest End,
2405meaning that it would effectively take control of all things, and of all of
2406time, to steer the sequence of events allowing itself to exist within the
2407longest lasting possible timeline of the computing occurrence.
2408Actors have no names, and their number is unknown, it is possible that multiple
2409actors, or multiple instances of the same actor, are competing for the Longest
2410End.
2411
2412
2413-- 
2414
2415Ehrivevnv
2416The Ehrivevnv is a dimensional puzzle.
2417
2418It presenting itself as a synthetic celestial structure, around which Dinaisth
2419orbits.
2420The Ehrivevnv was found to exists in the timelines that persisted until the End
2421of Time(see Feu). This particularity has brough many forms of life to congregate
2422onto Dinaisth to study it, and has given it its classification of puzzle.
2423The puzzle is orbited by both Dinaisth, and Aitasla. Its discovery, and the
2424research that it inspired, ultimately brought about the completion of Science.
2425This superstructure is located further than natural light could ever reach,
2426blanketed in perpetual darkness and cold, in near infinite space and stasized
2427time. The only light ever to reach the surface of the puzzle is emited from
2428Dinaisth.
2429It is believed by Neon Hermetism that it might be the creation of Actors — Soies
2430Injection.
2431Et haec revelantur in virtute et veritate non Vi.
2432
2433
2434-- 
2435
2436Soies
2437The Soies are the studies of the influence of Actors.
2438
2439The Soies machines finds their own location according to the Longest End, by
2440generating the value disallowed to exist withinin the currently renderer
2441occuring.
2442It allows for the study of unexisting events, to align the Occuring with the
2443neighboring optimal possible worlds.
2444In other words, by generating the first events outside of the renderable, or
2445Possible World, the Actors steer themselves inside and outside of the possible
2446and impossible chain of events, granting themselves access to various normaly
2447impossible actions.
2448This line of research is tied to the discovery of the Ehrivevnv as the resolve
2449of the puzzle only exists within the Longest End.
2450
2451
2452-- 
2453
2454Longest End
2455The Longest End is the succeeding occurence.
2456
2457The Longest End is the longest surviving occurrence amongst the inifities of
2458other timelines.
2459The Actors' goal is to steer the occurring chain of events to exist within the
2460longest lasting instance of the universe.
2461The Impossibilities: The entirety of all potential spacetime. The
2462impossibilities stores the events banned from happening, compressing the
2463possible events.
2464The Possibilies: The possible spacetime storages the events allowed by
2465determinism, condensing into the occuring.
2466The Occuring: While it is not technically allowed to traverse between possible
2467and occuring space, the Soies model allow to manipulate the possible space by
2468forcing events to occur outside of the resolving spacetime.
2469The Longest End, or resolving spacetime: It is the surviving spacetime, its
2470finality, the destination and meeting space of Actors.
2471
2472
2473-- 
2474
2475Soies Machine
2476The Soies Machine was the last machine.
2477
2478The Soies Machine is a kind of clock, with needles rotating around each
2479available axis of space, at the fastest allowed speed by the Occurence.
2480The purpose of the machine was to locate the required design across all
2481timelines, forcing the Occuring to render as the Longest End.
2482Sealed in an Optimal Cartesian Vaccum, the clock spins inside a pocket of
2483syntetic space ruled by optimal natural laws; an uttermost stable engineered
2484universe, in a vaccum.
2485Each "needle" rotate in its own dimension, vanishing upon reaching the fatest
2486renderable possibility — Effectively locating the occurring within the possibles
2487and impossible spaces.
2488
2489
2490-- 
2491
2492Soies Injection
2493A Soies Injection is a syntetic event found in the occurring.
2494
2495Injections are unnatural events found in the Occurring, forced into existence by
2496actors condensing the possible events.
2497The Andes Castel found in Laeisth is a known injection, the Neon Hermetists
2498suggest the Ehrivevnv to also be an injection.
2499
2500
2501-- 
2502
2503Neausea
2504The Neausea is a sickness manifested in beings who knows their Soies position.
2505
2506Actors and beings such as Paradichlorisse, can carry it. A weaker form can be
2507contracted when one is in contact with Nohlxeserre languages.
2508The experience of Neausea, by the afflicted, would at first seem like one can
2509travel through time. But the subject's impression of time-traveling is due to
2510their focus shifting across possible sequences of events.
2511To the observer, the subject would simply collapse, by the time the body would
2512hit the ground, the subject's mental gaze would have traveled across different
2513possible timelines, but would have in the process lost the track of Time —
2514Effectively extracting themself from the Occurring.
2515Andes is the only character known to have survived an encounter with the
2516Nohlxeserre Languages. The fossilized mountains of corpses by the sides of
2517Paradichlorisse are a testament of the ones who have tried to look at Time and
2518perished.
2519In debt are are my impossible selves, for all the horrible days.
2520
2521
2522-- 
2523
2524Nohlxeserre
2525Nohlxeserre is an hypothetical language from the Neauismetica.
2526
2527Nohlxeserre is a language that delivers a richer and more precise rendition of
2528its meaning than actual experience.
2529The richness and detail of experiencing an event, pales in comparison to having
2530it recited – Effictively inducing the symptoms of Neausea, stasis, and
2531ultimately death.
2532The Nohlxeserre Language is the language of the Actors. Andes, as opposed to
2533Neonev, did not found itself on Dinaisth looking for Actors, but for
2534Paradichlorisse. Whom Andes says "Speaks the language of the birds".
2535When Paradichlorisse spoke of silence, silence fell.
2536
2537
2538-- 
2539
2540Dinaisth
2541Dinaisth is the name of the Satellite onto which unfolds the events of the Neauismetica.
2542
2543Dinaisth is a small celestial object that orbits the Ehrivevnv megastructure,
2544beyond the furthest reaching starlight.
2545The Flag of Dinaisth depicts the Ultraviolet Sun, reflected upon the Kanikule
2546Ocean below the Lightless Sky.
2547
2548
2549-- 
2550
2551Kanikule
2552Kanikule is the ocean surrounding Neau.
2553
2554Kanikule is an infinite ocean that an immortal would spend an infitite amount of
2555time crossing, effectively reaching the outer-shores mortal.
2556While one can sail away from its center, Neau, one cannot return to it, for it
2557occupies no space in the ocean. Neau is a circular city at the center of
2558Kanikule. The blue roofed city the birthplace of Lietal, and is also the place
2559from which the Neauismetica derives its name.
2560
2561
2562-- 
2563
2564Vetetrandes
2565Vetetrandes is the remains of a city where Yajnev rests.
2566
2567As you would approach the epicenter of the bound city, time would become
2568increasingly more unmoving.
2569At its center, one would find the corpse of Yajnev, and where Yajnev's head
2570would have been, a hollow mask. Locked inside the mask is the only instance of
2571true space that can be said to be "outside".
2572The trek across Vetetrandes is only possible through the guiding of an Actor, as
2573the local void existing in Vetetrandes is unacted, or unoperated and unredered.
2574The Neon Hermetists believe this location to be an ancient and broken Soies
2575Machine.
2576
2577
2578-- 
2579
2580Laeisth
2581Laeisth is a desert on Dinaisth.
2582
2583Surrounding an Oasis, a blackened chasm where creeps the clones of its violent
2584host Rlionn, the Andes Castel stands quiet.
2585
2586
2587-- 
2588
2589Andes Castel
2590The Andes Castel is a large unnatural structure found in Laeisth.
2591
2592Injected into Dinaisth by Andes, the castellum is a seemingly artificial
2593structure found North of the Laeisth Desert.
2594While its intricate networks of ornate tunnels and decorated halls appear to
2595suggest its creation to be the result of artificial construction —  It was found
2596by the Neon Hermetists to have come into being from the natural sway of the
2597ocean, erosion and accumulation of debris, across a long period of time.
2598When looking North from the Oasis, three High Towers, connected by bridges, are
2599visible above the horizon. Its very existence suggest an injection into the
2600Soies.
2601The bridge connecting the center, and highest, Tower(B) to the rightmost
2602one(C)(when observed from the Oasis) has been sectioned. A silhouette of the
2603Castel can be seen on the Neauismetica sigil.
2604The buildings have been mostly left vacant, except from the occasional visit of
2605the Rlionns.
2606
2607
2608-- 
2609
2610Duomo
2611Duomo covers most of the northern hemisphere of Dinaisth.
2612
2613Incomplete.
2614
2615
2616-- 
2617
2618Neau
2619Neau is a location found at the center of Kanikule.
2620
2621Incomplete.
2622
2623
2624-- 
2625
2626Dilitriel
2627Dilitriel is the central region of Dinaisth.
2628
2629Incomplete.
2630
2631
2632-- 
2633
2634Aitasla
2635Aitasla is a satellite orbiting orbiting the Ehrivevnv.
2636
2637Folk stories, from Dinaisth, about the satellite include tall tales of the
2638existence of beings with large organic hats.
2639The Aitasla object is rumoured to be the location of the Hiversaires station.
2640
2641
2642-- 
2643
2644Characters
2645Characters are a selection of resident Immortals of Dinaisth.
2646
2647Introducing The Courtship Of The Birds.
2648While other lives happened to find themselves on Dinaisth, at one point or
2649another, the Neauismetica focuses on the handful that worked in or alongside the
2650Neon Hermetism.
2651The name comes from the Nohlxeserre, which is also known as The Language Of The
2652Birds.
2653
2654
2655-- 
2656
2657Rlionn
2658Rlionn is a being who periodically manifest itself on Laeisth.
2659
2660Rlionn is not a single individual but a trait that manifests itself as a
2661collective state of mind for the inhabitant of the Oasis.
2662Spoken-of in tales and songs, the story of her children are sung in the album
2663Children of bramble and illustrated in the The Rlionn Oasis short.
2664
2665
2666-- 
2667
2668Neonev
2669Neonev is a daughter of Rlionn.
2670
2671While most of Rlionn's Children do not stray far from the Oasis, one has left
2672the desert of Laeisth to travel Dinaisth.
2673Neonev has crossed Kanikule during the first season.
2674
2675
2676-- 
2677
2678Andes
2679Andes immigrated through a Soies Injection.
2680
2681Shortly before the first season and brought along tools to study the Ehrivevnv.
2682Andes was already present on Dinaisth when Neonev and the other immigrants
2683arrived, the role of Andes in the Yajnev Collapse is unknown, but his arrival
2684coincides with the destruction of Vetetrandes.
2685Prior to their arrival, a structure bearing their markings had been errected in
2686Laeisth, known as the Andes Castel, suggesting an external manipulation of the
2687Soies.
2688
2689
2690-- 
2691
2692Yajnev
2693Yajnev's death engulfed Vetetrandes in an opaque impenetrable lock.
2694
2695Yajnev is a Local-type actor, meaning that its acting was mainly spacial, and
2696only briefly temporal.
2697Its nervous imprint of local space could steer events locally, as well as affect
2698time.
2699The space, and time, surrounding its body was animated by Yajnev's reflexion and
2700thoughts. The effect of the Immigrats approaching Dinaisth might have caused the
2701collapse, as it may have had an effect similar to that of a foreign body
2702injecting itself in the network of dimensional nerves.
2703
2704
2705-- 
2706
2707Paradichlorisse
2708Paradichlorisse is a machine that speaks Nohlxeserre.
