· 9 years ago · Dec 15, 2016, 01:54 AM
1[Marki and I Can't Believe My Mind]
2[[Untitled Album]]
3[The Dream]
4[Side A: Taped Faces of Year Overview]
5Introduction, Pt. 1 - Crashing waves of harsh noise. 25'00".
6[Side B: [Untitled]]
7Introduction, Pt. 2 - Crashing waves of harsh noise and an additional anxiety attack. 25'00".
8[Side C: I am Experimental]
9Introduction, Pt. 3 - Brain cell depletion by God and the calm before the storm of harsh noise. 8'17".
101, Pt. 1 - 17 seconds of silence, and then Hell. 16'43".
11[Side D: Dedicated to Dead Relatives]
121, Pt. 2 - Limbo. 25'00".
13[Side E: What Have We Done?]
141, Pt. 3 - Exiting limbo by chance. 1'09".
152, Pt. 1 - The journey between limbo and life. 23'51".
16[Side F: No Commercial Potential]
172, Pt. 2 - Questioning yourself, before the end. 23'53".
183, Pt. 1 - The nonexistence that exists. 1'07".
19[Side G: What is Wrong Dear?]
203, Pt. 2 - The nonexistence that exists. 25'00".
21[Side H: Tour]
223, Pt. 3 - The nonexistence that exists. 4'49".
234, Pt. 1 - The birth of the Antichrist, audio form. 20'11".
24[Side I: Kill Me This Record is Already Four Records Long Sorta Like This Side's Title]
254, Pt. 2 - The aftermath of the birth of the Antichrist. 1'45".
265 - https://clyp.it/ihu13erk. 3'46".
276, Pt. 1 - Safety. 19'29".
28[Side J: Five Records in One]
296, Pt. 2 - Continuous safety within noise. 25'00".
30[Side K: Why]
316, Pt. 3 - The end of the beginning. 0'10".
327, Pt. 1 - Freedom of anarchy. 24'50".
33[Side L: Satan]
347, Pt. 2 - Freedom of artistic anarchy. 18'59".
358, Pt. 1 - Temporary disappearances. 6'01".
36[Side M: This is Why We Can't Have Nice Things]
378, Pt. 2 - Personality drift. 25'00".
38[Side N: Worthless Things]
398, Pt. 3 - Difference of humanity. 8'35".
409, Pt. 1 - Economy inflation. 16'25".
41[Side O: Why Do I Even Bother?]
429, Pt. 2 - Corrupt government. 16'09".
4310, Pt. 1 - Ignorance. 8'51".
44[Side P: This is Starting to Get a Slight Bit Annoying, I Believe]
4510, Pt. 2 - Ignorance. 25'00".
46[Side Q: Useless Attempts]
4710, Pt. 3 - Ignorance. 23'29".
4811, Pt. 1 - Meaning applied to an object. 1'31".
49[Side R: Who Are You to Me Anymore?]
5011, Pt. 2 - Meaning becoming useless. 21'36".
5112, Pt. 1 - Unending despair of citizenship. 4'24".
52[Side S: A Full Circle of Art]
5312, Pt. 2 - Lonely government. 25'00".
54[Side T: And?]
5512, Pt. 3 - Lonely government. 18'55".
5613, Pt. 1 - Succumbing. 6'05".
57[Side U: The Screams]
5813, Pt. 2 - Succumbing. 25'00".
59[Side V: This is Too Long for Me]
6013, Pt. 3 - Succumbing. 23'59".
6114, Pt. 1 - Pile of corpses. 1'01".
62[Side W: Yup]
6314, Pt. 2 - Decay. 25'00".
64[Side X: How Am I Keeping This Up]
6514, Pt. 3 - Decay. 10'31".
6615, Pt. 1 - Two remain alive, both asexual. 14'29".
67[Side Y: Nearly There] (12", 33 1/3 RPM)
6815, Pt. 2 - Reproduction nonexistent. 25'00".
69[Side Z: Finale] (45 RPM)
7015, Pt. 3 - No survivors. 2'31".
7116 - Barren wasteland. 6'48".
72
73Final run time: Ten hours, nine minutes, thirty one seconds. Tredecuple album (13).
74
75[Dream II]
76[Side A: Back Again, for More]
7717, Pt. 1 - Tranquil planet. 25'00".
78[Side B: Already?]
7917, Pt. 2 - Tranquility in whole. 17'40".
8018, Pt. 1 - Discomfort. 7'20".
81[Side C: Yet Another]
8218, Pt. 2 - Eased discomfort. 20'16".
8319, Pt. 1 - Eased discomfort. 4'44".
84[Side D: Do the Dew]
8519, Pt. 2 - Still uncomfort. Disapplying meanings to objects in music. 25'00".
86[Side E: Huh]
8719, Pt. 3 - Strange things. 10'00".
8820, Pt. 1 - Stranger things. 15'00".
89[Side F: Okay]
9020, Pt. 2 - Stranger things. 14'52".
91[Side G: Not F]
9221, Pt. 1 - Ambient pop for 28 minutes. 25'00".
93[Side H: Also Not F]
9421, Pt. 2 - Ambient pop for 28 minutes. 3'08".
9522 - Something in the way she moves. 13'52".
9623, Pt. 1 - Death of a pop star. 8'00".
97[Side I: Ignorance]
9823, Pt. 2 - Death of a pop star. 23'36".
9924, Pt. 1 - Hallucinations. 1'24".
100[Side J: Hm]
10124, Pt. 2 - Hallucinogen. 25'00".
102[Side K: Yes, but No]
10324, Pt. 3 - Nothing, but much. 0:24.
10425, Pt. 1 - A question. 24'36".
105[Side L: Long Record]
10625, Pt. 2 - The question. 6'12".
10726, Pt. 1 - Itself, but not. 23'48".
108[Side M: Of Course]
10926, Pt. 2 - Itself, but not. 6'28".
11027, Pt. 1 - Additional information. 23'32".
111[Side N: Un-derstand]
11227, Pt. 2 - Extraneous. 22'28".
11328, Pt. 1 - Not extraneous. 3'32".
114[Side O: Okay Then That Doesn't Make Sense]
11528, Pt. 2 - Not extraneous. 24'06".
11629, Pt. 1 - To end. 0'54".
117[Side P: 42]
11829, Pt. 2 - Glossing over. 25'00".
119[Side Q: Existential Crisis]
12029, Pt. 3 - Missing. 7'06".
121[Side R: Finale]
12230, Pt. 1 - The ambience in the absence of all life. 25'00".
123[Side S: Finale 2]
12430, Pt. 2 - The ambience in the absence of all life. 25'00".
125[Side T: Finale 3]
12630, Pt. 3 - Heat death. 25'00".
127[Side U: Existence] (7" record, 33 1/3 RPM)
12830, Pt. 4 - Something that is nothing. 5'00".
129[Side V etched]
130
131Final run time: Eight hours, two minutes, fifty two seconds. Undecuple album (11).
132
133[Dream III]
134[Side A: 5twist/7]
13531, Pt. 1 - Turn 5 into a new song. 13'28".
13632, Pt. 1 - Improv of 7. 12'32".
137[Side B: 7]
13832, Pt. 2 - Improv of 7. 25'00".
139[Side C: 7]
14032, Pt. 3 - Improv of 7. 25'00".
141[Side D: 7]
14232, Pt. 4 - Improv of 7. 25'00".
143[Side E: 7]
14432, Pt. 5 - Improv of 7. 25'00".
145[Side F: 7/11]
14632, Pt. 6 - Improv of 7. 13'40".
14733, Pt. 1 - Improv of 11. 12'20".
148[Side G: 11]
14933, Pt. 2 - Improv of 11. 25'00".
150[Side H: 11]
15133, Pt. 3 - Improv of 11. 25'00".
152[Side I: 11]
15333, Pt. 4 - Improv of 11. 25'00".
154[Side J: 11/5twist]
15533, Pt. 5 - Improv of 11. 20'00".
15631, Pt. 2 - Turn 5 into a new song. 5'00".
157[Side K: 5twist]
15831, Pt. 3 - Turn 5 into a new song. 25'00".
159[Side L: 5twist]
16031, Pt. 4 - Turn 5 into a new song. 25'00".
161[Side M: 5twist]
16231, Pt. 5 - Turn 5 into a new song. 25'00".
163[Side N: 5twist/15]
16431, Pt. 6 - Turn 5 into a new song. 1'36".
16534, Pt. 1 - Improv of 15. 23'24".
166[Side O: 15] (12" record, 33 1/3 RPM)
16734, Pt. 2 - Improv of 15. 25'00".
168[Side P: 15] (45 RPM)
16934, Pt. 3 - Improv of 15. 4'00".
170
171Final run time: Four hours, thirty three minutes, thirty seconds. Octuple album (8).
172
173[Dream IV]
174[Side A: Unworthy]
17535, Pt. 1 - Industrial lifestyle. 25'00".
176[Side B: Worthy]
17735, Pt. 2 - Industrial lifestyle. 17'31".
17836, Pt. 1 - Graveyard. 8'29".
179[Side C: Observe]
18036, Pt. 2 - Graveyard. 25'00".
181[Side D: Unsee]
18236, Pt. 3 - Graveyard. 1'35".
18337, Pt. 1 - Anxiety attack. 23'25".
184[Side E: Feel]
18537, Pt. 2 - Anxiety attack. 14'51".
18638, Pt. 1 - Breathing. 10'09".
187[Side F: Unfeel]
18838, Pt. 2 - Breathing. 25'00".
189[Side G: Force]
19038, Pt. 3 - Breathing. 7'31".
19139, Pt. 1 - Harsh noise pop. 17'29".
192[Side H: Calm]
19339, Pt. 2 - Harsh noise pop. 21'11".
19440, Pt. 1 - Brainwashed. 3'49".
195[Side I: Stare]
19640, Pt. 2 - Brainwashed. 25'00".
197[Side J: Glance]
19840, Pt. 3 - Brainwashed. 4'19".
19941 - Watch. 2'32".
20042, Pt. 1 - Watch. 18'09".
201[Side K: [Untitled]]
20242, Pt. 2 - Watch. 20'07".
20343, Pt. 1 - Repeat. 4'53".
204[Side L: [Untitled]]
20543, Pt. 2 - Repeat. 25'00".
206[Side M: Exactly]
20743, Pt. 3 - Repeat. 12'01".
20844, Pt. 1 - Emotion. 13'59".
209[Side N: Clearly]
21044, Pt. 2 - Emotion. 25'00".
211[Side O: ?]
21244, Pt. 3 - Emotion. 16'19".
21345, Pt. 1 - Unrelated. 8'41".
214[Side P: !]
21545, Pt. 2 - Unrelated. 25'00".
216[Side Q: .]
21745, Pt. 3 - Unrelated. 21'23".
218[Side R etched.]
219
220Final run time: Six hours, thirty three minutes, fourty three seconds. Nonuple album (9).
221
222[Dream V]
223[Side A: Who Are the Brain Police?]
22446 - Overture slowly derailing. 19'36".
22547, Pt. 1 - Ambient noise beginnings, very much in fashion to 5, slow motion. 5'24".
226[Side B: Avoid]
22747, Pt. 2 - Ambient noise beginnings, very much in fashion to 5, slow motion. 7'24".
22848 - New beginnings for a universe. 12'40".
22949, Pt. 1 - Life. 5'04".
230[Side C: Who Even Cares at This Point, I'm Worthless Harsh Noise Garbage]
23149, Pt. 2 - Life. 16'52".
23250, Pt. 1 - The entrance of new life. 9'08".
233[Side D: Tron is an Awesome Movie, Please Watch it]
23450, Pt. 2 - The entrance of new life. 7'08".
23551 - Battle. 12'24".
23652, Pt. 1 - Fear. 5'28".
237[Side E: Surely You'll Know by Now I'm a Merzbow Ripoff and as Much as I Like to Think Otherwise It's Still True and I Still Love Your Music Merzbow]
23852, Pt. 2 - Fear. 14'48".
23953, Pt. 1 - Changing the rules. 10'12".
240[Side F: Past "To Be Kind"]
24153, Pt. 2 - Changing the rules. 17'08".
24254, Pt. 1 - Outside. 7'52".
243[Side G: Who Would've Thought I'd Gone This Far]
24454, Pt. 2 - Outside. 13'44".
24555, Pt. 1 - Orchestral work being destroyed. 11'16".
246[Side H: I Don't Know Why I'm Doing This]
24755, Pt. 2 - Orchestral work being destroyed. 22'04".
24856, Pt. 1 - A calm mass. 2'56".
249[Side I: 1234567890]
25056, Pt. 2 - A calm mass. 10'42".
25157, Pt. 1 - A calmer mass. 14'18".
252[Side J: I'm Running Out of Titles to Use]
25357, Pt. 2 - A calmer mass. 6'40".
25458 - Child labor. 13'44".
25559, Pt. 1 - Praise. 4'36".
256[Side K: Please Send Suggestions]
25759, Pt. 2 - Praise. 6'20".
25860, Pt. 1 - Help from ][. 19'40".
259[Side L: No Suggestions?]
26060, Pt. 2 - Help from ][. 1'48".
261(Intri)gue, Pt. 1 - Empire. 23'12".
262[Side M: Well This Sucks]
263(Intri)gue, Pt. 2 - Empire. 10'16".
26462, Pt. 1 - Timing. 14'44".
265[Side N: Yeah I Suppose That the Rest will be Untitled]
26662, Pt. 2 - Timing. 23'28".
26763, Pt. 1 - Nearing. 1'32".