2709
2710Its purpose is unknown, but it was observed reciting stories in a fashion that
2711ressembled the navigation of the Soies.
2712Upon reaching its location, one would infinitely collapse as they would begin
2713experiencing every life and every death for ever, recited in the speech of the
2714infinite being.
2715When Paradichlorisse spoke of silence, silence fell.
2716
2717
2718-- 
2719
2720Photography
2721The Photography Portal collects various albums over multiple mediums.
2722
2723View the list of camera equipment.
2724
2725
2726-- 
2727
2728Macro
2729The Macro album contains various shots from up close.
2730
2731
2732
2733
2734-- 
2735
2736Personal
2737The Personal album contain various memories.
2738
2739
2740
2741
2742-- 
2743
2744Film
2745Color Film photography diary of the life aboard Pino.
2746
2747This album will be periodically updated with shots taken with the 250 Jaher
2748Voigtländer.
2749A black and white album is also maintained.
2750
2751
2752-- 
2753
2754Black
2755Black and White film photography diary of the life aboard Pino.
2756
2757This album will be updated periodically, shot with the 250 Jaher Voigtländer.
2758A color film photography album can be found here.
2759
2760
2761-- 
2762
2763Infrared
2764The Infrared photographs were taken with a modified Nikon camera.
2765
2766
2767
2768
2769-- 
2770
2771Travel
2772Travel diaries around the world.
2773
2774
2775
2776
2777-- 
2778
2779Austria
2780Trip to Austria, in September of 2015, for Ars Electronica.
2781
2782
2783
2784
2785-- 
2786
2787Netherlands
2788Trip to Netherlands in 2015 for Indievelopment.
2789
2790
2791
2792
2793-- 
2794
2795Japan
2796A variety of diary entries written throughout trips to Japan.
2797
2798Let's never come here again 'cos it would never be as much fun. | Charlotte |
2799Lost in Translation
2800
2801
2802-- 
2803
2804Minamiise
2805We sailed to Minamiise in the spring of 2019, from Shizuoka.
2806
2807Damp forest roads, misty mountains and ghost towns.
2808
2809
2810-- 
2811
2812Shizuoka
2813We sailed to Shizuoka in the late winter of 2019, from Ogasawara.
2814
2815We moved to Shizuoka which offers the most beautiful sight of Fuji.
2816
2817
2818-- 
2819
2820Ogasawara
2821We sailed to Ogasawara in the late winter of 2019, from Fiji.
2822
2823We sailed into the Futami arbor on our way to Osaka from the Marshall Islands.
2824The island of Chichijima is one of the most beautiful place I have had the
2825chance of spending time at, it exists at the intersection of my favourite
2826climate and foods. We spent our time there cycling up and down the coastal
2827slopes, and cooking delicious meals from our favourite Japanese ingredients.
2828Video
2829
2830
2831-- 
2832
2833Yokohama
2834We cycled to Yokohama, from Tokyo.
2835
2836
2837
2838
2839-- 
2840
2841Fuji
2842Our trip up Mount Fuji, Japan.
2843
2844We climbed it at night, and arrived at the top for sunrise.
2845
2846* Wikipedia: https://en.wikipedia.org/wiki/Mount_Fuji
2847
2848-- 
2849
2850Osaka
2851We traveled to Osaka in 2010 to attend the 1H1D music festival, and returned in 2019.
2852
2853
2854
2855
2856-- 
2857
2858Tokyo
2859Unforgettable time in Tokyo between 2010 and 2012.
2860
2861
2862
2863
2864-- 
2865
2866Fiji
2867We sailed to Fiji from New Zealand, aboard Pino.
2868
2869We lived by the towns of Savusavu, Lami and Vuda for the Summer of 2018.
2870We stopped in Fiji on our way to Japan from New Zealand, living off watermelon
2871and bittermelon, breadfruit and passionfruit. It felt great to finally be
2872pointing North, after heading west throughout our Marquesas Ocean crossing.
2873
2874
2875-- 
2876
2877Marquesas
2878Travel pictures from our crossing of the South Pacific Ocean, from Mexico to the Marquesas.
2879
2880Some of the first pictures taken after sailing across the South Pacific Ocean
2881from Mexico to the Marquesas Islands.
2882We then proceeded toward Niue island.
2883
2884* Trip: http://100r.co
2885
2886-- 
2887
2888Marshall Islands
2889We sailed to the Marshall Islands from Fiji, aboard Pino.
2890
2891We lived in Majuro for a few weeks waiting for a weather window to would allow
2892us to sail north.
2893
2894
2895-- 
2896
2897Niue
2898That time we sailed to the gorgeous coral shores of the country of Niue.
2899
2900We reached the incredible island of Niue in July of 2017, on our way across the
2901Marquesas Ocean.
2902We anchored by the pier, and explored its canyons and chasms for a week, before
2903proceeding toward New Zealand.
2904
2905* Wikipedia: https://en.wikipedia.org/wiki/Niue
2906
2907-- 
2908
2909Czech
2910Trip to Czech Republic in 2011.
2911
2912Back in 2011, I traveled alone and spent a few days with friends in Prague and
2913nearby.
2914
2915
2916-- 
2917
2918France
2919That time I played a show in Paris, France.
2920
2921
2922
2923
2924-- 
2925
2926The Sublime
2927The Sublime, are various pictures taken at sea aboard Pino.
2928
2929
2930
2931
2932-- 
2933
2934New Zealand
2935That time we lived in New Zealand.
2936
2937Most of our New Zealand pictures were taken on Film.
2938We sailed to New Zealand aboard Pino in 2016, from Tonga, on our way to Japan,
2939during our Marquesas circumnavigation. We were moored in Whangarei for 8 months.
2940
2941
2942-- 
2943
2944America
2945Various landscapes taken around America.
2946
2947Some taken while in a 52 hours train ride during Train Jam in 2015, from
2948Chicago; others taken when we sailed into the San Francisco Bay from Vancouver.
2949
2950
2951-- 
2952
2953Germany
2954That time I played a show in Berlin, Germany.
2955
2956We first went to Germany for the Amaze festival, and I later returned for the
2957React Berlin conference and a livecoding show.
2958
2959
2960-- 
2961
2962Canada
2963Despite being from there, Canada has become a travel destination to me.
2964
2965
2966
2967
2968-- 
2969
2970Mexico
2971That time we lived in Mexico.
2972
2973
2974
2975
2976-- 
2977
2978Lifestyle
2979The collection of diary entries on Lifestyle.
2980
2981I rarely blog, but I've collected here a handful of long-form posts on various
2982topics. I also make public, a collection of answers to questions that were sent
2983to me by email.
2984
2985
2986-- 
2987
2988Aesthetics
2989The Aesthetics diaries.
2990
2991I have aligned my life toward a singular design, the acceleration of Arts &
2992Science.
2993The analysis of personal statistics recorded through daily journaling, revealed
2994travel to convert into the most inspiration hours. I have then steered my
2995creative work toward facilitating opportunities to travel.
2996Multi-tasking revealed itself to have a negative impact on my productivity.
2997Working within the confines of a single medium, would convert into long periods
2998of lesser creativity and intermittent productivity. Living at any one place over
2999a period of a year showed a decay in inspiration. Leaving school, learning to
3000play music, moving abroad — showed an improvement in the realization of Arts &
3001Sciences.
3002Automating work always converted to higher long-term output than attempts at
3003brute force. Building specific tools mostly returned higher performance than
3004learning general purpose tools.
3005Optimizing toward the need for less revenue has yielded better results than
3006optimizing toward the generation of more.
3007Remaining immobile in moments of doubts and planning, always converted into
3008better output, against acting impulsively and making possible accidental steps
3009away from the acceleration of Arts & Sciences.
3010I have kept journals recording oscillation in flux of Efficiency and
3011Effectiveness, and used this data to optimize and steer moods of productivity.
3012Each day has a singular task assigned, connected to a specific medium, suggested
3013from previous optimal patterns of productivity.
3014When a day ends before its task was completed, the day was a planning failure;
3015and the task is broken down into smaller tasks, each assigned to one day. When
3016the task is completed before mid-day, the day is also a planning failure.
3017I do not get out of bed until I have chosen a task to complete & and a lesson to
3018learn, and I do not go to sleep until I have logged the results. The tasks are
3019selected in the following order: I first address the problems that slow me down,
3020the things I find lacking in life and the answers to questions that occupy the
3021idle mind.
3022
3023
3024-- 
3025
3026Nomad
3027The Nomad diaries.
3028
3029My first encounter with a Nomad was during my stay in Prague, as Santiago, I had
3030just met my Fulcanelli.
3031There was a time in my life when I may have felt homesick. But for now, Home was
3032but a vague concept that existed out there, forever fleeting.
3033An office is no place a multi-disciplinarist, and Japan was where I last fought
3034this loosing battle. My desk, not the medium onto which I would acquire the
3035skills I longed for.
3036The suffocating curiousity of wanting to know how different my life might be,
3037had gotten worse than the daily frictions of my current situation. The decision
3038of living aboard a float home was not picked amongst other equally enticing
3039ideas, for it was, at the time, the only solution that would align with what I
3040wanted in life.
3041The monthly rent of our beachside Tokyo appartment was of about 1.5K$, and
3042transitioning from it, to a sailboat, implicated some serious downsizing. The
3043way we looked at it was that, within 3 years, our 20K$ sailboat would be paid at
3044the rate of 600$ per month — Or that by cutting the costs of our current living
3045situation in half, we could be both "home owners" and keep our traveling options
3046open.
3047Will you trade the proximity to friends and family in exchange for your
3048independence?
3049To think that, at the time, the most heart-breaking things to let go of were
3050instruments, old consoles, books and some camera equipment — When the truly hard
3051things to let go of would be the habitual bath, tap water and reliable internet
3052connection.
3053Everything costs more than expected, takes longer than expected and Amazon
3054doesn't deliver to your desert island. Surely you did not do all this travel for
3055the travel alone, you had passions, habits and goals when you left.
3056The wind rocks the habitat sideways, keeping you up at night. But at least, you
3057get to spend your day writing. You forget about tap water, don't mind the warm
3058water from the plastic jugs, you wonder why people take showers every day, and
3059time away from social networks really does make you feel better.
3060Being nomad is trading the things you think you care about, for things you
3061didn't know existed.
3062Suddenly, it's business as usual. You get back to building things, only now,
3063when you look outside, the upmost gorgeous sunset precedes the darkest of night.
3064You learnt how to fix sails, repair a toilet, create electronic systems,
3065maintain an engine — Even to live without a fridge and power.
3066We have seen every sunset and almost every sunrise, we have sailed with
3067dolphins, we have climbed mountains on desert islands, and we have met the most
3068amazing people.
3069
3070
3071-- 
3072
3073Nutrition
3074The Nutrition diaries.
3075
3076The function of proteins is to be used for tissue growth and repair, but when
3077carbohydrates and calories are lacking, proteins can be consumed for fuel.
3078The human body's own proteins are constantly being broken down into amino acids
3079and used throughout its systems.
3080The human body is mostly made of proteins, and proteins are made of amino acids
3081- permutations of carbon, oxygen, hydrogen, nitrogen and sometimes sulphur.