268[Side O: [Untitled I]]
26963, Pt. 2 - Nearing. 15'28".
27064, Pt. 1 - Life. 9'32".
271[Side P: [Untitled II]]
27264, Pt. 2 - Life. 17'24".
27365, Pt. 1 - Exiting. 7'36".
274[Side Q: [Untitled III]]
27565, Pt. 2 - Exiting. 18'40".
27666, Pt. 1 - Exit Music (for a Film). 6'20".
277[Side R: [Untitled IV]
27866, Pt. 2 - Exit Music (for a Film). 25'00".
279[Side S: [Untitled V]]
28066, Pt. 3 - Exit Music (for a Film). 1'36".
28167, Pt. 1 - Simulations. 20'00".
282[Side T: [Untitled VI]]
28367, Pt. 2 - Simulations. 1'36".
284Missing - Two Meditations. 18'24".
28569, Pt. 1 - One Meditation. 6'36".
286[Side U: [Untitled VII]]
28769, Pt. 2 - One Meditation. 24'28".
28870, Pt. 1 - Agreement. 0'32".
289[Side V: [Untitled VIII]]
29070, Pt. 2 - Agreement. 12'56".
29171, Pt. 1 - Disagreement. 12'04".
292[Side W: [Untitled IX]]
29371, Pt. 2 - Disagreement. 6'28".
29472, Pt. 1 - Unknown, unrelated. 18'32".
295[Side X: [Untitled X]]
29672, Pt. 2 - Unknown, unrelated. 3'04".
297Specialty, Pt. 1 - Ending of an era. 21'56".
298[Side Y: JUST KIDDING.] (10" record, 78 RPM)
299Specialty, Pt. 2 - Ending of an era. 0'52".
300[Side Z etched]
301
302Final run time: Ten hours, sixteen minutes, fifty four seconds. Tredecuple album (13).
303
304[Dream VI - End of First Era]
305[Side A: Back in the 70s]
30674, Pt. 1 - Reliving a day. 25'00".
307[Side B: Eb Ti Tel]
30874, Pt. 2 - Reliving a day. 11'40".
30975, Pt. 1 - Game of life. 13'20".
310[Side C: Noom Eht Fo Edis Kard Eht]
31175, Pt. 2 - Game of life. 25'00".
312[Side D: Llaw Eht]
31375, Pt. 3 - Game of life. 4'36".
31476, Pt. 1 - Giorgio Moroder. 20'24".
315[Side E: How Heavy Could a Stack of All of These Albums Get? That's a Legitimate Question.]
31676, Pt. 2 - Giorgio Moroder. 25'00".
317[Side F: Back to Reverse Names of Older Records Now?]
31876, Pt. 3 - Giorgio Moroder. 25'00".
319[Side G: Sounds Good.]
32076, Pt. 3 - Giorgio Moroder. 3'08".
32177, Pt. 1 - Your song. 21'52".
322[Side H: Nevermind. I'm Going to Keep Asking These Amazing Questions.]
32377, Pt. 2 - Your song. 8'32".
32478, Pt. 1 - Love. It tears us to shreds. 16'28".
325[Side I: Have You Ever Considered to Never Listening to Music Ever Again?]
32678, Pt. 2 - Love. It tears us to shreds. 25'00".
327[Side J: What if You Threw Out Everything You Used to Record?]
32878, Pt. 3 - Love. It tears us to shreds. 3'38".
32979, Pt. 1 - Do you like listening to this? - 21'22".
330[Side K: Bicycle.]
33179, Pt. 2 - Do you like listening to this? 25'00".
332[Side L: Why Not]
33379, Pt. 3 - Do you like listening to this? 0'42".
33480, Pt. 1 - Audible 2016. 24'18".
335[Side M: The Comforting Noises of Infant Mortality]
33680, Pt. 2 - Audible 2016. 25'00".
337[Side N: A Third Generation Star]
33880, Pt. 3 - Audible 2016. 17'07".
33981, Pt. 1 - Another thing. 7'53".
340[Side O: Let's McFreakin' Lose It]
34181, Pt. 2 - Another thing. 25'00".
342[Side P: Get Outta Your Mind]
34381, Pt. 3 - Another thing. 16'19".
34482, Pt. 1 - Reproduction. 9'41".
345[Side Q: Please Lose Interest]
34682, Pt. 2 - Reproduction. 25'00".
347[Side R: Stop Listening Please]
34882, Pt. 3 - Reproduction. 8'31".
34983, Pt. 1 - What do you see? 15'29".
350[Side S: How Can You Live With Yourself After Listening to This Album?]
35183, Pt. 2 - What do you see? 23'11".
35284, Pt. 1 - What do you hear? 1'49".
353[Side T: Kill Me I'm Lazy]
35484, Pt. 2 - What do you hear? 25'00".
355[Side U: Don't Buy Anything from Me, You'll Only Get Harsh Noise]
35684, Pt. 3 - What do you hear? 18'39".
35785, Pt. 1 - Spirit they're gone. Spirit they've vanished. 6'21".
358[Side V: Hope for the End]
35985, Pt. 2 - Spirit they're gone. Spirit they've vanished. 25'00".
360[Side W: I Don't Know]
36185, Pt. 3 - Spirit they're gone. Spirit they've vanished. 2'07".
36286, Pt. 1 - Alien lifeform. 22'53".
363[Side Y: You Might Have a Phone]
36486, Pt. 2 - Alien lifeform. 15'25".
36587, Pt. 1 - A final cry of humanity. 9'35".
366[Side Z: Handprints of the Dead]
36787, Pt. 2 - A final cry of humanity. 25'00".
368Runoff Groove at 87 - The final five seconds of humanity, that echoed for small seconds. 0'05".
369
370Final run time: Ten hours, twenty one minutes, fourty one seconds. Tredecuple album (13).
371
372[Dream VII - Beginning of a Second Era]
373[Side A: New Times New Roads]
374Regarding - Windows error sounds, backed with generic slowed drumming. 25'00".
375[Side B: Who am I?]
376Operations - Yet more of the same. 24'16".
377
378Final run time: Fourty nine minutes, sixteen seconds. Single album.
379
380[Dream VIII]
381[Side A: Who is Mr. Tom?]
382Flood - A godly speaker. 25'00".
383[Side B: Stop Listening to this Record or I'll Kill You Myself with 180 Decibels of Harsh Noise]
384Rain - Dying. 25'00".
385[Side C: I'm Warning You]
386Spin - Heavenly. 16'24".
387[Side D etched]
388
389Final run time: One hour, six minutes, twenty four seconds. Double album.
390
391[Dream IX]
392[Side A: Revolution 1]
393Raining 1 - Final Fantasy: Neo-psychedelia edition. 25'00".
394[Side B: Revolution 9]
395Raining 2 - Psychedelic dark ambience. 25'00".
396[Side C: Unfinished Music No. 1 and 2 are Good Albums for Experimental Music Enjoyment]
397Raining 3 - Raining Blood: dark ambient edition. 25'00".
398[Side D: My Music Would be a Shitty Merzbow Ripoff had it Been Real Noise Music, but Instead Here We are with My Dark Ambient/Avant-garde Music]
399Raining 4 - Raining Blood, dark ambient edition. 25'00".
400[Side E: Revolution 909] (7" record, 45 RPM)
401Raining 5 - Ashes to ashes. 5'28".
402[Side F etched]
403
404Final run time: One hour, fourty five minutes, twenty eight seconds. Triple album.
405
406[Dream X]
407[Side A: Stop Buying These, You're Wasting Your Money]
408Crank - Teeth. 25'00".
409[Side B: Too Experimental at Times?]
410To 0 - Decay. 25'00".
411[Side C: Perhaps] (10" record, 45 RPM)
412To Nothing - Yellow is the way to go. 9'00".
413To Nothing Runoff Groove - Yellow is the way to go. 0'04".
414[Side D etched]
415
416Final run time: Fifty nine minutes, four seconds. Double album.
417
418[Dream XI]
419[Side A: Stop Wasting Your Money]
420Programming to Work Right - Website in the background? 25'00".
421[Side B: Stop Listening to Drugs]
422House - Music. 25'00".
423[Side C: Kill Yourself If You Like This, There's More in the Afterlife] (10" record, 45 RPM)
424Don't Do it - Stop listening or die. 8'24".
425[Side D etched]
426
427Final run time: Fifty eight minutes, twenty four seconds. Double album.
428
429[Dream XII]
430[Side A: You Wasted a Whole Lotta Money]
431Blink - Throb. 25'00".
432[Side B: Salt in the Wounds]
433Film Projection - Down. Down. Down. Down. Down. Down. Down. Down. Down. Down. Down the spiral. 24'36".
434
435Final run time: Fourty nine minutes, thirty six seconds. Single album.
436
437[Dream XIII]
438[Side A: I Don't Even Know Who Daniel is, but He Gets a Free Mention on this Side Title]
439Line Line Spoken - Africa. 25'00".
440[Side B: Happiest]
441Pulsating Clock - Who. 25'00".
442Runoff Groove - Final moments of Pulsating Clock. 0'59".
443
444Final run time: Fifty minutes, fifty nine seconds. Single album.
445
446[Dream XIV]
447[Side A: Of Course, but So What]
448America - Possibly. 20'56".
449Countdown, Pt. 1 - To begin or not to Begin? 4'04".
450[Side B: What Does this have to Do with Anything?]
451Countdown, Pt. 2 - To begin or not to Begin? 25'00".
452[Side C: Side C it is]
453Countdown, Pt. 3 - To begin or not to Begin? 25'00".
454[Side D: It is Side D]
455Countdown, Pt. 4 - To begin or not to Begin? 12'04".
456Disappear, Pt. 1 - GG Allin. 12'56".
457[Side E: I'm Honestly Running Out of Names]
458Disappear, Pt. 2 - GG Allin's reputation. 14'44".
459Asleep See, Pt. 1 - Yes. 10'16".
460[Side F: I am the Side of Sides (No You Aren't)]
461Asleep See, Pt. 2 - No? 25'00".
462[Side G: If]
463Asleep See, Pt. 3 - 4. 4'36".
464Search Away, Pt. 1 - Did you? 20'24".
465[Side H: Having Something Other than a 1080p Screen is Illegal, You're About to be Castrated in Public]
466Search Away, Pt. 2 - I don't. 25'00".
467[Side I: What Goes Up...] (7" record, 33 1/3 RPM)
468Search Away, Pt. 3 - Okay. 5'00".
469[Side J etched]
470
471Final run time: Three hours, thirty five minutes. Quintuple record (5).
472
473[Dream XV]
474[Side A: Connect]
475Speak Look, Pt. 1 - Spoken election. 25'00".
476[Side B: Salt and Vinegar Chips]
477Speak Look, Pt. 2 - Spoken election. 6'12".
478Banish, Pt. 1 - Dark ambient, enough said. 18'48".
479[Side C: How About We All Settle Down...and We Turn on the Radio? WOULD YOU LIKE AM? OR FM?!]
480Banish, Pt. 2 - Dark ambient. 25'00".
481[Side D: Yet More Terrible Music]
482Banish, Pt. 3 - Dark ambience. 10'52".
483Invisible, Pt. 1 - Nervous, sad, poor. 14'08".
484[Side E: Preparation]
485Invisible, Pt. 2 - Bleak, uncertain, beautiful. 25'00".
486[Side F: To Eat]
487Invisible, Pt. 3 - Destroyed. 16'36".
488Soot, Pt. 1 - Just. 8'24".
489[Side G: If Only]
490Soot, Pt. 2 - Fair. 17'44".
491Foot, Pt. 1 - OK Noise. 7'16".
492[Side H: Aestheticism]
493Foot, Pt. 2 - OK Vaporwave. 25'00".
494[Side I: Indeed Yes I am Present]
495Foot, Pt. 3 - Kid A: Dark Ambient. 18'40".
496Seat, Pt. 1 - Sixty. 6'20".
497[Side J: Taking Care]
498Seat, Pt. 2 - Seventy. 15'00".
499So, Pt. 1 - Six feet under. 10'00".
500[Side K: Squirrel]
501So, Pt. 2 - Heavy water. 15'52".
502Point, Pt. 1 - L. 9'08".
503[Side L: Sad but True]
504Point, Pt. 2 - As if. 25'00".
505[Side M: Holier than Thee]
506Point, Pt. 3 - As if. 1'28".
507Back, Pt. 1 - What? 23'32".
508[Side N: Nothing Else Matters]
509Back, Pt. 2 - Huh? 12'20".
510Look, Pt. 1 - No. 12'40".
511[Side O: X]
512Look, Pt. 2 - Circle? True silence. 10'16".
513You and I, Pt. 1 - Dying. 15'20".
514[Side P: If Spoke]
515You and I, Pt. 2 - Dead. 18'16".
516Car, Pt. 1 - Surely. 6'54".
517[Side Q: Two to Too]
518Car, Pt. 2 - Unsure. 22'18".
519Stare, Pt. 1 - Have you ever considered taking a break from listening to music for a while? 2'42".
520[Side R: Too to Two]
521Stare, Pt. 2 - Have you ever considered taking a break from listening to music for a while? 25'00".
522[Side S: Back to Back]
523Stare, Pt. 3 - Have you ever considered taking a break from listening to music for a while? 8'50".
524Backseat Driver, Pt. 1 - Electronic mouth. 17'10".
525[Side T: To Fail]
526Backseat Driver, Pt. 2 - Electronic mouth. 11'54".
527Not True, Pt. 1 - Was the backseat driver present? 13'06".