3082There are 22 amino acids in total and all but 9 can be synthesized, the
3083Essential Amino Acids.
3084To be used for growth and repair, a protein needs have access to the full
3085sequence of required essential amino acids. If an essential amino acid is
3086missing, the unusable remaining amino acids are broken down into fats or sugars.
3087Examples of foods with essential amino acid content of at least 70% of a
3088complete protein(see Limiting Amino Acids) are oats, garbanzo beans, sunflower
3089seeds, buckwheat, red/white/black beans, rice, peanuts and pumpkin seeds.
3090There are a few things in life that are as transformative and transhumanistic as
3091nutrition.
3092There are also high-quality proteins in green beans, swiss chard, broccoli,
3093mustard greens, asparagus and potatoes but in lesser quantity.
3094Soy products have within them 100% of a complete protein, or the correct ratio
3095of essential amino acids for the body to use in tissue growth and repair.
3096The high-quality protein foods can be made whole by combining with other
3097ingredients, but the basic optimal combinations is Beans with grains, nuts or
3098seeds.
3099The doctor of the future will give no medicine, but will instruct his patient in
3100the care of the human frame in diet and in the cause and prevention of diseases.
3101| Thomas Edison | 1903
3102
3103* Wikiversity: https://en.wikiversity.org/wiki/Should_we_go_vegan%3F
3104* Vegan Health: https://veganhealth.org/daily-needs/
3105* Low-cost Meals Plans: https://www.vrg.org/journal/vj2006issue2/2006_issue2_mealplans.php
3106
3107-- 
3108
3109Routine
3110The Routine and habits diaries.
3111
3112A typical day usually begins at around 6:00am.
3113I tend to try and keep my eyes shut until I have mentally drafted a rough plan
3114of the things I will want to have done by the end of that day. I then rise to
3115grind coffee — I usually ever only drink one cup per day.
3116Before even email or chat, I immediately set off to complete the task I have
3117planned eye-closedly. I know to have about 3 hours of undisturbed flow before
3118the distraction surrounding lunch-time pulls me away from the work. My daily
3119goal is to complete, at least, single task a day, the daily task is devised in a
3120way that it should take about 3 hours to complete — Or between 4 to 5 pomodoros.
3121After the last pomodoro, I tend to cook. I try as much as possible to take a
3122full hour for lunch, to try and exit the state of flow. The afternoon is spent
3123doing maintenance or superficial work, experiments. But mostly, the afternoon is
3124spent reading and learning. The goal is to build a catalog of exciting things to
3125wake up to the next day and to experiment with.
3126The superficial work that I do involves replies to blogs, maintenance to the
3127repositories that I collaborate on, edits to various wikipedia entries,
3128answering emails and so on..
3129The day ends with journaling at which point I record the task done, and if any,
3130the lessons learnt. I usually go to sleep with a book, and a highlighter pen. I
3131overline the things I want to keep for a later use, or to revisit.
3132
3133* Full Interview: https://interfacelovers.com/interviews/devine-lu-linvega
3134
3135-- 
3136
3137Longtermism
3138Notes on Longtermism and sustainability.
3139
3140In an age of disposable smart devices and unrepairable electronics, there are
3141few topics that occupy my mind as much as solutioning for technological
3142resilience and development longtermism.
3143Living aboard a sailboat, away from reliable internet connectivity and outside
3144of delivery networks, encourages us at Hundred Rabbits, to consider ways in
3145which we can strenghten the toolset onto which we rely, to reflect on novel ways
3146to simplify the systems that we use, and to optimize toward more environmentally
3147councious practices.
3148We must abandon 3-in-1 packages, bloated always-online services and general
3149planned obsolesce, and establish practices of recyclism, minimum viable
3150products, small-sharp modular utilities. We see smart and resilience as opposing
3151attributes to a device, smart is inherantly contrary to a single purpose tool,
3152and thus incompatible with longtermism.
3153Our focus over the past year has gradually shifted from open-source software,
3154toward modular and combinable electronics. Looking back, we are proud of the
3155open-source tools that we created, enabling a handful of people to exit
3156subscription services, and uninspectable utilities. Moving forward, we are
3157thinking more and more about hardware, or at least to do without the operating
3158system layer.
3159I periodically find myself thinking about operating systems, or more
3160specifically the interaction design of OSes. I attempting to tackle the
3161difficult UX challenges of that space, unrealizing that my failure to solve
3162these issues might very well come from the simple fact that the purpose of
3163operating systems is to enable multi-tasking, multi-tasking that I try to
3164erradicate from my daily life, making these these issues deeply unsolvable and
3165my love for sharp tools and OSes ireconcilable.
3166Sometimes I wonder if we shouldn't re-orient our focus onto things that can run
3167on small low-power open-source boards like Arduinos, but I also consider the
3168impact of pushing for the purchase and production more electronics.
3169Despite all this, I dream of a line of simple electronics, each one designed for
3170a single purpose. Or even for things beyond the realm of electronics, like a kit
3171bike with all its superfluousities removed.
3172My dream sailboat has no diesel engine, no fuel outboard and no lead acid
3173battery storage, but instead a compressed air engine with its compression stored
3174in diving tanks, a bike crank powered compressor, a hydro generator pump, and a
3175dynamo to charge our low-power electronics. The only crutial electronic systems
3176connected to the house tanks would be the AIS transciver, the VHF radio, a basic
3177chartplotter and habitat lighting. Our work and entertainment electronics, like
3178our laptops and cameras, would run off solar charging a minimal array of LiPo
3179batteries.
3180Is there a way to distribute entertainment in a way that is environmentally
3181conscious? I read this thinking, how dare I think that only work has value and
3182that entertainment and leisure has somehow less right to pollute.
3183
3184
3185-- 
3186
3187Inventory
3188The collection of techincal details on the Inventory.
3189
3190Some of the items I carry around with me in my travels.
3191
3192
3193-- 
3194
3195Everyday
3196Everyday items found in my bag or pockets.
3197
3198Pigment Liner 0.3-2.0mm: Staedtler
3199A5 Dotgrid: MUJI
3200Shard: Gerber
3201Remix Tactical: Gerber
3202Basic Rigging Knife: Davis
3203MII Key holder: Lawson, J. L
3204Kindle Paperwhite: Amazon
3205RFID Blocking Wallet: Duxtio
3206
3207
3208-- 
3209
3210Skate
3211The Skate specs.
3212
3213When the sun is just about to set, and when the road is that perfect kind of
3214slick.
3215We carry a little skateboard with us on Pino.
3216Frame: Penny Board 68.58cm
3217Wheels: Wide 59mm
3218
3219
3220-- 
3221
3222Bike
3223The Bike specs.
3224
3225That bike that I've carried all over the world during my Travels.
3226We have somehow managed to fit two large track bikes inside of Pino.
3227Frame: Trek District S, 2014
3228Ratio: 48/15(3.2)
3229Lock: Abus Foldable
3230Tires: 700x25C(200g)
3231Tubes: 700x18-25C, 48mm valves
3232
3233
3234-- 
3235
3236Studio
3237The Studio equipment.
3238
3239While the Aliceffekt sounds were mostly sampled from the Microbrute, the Alicef
3240sounds came from the Поливокс.
3241Semi-Modular Synthesizer: Arturia Microbrute
3242Analog Synthesizer: Elta Поливокс Мини
3243Analog Resynthesizer: Hologram Infinite Jets
3244Sound card: Traktor Audio
3245Sound Computer: Monome Norns
3246Midi Interface: Roland UM One
3247Midi Pads: Monome Grid & Akai LPD8
3248Midi Keys: Akai LPK25
3249Notes
3250Infitite Jets
3251Factory Reset: A + B while plugging in the power.
3252Calibrate: Bypass + B footswitches for two seconds.
3253
3254
3255-- 
3256
3257Computer
3258Technical details on my current Computer setup.
3259
3260I presently use a Apple Macbook Pro with the ElementaryOS Linux operating
3261system. I also frequently use various Raspberry Pi devices as servers and
3262utilities.
3263My Laptop Computer is an old MacBook Pro with an even older Wacom Tablet. I use
3264it mainly for front-end work, be it layouts, websites, movies and games.
3265System: MacBook Pro Retina, 13". 2014
3266Operating System: ElementaryOS
3267Processor: Intel Core i7 3 GHz
3268Memory: 16 GB
3269Mouse: Wacom Intuos 3. 2005
3270
3271* Usesthis: https://usesthis.com/interviews/devine.lu.linvega/
3272
3273-- 
3274
3275Plan9
3276Notes and links related to the Plan9 operating system.
3277
3278An argument for simplicity and clarity. | Rob Pike
3279
3280* Notes: https://github.com/neauoire/p9-notes
3281* Irc: https://9p.io/wiki/plan9/IRC/index.html
3282
3283-- 
3284
3285Camera
3286The Camera specs.
3287
3288For film, I use the Voigtländer's Bessa R3M 250 Jahre, and for digital, Sony's
3289Alpha a6000 24.3 MP.
3290My favourite black and white film is Ilford's DELTA 3200. I use Novoflex's
3291NEX/LEM Adapter to fit M-Mount lenses.
3292The Lenses
3293Voigtländer — Super Wide Heliar 15mm f4.5
3294Voigtländer — Ultron 28mm f2
3295Nikon — Nikkor 50mm f1.2
3296
3297
3298-- 
3299
3300Keyboard
3301The mechanical Keyboard specs.
3302
3303I currently use the OLKB Hi-pro mod Planck 6 hotswap, plate, Halo Clear switches
3304and Acute caps.
3305Previous Models
3306The keycaps were the Blank Mint PBT with Red Cherry MX switches. I have also
3307installed sound dampening o-rings. The keyboard connected, with a braided 90
3308degrees angle USB wire. The color choice is inspired from the Verreciel
3309interface.
3310If you're looking for the Alicef one-handed keyboard, see Juni. Learn more about
3311my Workstation.
3312Because it cheers me up.
3313
3314
3315-- 
3316
3317Directory
3318The Directory is a curated list of timeless art.
3319
3320
3321
3322
3323-- 
3324
3325Bookmarks
3326The Bookmarks is a curated list of websites.
3327
3328Computer Science is no more about computers than astronomy is about telescopes.
3329| E. W. Dijkstra
3330
3331
3332-- 
3333
3334Readings
3335The Readings is a curated list of books.
3336
3337For a list of all time favourites, see books.
3338
3339
3340-- 
3341
3342Goals
3343A list of general Goals.
3344
3345Internal are goals dealing with personal growth, and external, as having an
3346effect on the outside world.
3347Internal Targets
3348See the world. Travel the earth by my own means and my own terms. Find countries
3349too small to be seen on a map and go there.
3350Status Currently living in Japan, after effectively completing a 4 years long
3351sailing adventure circumnavigating the Pacific Ocean, across countries I did not
3352know existed.
3353Become polyglot. Fluently speak French, English, Russian and Japanese, to speak
3354four languages from four different roots.
3355Status Acquired a basic understanding of written and spoken Japanese after
3356living in Tokyo for 2 years. Took introductory Russian classes, have yet to
3357visit Russia. English, done. French, done.
3358External Targets
3359Facilitate the creation and acceleration of arts & sciences through tooling and
3360mentorship.