528[Side U: To Win]
529Not True, Pt. 2 - The backseat driver was not present. 25'00".
530[Side V: Ice Cream]
531Not True, Pt. 3 - Abandoned car. 3'06".
532No One to Blame, Pt. 1 - Who goes there? 21'54".
533[Side W: As If You Could've Gone There]
534No One to Blame, Pt. 2 - No one. 18'34".
535Invisible: Electroacoustic Edition, Pt. 1 - Replace all sounds in Invisible with similar sounds from Vinyl Horror and Terror samples. 6'26".
536[Side X: Burning Man]
537Invisible: Electroacoustic Edition, Pt. 2 - Read part one. 25'00".
538[Side Y: Finale]
539Invisible, Electroacoustic Edition, Pt. 3 - The time of this track purposefully deviates from the original Invisible. 8'10".
540[Side Z etched]
541
542Final run time: Nine hours, five minutes, twenty seconds. Tredecuple album (13).
543
544[Dream XVI]
545[Side A: What's the Ugliest Part of Your Body?]
546Speaker, Pt. 1 - Done for. 25'00".
547[Side B: Who Needs the Peace Corps?]
548Speaker, Pt. 2 - Done for. 25'00".
549[Side C: Childish Behaviors]
550Speaker, Pt. 3 - Done for. 4'00".
551Filmer, Pt. 1 - Question? 21'00".
552[Side D: Box Set]
553Filmer, Pt. 2 - Answer. 23'56".
554Return of the Backseat Driver, Pt. 1 - Not present. 1'04".
555[Side E: The Return of the Son of Monster Magnet]
556Return of the Backseat Driver, Pt. 2 - A present, just for you. 25'00".
557[Side F: Mr. Green Genes]
558Return of the Backseat Driver, Pt. 3 - Present. 25'00".
559[Side G: Mr. Green Jeans]
560Return of the Backseat Driver, Pt. 4 - Presenting... 6'40".
561The Return of the Son of the Backseat Driver, Pt. 1 - Who was there? 19'20".
562[Side H: Empty Bottle of Mountain Dew by My Side]
563The Return of the Son of the Backseat Driver, Pt. 2 - I was there. 19'36".
564Her, Pt. 1 - What is a car? 5'24".
565[Side I: Turn Off System]
566Her, Pt. 2 - Chara(cter). 25'00".
567[Side J: Arrow]
568Her, Pt. 3 - Friggspipriughusrgsrghzrhdyhdthdhzhhfzdzh. 25'00".
569[Side K: Unique]
570Her, Pt. 4 - Fobert Rripp. 5'16".
571He, Pt. 1 - A big church. 19'44".
572[Side L: User 1]
573He, Pt. 2 - A big choir. 25'00".
574[Side M: Ziggy]
575He, Pt. 3 - A big house. 22'16".
576Moving On from a Car, Pt. 1 - To enter a new story. 2'44".
577[Side N: Desk Sit]
578Moving On from a Car, Pt. 2 - Silent, but not silent. 25'00".
579[Side O: 001111]
580Moving On from a Car, Pt. 3 - Silent, but not silent. 25'00".
581[Side P: 1:00:00.0]
582Moving On from a Car, Pt. 4 - B. 7'16".
583Lie, Pt. 1 - C. 16'44".
584[Side Q: Sounds Like a Generic Beatles Song]
585Lie, Pt. 2 - Output format. 24'52".
586Cough, Pt. 1 - Hour. 0'08".
587[Side R: Sounds Like a Guy that Loves Leaves]
588Cough, Pt. 2 - Five minutes until I call the cops. 25'00".
589[Side S: Parallel Paradox]
590Cough, Pt. 3 - In. 10'12".
591Flashlight, Pt. 1 - To flashlight. 14'48".
592[Side T: Tremolo]
593Flashlight, Pt. 2 - To flashlight. 25'00".
594[Side U: Glad You Know My Name]
595Flashlight, Pt. 3 - To flashlight. 17'00".
596[Side V etched]
597
598Final run time: Eight hours, twenty nine minutes, nine seconds. Decuple album (10).
599
600[Dream XVII - For Arknverse]
601[Side A: Azrael]
602Additionally, Pt. 1 - Welcome back. 25'00".
603[Side B: Michael]
604Additionally, Pt. 2 - Welcome back. 25'00".
605[Side C: Raphael]
606Additionally, Pt. 3 - Welcome back. 6'00".
607Stalk, Pt. 1 - So what? 19'00".
608[Side D: Tobias]
609Stalk, Pt. 2 - So what? 23'48".
610See You, Pt. 1 - Minimalism. 1'12".
611[Side E: Uriel]
612See You, Pt. 2 - Minimalism. 25'00".
613[Side F: Alex]
614See You, Pt. 3 - Minimalism. 24'02".
615Blur, Pt. 1 - Considered. 0'58".
616[Side G: Redgrave]
617Blur, Pt. 2 - If you ever breathed. 25'00".
618[Side H: Michael 2]
619Blur, Pt. 3 - If you ever breathed. 25'00.
620[Side I: Arkn]
621Blur, Pt. 4 - If you ever breathed. 1'26".
622Hallway, Pt. 1 - Have you ever breathed? 23'34".
623[Side J: Dekn]
624Hallway, Pt. 2 - What a shame. 25'00".
625[Side K: Arknza]
626Hallway, Pt. 3 - Indeed. 1'58".
627Sick, Pt. 1 - Qwertyuiopasdfghjklzxcvbnm. 23'02".
628[Side L: Archdekn]
629Sick, Pt. 2 - Qwertyuiopasdfghjklzxcvbnm? 23'54".
630[Side M etched: The Hethe]
631
632Final run time: Four hours, fifty eight minutes, thirty six seconds. Septuple record (7).
633
634[Dream XVIII]
635[Side A: The Softest Voices]
636Stereoscopic - Mud. 17'52".
637Tree - Up. 3'52".
638I Will Tell You Something Dark - Down. 1'52".
639Something Cold, Pt. 1 - Door. 0'24".
640[Side B: Cap]
641Something Cold, Pt. 2 - Door. 9'52".
642Something Sleepy, Pt. 1 - A gift present. 15'08".
643[Side C: Console]
644Something Sleepy, Pt. 2 - A gift present. 8'26".
645Something Obscene - Exactly what the title is. 10'08".
646Go Upstairs - Shuffle. 5'44".
647The Foreign Policy of a Great and Self-Respecting Nation Should be Conducted on Exactly the Same Plane of Honor...as when a Brave and Honorable Man is Dealing with His Fellows, Pt. 1 - Spoken. 1'44".
648[Side D: So Out There]
649The Foreign Policy of a Great and Self-Respecting Nation Should be Conducted on Exactly the Same Plane of Honor...as when a Brave and Honorable Man is Dealing with His Fellows, Pt. 2 - Spoken. 3'04".
650Ghostly, Pt. 1 - To perform an action. 21'56".
651[Side E: Carbonated Water]
652Ghostly, Pt. 2 - To perform an action. 1'00".
653Shake - Apple. 8'40".
654Totality - Windows 10 is terrible. 14'08".
655Windows 10 Comes with Cortana, Pt. 1 - Shut up. 1'12".
656[Side F: High Fructose Corn Syrup]
657windows 10 Comes with Cortana, Pt. 2 - Shut up. 11'48".
658Calories - Arrested. 13'12".
659Clear, Pt. 1 - Dysfunction. 0'08".
660[Side G: Orange Juice Concentrate]
661Clear, Pt. 2 - Dysfunction. 5'28".
662Red - It became clear. 6'00".
663Percent - In your manual. 4'24".
664Reflect, Pt. 1 - Number six. 9'08".
665[Side H: Citric Acid]
666Reflect, Pt. 2 - Number nine. 2'36".
667Side - Hinges. 9'36".
668Have a Nice Day - Spiral. 4'16".
669Control - Fan. 6'08".
670Mint, Pt. 1 - Condition. 2'24".
671[Side I: Sodium Hexametaphosphate]
672Mint, Pt. 2 - Condition. 7'08".
673Wah Wah Wah Wah Wah Wah Wah Wah Wah - I'm a member of the Midnight Crew. 6'32".
674Nutrients - Grobbing Thristle. 9'52".
675Print, Pt. 1 - Envelope. 1'36".
676[Side J: Sodium Benzoate]
677Print, Pt. 2 - Paint. 7'28".
678Slap - 22.2 surround sound. 11'44".
679Camcorder - Past/future. Present? 5'36".
680Permanence, Pt. 1 - Other doors. 0'12".
681[Side J: Natural Flavor]
682Permanence, Pt. 2 - Other doors. 17'40".
683Monitored, Pt. 1 - Screened. 7'20".
684[Side K: Calcium Disodium Eota]
685Monitored, Pt. 2 - Screened. 15'36".
686Screen - Other screens. 3'28".
687Paper Everywhere, Pt. 1 - Screen door. 5'32".
688[Side L: Red 40]
689Paper Everywhere, Pt. 2 - Screen door. 3'48".
690Backwards to the Originality - But magazine. 7'52".
691Tell Us You've Been Keeping Secrets, Pt. 1 - Handed over. 13'20".
692[Side M: Brominated Vegetable Oil]
693Tell Us You've Been Keeping Secrets, Pt. 2 - Handed over. 1'36".
694Smile for the Camera - Catchphrase. 14'40".
695Information - Information. 3'04".
696Broken Hinges - Unusual information. 3'04".
697Ship, Pt. 1 - Eating. 2'56".
698[Side N: Yellow 5]
699Ship, Pt. 2 - Eating. 1'04".
70040 - Quoth the raven. 12'48".
701War of the World 2 - Discontinued. 6'24".
702Shy, Pt. 1 - Haven't you felt lonely after listening to this record? 4'44".
703[Side O: Blue 1]
704Shy, Pt. 2 - It's because you're driving your friends away. Stop listening. 16'36".
705Don't Look Down - Keep looking up. 6'24".
706Wow, Pt. 1 - Now that's what I call edgy. 2'00".
707[Side P: Sickening]
708Wow, Pt. 2 - Now that's what I call edgy. 9'36".
709While - Wall. 5'28".
710Morning - Breakfast? 7'44".
711Midnight, Pt. 1 - Goodnight. 2'12".
712[Side Q: Death Grips Still Tops This]
713Midnight, Pt. 2 - Goodnight. 3'40".
714Evening - Dinner? 5'36".
715Afternoon - Lunch? 4'56".
716Noon - Hello? 2'00".
717Quite Grand Having You Here - Yet another finale. 7'28".
718[Side R etched]
719
720Final run time: Six hours, thirty nine minutes, fifty seconds. Nonuple album (9).
721
722[Dream VIX]
723[Side A: Ranch Dressing]
724Second Operation, Final Movement of Operation, Pt. 1 - Sometimes, but not always. 25'00".
725[Side B: Blue Cheese]
726Second Operation, Final Movement of Operation, Pt. 2 - Let's play hide and seek. 25'00".
727[Side C: Vinegar]
728Second Operation, Final Movement of Operation, Pt. 3 - A literal movement. Not as in orchestral music. 16'40".
729Found You, Pt. 1 - Forever. 8'20".
730[Side D: I'm Sick and Tired of these Stupid Games]
731Found You, Pt. 2 - Forever. 25'00".
732[Side E: Moving Out]
733Found You, Pt. 3 - Forever. 25'00".
734[Side F: All that Comes to Mind: "So"]
735Found You, Pt. 4 - Forever. 20'00".
736You are a Disgrace, Pt. 1 - Society hates us for what we are doing. But we continue. 5'00".
737[Side G: Calculation]
738You are a Disgrace, Pt. 2 - Society hates us for what we are doing. But we continue. For good measure. 25'00".
739[Side H: Taste the Bullets]
740You are a Disgrace, Pt. 3 - Society hates us for what we are doing. But we continue. For good measure. 25'00".
741[Side I: SHAUN! SHAUN! SHAUN!]
742You are a Disgrace, Pt. 4 - Society is terrible. 6'44".
743House, Pt. 1 - I found you. 18'22".
744[Side J: Matty Edit]
745House, Pt. 2 - I found you. 25'00".
746[Side K: Why Do I Limit These to 25 Minutes Anyway?]
747House, Pt. 3 - I found you. 20'30".
7483:19 AM, 6/13/2016, Pt. 1 - I didn't celebrate 6/12. 4'30".
749[Side L: To Preserve Quality, I Suppose]
7503:19 AM, 6/13/2016, Pt. 2 - I didn't celebrate 6/12. 25'00".
751[Side M: Buzz]
7523:19 AM, 6/13/2016, Pt. 3 - I didn't celebrate 6/12. 17'49".
753Now it's Exactly 1:00 PM at my Apparent Location, Pt. 1 - 6/13 is a boring day. 1'34".
754[Side N: Specifications]
755Now it's Exactly 1:00 PM at my Apparent Location, Pt. 2 - 6/13 is a boring day. 25'00".
756[Side O: 6/13]
757Now it's Exactly 1:00 PM at my Apparent Location, Pt. 3 - 6/13 is a boring day. 25'00".
758[Side P: 6/14]
759Now it's Exactly 1:00 PM at my Apparent Location, Pt. 4 - Will 6/14 be boring? 13'54".
760Track List, Pt. 1 - HJf1n3Eq currently. 11'06".
761[Side Q: Basically]
762Track List, Pt. 2 - HJf1n3Eq currently. 25'00".
763[Side R: And He Died Here Slowly Because of You]
764Track List, Pt. 3 - What's next? 25'00".