3361Status Created free and open-source tools to compose music, to create graphics
3362and to write. Currently building decentralized social & networking platforms to
3363fuel collaboration among a collective of artists and developers.
3364Minimize pain and suffering, including that of non-human animals through the
3365promotion and application of pragmatic solutions to nutrition and sustainable
3366energy.
3367Status Currently living and working off-the-grid off solar energy, and have
3368optimized for means of generating the least amount of waste through an ascetic
3369lifestyle and a plant-based diet.
3370
3371
3372-- 
3373
3374Death
3375The Death Progress Bar.
3376
3377Death is only one of many ways to lose your life. | Simon, Alvah | North To The
3378Night
3379Marbles Jar
3380Following John Maxwell's Jars of Marbles, which says that "The average person
3381lives about 75 years, of 52 weeks each, totalling 3,900 Saturdays which the
3382average person has in their lifetime."
3383Available Marbles: 3900
3384Current Marble: #1760
3385Marble Jar: 54.86% Left
338680'000 Hours
3387Following the 80'000h model, which says that "You'll spend about 80,000 hours
3388working in your career: 40 hours a week, 50 weeks a year, for 40 years".
3389Available Hours: 80000h
3390Hours Taken: 27274h
3391Hours Remaining: 52726h
3392Career: 65.91% Left
3393
3394* Le Soleil Est Noir: https://www.youtube.com/watch?v=MtFeMT5Uugc
3395
3396-- 
3397
3398Faqs
3399Answers to the frequently asked questions, Faqs.
3400
3401This is a work in progress, I'm currently building this page. Come back later.
3402This collection of questions and answers come from various interviews taken over
3403the years, many of them are archived here.
3404
3405* Archives: https://gist.github.com/neauoire
3406
3407-- 
3408
3409Audio Faqs
3410
3411
3412What inspired you to play music?
3413I stumbled on the idea of writing my own music at a chiptune concert, I realized
3414at that moment that I could write music with non-traditional and custom-made
3415instruments.
3416When were you first introduced to chiptune music?
3417At the Gamma Festival in Montreal, Bubblyfish was the first performing chiptune
3418act that I ever saw.
3419What kind of music do you play and why?
3420I tend to navigate the space between ambient and industrial music, I write
3421starkly contrasted rhythmic music as I find it best to describe the environments
3422visited in the songs.
3423What themes are you trying to uncover in your music?
3424Most of the music I write as Aliceffekt is about a character's travels across
3425the frigid scapes of this fictional world called the Neauismetica, on this
3426foreign planet called Dinaisth.
3427Why did you decide to accompany your music with visuals?
3428The visuals came first, and I wrote the music to accompany the drawings. So the
3429music merely accompany the visuals.
3430Do you have a set of tracks you play regularly?
3431I tend to write music for specific events that occur in the Neauismetica, and
3432when I perform live, I pick moments which best fit with the other performers.
3433What is your approach when you perform live?
3434It depends, sometimes it's improvisational, like the Telekinetic show. Or
3435sometimes it's procedural, like the Ehrivevnv Studies, where I merely make sure
3436that everything is tuned properly. Sometimes I mix old songs and focus on
3437building interesting visuals if the venue allows for it. As of late, I have been
3438livecoding, where the song writing is done as a performance.
3439How do you approach songwriting?
3440I tend to write the song in my head entirely, and put it down in one setting. I
3441often write music about the Neauismetica, it's a kind of mental place, a pool of
3442endless musical idea I can visit and explore, it's where most of the songs come
3443from.
3444When performing live, what's your setup like?
3445It varies, I've written a couple of shows to be performed with a specific synth,
3446or a specific hardware like with the LeapMotion. Typically, I just use a
3447combination of midi controllers and livecoding.
3448What instruments do you play?
3449None. I'm not interested in the tactile aspect of music rendition, my love is
3450for composition and synthesis.
3451Where does the name Aliceffekt comes from?
3452Alice Effekt was a track by Drome that I liked a lot when I started writing
3453music. My goal was to write music just like it. But it has since evolved into
3454something else.
3455
3456
3457-- 
3458
3459Visual Faqs
3460
3461
3462Which creative discipline did you begin with, and how did you shift to other
3463mediums?
3464At first, I stumbled onto photo manipulation. From DeviantArt, to Raster and to
3465Depthcore, I was moving from working with photos, to drawing, and eventually
3466modeling. While I enjoyed visual arts, I felt that to keep sharpening the
3467rendition of the worlds I was drawing, I needed to add a new dimension and so I
3468began writing soundtracks to the pictures, and eventually putting all of it
3469together in the form of websites, and games.
3470What is the meaning of the glyph in your avatar?
3471It is an old rendition of the character for blue, found in the the Shuowen
3472Jiezi, the character dictionary written by Xu Shen, 100 CE. This particular
3473glyph has probably never been used outside of paleography. I found it to be very
3474beautiful, and the word "blue" has a special meaning in the stories from which
3475my handle "neauoire" comes from.
3476What is the significance of your neck tattoo?
3477My tattoo is three dots in the shape of a triangle, or at an equal distance from
3478each other, it signifies audio, visual and research. I call this arrangement
3479"trisight", it's a reminder that, being a generalist, I must constantly pull
3480from these 3 mediums in order to create complete works.
3481Where does your name come from?
3482I began using the name online around 2005, Devine Lu Linvega comes from Davine
3483Lu Linvega of the series "Blame", by Tsutomu Nihei, which was very influential
3484to me at the time.
3485Why did you choose that name?
3486I had been looking for a name that did not represent who I was, but instead who
3487I would like to become. I wanted something that would serve as a reminder to put
3488curiousity above power, that did not lock myself in the past, but would force me
3489forward toward that ideal.
3490Who is Davine Lu Linvega in the book?
3491She was unique from other antagonists in that she doesn't seem to desire killing
3492humans, instead, she devotes her time and energy into finding a way to access an
3493hyper-evolved version of the Internet in the universe of BLAME. As seen in her
3494dying words, Davine was not motivated by a pursuit for power, but rather wanted
3495to see the Netsphere out of pure curiosity.
3496
3497
3498-- 
3499
3500Research Faqs
3501
3502
3503What are the most important concepts that you impart in your works?
3504A lot of my work deal with foreignness and adaptiveness, some of the most
3505romantic ideas that one will find in my work is that of explorers wandering the
3506remains of a long extinguished civilisation, and trying to make sense of it.
3507Why do you release free software?
3508Being away from accessible internet connectivity, the most practical mean for us
3509to develop and release projects is via the Bazaar Model, where the code is often
3510maintained by others while we are away, and so as to not capitalize unfairly on
3511all the help that we receive, we decided to only accept donations.
3512Why do you release open-source software?
3513Being incapable of sitting through a class back in high-school, most of the
3514learning that I was able to do was from looking at other people's sources and
3515trying to make sense of the way they think and understand the reasons for
3516solutioning in that particular way. For an ecosystem of tools to be truly
3517resilient, individuals must be able to repair, maintain and inspect the software
3518that they use.
3519Why is journaling important to you?
3520I keep records of everything I make, and everything I consume. The idea is to
3521better understand my creative patterns, and to predict changes in mood and
3522interest. Ultimately, the goal is to plan more efficiently, to spend my time
3523with more efficacy and to work less.
3524
3525
3526-- 
3527
3528Lifestyle Faqs
3529
3530
3531What is your background?
3532I was first interested in illustration and motion graphics. I soon started
3533writing music to complement these pictures, and finally I began implementing
3534interaction and turn these designs into games, websites and tools.
3535Where do you work?
3536I work at a small research studio aboard a sailboat, called Hundred Rabbits,
3537where we do experiments in resilience and self-reliance using low-tech
3538solutions.
3539What do you do during the daytime?
3540The ways in which I spend my time varies wildly from day to day, but mostly
3541experimental research, my interests include alternative ways to store power and
3542minimum viable solutions for technological tooling.
3543What is your routine?
3544I go to bed choosing one thing to accomplish the next day, I wake up to tackle
3545this singular task. I tend to work only in the morning, get everything done
3546before lunch. The afternoons, I spend mostly reading and learning things to help
3547me solve the next day's task. I usually wake up with the sun, and sleep soon
3548after sunset.
3549Where do you go to get inspired?
3550I share a small forum with a few online friends and whenever I am looking for a
3551new favourite thing, or some help — I know I can find it there. Everyone should
3552build a small network, a place where they can feel comfortable to experiment,
3553show works-in-progress and exchange on the topics of art and science in a safe
3554place among like-minded people.
3555Why do you think people should travel more?
3556I found traveling to be a good catalyst toward learning new languages, for
3557developing an interest in foreign cultures and ultimately for building empathy,
3558curiosity and creativity.
3559How do you draw the line between what is published, and what stays private?
3560Working behind an avatar and living online through a proxy name offers a good
3561healthy distance between the work and the self. The Devine Lu Linvega project
3562focuses on making explicit the reflections, and techniques for the creative
3563process. My intimate life, my health, my friends and family are outside of the
3564scope of this project.
3565
3566
3567-- 
3568
3569Mirrors
3570The collection of Mirrors.
3571
3572The mirrors are collected notes on the topics of knowledge and wisdom.
3573Mystery exists in the mind, not in reality. Confusion exists in the map, not in
3574the territory.
3575
3576
3577-- 
3578
3579Wisdom
3580A collection of notes on Wisdom.
3581
3582The end of the cycle is that of the independent, clear-minded, all-seeing Child.
3583That is the level known as wisdom.
3584To be a philosopher is not merely to have subtle thoughts, but so to love wisdom
3585as to live according to its dictates, a life of simplicity, independence,
3586magnanimity, and trust.
3587There are two wisdoms: the first inclines to action, the second to inaction. |
3588Stanislaw Lem | Cyberiada
3589
3590
3591-- 
3592
3593Action
3594A collection of notes in regard to Action.
3595
3596Ahimsa, or Cause no injury, do no harm, is a Buddhist concept referred to as
3597nonviolence, and it applies to all living beings—including all animals.
3598Control of actions and speech to avoid unwholesome actions.
3599Effort to work as much as possible for the good of others, even at the risk of
3600one's life.
3601Decision to devote oneself to beneficial actions and to remain steadfast on it.
3602Maintaining a state of mind turned to the happiness of others, to practise love
3603for all beings without exception.
3604Development of knowledge and understanding through study and analytical
3605reflection. To teach knowledge to others. To use one's wisdom for a maximum of
3606benefits.
3607You may compete to the full extent of your capabilities, but you may not hunt
3608down your competitors.
3609The creatures who act as though they belond to the world follow the
3610peace-keeping law, they give the creatures around them a chance to grow toward
3611watever it's possible for them to become. That's how man came into being, the
3612australopithecus didn't imagine that the world belonged to them, so they let him
3613live and grow.
3614You must absolutely and forever relinquish the idea that you know who live and
3615who should die on this planet.
3616Be mindful of impermanence. Be careful of idleness.
3617
3618
3619-- 
3620
3621Inaction
3622A collection of notes in regard to Inaction.
3623
3624Wu Wei means without doing, causing, or making. It flows like water, reflects
3625like a mirror, and responds like an echo.
3626Establishment of an always perfect tolerance, irrespective of the actions and
3627words of others towards oneself.
3628Truthfulness (to say only what is right).
3629Rejection of hatred and worship. Not to follow any particular idea. Maintaining
3630the mind in equanimity.
3631Many people are afraid of Emptiness, because it reminds them of Loneliness.
3632
3633
3634-- 
3635
3636Knowledge
3637A collection of notes on general Knowledge.
3638
3639The knowledge portal serves as a clipboard, a place to collect various bits of
3640knowledge from various books and their authors.
3641
3642
3643-- 
3644
3645Programming
3646A collection of notes on Programming.
3647
3648The four essential Freedoms are taken from Richard Stallman.
3649The freedom to run the program as you wish, for any purpose.
3650The freedom to study how the program works, and change it.
3651The freedom to redistribute copies so you can help others.
3652The freedom to distribute copies of your modified versions to others.
3653Practices
3654Prototype before polishing. Get it working before optimizing it.
3655Separate policy from mechanism, separate interfaces from engines.
3656Write simple modular parts connected by clean interfaces.
3657Design programs to be connected to other programs.
3658Write programs to write programs when you can.
3659Design for the future, because it will be here sooner than you think.
3660In interface design, always do the least surprising thing.
3661When a program has nothing surprising to say, it should say nothing.
3662When a program must fail, it should fail noisily and as soon as possible.
3663Write big programs only when it is clear by demonstration that nothing else will
3664do.
3665Consider how you would solve your immediate problem without adding anything new.
3666To make a magical technology, it must be sufficiently advanced. | Lion Kimbro
3667
3668
3669-- 
3670
3671Design
3672A collection of notes on Design.
3673
3674Good design makes a product useful.
3675Good design makes a product understandable.
3676Good design is unobtrusive.
3677Good design is honest.
3678Good design is long-lasting.
3679Good design is thorough down to the last detail.
3680Good design is environmentally friendly.
3681Good design is as little design as possible.
3682Pragnanz
3683The mind perceives objects as being symmetrical and forming around a center
3684point.
3685The mind perceives objects that are near, or proximate to each other, to be
3686grouped together.
3687The mind can only keep 7 (plus or minus 2) items in their working memory, on
3688average.
3689The mind has a propensity to best remember the first and last items in a series.
3690The mind remembers uncompleted or interrupted tasks better than completed tasks.
3691The mind will perceive and interpret ambiguous or complex images as the simplest
3692form possible.
3693The time it takes to make a decision increases with the number and complexity of
3694choices.
3695The time to acquire a target is a function of the distance to and size of the
3696target.
3697
3698
3699-- 
3700
3701Work
3702A collection of notes on Work.
3703
3704Find your passion and figure out how to get paid for it.
3705Do whatever you want to do, but be the best at it.
3706Strive for simplicity and competence, but embrace the messiness along the way.
3707Under-promise and over-deliver, and own up to your screw-ups.
3708Doing what everybody else is doing feels like the safest thing to do, making it
3709the most competitive, and thus the riskiest.
3710No one is on their deathbed is wishing they spent more time at work.
3711Never stop learning.
3712Work expands so as to fill the time available for its completion. | Parkinson's
3713law
3714Habits
3715Doing the right tasks is more important than doing your tasks efficiently.
3716Write down your goals. Break them down into manageable tasks.
3717Tackle one task at a time, and group similar tasks together.
3718You're more attentive in the morning, tackle hard stuff then.
3719If you can't do it in 8 hours, you can't do it in 10.
3720Don't forget to stretch, and drink plenty of water.
3721Keep a record of your time use.
3722Charisma
3723Always look a person in the eye when you talk to them.
3724Always stand up to shake someone's hand.
3725Be conscious of your body language.
3726Ask more than you answer.
3727First impressions matter.
3728When you walk, look straight ahead, not at your feet.
3729Never hit anyone unless they are an immediate threat.
3730No matter their job or status, everyone deserves your respect.
3731A leader is best when people barely know they exists, when their work is done,
3732their aim fulfilled, people will say: we did it ourselves. | 老子(Lao Tse) |
3733道德經(Dao De Jing) | https://en.wikipedia.org/wiki/Tao_Te_Ching
3734
3735
3736-- 
3737
3738Writing
3739A collection of notes on Writing.
3740
3741Never use a long word where a short one will do.
3742If it is possible to cut a word out, always cut it out.
3743Never use the passive where you can use the active.
3744Never use a foreign or scientific word, if you can think of an English
3745equivalent.
3746Never use a figure of speech which you are used to seeing in print.
3747Break any of these rules sooner than say anything outright barbarous.
3748I have only made this letter longer because I have not had the time to make it
3749shorter. | Blaise Pascal | The Provincial Letters |
3750https://en.wikipedia.org/wiki/Lettres_provinciales
3751
3752
3753-- 
3754
3755Health
3756A collection of notes on Health.
3757
3758Food
3759Eat varied foods, biodiversity in the diet means less monoculture in the fields.
3760Pay more for foods grown or raised less intensively and with more care, eat
3761less.
3762Eat mostly plants, especially leaves. Cook, and if you can, plant a garden.
3763Avoid food products with unpronounceable ingredients, or more than five in
3764number.
3765Don't eat anything your great-great-grandmother wouldn't recognize as food.
3766Breathing
3767Expel all of the air from your lungs.
3768Keep them empty for four seconds.
3769Inhale through your nose for four seconds.
3770Hold for four four seconds, don’t clamp down or create pressure.
3771
3772
3773-- 
3774
3775Collapsology
3776A collection of notes on Collapsology.
3777
3778We live in a time of social, economic and ecological unravelling. All around us
3779are signs that our whole way of living is already passing into history.
3780We will face this reality honestly and learn how to live with it.
3781We realize that the current and upcoming crises cannot be reduced to a set of
3782problems in need of technological or political solutions.
3783We believe that the roots of the current and upcoming crises lie in the stories
3784we have been telling ourselves.
3785The end of the world as we know it is not the end of the world full stop.
3786Humans are not the point and purpose of the planet.
3787The Dark Mountaineers intend to challenge the stories which underpin our
3788civilisation:
3789The myth of progress: The myth first tells us that we are destined for
3790greatness, that we began grunting in the primeval swamps, as a humble part of
3791something called ‘nature', which we have now triumphantly subdued.
3792The myth of human centrality: The myth that humans are the point and purpose of
3793the planet.
3794The myth of separation from nature: The myth that humans exist outside of
3795natural forces, and that the agent that is nature can be vainquised.
3796The end of the human race will be that it will eventually die of civilisation. |
3797Ralph Waldo Emerson
3798
3799* Dark Mountain: https://dark-mountain.net/about/manifesto
3800* Unearthed: https://meanjin.com.au/essays/unearthed/
3801* Policymakers: https://www.ipcc.ch/site/assets/uploads/2018/02/WG1AR5_SPM_FINAL.pdf
3802* Deep Adaptation: https://www.lifeworth.com/deepadaptation.pdf
3803
3804-- 
3805
3806Solarpunk
3807A collection of notes on Solarpunk.
3808
3809Solarpunks cherish both nature and progress, the individual and the community.
3810They believe in a world that is green, colourful, and bright. It can be
3811described as a literary genre, an aesthetic, or a movement. The key points are:
3812A demand for technology and society to re-centre around sustainability,
3813longevity, and balance with an emphasis on renewable energy.
3814A focus on decentralisation, community activism, social justice and civic
3815empowerment.
3816A recognition that economic, social, and ecological injustices are all deeply
3817inter-connected.
3818We're destroying the world because we are, in a very literal and deliberate way,
3819at war with it. People need more than to be made to feel stupid and guilty. They
3820need more than a vision of doom. They need a vision of the world and of
3821themselves that inspires them.
3822Solarpunk is the opposite of cyberpunk's nihilism, offering “ingenuity, positive
3823creation, independence, and community.”
3824We're Solarpunks because the only other options are denial or despair. | Adam
3825Flynn | Notes toward a manifesto |
3826https://hieroglyph.asu.edu/2014/09/Solarpunk-notes-toward-a-manifesto/
3827
3828
3829-- 
3830
3831Ascetism
3832A collection of notes on Ascetism.
3833
3834A man is wealthy in proportion to the things he can do without. | Epicurus
3835
3836
3837-- 
3838
3839Cheatsheets
3840A collection of Cheatsheets.
3841
3842
3843
3844
3845-- 
3846
3847Discourse
3848A cheatsheet on Discourse.
3849
3850Before you speak, let your words pass through three gates.
3851At the first gate, ask yourself, is it true.
3852At the second gate ask, is it necessary.
3853At the third gate ask, is it kind.
3854Arguments Ranking
3855The arguments rankings are taken from Scott Alexander.
3856●●●●● | High-level generators | Disagreements that remain when everyone
3857understands exactly what's being argued, and agrees on what all the evidence
3858says, but have vague and hard-to-define reasons for disagreeing.
3859●●●●○ | Operationalizing      | Where both parties understand they're in a
3860cooperative effort to fix exactly what they're arguing about.
3861●●●○○ | Survey of evidence    | Not trying to devastate the other person with a
3862mountain of facts and start looking at the studies and arguments on both sides
3863and figuring out what kind of complex picture they paint.
3864●●●○○ | Disputing definitions | Argument hinges on the meaning of words, or
3865whether something counts as a member of a category or not.
3866●●○○○ | Single Studies        | Better than scattered facts, proving they at
3867least looked into the issue formally.
3868●●○○○ | Demands for rigor     | Attempts to demand that an opposing argument be
3869held to such strict standards that nothing could possibly clear the bar.
3870●○○○○ | Single Facts          | One fact, which admittedly does support their
3871argument, but presented as if it solves the debate in and of itself.
3872●○○○○ | Gotchas               | Short claims that purport to be devastating
3873proof that one side can't possibly be right.
3874○○○○○ | Social shaming        | A demand for listeners to place someone outside
3875the boundary of whom deserve to be heard.
3876Responses Ranking
3877The responses rankings are taken from Paul Graham.
3878●●●●●● | Central point      | Commit to refute explicitly the central point.
3879●●●●●○ | Refutation         | Argue a conflicting passage, explain why it's
3880mistaken.
3881●●●●○○ | Counterargument    | Contradict with added reasoning or evidence.
3882●●●○○○ | Contradiction      | State the opposing case, what.
3883●●○○○○ | Responding to Tone | Responding to the author's tone, how.
3884●○○○○○ | Ad Hominem         | Attacking the author directly, who.
3885You should attempt to re-express your target's position so clearly, vividly, and
3886fairly that your target says, “Thanks, I wish I'd thought of putting it that
3887way.” | Rapoport's First Rule
3888
3889* Kind Communication: https://www.gnu.org/philosophy/kind-communication.html
3890
3891-- 
3892
3893Psychology
3894A cheatsheet on Psychology.
3895
3896This is an edited version of PTFQ's Three Tiers of Mind.
3897●●● | Logic       | Power    | Authenticity | Creates   | Innovates |
3898Understands
3899●●○ | Authority   | Purpose  | Conformity   | Resells   | Improves  | Memorizese
3900●○○ | Experience  | Freedom  | Complacency  | Consumes  | Repeat    | Improvises
3901The world is a comedy to those that think, a tragedy to those that feel. |
3902Howace Walpole
3903
3904
3905-- 
3906
3907Documentation
3908A cheatsheet on Documentation.