765[Side S: A Longer Track?]
766Track List, Pt. 4 - A longer track. 17'58".
767Baby Painting, Pt. 1 - Create a track that doesn't fit in. 7'02".
768[Side T: Note the Book]
769Baby Painting, Pt. 2 - Create a track that doesn't fit in. 6'10".
770Infant Mortality, Pt. 1 - The same track, harsh noise edition. 18'50".
771[Side U: Bread by Banana]
772Infant Mortality, Pt. 2 - The same track, harsh noise edition. 25'00".
773[Side V: Starve]
774Infant Mortality, Pt. 3 - The same track, harsh noise edition. 25'00".
775[Side W: Eyeball Pen]
776Infant Mortality, Pt. 4 - The same track, harsh noise edition. 0'38".
777Rusty Paint Chip, Pt. 1 - Definitely related. 24'22".
778[Side X: Yet Another Side of Bland Music]
779Rusty Paint Chip, Pt. 2 - Definitely related. 25'00".
780[Side Y: Maybe It'll Blow Over]
781Rusty Paint Chip, Pt. 3 - Definitely related. 23'44".
782Lip, Pt. 1 - Chapped. 1'22".
783[Side Z: Who Can Say Where the Road Goes]
784Lip, Pt. 2 - Chapped. 25'00".
785[Side AA: Landmark]
786Lip, Pt. 3 - Chapped. 17'44".
787A Landmark in Dreams for Bypassing Side Z, Pt. 1 - Not afraid to show greatness. 7'22".
788[Side AB: Okay Then Food]
789A Landmark in Dreams for Bypassing Side Z, Pt. 2 - Not afraid to show greatness. 25'00".
790[Side AC: Finale of a Landmark]
791A Landmark in Dreams for Bypassing Side Z, Pt. 3 - Not afraid to show greatness. 21'44".
792[Side AD etched]
793
794Final run time: Thirteen hours, fourty one minutes, fourty four seconds. Sexdecuple album (16).
795
796[Dream XX]
797[Side A: So What Now]
798Enduring the Pain, Pt. 1 - Memory card. 25'00".
799[Side B: Sound of Tears]
800Enduring the Pain, Pt. 2 - Memory card. 25'00".
801[Side C: Single Light]
802Enduring the Pain, Pt. 3 - Memory card. 5'52".
803Fading Games, Pt. 1 - Always with us. 19'08".
804[Side D: The Worst Days]
805Fading Games, Pt. 2 - Always with us. 25'00".
806[Side E: "I'd Hate to See You Go"]
807Fading Games, Pt. 3 - Always with us. 18'12".
808[Side F etched: A Moment of Silence/A Moment of Screeching, Depending on if You Play This and Damage Your Needle or Not. If You can Manage Through This Without Damaging Your Needle, You, Sir, Ma'am, or Something Other than Male or Female, are Amazingly Skilled. Be Proud of Your Skills]
809
810Final run time: One hour, fifty three minutes, four seconds. Triple album.
811
812[Dream XXI]
813[Side A: I Destroyed it]
8149:50 AM, 6/14/2016, Pt. 1 - Hair. 25'00".
815[Side B: B-Sides]
8169:50 AM, 6/14/2016, Pt. 2 - Hair. 25'00".
817[Side C: C-Sides]
8189:50 AM, 6/14/2016, Pt. 3 - Hair. 21'12".
819[Side D etched]
820
821Final run time: One hour, eleven minutes, twelve seconds. Double album.
822
823[Dream XXII]
824[Side A: Low Fidelity 1]
825Stop Dancing, Pt. 1 - Low fidelity goodness. 25'00".
826[Side B: Low Fidelity 2]
827Stop Dancing, Pt. 2 - Low fidelity. 25'00".
828[Side C: High Fidelity 1] (7" record, 45 RPM)
829Stop Dancing, Pt. 3 - Who wouldn't do that. 2'00".
830[Side D etched]
831
832Final run time: Fifty two minutes. Double album.
833
834[Dream XXIII]
835[Side A: Lower Fidelity]
836Amazing Duo, Amazing Partners, Pt. 1 - Thanks Matt. 25'00".
837[Side B: Your Day]
838Amazing Duo, Amazing Partners, Pt. 2 - Thanks Matt. 25'00".
839[Side C: Your Evening] (10" record, 33 1/3 RPM)
840Amazing Duo, Amazing Partners, Pt. 3 - Thanks Matt. 11'28".
841[Side D etched: (Hopefully) Your Night]
842
843Final run time: One hour, one minute, twenty eight seconds. Double album.
844
845[Dream XXIV]
846[Side A: Lowest Fidelity]
847Cheesy, Pt. 1 - X-ray tape. 25'00".
848[Side B: Highest Fidelity]
849Cheesy, Pt. 2 - X-ray tape. 24'36".
850Free Toes, Pt. 1 - Sure. I definitely believe you. 0'24".
851[Side C: Well]
852Free Toes, Pt. 2 - Egg. 25'00".
853[Side D: Paper Ride]
854Free Toes, Pt. 3 - Paperclip. 25'00".
855[Side E: Drink Bleach with Me] (7" record, 33 1/3 RPM)
856Free Toes, Pt. 4 - Vacuum. 5'20".
857[Side F etched]
858
859Final run time: One hour, fourty five minutes, twenty seconds. Triple album.
860
861[Dream XXV]
862[Side A: Twenty Five Minutes of Terrible Music]
863Hi. - The song. 25'00".
864[Side B: Another Twenty Minutes]
865Bye. - The same song. 20'04".
866
867Final run time: Fourty five minutes, four seconds. Single album.
868
869[Dream XXVI]
870[Side A: The Same Old Thing]
871Sound Wall, Pt. 1 - Exactly what it says on the tin. 25'00".
872[Side B: Yet Again Deja Vu]
873Sound Wall, Pt. 2 - Exactly what it says on the tin. 25'00".
874[Side C: Wonder how this Goes]
875Sound Wall, Pt. 3 - Exactly what it says on the tin. 14'08".
876Sound Wall Version 2, Pt. 1 - Exactly what it says on the tin, except different. 10'52".
877[Side D: Ballpoint Pen]
878Sound Wall Version 2, Pt. 2 - Exactly what it says on the tin, except different. 25'00".
879[Side E: So Awkward]
880Sound Wall Version 2, Pt. 3 - Exactly what it says on the tin, except different. 24'22".
881[Side F etched]
882
883Final run time: Two hours, thirty two seconds. Triple album.
884
885[Dream XXVII]
886[Side A: Time Magazine About David Bowie on My Printer]
887Amplification, Pt. 1 - Tubular. 25'00".
888[Side B: Message]
889Amplification, Pt. 2 - Circular? 25'00".
890[Side C: Massage] (10" record, 33 1/3 RPM)
891Amplification, Pt. 3 - Triangular? 10'24".
892[Side D etched]
893
894Final run time: One hour, twenty four seconds. Double album.
895
896[Dream XXVIII]
897[Side A: Twenty Eighth Scream]
898Life Hurts, Pt. 1 - No hero. 25'00".
899[Side B: Space is Like the Wild West]
900Life Hurts, Pt. 2 - No heart. 25'00".
901[Side C: OCR-A Font]
902Life Hurts, Pt. 3 - No hunch. 2'48".
903Ghost Lights, Pt. 1 - There is no spoon. 22'12".
904[Side D: OCR-B Font]
905Ghost Lights, Pt. 2 - There is no spoon. 13'48".
906Ghost Lights and Say, Pt. 1 - Deja vu. 11'12".
907[Side E: I'm No Longer Cisgender]
908Ghost Lights and Say, Pt. 2 - Deja vu. 14'48".
909Hi, Version 2, Pt. 1 - Deja vu, yet again. 10'12".
910[Side F: Your Day was Tiring, so Why Don't You Sit Down and Relax and Listen to an Old LP of Yours and Not This?]
911Hi, Version 2, Pt. 2 - Deja vu, yet again. 25'00".
912[Side G: Charlie Brown Dies a Terrible Death]
913Hi, Version 2, Pt. 3 - Deja vu, yet again. 6'48".
914Remnants, Pt. 1 - Press buttons. 18'12".
915[Side H: ::::)]
916Remnants, Pt. 2 - Press buttons. 25'00".
917[Side I: Uh, Okay Then]
918Remnants, Pt. 3 - Press buttons. 1'44".
919Tumble, Pt. 1 - This isn't helping. 23'22".
920[Side J: Flying Off of the Handle]
921Tumble, Pt. 2 - This isn't helping. 25'00".
922[Side K: 00000000]
923Tumble, Pt. 3 - This isn't helping. 24'10".
924Backtrack, Pt. 1 - So where did we leave? 0'50".
925[Side L: Boxes Upon Boxes]
926Backtrack, Pt. 2 - So where did we leave? 25'00".
927[Side M: Abandonment]
928Backtrack, Pt. 3 - So where did we leave? 23'14".
929To Bend Reality, Pt. 1 - Through open windows. 1'46".
930[Side N: Argumentation]
931To Bend Reality, Pt. 2 - Through open windows. 25'00".
932[Side O: Firebread]
933To Bend Reality, Pt. 3 - Through open windows. 25'00".
934[Side P: Obsbutter]
935To Bend Reality, Pt. 4 - Through open windows. 3'58".
936Waiting for You, Pt. 1 - How do I open my eyes? 21'02".
937[Side Q: Bending Letter]
938Waiting for You, Pt. 2 - How do I open my eyes? 25'00".
939[Side R: We Don't Have any Real Musical Tastes]
940Waiting for You, Pt. 3 - How do I open my eyes? 25'00".
941[Side S: Circular Again]
942Waiting for You, Pt. 4 - How do I open my eyes? 4'50".
943Five or Six Notes, Pt. 1 - Exactly what it says on the tin. 19'10".
944[Side T: Babbling Like a Mad Man]
945Five or Six Notes, Pt. 2 - Exactly what it says on the tin. 25'00".
946[Side U: An Hour and Nine Minutes]
947Five or Six Notes, Pt. 3 - Exactly what it says on the tin. 25'00".
948[Side V: Great Finale of Sorts]
949Five or Six Notes, Pt. 4 - Exactly what it says on the tin. 15'46".
950
951Final run time: Nine hours, fourty six seconds. Undecuple album (11).
952
953[Dream XXIX]
954[Side A: Stop Barking]
955Bland and Uninteresting, Pt. 1 - Dresser. 25'00".
956[Side B: Your Nose is Off]
957Bland and Uninteresting, Pt. 2 - Dresser. 25'00".
958[Side C: 666 is Such an Evil Number, I Think I'll Cry] (10" record, 33 1/3 RPM)
959Bland and Uninteresting, Pt. 3 - Dresser. 11'04".
960[Side D etched]
961
962Final run time: One hour, one minute, four seconds. Double album.
963
964[Dream XXX - Though Not to Catch Attention, as it Isn't Pornography]
965[Side A: Take a Sharp Step]
966Doomed, Pt. 1 - Experiment stemming from a labor of love. 25'00".
967[Side B: Theory]
968Doomed, Pt. 2 - Experiment stemming from a labor of love. 25'00".
969[Side C: Aquatic Lamp]
970Doomed, Pt. 3 - Experiment stemming from a labor of love. 14'32".
971Senzuri, Pt. 1 - 5ive is a terrible pop group. 10'28".
972[Side D: X-ray Chalkboard]
973Senzuri, Pt. 2 - %. 25'00".
974[Side E: Excite the Dad]
975Senzuri, Pt. 3 - Who said you could leave? 23'26".
976To Smile, Pt. 1 - Creeping up into the sky. 1'34".
977[Side F: Stop Doing That]
978To Smile, Pt. 2 - Creeping up into the sky. 25'00".
979[Side G: Nice Throw]
980To Smile, Pt. 3 - Creeping up into the sky. 18'46".
981To Thomas Bangalter, Pt. 1 - From an obscure fan, with love to a French electropop legend. 6'14".
982[Side H: Spin Coin]
983To Thomas Bangalter, Pt. 2 - From an obscure fan, with love to a French electropop legend. 25'00.
984[Side I: In a Box Filled with Destructive Noise]
985To Thomas Bangalter, Pt. 3 - From an obscure fan, with love to a French electropop legend. 13'10".
986To Guillaume Emmanuel de Homem-Christo, Pt. 1 - From an obscure fan, with love to a French electropop legend. 12'50".
987[Side J: Randomly Picked Numbers]
988To Guillaume Emmanuel de Homem-Christo, Pt. 2 - From an obscure fan, with love to a French electropop legend. 25'00".
989[Side K: Just So]
990To Guillaume Emmanuel de Homem-Christo, Pt. 3 - From an obscure fan, with love to a French electropop legend. 13'10".
991Acknowledging the Sadly Late Nilesh "Nilz" Patel, Nicolas Hidiroglou, Philippe Lévy, Serge Nicolas, Pascal Esposito, and David Girier-Dufournier, Pt. 1 - From an obscure fan, with love to obscure electronica artists and visual artists. 12'50".
992[Side L: Phone Number]
993Acknowledging the Sadly Late Nilesh "Nilz" Patel, Nicolas Hidiroglou, Philippe Lévy, Serge Nicolas, Pascal Esposito, and David Girier-Dufournier, Pt. 2 - From an obscure fan, with love to obscure electronica artists and visual artists. 25'00".
994[Side M: Paper Upon Paper]
995Acknowledging the Sadly Late Nilesh "Nilz" Patel, Nicolas Hidiroglou, Philippe Lévy, Serge Nicolas, Pascal Esposito, and David Girier-Dufournier, Pt. 3 - From an obscure fan, with love to obscure electronica artists and visual artists. 18'58".