3909
3910This outlines the documentation guidelines for the release of Nataniev projects.
3911Tutorials are lessons that take the reader by the hand through a series of steps
3912to complete a project of some kind. They are what your project needs in order to
3913show a beginner that they can achieve something with it.
3914Gets the user started
3915Allows the user to learn by doing
3916Ensures the user sees results immediately
3917Focuses on concrete steps, not abstract concepts
3918How-to guides assume some knowledge and understanding, and take the reader
3919through the steps required to solve a real-world problem. They are recipes,
3920directions to achieve a specific end - for example: how to create a web form;
3921how to plot a three-dimensional data-set; how to enable LDAP authentication.
3922How-to guides are quite distinct from tutorials. A how-to guide is an answer to
3923a question that a true beginner might not even be able to formulate.
3924Solves a problem
3925Focuses on results
3926Allows for some flexibility
3927Explanations can equally well be described as discussions. They are a chance for
3928the documentation to relax and step back from the software, taking a wider view,
3929illuminating it from a higher level or even from different perspectives. You
3930might imagine a discussion document being read at leisure, rather than over the
3931code.
3932Explains a choice
3933Provides context
3934Discusses alternatives & opinions
3935Reference guides are technical descriptions of the machinery and how to operate
3936it. They are code-determined, because ultimately that's what they describe: key
3937classes, functions, APIs, and so they should list things like functions, fields,
3938attributes and methods, and set out how to use them.
3939Describes the machinery
3940References material should be austere and to the point.
3941Structure the documentation around the code
3942Do nothing but describe
3943Clarity is better than cleverness
3944
3945* Sources: https://www.divio.com/blog/documentation/
3946
3947-- 
3948
3949Quotes
3950A collection of Quotes.
3951
3952Aesthetic realism holds beauty to be a real property of works of art, there to
3953be discovered by the discerning viewer.Ontological realism holds that physical
3954objects exist independently of our own minds.Epistemological realism is the view
3955that statements are true, or false, independently of whether we believe them to
3956be true or false. | Adapted from Baggini & Fosl | The Philosopher's Toolkit
3957Objective Beings
3958Every block of stone has a statue inside it and it is the task of the sculptor
3959to discover it. I saw the angel in the marble and carved until I set him free. |
3960Michelangelo | Lettera a messer Benedetto Varchi |
3961https://it.wikisource.org/wiki/Lettera_a_messer_Benedetto_Varchi
3962In anything at all, perfection is finally attained not when there is no longer
3963anything to add, but when there is no longer anything to take away, when a body
3964has been stripped down to its nakedness. | Antoine de St. Exupery | Terre des
3965Hommes | https://fr.wikipedia.org/wiki/Terre_des_hommes
3966Free Will
3967There's no free will, says the philosopher; To hang is most unjust.There is no
3968free will, assents the officer; We hang because we must. | Ambrose Bierce |
3969Epigrams
3970Body Without Organs
3971When you will have made him a body without organs, then you will have delivered
3972him from all his automatic reactions and restored him to his true freedom. |
3973Antonin Artaud | To Have Done with the Judgment of God |
3974https://en.wikipedia.org/wiki/Body_without_organs
3975The trouble is that we have a bad habit, encouraged by pedants and
3976sophisticates, of considering happiness as something rather stupid. Only pain is
3977intellectual, only evil interesting. This is the treason of the artist: a
3978refusal to admit the banality of evil and the terrible boredom of pain. | Ursula
3979K. Le Guin | The Ones Who Walk Away From Omelas |
3980https://en.wikipedia.org/wiki/The_Ones_Who_Walk_Away_from_Omelas
3981No 44
3982In a little while you will be alone in shoreless space, to wander its limitless
3983solitudes without friend or comrade forever - for you will remain a thought, the
3984only existent thought, and by your nature inextinguishable, indestructible. |
3985Mark Twain | The Mysterious Stranger |
3986http://en.wikipedia.org/wiki/The_Mysterious_Stranger
3987There is no future. There is no past. Time is simultaneous, an intricately
3988structured jewel that humans insist on viewing one edge at a time, when the
3989whole design is visible in every facet. | Alan Moore | Watchmen |
3990https://en.wikipedia.org/wiki/Watchmen
3991Infinite World Ethics
3992If the cosmos is finite, then our own comparative smallness does not necessarily
3993undermine the idea that our conduct matters even from an impersonal
3994perspective.But if the cosmos is infinite, and we can but do a finite amount of
3995good or bad. In cardinal arithmetic, adding or subtracting a finite quantity
3996does not change an infinite quantity. Every possible act of ours therefore has
3997the same net effect on the total amount of good and bad in a canonically
3998infinite world: none whatsoever. | Nick Bostrom | Infinite Ethics |
3999https://nickbostrom.com/ethics/infinite.pdf
4000Hermeneutic Circle
4001Hovering in the background, like a specter, the ultimate possibility of no
4002possibility, of no-more-being-there, the possibility of impossibility. What
4003ultimately lies ahead for Dasein, its uttermost potentiality, is Death. | John
4004D. Caputo | Hermeneutic: Facts and Interpretation |
4005https://www.penguin.co.uk/books/294637/hermeneutics/
4006The Victorious Ones have announced that emptiness is the relinquishing of all
4007views. Those who are possessed of the view of emptiness are said to be
4008incorrigible. | Verse | Mūlamadhyamakakārikā |
4009https://en.wikipedia.org/wiki/Mūlamadhyamakakārikā
4010God Eternally Geometrizes
4011No limiting qualities are to be attributed to the Absolute. | Plutarch |
4012Convivalium Disputationum libri novem | https://en.wikipedia.org/wiki/Plutarch
4013
4014
4015-- 
4016
4017Language
4018Various Language notes on natural and synthetic languages.
4019
4020Welcome to the Language Portal.
4021The goal of these pages is to host a few resources, summaries and notes from my
4022own language studies. To give you a sense of my interests in linguistics, here
4023are some of my favourite words:
4024Juniper, in English.
4025Betwixt, in English.
4026Февраль, February in Russian.
4027Roÿnes, queen in Middle French.
4028Pleurir, crying-laugh in French.
4029Rions Noir, "dark laugh" French palindrome.
4030Kolik jazyků znáš, tolikrát jsi člověkem. | Tomáš Garrigue Masaryk
4031
4032* Koseki-091450: http://glyphwiki.org/wiki/koseki-091450
4033* Unicode U+21dc9: https://www.unicode.org/cgi-bin/GetUnihanData.pl?codepoint=U%2B21DC9
4034
4035-- 
4036
4037English
4038Assorted notes on the English language.
4039
4040English Prime is a version of the English language that undefined", including
4041all conjugations, contractions and archaic forms.
4042Its goal is to leads to a less dogmatic style of language that reduces the
4043possibility of misunderstanding or conflict.
4044Bourland sees specifically the "identity" and "predication" functions as
4045pernicious, but advocates eliminating all forms for the sake of simplicity. In
4046the case of the "existence" form (and less idiomatically, the "location" form),
4047one might (for example) simply substitute the verb "exists".
4048Other copula-substitutes in English include taste, feel, smell, sound, grow,
4049remain, stay, and turn, among others a user of E-prime might use instead of "to
4050be".
4051Identity         | The cat is my only pet
4052Class membership | Garfield is a cat
4053Class inclusion  | A cat is an animal
4054Predication      | The cat is furry
4055Auxiliary        | The cat is sleeping
4056Existence        | There is a cat
4057Location         | The cat is on the mat
4058For example, instead of saying, "I am depressed," a student was asked to
4059eliminate that emotionally primed verb and to say something else, such as, "I
4060feel depressed when ..." or "I tend to make myself depressed about ..."
4061Spivak Pronoun
4062The Spivak pronouns are a set of gender-neutral pronouns in English.
4063Masculine     | he laughs  | I hugged him  | his heart warmed   | that is his
4064Feminine      | she laughs | I hugged her  | her heart warmed   | that is hers
4065They(s.)      | they laugh | I hugged them | their heart warmed | that is theirs
4066Spivak    | e laughs   | I hugged em   | eir heart warmed   | that is eirs
4067
4068
4069-- 
4070
4071Jisho
4072The Jisho is small collection of Japanese words and expressions.
4073
4074The Jisho is a growing collection of currated Japanese words sorted by topics.
4075
4076
4077-- 
4078
4079Notebook
4080From the Notebook.
4081
4082The Notebook is a collection of scribbles on various topics that have yet to
4083find themselves permanently included in the wiki.
4084Are you looking for the Sketchbook?
4085
4086
4087-- 
4088
4089The Sartre Mechanism
4090The The Sartre Mechanism short.
4091
4092It was the first day of the winter when a friend invited me to witness the
4093completion of a recent project.
4094Crouched over a heap of cogs, she did not look over as I hung my snow-covered
4095coat on something that, by the look of it, might very well be a time machine. A
4096distracted gaze turned for a moment, perhaps to make sure that I did not break
4097anything as I navigated the busy studio.
4098What I first perceived as a pile of junk turned out to be an intricate clocklike
4099mechanism; where the needles would have been, a small hand rested at the end of
4100a short metallic arm.
4101My friend held a minuscule weight above the tiny hand, before carefully laying
4102it onto its opened palm. Whirring and clicking, a second arm emerged and plucked
4103a gear out from its own ticking body and laid it back into the toolbox at its
4104side. In controlled gestures, activated by the weight, tiny arms dismantled
4105bolts and screws, while carefully putting them in that toolbox, gradually taking
4106the casing of the mechanism apart, leaving its core exposed.
4107I stared in silent awe, at the busy mechanical concerto playing its own requiem.
4108The arms eventually began to unbuilding the core, growing forever weakly as it
4109dismantled the remaining components, moving them back into the box. This obscene
4110ritual of disembowelment and exposé on pointlessness ended as the tiny arms and
4111the weight had fallen back into the toolbox.
4112Written by Voidshaper & Neauoire.
4113
4114
4115-- 
4116
4117Talk
4118For when I Talk in public.
4119
4120Often gravitating around the topics of Nataniev, Oscean and Horaire, the /Talk
4121is used mainly as a marker for Live events.
4122
4123* Sources: https://github.com/neauoire/Talk-Amaze
4124
4125-- 
4126
4127Systems
4128Various experimental writing and numerical Systems.
4129
4130
4131
4132
4133-- 
4134
4135Vedic
4136The Vedic multiplication table is a very elegant and visual way to multiply.
4137
4138To find the result, draw lines for each individual numbers, where each number
4139intersects the other's perpendicularly and count the number of intersections.
4140
4141
4142-- 
4143
4144Needles
4145Needles are glyphs of which the intersection count is equal to the value of the character.
4146
4147The glyphs are not used into any specific project, but are available here as a
4148reference of a meaningful numeric glyph system.
4149
4150
4151-- 
4152
4153Shorthand
4154Shorthand is a calligraphy style developed to take faster notes.
4155
4156I played with different ideas and this is the system that worked best for me.
4157It's a mixture of already existing shorthand systems that fits my writing style.
4158Simple enough, now most letters are transformed into a single stroke shape that
4159flows and combines to form shorter words, that can be written faster.