996Acknowledging Alexandre Courtès, Martin Fougerol, Cedric Hervet, Daniel Vangarde, Gildas Loaëc, Pedro Winter, Simon Scott, "Alterian", Tony Gardner, Mitchell Feinberg, Luis Sanchis, the Sadly Late Anthony Wayne Moore, Todd Edwards, and Carlos Sosa, Pt. 1 - From an obscure fan, with love to obscure electronica artists and visual artists: "Broken Bread". 6'02".
997[Side N: Who's This]
998Acknowledging Alexandre Courtès, Martin Fougerol, Cedric Hervet, Daniel Vangarde, Gildas Loaëc, Pedro Winter, Simon Scott, "Alterian", Tony Gardner, Mitchell Feinberg, Luis Sanchis, the Sadly Late Anthony Wayne Moore, Todd Edwards, and Carlos Sosa, Pt. 2 - From an obscure fan, with love to obscure electronica artists and visual artists: "Broken Bread". 25'00".
999[Side O: Dying Animal Collective]
1000Acknowledging Alexandre Courtès, Martin Fougerol, Cedric Hervet, Daniel Vangarde, Gildas Loaëc, Pedro Winter, Simon Scott, "Alterian", Tony Gardner, Mitchell Feinberg, Luis Sanchis, the Sadly Late Anthony Wayne Moore, Todd Edwards, and Carlos Sosa, Pt. 3 - From an obscure fan, with love to obscure electronica artists and visual artists: "Broken Bread". 25'00".
1001[Side P: Freaking Out by the Hot Fire]
1002Acknowledging Alexandre Courtès, Martin Fougerol, Cedric Hervet, Daniel Vangarde, Gildas Loaëc, Pedro Winter, Simon Scott, "Alterian", Tony Gardner, Mitchell Feinberg, Luis Sanchis, the Sadly Late Anthony Wayne Moore, Todd Edwards, and Carlos Sosa, Pt. 4 - From an obscure fan, with love to obscure electronica artists and visual artists: "Broken Bread". 25'00".
1003[Side Q: Rolling Stones to Discuss]
1004Acknowledging Alexandre Courtès, Martin Fougerol, Cedric Hervet, Daniel Vangarde, Gildas Loaëc, Pedro Winter, Simon Scott, "Alterian", Tony Gardner, Mitchell Feinberg, Luis Sanchis, the Sadly Late Anthony Wayne Moore, Todd Edwards, and Carlos Sosa, Pt. 5 - From an obscure fan, with love to obscure electronica artists and visual artists: "Broken Bread". 3'38".
1005Acknowledging the Sadly Late Ulysses Kae Williams Junior, Pt. 1 - From an obscure fan, with love to a great rock songwriter. 21'12".
1006[Side R: And Crumb]
1007Acknowledging the Sadly Late Ulysses Kae Williams Junior, Pt. 2 - From an obscure fan, with love to a great rock songwriter. 25'00".
1008[Side S: Yet Another Full Circle]
1009Acknowledging the Sadly Late Ulysses Kae Williams Junior, Pt. 3 - From an obscure fan, with love to a great rock songwriter. 11'12".
1010Acknowledging David Dewaele, Stephen Dewaele, Stefaan Van Leuven, Dave Martijn, Stéphane Misseghers, Steve Slingeneyer, Inge Flipts, Piet Dierickx, and Bent Van Looy, Pt. 1 - With love from an obscure fan, to Soulwax. 13'48".
1011[Side T: CamDrome]
1012Acknowledging David Dewaele, Stephen Dewaele, Stefaan Van Leuven, Dave Martijn, Stéphane Misseghers, Steve Slingeneyer, Inge Flipts, Piet Dierickx, and Bent Van Looy, Pt. 2 - With love from an obscure fan, to Soulwax. 25'00".
1013[Side U: Try to Sleep]
1014Acknowledging David Dewaele, Stephen Dewaele, Stefaan Van Leuven, Dave Martijn, Stéphane Misseghers, Steve Slingeneyer, Inge Flipts, Piet Dierickx, and Bent Van Looy, Pt. 3 - With love from an obscure fan, to Soulwax. 25'00".
1015[Side V: To Go]
1016Acknowledging David Dewaele, Stephen Dewaele, Stefaan Van Leuven, Dave Martijn, Stéphane Misseghers, Steve Slingeneyer, Inge Flipts, Piet Dierickx, and Bent Van Looy, Pt. 4 - With love from an obscure fan, to Soulwax. 2'52".
1017Acknowledging Sebastian Akchoté, Pt. 1 - With love from an obscure fan to SebastiAn. 22'08".
1018[Side W: You're Surrounded]
1019Acknowledging Sebastian Akchoté, Pt. 2 - With love from an obscure fan to SebastiAn. 9'44".
1020Acknowledging Merrill Beth Nisker, Pt. 1 - With love from an obscure fan to Peaches. 15'22".
1021[Side X: Partially]
1022Acknolwedging Merrill Beth Nisker, Pt. 2 - With love from an obscure fan to Peaches. 25'00".
1023[Side Y: Finale to 30]
1024Acknowledging Merrill Beth Nisker, Pt. 3 - With love from an obscure fan to Peaches. 12'26".
1025[Side Z etched]
1026
1027Final run time: Ten hours, thirty seven minutes, twenty six seconds. Tredecuple album (13).
1028
1029[Dream XXXI]
1030[Side A: To Slay]
1031Acknowledging Erol Alkan, Pt. 1 - With love from an obscure fan to Erol Alkan. 25'00".
1032[Side B: Presentation of Oddities]
1033Acknowledging Erol Alkan, Pt. 2 - With love from an obscure fan to Erol Alkan. 20'04".
1034
1035Final run time: Fourty five minutes, four seconds. Single album.
1036
1037[Dream XXXII]
1038[Side A: Thanks for Eevee-rything]
1039Acknowledging Jean-Baptiste de Laubier, Pt. 1 - With love from an obscure fan to Para One. 25'00".
1040[Side B: The NME]
1041Acknowledging Jean-Baptiste de Laubier, Pt. 2 - With love from an obscure fan to Para One. 25'00".
1042[Side C: Giving Life]
1043Acknowledging Jean-Baptiste de Laubier, Pt. 3 - With love from an obscure fan to Para One. 25'00".
1044[Side D: Radical]
1045Acknowledging Jean-Baptiste de Laubier, Pt. 4 - With love from an obscure fan to Para One. 11'24".
1046
1047Final run time: One hour, twenty six minutes, twenty four seconds. Double album.
1048
1049[Dream XXXIII]
1050[Side A: Who is This, and What Do You Want]
1051Acknowledging Gaspard Augé, and Xavier de Rosnay, Pt. 1 - With love from an obscure fan to Justice. 25'00".
1052[Side B: Exactly 50 Minutes]
1053Acknowledging Gaspard Augé, and Xavier de Rosnay, Pt. 2 - With love from an obscure fan to Justice. 25'00".
1054[Side C: Wolf]
1055Acknowledging İsmail "Isi" Tüfekçi, and Jens "Jence" Moelle, Pt. 1 - With love from an obscure fan to Digitalism. 25'00".
1056[Side D: Hour, Minute, Second]
1057Acknowledging İsmail "Isi" Tüfekçi, and Jens "Jence" Moelle, Pt. 2 - With love from an obscure fan to Digitalism. 13'32".
1058Acknowledging Roman Flügel, and Jörn Elling Wuttke, Pt. 1 - With love from an obscure fan to Alter Ego. 11'28".
1059[Side E: What Time is it]
1060Acknowledging Roman Flügel, and Jörn Elling Wuttke, Pt. 2 - With love from an obscure fan to Alter Ego. 25'00".
1061[Side F: Another Sharp Step]
1062Acknowledging Roman Flügel, and Jörn Elling Wuttke, Pt. 3 - With love from an obscure fan to Alter Ego. 25'00".
1063[Side G: Yet Another Sharp Step]
1064Acknowledging Roman Flügel, and Jörn Elling Wuttke, Pt. 4 - With love from an obscure fan to Alter Ego. 6'00".
1065Acknowledging Pascal Arbez-Nicolas, Pt. 1 - With love from an obscure fan to Vitalic. 19'00".
1066[Side H: Unthinkable]
1067Acknowledging Pascal Arbez-Nicolas, Pt. 2 - With love from an obscure fan to Vitalic. 25'00".
1068[Side I: Allegations]
1069Acknowledging Pascal Arbez-Nicolas, Pt. 3 - With love from an obscure fan to Vitalic. 25'00".
1070[Side J: Tragedy]
1071Acknowledging Pascal Arbez-Nicolas, Pt. 4 - With love from an obscure fan to Vitalic. 0'44".
1072Acknowledging Joseph Trapanese, Toby Chu, Steve Gerdes, Allen Walley, Mary Scully, Patrick Lanngian, Stacey Watton, Steve mair, Steve McManus, Julie Andrew, Richard Skinner, Chris Worsey, Frank Schaefer, Jo Knight, John Heley, Jonathan Williams, Martin Loveday, Paul Kegg, Tony Lewis, Anythony Pleeth, David Fuest, Nicholas Bucknall, Richard Addison, Gavin Greenaway, Stephen Maw, Jo Buckley, Booker White, Jane Marshall, Steve Sterling, Desirée Craig-Ramos, Paul Hahn, Chris Barrett, Lori Castro, Satoshi Noguchi, Tom Bailey, Joseph Kosinski, Sean Bailey, Anna Noakes, Eliza Marshall, Mike Kidd, Nigel Black, Richard Bissill, Roger Montgomery, John Thurgood, Michael Thompson, Philip Eastop, Richard Berry, Karen Vaughan, Skaila Kanga, Thomas Bowes, Patricia Sullivan, Alan Meyerson, David Theodore, Matthew Draper, Scott Holtzman, Sylvia Krask, Sam Cooper, Glen Lajeski, Bruce Broughton, Jill Streeter, Frank Ricotti, Glyn Matthews, Paul Clarvis, Steve Henderson, Dave Hartley, Nina Robertson, Mitchell Leib, Geoff Foster, David Channing, Monica Zierhut, Jason Bentley, Sally Boldt, Daniel Lerner, Dominic Hackett, Gary Kettel, Dave Stewart, Lindsay Shilling, Mike Hext, Richard Edwards, Derek Watkins, Kate Moore, Tom Rees-Roberts, John Barclay, Owen Slade, Andrew PArker, Bob Smissen, Bruce White, Donald McVay, Edward Vanderspar, Garfield Jackson, Katie Wilkinson, Nick Barr, Peter Lale, Rachel Bolt, Vicci Wardman, Boguslaw Kostecki, Cathy Thompson, David Emanuel, David Woodcock, Debbie Preece, Debbie Widdup, Dermot Crehan, Liz Edwards, Emlyn Singleton, Everton Nelson, Jim McLeod, John Bradbury, Jonathan Rees, Jonathan Strange, Kathy Gowers, Lorraine McAslan, Maciej Rakowski, Mark Berrow, Michael McMenemy, Patrick Kiernan, Peter Hanson, Phillippa Ibbotson, Rita Manning, Roger Garland, Rolf Wilson, Sonia Slany, and Warren Zielinski, Pt. 1 - With love from an obscure fan of orchestral music. 24'22".
1073[Side K: It Was Not]
1074Acknowledging Joseph Trapanese, Toby Chu, Steve Gerdes, Allen Walley, Mary Scully, Patrick Lanngian, Stacey Watton, Steve mair, Steve McManus, Julie Andrew, Richard Skinner, Chris Worsey, Frank Schaefer, Jo Knight, John Heley, Jonathan Williams, Martin Loveday, Paul Kegg, Tony Lewis, Anythony Pleeth, David Fuest, Nicholas Bucknall, Richard Addison, Gavin Greenaway, Stephen Maw, Jo Buckley, Booker White, Jane Marshall, Steve Sterling, Desirée Craig-Ramos, Paul Hahn, Chris Barrett, Lori Castro, Satoshi Noguchi, Tom Bailey, Joseph Kosinski, Sean Bailey, Anna Noakes, Eliza Marshall, Mike Kidd, Nigel Black, Richard Bissill, Roger Montgomery, John Thurgood, Michael Thompson, Philip Eastop, Richard Berry, Karen Vaughan, Skaila Kanga, Thomas Bowes, Patricia Sullivan, Alan Meyerson, David Theodore, Matthew Draper, Scott Holtzman, Sylvia Krask, Sam Cooper, Glen Lajeski, Bruce Broughton, Jill Streeter, Frank Ricotti, Glyn Matthews, Paul Clarvis, Steve Henderson, Dave Hartley, Nina Robertson, Mitchell Leib, Geoff Foster, David Channing, Monica Zierhut, Jason Bentley, Sally Boldt, Daniel Lerner, Dominic Hackett, Gary Kettel, Dave Stewart, Lindsay Shilling, Mike Hext, Richard Edwards, Derek Watkins, Kate Moore, Tom Rees-Roberts, John Barclay, Owen Slade, Andrew PArker, Bob Smissen, Bruce White, Donald McVay, Edward Vanderspar, Garfield Jackson, Katie Wilkinson, Nick Barr, Peter Lale, Rachel Bolt, Vicci Wardman, Boguslaw Kostecki, Cathy Thompson, David Emanuel, David Woodcock, Debbie Preece, Debbie Widdup, Dermot Crehan, Liz Edwards, Emlyn Singleton, Everton Nelson, Jim McLeod, John Bradbury, Jonathan Rees, Jonathan Strange, Kathy Gowers, Lorraine McAslan, Maciej Rakowski, Mark Berrow, Michael McMenemy, Patrick Kiernan, Peter Hanson, Phillippa Ibbotson, Rita Manning, Roger Garland, Rolf Wilson, Sonia Slany, and Warren Zielinski, Pt. 2 - With love from an obscure fan of orchestral music. 8'18".
1075Acknowledging Paul Milton Jackson Junior, Chris Caswell, Nathan East, John Frederick Robinson, Nile Rodgers, Jason Beck, Hansjörg Moroder, Omar Hakim, Julian Fernando Casablancas, Pharell Williams, Thomas Bloch, and Stéphane Quême, Pt. 1 - With love from an obscure fan to famed and obscure house, jazz and hip hop artists. 16'42".
1076[Side L: Hour, Minute, Second, Hour, Minute, Second...]
1077Acknowledging Paul Milton Jackson Junior, Chris Caswell, Nathan East, John Frederick Robinson, Nile Rodgers, Jason Beck, Hansjörg Moroder, Omar Hakim, Julian Fernando Casablancas, Pharell Williams, Thomas Bloch, and Stéphane Quême, Pt. 2 - With love from an obscure fan to famed and obscure house, jazz and hip hop artists. 25'00".
1078[Side M: 42]
1079Acknowledging Paul Milton Jackson Junior, Chris Caswell, Nathan East, John Frederick Robinson, Nile Rodgers, Jason Beck, Hansjörg Moroder, Omar Hakim, Julian Fernando Casablancas, Pharell Williams, Thomas Bloch, and Stéphane Quême, Pt. 3 - With love from an obscure fan to famed and obscure house, jazz and hip hop artists. 11'30".
1080Acknowledging Alan Braxes and Benjamin Diamond, Pt. 1 - An obscure fan's love to an obscure band. 13'30".
1081[Side N: 43]
1082Acknowledging Alan Braxes and Benjamin Diamond, Pt. 2 - An obscure fan's love to an obscure band. 25'00".
1083[Side O: 44444444]
1084Acknowledging Alan Braxes and Benjamin Diamond, Pt. 3 - An obscure fan's love to an obscure band. 16'38".
1085Acknowledging Laurent Brancowitz, Christian Mazzalai, Deck d'Arcy, and Thomas Mars, Pt. 1 - An obscure fan's love to an obscure though active band. 8'22".
1086[Side P: How 4]
1087Acknowledging Laurent Brancowitz, Christian Mazzalai, Deck d'Arcy, and Thomas Mars, Pt. 2 - An obscure fan's love to an obscure though active band. 25'00".
1088[Side Q: How 44]
1089Acknowledging Laurent Brancowitz, Christian Mazzalai, Deck d'Arcy, and Thomas Mars, Pt. 3 - An obscure fan's love to an obscure though active band. 21'22".
10906:09 PM, 6/15/2016, Pt. 1 - Psychedelic, man. 3'44".
1091[Side R: How Four Fourty]
10926:09 PM, 6/15/2016, Pt. 2 - Psychedelic, man. 25'00".
1093[Side S: Drink S]
10946:09 PM, 6/15/2016, Pt. 3 - Psychedelic, man. 25'00".
1095[Side T: Giant Steps]
10966:09 PM, 6/15/2016, Pt. 2 - Psychedelic, man. 2'08".
10976:13 PM, 6/15/2016, Pt. 1 - 15 hours. 22'52".
1098[Side U: Whine Dog]
10996:13 PM, 6/15/2016, Pt. 2 - 15 hours. 25'00".
1100[Side V: Lake]
11016:13 PM, 6/15/2016, Pt. 3 - 15 hours. 9'36".
11026:15 PM, 6/15/2016, Pt. 1 - Running. 15'24".
1103[Side W: How Many Times]
11046:15 PM, 6/15/2016, Pt. 2 - Running. 17'32".
11056:17 PM, 6/15/2016, Pt. 1 - Walking. 7'28".
1106[Side X: Miseries of Light]
11076:17 PM, 6/15/2016, Pt. 2 - Walking. 25'00".
1108[Side Y: Prog]
11096:17 PM, 6/15/2016, Pt. 3 - Walking. 6'04".
11106:19 PM, 6/15/2016, Pt. 1 - Pace. 18'56".
1111[Side Z: Poor]
11126:19 PM, 6/15/2016, Pt. 2 - Pace. 13'12".
1113
1114Final run time: Ten hours, thirty eight minutes, twelve seconds. Tredecuple album (13).
1115
1116[Dream XXXIV] (longest album yet)
1117[Side A: Perhaps I Don't]
1118To Richard David James, Pt. 1 - With love from an obscure fan to a techno and ambient legend: An electronic reworking of Curtains, an eight minute piano refrain. 25'00".
1119[Side B: Choose Food]
1120To Richard David James, Pt. 2 - With love from an obscure fan to a techno and ambient legend: An electronic reworking of Curtains, an eight minute piano refrain. 25'00".
1121[Side C: Unlistenable Music]
1122To Richard David James, Pt. 3 - With love from an obscure fan to a techno and ambient legend: An electronic reworking of Curtains, an eight minute piano refrain. 3'36".
1123To Michael Sandison, Pt. 1 - With love from an obscure fan to a mysterious ambient legend in cohoots with Marcus. 21'24".
1124[Side D: Chance Meeting]
1125To Michael Sandison, Pt. 2 - With love from an obscure fan to a mysterious ambient legend in cohoots with Marcus. 0'44".
1126To Marcus Eoin Sandison, Pt. 1 - With love from an obscure fan to a mysterious ambient legend in cohoots with Michael. 24'22".
1127[Side E: Epitaph]
1128To Marcus Eoin Sandison, Pt. 2 - With love from an obscure fan to a mysterious ambient legend in cohoots with Michael. 25'00".
1129[Side F: When did I do that]
1130To Marcus Eoin Sandison, Pt. 3 - With love from an obscure fan to a mysterious ambient legend in cohoots with Michael. 5'24".
1131Acknowledging the Brothers Sandison and Hexagon Sun Studios, Pt. 1 - With love from an obscure fan to the Pentland Hills of Scotland. 19'36".
1132[Side G: Blood Begins to Flow]
1133Acknowledging the Brothers Sandison and Hexagon Sun Studios, Pt. 1 - With love from an obscure fan to the Pentland Hills of Scotland. 25'00".
1134[Side H: 19]
1135Acknowledging the Brothers Sandison and Hexagon Sun Studios, Pt. 1 - With love from an obscure fan to the Pentland Hills of Scotland. 19'24".
1136To the Sadly Late Guitarist, Vocalist and Pianist Roger Keith "Syd" Barrett, Pt. 1 - With love from an obscure fan to a sadly late psychedelic rock underground legend. 5'36".
1137[Side I: Acknowledging So Many]
1138To the Sadly Late Guitarist, Vocalist and Pianist Roger Keith "Syd" Barrett, Pt. 2 - With love from an obscure fan to a sadly late psychedelic rock underground legend. 25'00".
1139[Side J: Chicken Wall]
1140To the Sadly Late Guitarist, Vocalist and Pianist Roger Keith "Syd" Barrett, Pt. 3 - With love from an obscure fan to a sadly late psychedelic rock underground legend. 25'00".
1141[Side K: Too Much for Me to Process]
1142To the Sadly Late Guitarist, Vocalist and Pianist Roger Keith "Syd" Barrett, Pt. 4 - With love from an obscure fan to a sadly late psychedelic rock underground legend. 21'12".
1143To the Sadly Late Pianist, Keyboardist and Vocalist Richard William "Rick" Wright, Pt. 1 - With love from an obscure fan to an overlooked though unbelievably talented progressive rock musician. 3'48".
1144[Side L: Broken China]
1145To the Sadly Late Pianist, Keyboardist and Vocalist Richard William "Rick" Wright, Pt. 2 - With love from an obscure fan to an overlooked though unbelievably talented progressive rock musician. 25'00".
1146[Side M: Politician's Funeral March]
1147To the Sadly Late Pianist, Keyboardist and Vocalist Richard William "Rick" Wright, Pt. 3 - With love from an obscure fan to an overlooked though unbelievably talented progressive rock musician. 25'00".
1148[Side N: 21st Century Schizoid Man]
1149To the Sadly Late Pianist, Keyboardist and Vocalist Richard William "Rick" Wright, Pt. 4 - With love from an obscure fan to an overlooked though unbelievably talented progressive rock musician. 15'08".
1150To the Bassist and Vocalist George Roger Waters, Pt. 1 - With love from an obscure fan to an extremely talented bass guitarist. 9'52".
1151[Side O: Age Demographic]
1152To the Bassist and Vocalist George Roger Waters, Pt. 2 - With love from an obscure fan to an extremely talented bass guitarist. 25'00".
1153[Side P: Surely You Know the Difference Between Us]
1154To the Bassist and Vocalist George Roger Waters, Pt. 3 - With love from an obscure fan to an extremely talented bass guitarist. 10'04".
1155To the Drummer Nicholas Berkeley "Nick" Mason, Pt. 1 - With love from an obscure fan to an extremely talented percussionist. 14'56".
1156[Side Q: 26'14"]
1157To the Drummer Nicholas Berkeley "Nick" Mason, Pt. 2 - With love from an obscure fan to an extremely talented percussionist. 25'00".
1158[Side R: Ceiling Look]
1159To the Drummer Nicholas Berkeley "Nick" Mason, Pt. 3 - With love from an obscure fan to an extremely talented percussionist. 1'24".
1160To the Commander of the Most Excellent Order of the British Empire's Guitarist and Vocalist David Jon Gilmour, Pt. 1 - With love from an obscure fan to an extremely talented guitarist and vocalist. 23'36".
1161[Side S: The Spike]
1162To the Commander of the Most Excellent Order of the British Empire's Guitarist and Vocalist David Jon Gilmour, Pt. 1 - With love from an obscure fan to an extremely talented guitarist and vocalist. 25'00".
1163[Side T: See I'm Trapped Can't You See I'm So Confused]
1164To the Commander of the Most Excellent Order of the British Empire's Guitarist and Vocalist David Jon Gilmour, Pt. 1 - With love from an obscure fan to an extremely talented guitarist and vocalist. 25'00".
1165[Side U: Don't Let Me Down]
1166To the Commander of the Most Excellent Order of the British Empire's Guitarist and Vocalist David Jon Gilmour, Pt. 1 - With love from an obscure fan to an extremely talented guitarist and vocalist. 1'24".
1167Acknowledging the Sadly Late Norman Smith, the Sadly Late Peter Bown and Vic Singh, Pt. 1 - With love to the sadly late producers, sadly late engineers, and visual artists of The Piper at the Gates at the Gates of Dawn. 23'36".
1168[Side V: Oh Baby I'm Trapped]
1169Acknowledging the Sadly Late Norman Smith, the Sadly Late Peter Bown and Vic Singh, Pt. 2 - With love to the sadly late producers, sadly late engineers, and visual artists of The Piper at the Gates at the Gates of Dawn. 25'00".
1170[Side X: Grand Finale of Part One of the Thirty Fourth Dream]
1171Acknowledging the Sadly Late Norman Smith, the Sadly Late Peter Bown and Vic Singh, Pt. 3 - With love to the sadly late producers, sadly late engineers, and visual artists of The Piper at the Gates at the Gates of Dawn. 6'52".
1172[Untitled Track] - Frequencies above and below the human hearing levels. Hidden track. 18'08".
1173[Side Y: Grand Beginning of Part Two of the Thirty Fourth Dream]
1174Acknowledging the Salvation Army Band, Pt. 1 - With love from an obscure fan to a generous band. 25'00".
1175[Side Z: Starting Off on the Wrong Foot]
1176Acknowledging the Salvation Army Band, Pt. 2 - With love from an obscure fan to a generous band. 25'00".
1177[Side AA: Hit the Record Again]
1178Acknowledging the Salvation Army Band, Pt. 3 - With love from an obscure fan to a generous band. 1'20".
1179Acknowledging the Sadly Late Storm Elvin Thorgerson, and Aubrey "Po" Powell, Pt. 1 - With love from an obscure fan to an amazing visual artist group. 23'40".
1180[Side AB: Scratch Needle]
1181Acknowledging the Sadly Late Storm Elvin Thorgerson, and Aubrey "Po" Powell, Pt. 2 - With love from an obscure fan to an amazing visual artist group. 2'28".
1182Acknowledging Barbet Schroeder, and Lindy Mason, Pt. 1 - With love from an obscure fan to the director of the motion picture film "More", and a tin whistle player. 22'32".
1183[Side AC: [UntiiÆšnU] :CA eidS]
1184Acknowledging Barbet Schroeder, and Lindy Mason, Pt. 2 - With love from an obscure fan to the director of the motion picture film "More", and a tin whistle player. 19'44".
1185Acknowledging Brian Humphries, and Peter Mew, Pt. 1 - With love from an obscure fan to two engineers. 5'16".
1186[Side AD: Unpleasing Frequency]
1187Acknowledging Brian Humphries, and Peter Mew, Pt. 2 - With love from an obscure fan to two engineers. 23'40".
1188Acknowledging Ronald Frederick Geesin, the John Alldis Choir, the Abbey Road Session Pops Orchestra, and Alan Styles, Pt. 1 - With love from an obscure fan to orchestral music and groupies. 1'20".