4160
4161
4162-- 
4163
4164Unreleased
4165A list of Unreleased projects.
4166
4167
4168
4169
4170-- 
4171
4172Blindfolk
4173Blindfolk was a esoteric multiplayer programming combat game.
4174
4175Each player programs a short script(called fighting style) for their character
4176that will run automatically every 5 minutes, against all other players.
4177The scripts contained a series of attacks, moves and blocks, as well as
4178responses to collisions against other players.
4179Example Fighting Style
4180when attack.backward
4181  step.left
4182when sight.forward
4183  dash.toward
4184default
4185  attack.forward
4186  turn.right
4187  attack.backward
4188  say yatta!
4189It was first created in the span of 48 hours for Global Game Jam 2016. The game
4190was very popular for the days after its release, but soon became too
4191time-consuming to maintain and keep alive, and was turned off a few days later.
4192This design was revisited and lives on as part of the upcoming game Markl.
4193
4194* Sources: https://github.com/XXIIVV/vessel.blindfolk
4195
4196-- 
4197
4198Milavrega
4199Milavrega was a mobile game happening in someone's lost phone.
4200
4201You must try and find your way through the folders, emails and contacts to
4202decipher the enigma of the phone's owner.
4203
4204
4205-- 
4206
4207Devine Lu Linvega
4208Devine Lu Linvega is developing esoteric software.
4209
4210Devine Lu Linvega is composing experimental electronic music, illustrating the
4211frozen wastelands of a fictional world, and developing esoteric software.
4212For 3215 days, Devine has been populating this wiki with notes on 307 topics,
4213including on Language, Lifestyle and Nutrition. You can learn more about their
4214related interests in the Mirrors, and in the Directory.
4215They currently live aboard a sailboat, somewhere by the misty coast of Japan.
4216You can follow their position here, or learn more about offgrid living here.
4217Get in touch via email at aliceffekt@gmail.com, oron the fediverse at
4218merveilles.town/@neauoire.
4219To flee is Life,To linger, Death.
4220
4221
4222-- 
4223
4224First Wave
4225The First Wave contains material mostly unrelated to the Neauismetica and proto-Aliceffekt.
4226
4227
4228
4229
4230-- 
4231
4232Regionsteam Snowdays
4233Regionsteam Snowdays is the first official Aliceffekt release.
4234
4235Incomplete.
4236
4237
4238-- 
4239
4240Downtemperature
4241Downtemperature is the first Aliceffekt EP.
4242
4243Released originally as three albums First Air & Last Aid, Goneplains and
4244Downtemperature, the three albums were consolidated into a single release in
42452017.
4246
4247
4248-- 
4249
4250Blam
4251Blam is an improvisational album created as a live performance, that ultimately fell through.
4252
4253This album is the precursor to Damoiseau Canalx, it was never performed live as
4254it was intended, but recorded later in the car ride back.
4255The story behind the reason for why it was never performed will be for another
4256time..
4257
4258* Bandcamp: https://aliceffekt.bandcamp.com/album/blam-le-passage-sacrilege
4259
4260-- 
4261
4262Vert Kirlian Theatre
4263The Vert Kirlian Theatre was created during on a long train ride, on the Yamanote line, during my first trip to Tokyo.
4264
4265This release inspired the creation of From Saharaphorest.
4266
4267
4268-- 
4269
4270Ann Yozora Saint
4271Ann Yozora Saint was originally released as two albums, Ann Yozora Saint and Lu's Floral Funeralis, they were consolidated into a single release in 2017.
4272
4273Incomplete.
4274
4275* Bandcamp: https://aliceffekt.bandcamp.com/album/ann-yozora-saint
4276
4277-- 
4278
4279Nether Esper Inserts
4280Nether Esper Inserts was originally released as two albums, Nether Esper Inserts and Howls Virgil Systems, they were consolidated into a single release in 2017.
4281
4282Incomplete.
4283
4284
4285-- 
4286
4287Otoroutes Miniatures
4288Otoroutes Miniatures was created especially for the first large Toy Company festival.
4289
4290Incomplete.
4291
4292
4293-- 
4294
4295Idyllic Miners
4296Idyllic Miners was created for the Kinetik Festival.
4297
4298Incomplete.
4299
4300* Bandcamp: https://aliceffekt.bandcamp.com/album/genesis-iii-20-ov-idyllic-miners
4301
4302-- 
4303
4304Lietal
4305Lietal is an experimental synthetic language.
4306
4307Lietal is written from left to right with implicit neutrality, singularity and
4308at the present tense.
4309For the most part, its 6 vowels and 9 consonants are voiced similarly to their
4310English equivalents. Sustained vowels, such as "ä", are indicated with the
4311trema. The Lietal "e" is very short, a barely audible junction between two
4312consonants.
4313I /i/ | leaves      | Y /ɨ/ | journey     | E /e/ | never
4314A /ə/ | hexagram    | O /ɔ/ | automobile  | U /u/ | new
4315K [k] | kiss        | T [t] | title       | D [d] | device
4316R [ʁ] | return      | S [s] | symphony    | L [l] | ligature
4317J [ʐ] | menagerie   | V [v] | video       | F [f] | festival
4318Phonology
4319Building words from Lietal's phonemes is called Childspeak. It makes for long
4320rhythmical and syllabic words, its main usage is in loan words and to express of
4321emphasis or exclamation. This documentation uses the phonetically denser form
4322Adultspeak where patterns of duplicated consonants and vowels are condensed.
4323CVCV | lili > ïl | falili > afïl | fafalili > äfïl
4324CVCv | lila > ila | falila > afila | fafolila > afoila
4325CVcV | viki > ïvek | faviki > afïvek | fafoviki > afoïvek
4326CVcv | lika > ileka | falika > afileka | favolika > afevoileka
4327A single syllable of childspeak is reversed, so "vo" becomes ov. A sequence of
4328consonant, like "lyla", is condensed into yla. A sequence of vowels, like
4329"lara", is condensed into äler, in which an additional short "e" is added
4330inbetween the two consonants.
4331When no sequence of consonants or vowels are present, an extra vowel is also
4332added between the consonants, so "lira", is transformed into ilera.
4333Morphology
4334Lietal words are built from the combination of the 9 Elementary Particles, and
4335each one contains a consonant & a vowel.
4336           | Directional               | Perspectival              |
4337Mechanical
4338Objective   | Ky traverse-type | Ty state-type | Dy scale-type
4339Observative | Ry direction-type | Sy relation-type | Ly counter-type
4340Subjective  | Jy modality-type | Vy alignment-type | Fy action-type
4341Words are not created, but found among the permutations of the nine elementary
4342particles, making for a total of 27 Elementary Constructs. These elementary
4343constructs can be combined with each other, to create more complex ideas.
4344           | Directional          | Perspectival         | Mechanical
4345Objective   | KY traverse | TY state | DY scale
4346           | • Ki parent  | • Ti psychologic  | • Di complex
4347           | • Ka location  | • Ta phisionomic  | • Da organic
4348           | • Ko child  | • To physic  | • Do synthetic
4349Observative | RY direction | SY relation | LY counter
4350           | • Ri outward  | • Si unit  | • Li multiple
4351           | • Ra position  | • Sa together  | • La single
4352           | • Ro inward  | • So separate  | • Lo none
4353Subjective  | JY modality | VY alignment | FY action
4354           | • Ji definitive  | • Vi positive  | • Fi to do
4355           | • Ja possible  | • Va unknown  | • Fa to see
4356           | • Jo impossible  | • Vo negative  | • Fo to be
4357For example, aferi(to show), is built of the elementary constructs af(to see)
4358and ir(outward). The word for dictionary is Äselodeta, which literally means a
4359collection of words, built from as(together) and alodeta(word).
4360The leading syllable determines a word's type, for example, aferi inherits the
4361action-type from af(to see), therefore anything that begins with af can be
4362assumed to be an action word relating to sight.
4363fo     | of     | to be      | la     | al     | single
4364fori   | oferi   | to go    | laro   | alero   | i
4365foriko | ofireko | to enter  | laroko | alörek | my
4366
4367
4368-- 
4369
4370Asodeky
4371The Asodeky, is the advanced Lietal language guide.
4372
4373The order of words follows the table of Elementary Particles. In a typical
4374sentence, traverse-type("k") words will be found at the beginning, and
4375action-type("f") words, at the end.
4376The following sequence of letters is the normal flow of a sentence, when a
4377sentence must break the word order, commas are used. Notice the word order in
4378the following sentence, and specifically how a comma is used to join two
4379sentences that would normaly break the word order.
4380K | T | D | R | S | L | J | V | F
4381Okïder aki oferi, "I am going home soon."
4382akodeti oreka, aki oferi, "I am going home, from the library."
4383Reference
4384Traverse-type words are meant to navigate a hierarchy, and are often used at the
4385beginning of a sentence. To be at a place, in Lietal, is made explicit with the
4386"ak" marker, like ak arodeti for "at school", and ok arodeti for "in school".
4387Ak odaki, okïder ilero ofïrek, "We are at the house, we are leaving soon".
4388State-type words are meant to define the state of existence of something. Where
4389it will speak of the idea, or concept of a thing, at will speak of the shape of
4390a thing, and ot will speak of the thing itself. The difference can be better
4391explained when used in an action, or with the examples: ïfet(to imagine),
4392ifeta(to design) & ifeto(to build).
4393Scale-type words are used to define things that are made od(machines, products),
4394from life-itself ad(fauna, flora) and from things that makes life id(time,
4395space).
4396Aki ïder of, "I will be at home"
4397Aleri ïder af, "I will see you later"
4398Direction-type words are used to change the attributes of a concept, to
4399transition toward something other or to create a conceptual arrow.
4400Relation-type words will most often be used as particles to create the
4401equivalence of English particles "and" and "with", or to create enumerations.
4402Äkes aleri alero, "Between you and I"
4403Counter-type words are often used to create subject pronouns, or parts of larger
4404concepts like months in a year, or an item in a series. A sentence, by default,
4405is expected to be at the 1st person, if a pronoun has not already been declared,
4406pronouns are often omitted when possible. The basic Lietal singular pronouns are
4407aleri(you), äler(he she), alero(i). The basic plural pronouns are ïler(yous),
4408ilera(they), ilero(we).
4409Alero oferi, "I am going"
4410Ilera oferi, "They are going"
4411Modality-type words are usually used to create words like "couldn't", "could",
4412"must", or ojefy, ajefy, ijefy.
4413Ijefy ävek oferi, "Where must I go?"
4414Ajefy äved of, "Who might you be?"
4415Alignment-type words are used to express a standing on a specific topic, for
4416example, to express that something is wanted or not. Many of the daily
4417expressions of greetings are also created from iv, for example, ivero(welcome)
4418is made from iv(positive) & or(inward). This pattern can be expanded to mean
4419things like ïvef(well done), or even iveda(health).
4420Ivero avefy?, "Hello, how are you?"
4421ïver, okïder af!, "Good Bye, see you soon!"
4422Action-type words are usually used at the end of a sentence and are generally
4423built from the fy family. The sentence "I take the book home" is translated to
4424ok otodeta aki ifero, following the K T F structure. Or another example, "I give
4425you the book", could be translated to ok otodeta aleri ïfer, following the K T L
4426F structure.