1189[Side AE: When Synthesizers Become Irrelevant to Music, We'll be There]
1190Acknowledging Ronald Frederick Geesin, the John Alldis Choir, the Abbey Road Session Pops Orchestra, and Alan Styles, Pt. 2 - With love from an obscure fan to orchestral music and groupies. 25'00".
1191[Side AF: This is Illegal, Isn't it?]
1192Acknowledging Ronald Frederick Geesin, the John Alldis Choir, the Abbey Road Session Pops Orchestra, and Alan Styles, Pt. 3 - With love from an obscure fan to orchestral music and groupies. 2'44".
1193Acknowledging John William Leckie, Roger "Knobs" Quested, Robin "Lord" Black, Bob Dowling, and the Two Sadly Late Richard Rodgers and Oscar Hammerstein II, Pt. 1 - With love from an obscure fan to famed and obscure photographers, engineers and musicians. 22'22".
1194[Side AG: 1602]
1195Acknowledging John William Leckie, Roger "Knobs" Quested, Robin "Lord" Black, Bob Dowling, and the Two Sadly Late Richard Rodgers and Oscar Hammerstein II, Pt. 2 - With love from an obscure fan to famed and obscure photographers, engineers and musicians. 16'02".
1196Acknowledging the Sadly Late Doris Higginson, the Sadly Late Lesley A. Duncan, Liza Strike, Elizabeth Thompson, Peter James, Chris "Alfie" Thomas, George Hardie, Richard "Dick" Parry, Clare Torry, and the Sadly Late Henry McCullough, Pt. 1 - With love from an obscure fan to multiple musicians out there: "Yet Bread". 8'58".
1197[Side AH: I Want to Like the Butthole Surfers]
1198Acknowledging the Sadly Late Doris Higginson, the Sadly Late Lesley A. Duncan, Liza Strike, Elizabeth Thompson, Peter James, Chris "Alfie" Thomas, George Hardie, Richard "Dick" Parry, Clare Torry, and the Sadly Late Henry McCullough, Pt. 2 - With love from an obscure fan to multiple musicians out there: "Yet Bread". 9'54".
1199Acknowledging Venetta Fields, Carlena Williams, Peter James, Jeff Smith, Howard Bartrop, and Richard Manning, Pt. 1 - With love from an obscure fan to multiple photographers and musicians: "Hot Bread". 15'06".
1200[Side AI: Artifical Intelligence?]
1201Acknowledging Venetta Fields, Carlena Williams, Peter James, Jeff Smith, Howard Bartrop, and Richard Manning, Pt. 2 - With love from an obscure fan to multiple photographers and musicians: "Hot Bread". 25'00".
1202[Side AJ: Nocturnal Japanese People]
1203Acknowledging Venetta Fields, Carlena Williams, Peter James, Jeff Smith, Howard Bartrop, and Richard Manning, Pt. 3 - With love from an obscure fan to multiple photographers and musicians: "Hot Bread". 25'00".
1204[Side AK: A Weapon of Sorts]
1205Acknowledging Venetta Fields, Carlena Williams, Peter James, Jeff Smith, Howard Bartrop, and Richard Manning, Pt. 4 - With love from an obscure fan to multiple photographers and musicians: "Hot Bread". 11'58".
1206Acknowledging Nic Tucker, Robert Ellis, Robert Brimson, Colin Jones, and "E.R.G. Amsterdam", Pt. 1 - With love from an obscure fan to multiple photographers. 13'02".
1207[Side AL: AL Space 2]
1208Acknowledging Nic Tucker, Robert Ellis, Robert Brimson, Colin Jones, and "E.R.G. Amsterdam", Pt. 2 - With love from an obscure fan to multiple photographers. 19'58".
1209Acknowledging Robert Alan Ezrin, James K.A. Guthrie, the Sadly Late Michael Kamen, Patrice Quef, Brian Christian, John McClure, the Sadly Late Nick Griffiths, Rick Hart, Lionel Douglas Sax, Gerald Scarfe, Frederick Lawrence Mandel, Bruce Johnston, Cathryn Antoinette Tennille, Joseph Chemay, Loren Stanley Farber, James Edwin Haas, Jon Joyce, the Islington Green School Choir, the Sadly Late Jeffrey Thomas Porcaro, Harry Waters, Chris Fitzsimmons, Lee Ritenour, Trudy Young, "Blue Ocean", the New York Symphony Orchestra, New York City Opera, "Vicki", "Clare", the Sadly Late Frank Marocco, Larry Williams, Trevor Veitch, and the Children's Choir from New York, Pt. 1 - With love from an obscure fan to so many amazingly talented guitarists and choirs and orchestras. 5'02".
1210[Side AM: Wake Up in the PM]
1211Acknowledging Robert Alan Ezrin, James K.A. Guthrie, the Sadly Late Michael Kamen, Patrice Quef, Brian Christian, John McClure, the Sadly Late Nick Griffiths, Rick Hart, Lionel Douglas Sax, Gerald Scarfe, Frederick Lawrence Mandel, Bruce Johnston, Cathryn Antoinette Tennille, Joseph Chemay, Loren Stanley Farber, James Edwin Haas, Jon Joyce, the Islington Green School Choir, the Sadly Late Jeffrey Thomas Porcaro, Harry Waters, Chris Fitzsimmons, Lee Ritenour, Trudy Young, "Blue Ocean", the New York Symphony Orchestra, New York City Opera, "Vicki", "Clare", the Sadly Late Frank Marocco, Larry Williams, Trevor Veitch, and the Children's Choir from New York, Pt. 2 - With love from an obscure fan to so many amazingly talented guitarists and choirs and orchestras. 16'02".
1212Acknowledging the National Philharmonic Orchestra, Andrew Brook Jackson, Andrew Carb Canelle, Michael Thomas Nocito, Jules Bowen, Willie Christie, "Artful Dodgers", Andrew Steven Bown, Ray Cooper, Andrew Newmark, and the Sadly Late Raphael Ravenscroft, Pt. 1 - With love from an obscure fan: "Warm Bread". 8'58".
1213[Side AN: Another Spaghetti Incident]
1214Acknowledging the National Philharmonic Orchestra, Andrew Brook Jackson, Andrew Carb Canelle, Michael Thomas Nocito, Jules Bowen, Willie Christie, "Artful Dodgers", Andrew Steven Bown, Ray Cooper, Andrew Newmark, and the Sadly Late Raphael Ravenscroft, Pt. 2 - With love from an obscure fan: "Warm Bread". 21'58".
1215Acknowledging Anthony Frederick Levin, James Lee Keltner, Steve Forman, Jon Carin, Thomas Wright Scott, Scott Page, Carmine Appice, Pat Leonard, William Payne, Michael Christopher Landau, John Halliwell, Robert "Ringo" Hyrcyna, Marc A. DeSisto, Stan "Sly" Katayama, Jeff DeMorris, Tom Jones, Kenneth Douglas Caillat, Sarah Bruce, Guy Charbonneau, Andrew Ellis, David Royston Bailey, Robert Mort, "Mekon", Darlene Koldenhaven, Carmen Twillie, Phyllis Yvonne Williams, Donny Gerrard, and Philip Targett-Adams, Pt. 1 - With love from an obscure fan: "Stale Bread". 3'02".
1216[Side AO: Ayy Oh]
1217Acknowledging Anthony Frederick Levin, James Lee Keltner, Steve Forman, Jon Carin, Thomas Wright Scott, Scott Page, Carmine Appice, Pat Leonard, William Payne, Michael Christopher Landau, John Halliwell, Robert "Ringo" Hyrcyna, Marc A. DeSisto, Stan "Sly" Katayama, Jeff DeMorris, Tom Jones, Kenneth Douglas Caillat, Sarah Bruce, Guy Charbonneau, Andrew Ellis, David Royston Bailey, Robert Mort, "Mekon", Darlene Koldenhaven, Carmen Twillie, Phyllis Yvonne Williams, Donny Gerrard, and Philip Targett-Adams, Pt. 2 - With love from an obscure fan: "Stale Bread". 24'42".
1218Acknowledging Guy "Starka" Pratt, Gary Wallis, Tim Renwick, Edward Schearmur, Stephen Patrick McLaughlin, Keith Grant, Aden Hynes, John Robertson, Keith Breeden, Ross Anthony May, Rupert Truman, Stephen Piotrowski, Peter Curzon, Ian Wright, John Whiteley, Sally Norris, Samantha Brown, Durga McBroom, Carol Kenyon, Jackie Sheridan, Rebecca Leigh-White, Polly Samson, and Nick Laird-Clowes, Pt. 1 - With love from an obscure fan: "Cool Bread". 0'18".
1219[Side AP: Absolute Pawn-archy]
1220Acknowledging Guy "Starka" Pratt, Gary Wallis, Tim Renwick, Edward Schearmur, Stephen Patrick McLaughlin, Keith Grant, Aden Hynes, John Robertson, Keith Breeden, Ross Anthony May, Rupert Truman, Stephen Piotrowski, Peter Curzon, Ian Wright, John Whiteley, Sally Norris, Samantha Brown, Durga McBroom, Carol Kenyon, Jackie Sheridan, Rebecca Leigh-White, Polly Samson, and Nick Laird-Clowes, Pt. 2 - With love from an obscure fan: "Cool Bread". 25'00".
1221[Side AQ: Banana Bonanza]
1222Acknowledging Guy "Starka" Pratt, Gary Wallis, Tim Renwick, Edward Schearmur, Stephen Patrick McLaughlin, Keith Grant, Aden Hynes, John Robertson, Keith Breeden, Ross Anthony May, Rupert Truman, Stephen Piotrowski, Peter Curzon, Ian Wright, John Whiteley, Sally Norris, Samantha Brown, Durga McBroom, Carol Kenyon, Jackie Sheridan, Rebecca Leigh-White, Polly Samson, and Nick Laird-Clowes, Pt. 3 - With love from an obscure fan: "Cool Bread". 25'00".
1223[Side AR: Excel]
1224Acknowledging Guy "Starka" Pratt, Gary Wallis, Tim Renwick, Edward Schearmur, Stephen Patrick McLaughlin, Keith Grant, Aden Hynes, John Robertson, Keith Breeden, Ross Anthony May, Rupert Truman, Stephen Piotrowski, Peter Curzon, Ian Wright, John Whiteley, Sally Norris, Samantha Brown, Durga McBroom, Carol Kenyon, Jackie Sheridan, Rebecca Leigh-White, Polly Samson, and Nick Laird-Clowes, Pt. 4 - With love from an obscure fan: "Cool Bread". 9'50".
1225Acknowledging Claudia Fontaine, Sean O'Dwyer, Ron Lewter, Jon Crossland, Finlay Cowan, Julien Mills, Andrew Earl, Jason Reddy, Jill Furmanovsky, Dennis O'Regan, Michael Dwornik, Dimo Safari, Lester Cohen, and Claude Gassian, Pt. 1 - With love from an obscure fan: "Cold Bread". 15'10".
1226[Side AS: As Above, So Below]
1227Acknowledging Claudia Fontaine, Sean O'Dwyer, Ron Lewter, Jon Crossland, Finlay Cowan, Julien Mills, Andrew Earl, Jason Reddy, Jill Furmanovsky, Dennis O'Regan, Michael Dwornik, Dimo Safari, Lester Cohen, and Claude Gassian, Pt. 2 - With love from an obscure fan: "Cold Bread". 5'38".
1228Acknowledging Terence Charles White, and Gary Yudman, Pt. 1 - With love from an obscure fan: "Freezing Bread". 19'22".
1229[Side AT: You Can Find them at]
1230Acknowledging Terence Charles White, and Gary Yudman, Pt. 2 - With love from an obscure fan: "Freezing Bread". 25'00".
1231[Side AU: Alternative Universe]
1232Acknowledging Terence Charles White, and Gary Yudman, Pt. 3 - With love from an obscure fan: "Freezing Bread". 8'58".
1233Acknowledging Damon Iddins, Martin Glover, Phil Taylor, Eddie Banda, Michael Rendall, Rob O'Connor, Viv Dykes, Mark Higenbottam, Sheridan Wall, Ahmed Emad Eldin, Gilad Atzmon, Stephen William Hawking, Louise Marshall, Sarah "Gorgeous" Brown, Victoria Lyon, Izzy Johnston, Chantal Leverton, Tasya Hodges, Helen Nash, and Honor Watson, Pt. 1 - With love from an obscure fan: "Melting Bread". 12'02".
1234[Side AV: AV C(h)ords]
1235Acknowledging Damon Iddins, Martin Glover, Phil Taylor, Eddie Banda, Michael Rendall, Rob O'Connor, Viv Dykes, Mark Higenbottam, Sheridan Wall, Ahmed Emad Eldin, Gilad Atzmon, Stephen William Hawking, Louise Marshall, Sarah "Gorgeous" Brown, Victoria Lyon, Izzy Johnston, Chantal Leverton, Tasya Hodges, Helen Nash, and Honor Watson, Pt. 2 - With love from an obscure fan: "Melting Bread". 25'00".
1236[Side AW: Grand Finale of the Longest Yet]
1237Acknowledging Damon Iddins, Martin Glover, Phil Taylor, Eddie Banda, Michael Rendall, Rob O'Connor, Viv Dykes, Mark Higenbottam, Sheridan Wall, Ahmed Emad Eldin, Gilad Atzmon, Stephen William Hawking, Louise Marshall, Sarah "Gorgeous" Brown, Victoria Lyon, Izzy Johnston, Chantal Leverton, Tasya Hodges, Helen Nash, and Honor Watson, Pt. 3 - With love from an obscure fan: "Melting Bread". 23'06".