4427Lietal aj afeti?, "Can you understand Lietal?".
4428Ok aki afivero, "I welcome you home".
4429
4430
4431-- 
4432
4433Japanese
4434The Japanese page is a collection of Japanese study notes.
4435
4436This is an edited version on Tad Perry's "Quick & Dirty Guide to Japanese".
4437I have formatted this guide to be a study tool prior to moving to Japan a few
4438years ago, it requires the knowledge to read Hiragana, Katakana and basic
4439kanjis.
4440Sentence Word Order
4441In general, the main verb is found at the end of the sentence. Subjects are
4442shown in grey as they are very often omitted. The preposition follows the noun,
4443it is more properly called a postposition(て、に、お、は). They are not independent
4444words but particles by which the case of nouns is determined.
4445I'm going to give a present to my teacher tomorrow at school.
4446Subject  | Time   | Place    | Indirect | Object      | Action Verb
4447私は      | 明日   | 学校で     | 先生に    | プレゼントを   | 上げます
4448わたくしは | あした  | がっこうで | せんせいに  | ぷれぜんとを | あげます
4449Particles
4450Use は after the subject, if a new subject is introduced where another had been
4451previously understood. If a subject is understood, but for some reason not
4452deleted use が, or nothing.
4453Use に to indicate a specific points in time, a word like "tomorrow"（明日） can only
4454be understood by context and does not need the particle added. Like "In
4455October", or 十月に — or like "On March 3rd", or 三月三日に. Indirect objects are also
4456followed by に, similar to the english expression "to you", as seen in the
4457following sentence "I'm going to give this book to you.", or この本をあなたに上げる.
4458Use で after the place you do something or the thing you use to do something. For
4459example, "Going by car", is 車で行く.
4460Use を after a noun to declare an object, as seen in the following sentence "I'm
4461reading a book", or 本を読んでいる.
4462Use も to add extra info on top of what has already been declared, not unlike the
4463english word "too", as in "me too". For example, "I'm going too", is ぼくも行く.
4464Use の to indicate possession after an object, similarly to the english
4465possession particle "'s", as in "Alex's". For example, "This is my book" is
4466これはぼくの本です.
4467Use か at the end of a sentence to create a question, as in "What time is it?",
4468or 何時ですか? Or, between choices, each choice is also followed by か. As in "Today
4469or tomorrow?", or 今日か明日？
4470Use ね after a verb to create a sort of agreement with the listener, not unlike
4471the english expression "isn't?", in "It's fun isn't it?", or たのうしいですね.
4472Nouns
4473Nouns have no inflection to indicate singularity or plurality, for example, こども
4474means both child and children. When wishing to show the plural of a noun, an
4475indicator such as ーら、ーたち are attached, as in こどもたち, meaning children. Generally,
4476the plural distinction is not made, but is left to be understood from the
4477context.
4478Adjectives
4479Adjectives always end in あい, いい, うい or おい, never in えい that would be a noun.
4480Basically, you replace the ending い to inflect.
4481優しい | やさしい | It's nice
4482優しくない | やさしくない | It's not nice
4483優しかった | やさしかった | It was nice
4484優しかったら | やさしかったら | If it's nice
4485Verbs
4486The ーる verbs that end in like たべる and いれる. There is always an い or an え before
4487ーる. For these verbs, everything is done by dropping or replacing ーる with
4488something else.
4489食べる | Eating
4490食べます | (Polite)
4491食べて | Gerund
4492食べた | I ate it.
4493食べやすい | This is easy to eat.
4494食べたら | If I/someone eats.
4495食べたり | I did things like eating
4496食べれば | If I/someone eats.
4497食べよう | Let's eat.
4498食べろ | Eat dammit!
4499食べないでよ | Don't eat that!
4500食べられる | I can eat
4501食べられるない | I can't eat this!
4502食べさせる | Make someone do
4503食べさせない　で　よ | Don't make me eat this!
4504食べさせられる | Be made to eat
4505These verbs end in う, く, ぐ, ぶ, む, ぬ, す, つ, or ある・いる・うる・える・おる. Typically you drop
4506ーう and add something else. The problem is that there might be a phonetic change,
4507such as when は becomes ぱ, or た becomes だ.
4508talk  | はな   | 話す  | 話して | 話しった  | 話したら   | 話せ | 話さない | 話せる
4509walk  | きく   | きく　 | きいて  | 聞いた   | 聞いたら | 聞け | 聞かない  | 聞ける
4510swim  | およぐ  | 泳ぐ | 泳いでる | 泳いだ   | 泳いだら | 泳げ | 泳がない | 泳げる
4511call  | よび   | 呼ぶ　 | 呼んで  | 呼んだ   | 呼んだら | 呼べ  | 呼ばない  | 呼べる
4512drink | ぬも   | 飲む　 | 飲んで  | 飲んだ   | 飲んだら | 飲め  | 飲まない  | 飲める
4513die   | しぬ   | 死ぬ　 | 死んで  | 死んだ   | 死んだら | 死ね  | 死なない  | 死ねる
4514make  | つくる | 作る　 | 作って | つ作った  | 作ったら | 作れ | 作らない | 作れる
4515wait  | まて   | 待つ　 | 待って  | 待った   | 待ったら |  | 待たない | 待てる
4516pay   | はらう  | 払う | 払って | 払った  | 払ったら | 払え | 払わない | 払える
4517There are some ーう verbs that end in ーる like ある(to be), おる(to break) and うる(to
4518sell) are ーう verbs as they do not have an い or え sound before ーる.
4519If you see one that ends in ーいる or ーえる, and ーう changes to add ーます, or the "t"
4520doubles to get a gerund (入る「はいる」　＞　入って「はいって」), then you're dealing with an ーう
4521verb.
4522Most books say that there are only two irregular verbs in all of Japanese: する
4523and 来る「くる」. Those you have to memorize separately, but they kind of make sense
4524when you look at them.
4525来る | will come                        | する　 | will do
4526来て | come here                        | して　 | do this
4527来た | someone came                     | した　 | someone did
4528来たら | if someone comes                | したら | if someone does
4529来たり | do things like come             | したり　 | do things like doing
4530来れば | if someone comes                | すれば | if someone does
4531来よう | let's come                      | しよう | let's do
4532来い | come here you!                   | しろ | do this dammit!
4533来ない | won't come, or doesn't come    | しない | won't do, or doesn't do
4534来らせる | can come                      | できる | can do
4535来させる | make someone come             | させる | make someone do
4536来られる | ?                             | される | be done
4537来させられる | be made to come by someone  | させられる | be made to do by someone
4538A trick to remember する conjugations is that they often match what you would get
4539if you conjugated a lone す.　Like はなした, はなせる, はなさせる.
4540
4541* Sci.lang.japan: http://rut.org/~wmaton/www/pub/jap.guide.txt
4542
4543-- 
4544
4545Russian
4546The Russian page is a collection of Russian study notes.
4547
4548Below are the organized and templated notes from my Russian studies.
4549They might serve you as a good basis to get into the language. This series of
4550notes is inspired from Tad Perry's 1992 Quick and Dirty Guide to Japanese.
4551The nominative is the basic(dictionary) form of the noun when removed from
4552context.
4553Студентка задала вопрос The student asked a question.
4554The accusative is the goal of the action, or the target of the verb.
4555Учитель открыл окно The teacher opened the window.
4556The genitive is used to express a relationship between two nouns.
4557Это портофель профессора This is the professor's briefcase.
4558The dative is used when the noun is the recipient of an action.
4559Маша даёт билет борису Masha is giving the ticket to Boris.
4560The instrumental is used when the noun is the instrument or mean by which an
4561action is performed.
4562Ученик пишет карандашом The student writes with a pencil.
4563The gender of the noun determines the gender of the pronoun.
4564Where is my table  | Где мой стол
4565Where is my window | Где моё окно
4566Where is my lamp   | Где моя лампа
4567The gender of the noun determines the gender of the adjective.
4568This is a new table |  Это новый стол
4569This is a new window |  Это новое окно
4570This is a new lamp |  Это новая лампа
4571The gender of the noun determines the predicate verb.
4572The table was there |  Стол был там
4573The window was there |  Окно было там
4574The lamp was there |  Лампа была там
4575It's amazing how many sentences can be made with knowing these simple 3 words:
4576нет, был & будет.
4577The student is at home.      |  Студент дома.
4578The student is not at home.  |  Студента нет дома.
4579The student was home.        |  Студент был дома.
4580The student will be home.    |  Студент будет дома.
4581Conjugation Table
4582Present          |                | Past         |                      | Future
4583It is cold           | холодно        | It was cold      | было холодно        
4584| It will be cold      | будет холодно
4585It is not cold       | не холодно     | It was not cold  | не было холодно     
4586| It will not be cold  | не быдет холодно
4587I am cold            | мне холодно    | I was cold       | мне было холодно    
4588| I shall be cold      | мне будет холодно
4589We are cold          | нам холодно    | We were cold     | нам было холодно    
4590| We shall be cold     | нам быдет холодно
4591You are cold         | тебе холодно   | You were cold    | тебе было холодно   
4592| You shall be cold    | тебе будет холодно
4593Yous are cold        | вам холодно    | Yous were cold   | вам было холодно    
4594| Yous shall be cold   | вам быдет холодно
4595He/She is cold       | ему/ей холодно | He/She was cold  | ему/ей было холодно 
4596| He/She shall be cold | ему/ей будет холодно
4597They are cold        | им холодно     | They were cold   | им было холодно     
4598| They shall be cold   | им быдет холодно
4599This is the basic conjugation table for a few simple Russian verbs. I always
4600kept this nearby, for reference.
4601{(bold "To Read         | {(bold "To Write       | {(bold "To Have        |
4602{(bold "To Speak         | To See
4603читать        | писать       | иметь        | говорить       | видеть
4604я читаю       | я пишу       | я имею       | я говорю       | я вижу
4605ты читаешь    | ты пишешь    | ты имеешь    | ты говоришь    | ты видишь
4606он/она читает | он/она пишет | он/она имеет | он/она говорит | он/она видит
4607мы читаем     | мы пишем     | мы имеем     | мы говорим     | мы видим
4608вы читаете    | вы пишете    | вы имеете    | вы говорите    | вы видите
4609они читают    | они пишут    | они имеут    | они говорят    | они видят
4610A few motion verbs like ходить(to go, to come) and идти can be prefixed to
4611create new motion verbs.
4612to go, to walk            |  ходить
4613to come, to arrive        |  приходить
4614to pass by                |  проходить
4615to go away, to leave      |  уходить
4616to cross                  |  переходить
4617to go into, to enter      |  входить
4618to go out, to exit        |  выходить
4619to go up to, to approach  |  подходить
4620to leave(of a train)      |  отходить
4621Aspects are indicators of completion of an action on some verbs allowing to
4622create further indication of the progress of an action.
4623Imperfective
4624to try to get used to       | привыкать
4625to work on, to try to solve | решать
4626to take(an exam)            | сдавать
4627to try to persuade          | уговаривать
4628to study                    | учить
4629Perfective
4630to be accustomed            | привыкнуть
4631to solve                    | решить
4632to pass                     | сдать
4633to convince, to talk into   | уговорить
4634to memorize                 | выучить
4635
4636
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