1238[Side AX etched]
1239
1240Final run time: Twenty hours, twenty three minutes, six seconds. Nonquadragintuple album (49).
1241
1242[Dream XXXV - Ending an Era]
1243[Side A: Encouraged to Die]
12442:38 AM, 6/16/2016, Day Before the Release Date of The Burning Man by Swans, Pt. 1 - Who should amplify their voice today? 25'00".
1245[Side B: Discouraged to Live]
12462:38 AM, 6/16/2016, Day Before the Release Date of The Burning Man by Swans, Pt. 2 - Who should amplify their voice today? 17'00".
1247
1248Final run time: Fourty two minutes. Single album.
1249
1250[Dream XXXVI - Beginning an Era]
1251[Side A: Clyde]
1252To Alan Parsons, Pt. 1 - I can't say where you and I are, Gemini. 25'00".
1253[Side B: Cash]
1254To Alan Parsons, Pt. 2 - I can't say where you and I are, Gemini. 25'00".
1255[Side C: Key of Who?]
1256To Alan Parsons, Pt. 3 - I can't say where you and I are, Gemini. 25'00".
1257[Side D: Pizza in a Hut]
1258To Alan Parsons, Pt. 4 - I can't say where you and I are, Gemini. 10'36".
1259To the Sadly Late Eric Norman Woolfson, Pt. 1 - The true nucleus of my discoveries, as underrated as he was. 14'24".
1260[Side E: Who is Brain? Who is Brian?]
1261To the Sadly Late Eric Norman Woolfson, Pt. 2 - The true nucleus of my discoveries, as underrated as he was. 25'00".
1262[Side F: 1356]
1263To the Sadly Late Eric Norman Woolfson, Pt. 3 - The true nucleus of my discoveries, as underrated as he was. 13'56".
1264Acknowledging John Errington, Francis Monkman, the Sadly Late Kevin Peek, Laurence Juber, Andrew John Powell, David Paton, Ian Bairnson, David Katz, Burleigh Drummond, the Sadly Late John Herbert Leach, David Pack, the Sadly Late Jack Rothstein, Daryl Runswick, David Snell, the Sadly Late William Lyall, Suzanne Lorraine Burce, Les Hurdle, Christopher North, the Sadly Late Gordon Parry, Sam Emerson, Leonard Whiting, Jack Harris, Terry Sylvester, and the Sadly Late Orson Welles, Pt. 1 - Confused bread. 11'04".
1265[Side G: Herbert]
1266Acknowledging John Errington, Francis Monkman, the Sadly Late Kevin Peek, Laurence Juber, Andrew John Powell, David Paton, Ian Bairnson, David Katz, Burleigh Drummond, the Sadly Late John Herbert Leach, David Pack, the Sadly Late Jack Rothstein, Daryl Runswick, David Snell, the Sadly Late William Lyall, Suzanne Lorraine Burce, Les Hurdle, Christopher North, the Sadly Late Gordon Parry, Sam Emerson, Leonard Whiting, Jack Harris, Terry Sylvester, and the Sadly Late Orson Welles, Pt. 2 - Confused bread. 25'00".
1267[Side H: F1]
1268Acknowledging John Errington, Francis Monkman, the Sadly Late Kevin Peek, Laurence Juber, Andrew John Powell, David Paton, Ian Bairnson, David Katz, Burleigh Drummond, the Sadly Late John Herbert Leach, David Pack, the Sadly Late Jack Rothstein, Daryl Runswick, David Snell, the Sadly Late William Lyall, Suzanne Lorraine Burce, Les Hurdle, Christopher North, the Sadly Late Gordon Parry, Sam Emerson, Leonard Whiting, Jack Harris, Terry Sylvester, and the Sadly Late Orson Welles, Pt. 3 - Confused bread. 11'16".
1269Acknowledging Stuart Tosh, Duncan Mackay, Brian John Cale, Steve Davies, Lenny du Platel, Allan Clarke, Stephen Malcolm Ronald Nice, Peter Straker, Jaki Whitren, Dave Townsend, Douglas Anthony Thompson, John Perry, and the Sadly Late Stuart Calver, Pt. 1 - Consumed bread. 15'44".
1270[Side I: F2]
1271Acknowledging Stuart Tosh, Duncan Mackay, Brian John Cale, Steve Davies, Lenny du Platel, Allan Clarke, Stephen Malcolm Ronald Nice, Peter Straker, Jaki Whitren, Dave Townsend, Douglas Anthony Thompson, John Perry, and the Sadly Late Stuart Calver, Pt. 2 - Consumed bread. 25'00".
1272[Side J: F3]
1273Acknowledging Stuart Tosh, Duncan Mackay, Brian John Cale, Steve Davies, Lenny du Platel, Allan Clarke, Stephen Malcolm Ronald Nice, Peter Straker, Jaki Whitren, Dave Townsend, Douglas Anthony Thompson, John Perry, and the Sadly Late Stuart Calver, Pt. 3 - Consumed bread. 25'00".
1274[Side K: F4]
1275Acknowledging Pat Stapley, the Sadly Late Chris Blair, Bob Howes, Robert Brimson, Colin Blunstone, and Thomas "Nippy"/"Wee Dan" McAleese, Pt. 1 - No bread. 25'00".
1276[Side L: F5]
1277Acknowledging Pat Stapley, the Sadly Late Chris Blair, Bob Howes, Robert Brimson, Colin Blunstone, and Thomas "Nippy"/"Wee Dan" McAleese, Pt. 2 - No bread. 25'00".
1278[Side M: F6]
1279Acknowledging Pat Stapley, the Sadly Late Chris Blair, Bob Howes, Robert Brimson, Colin Blunstone, and Thomas "Nippy"/"Wee Dan" McAleese, Pt. 3 - No bread. 25'00".
1280[Side N: F7]
1281Acknowledging Pat Stapley, the Sadly Late Chris Blair, Bob Howes, Robert Brimson, Colin Blunstone, and Thomas "Nippy"/"Wee Dan" McAleese, Pt. 4 - No bread. 25'00".
1282[Side O: F8]
1283Acknowledging Pat Stapley, the Sadly Late Chris Blair, Bob Howes, Robert Brimson, Colin Blunstone, and Thomas "Nippy"/"Wee Dan" McAleese, Pt. 5 - No bread. 6'48".
1284Acknowledging Stuart Elliott, Pt. 1 - With bread. 18'12".
1285[Side P: F9]
1286Acknowledging Stuart Elliott, Pt. 2 - With bread. 13'48".
1287Acknowledging the Orchestra of the Munich Chamber Opera, Christopher James Harley, Sandor Farcas, Patrick Jauneaud, Dave Siddle, and the Sadly Late Wally Traugott, Pt. 1 - Where is the bread? 11'12".
1288[Side Q: F10]
1289Acknowledging the Orchestra of the Munich Chamber Opera, Christopher James Harley, Sandor Farcas, Patrick Jauneaud, Dave Siddle, and the Sadly Late Wally Traugott, Pt. 2 - Where is the bread? 7'44".
1290Acknowledging Robert Howes, the English Chorale, Tony Richards, and Colin Chambers, Pt. 1 - Why bread to eat? 17'22".
1291[Side R: F11]
1292Acknowledging Robert Howes, the English Chorale, Tony Richards, and Colin Chambers, Pt. 2 - Why bread to eat? 23'42".
1293
1294Final run time: Seven hours, twenty eight minutes, fourty two seconds. Nonuple album (9).
1295
1296[Dream XXXVII]
1297[Side A: No Film]
1298Acknowledging the Philharmonia Orchestra, Christopher Warren-Green, and Fell/Hurworth - Who needs numbers? 18'24".
1299Acknowledging Richard Cottle, Lee Abrams, "Icon", Derek Hillier, Gary Brooker, and Gavin Riley, Pt. 1 - What are numbers? 6'36".
1300[Side B: Who Said You Could Leave]
1301Acknowledging Richard Cottle, Lee Abrams, "Icon", Derek Hillier, Gary Brooker, and Gavin Riley, Pt. 2 - What are numbers? 25'00".
1302[Side C: Port Screen]
1303Acknowledging Richard Cottle, Lee Abrams, "Icon", Derek Hillier, Gary Brooker, and Gavin Riley, Pt. 3 - What are numbers? 7'44".
1304Acknowledging Noel Rafferty, Graham Dye, and Steven Dye, Pt. 1 - Complimentary of the chef. 17'22".
1305[Side D: Escape ESC]
1306Acknowledging Noel Rafferty, Graham Dye, and Steven Dye, Pt. 2 - Complimentary of the chef. 25'00".
1307[Side E: Sound Off]
1308Acknowledging Noel Rafferty, Graham Dye, and Steven Dye, Pt. 3 - Complimentary of the chef. 0'10".
1309Acknowledging Laurence Cottle, David Cripp, and John Heley, Pt. 1 - Log in. 24'10".
1310[Side F: 4014]
1311Acknowledging Laurence Cottle, David Cripp, and John Heley, Pt. 2 - Log in. 25'00".
1312[Side G: 1514]
1313Acknowledging Laurence Cottle, David Cripp, and John Heley, Pt. 3 - Log in. 15'14".
1314Acknowledging Brian Brolly, Roger Huggett, Leo Sayer, Brian Hibbard, Rick Lloyd, Gareth Williams, David Brett, Ken Gregson, David Gittins, Ron Donachie, Chris Ryan, Gary Howard, Hereward Hilken Swain Kaye, Dylan Foster, Nick Godfrey, Lex Lewis, Ricky Payne, Henrik Wager, Paul Kissaun, Fraser Collins, Andrea Figallo, Damion Scarcella, Andy Laycock, Simon John Foster, Michael Henry, Pauline Matthews, Eric Stewart, the Sadly Late Francis Alick Howard, Gary Howard, and Marti Webb, Pt. 1 - Backslash. 9'46".
1315[Side H: 4058]
1316Acknowledging Brian Brolly, Roger Huggett, Leo Sayer, Brian Hibbard, Rick Lloyd, Gareth Williams, David Brett, Ken Gregson, David Gittins, Ron Donachie, Chris Ryan, Gary Howard, Hereward Hilken Swain Kaye, Dylan Foster, Nick Godfrey, Lex Lewis, Ricky Payne, Henrik Wager, Paul Kissaun, Fraser Collins, Andrea Figallo, Damion Scarcella, Andy Laycock, Simon John Foster, Michael Henry, Pauline Matthews, Eric Stewart, the Sadly Late Francis Alick Howard, Gary Howard, and Marti Webb, Pt. 2 - Backslash. 25'00".
1317[Side J: 512 1948]
1318Acknowledging Brian Brolly, Roger Huggett, Leo Sayer, Brian Hibbard, Rick Lloyd, Gareth Williams, David Brett, Ken Gregson, David Gittins, Ron Donachie, Chris Ryan, Gary Howard, Hereward Hilken Swain Kaye, Dylan Foster, Nick Godfrey, Lex Lewis, Ricky Payne, Henrik Wager, Paul Kissaun, Fraser Collins, Andrea Figallo, Damion Scarcella, Andy Laycock, Simon John Foster, Michael Henry, Pauline Matthews, Eric Stewart, the Sadly Late Francis Alick Howard, Gary Howard, and Marti Webb, Pt. 3 - Backslash. 5'12".
1319To Fill the Gap, Pt. 1 - When you believe in things that you don't understand, then you suffer. 19'48".
1320[Side L: You've Done All That You Can]
1321To Fill the Gap, Pt. 2 - When you believe in things that you don't understand, then you suffer. 25'00".
1322[Side M: Zero Four] (10" record, 45 RPM)
1323To Fill the Gap, Pt. 3 - When you believe in things that you don't understand, then you suffer. 6'40".
1324[Side N etched]
1325
1326Final run time: Four hours, sixteen minutes, fourty seconds. Sextuple album (6).
1327
1328[Dream XXXVIII]
1329[Side A: Music is Uneventful]
1330Youth - Trees evergrowing. 7'14".
1331I Do Not Want This - Big man with a gun. 14'48".
1332White House, Pt. 1 - Presidency heart attack. 2'58".
1333[Side B: Record Store]
1334White House, Pt. 2 - Presidency heart attack. 25'00".
1335[Side C: 458]
1336White House, Pt. 3 - Presidency heart attack. 15'00".
1337Thirty Ninth Dream, Pt. 1 - The heavenly entrance. 6'40".
1338So Who Told You, Pt. 1 - Leaf experiment. 3'20".
1339[Side D: My Right Leg is One Centimeter Longer than My Left Leg]
1340So Who Told You, Pt. 2 - Leaf experiment. 25'00".
1341[Side E: Bleach Yourself]
1342So Who Told You, Pt. 3 - Leaf experiment. 14'30".
1343M'Lady, Pt. 1 - Obviously. 10'30".
1344[Side F: Not the Happiest]
1345M'Lady, Pt. 2 - Obviously. 1'14".
1346The Longest Track on This Section of the LP, Pt. 1 - Duh. 23'46".
1347[Side G: 666 is a Very Overrated Number. I'm Pretty Sure I Said This Before, but I'm Running Out of Ideas. Let's Rehash it.]
1348The Longest Track on This Section of the LP, Pt. 2 - Duh. 25'00".
1349[Side H: Another Vinyl Down the Drain]
1350The Longest Track on This Section of the LP, Pt. 3 - Duh. 21'38".
1351Thirty Ninth Dream, Pt. 2 - The unheavenly descent. 3'22".
1352[Side J: Asexuality]
1353Thirty Ninth Dream, Pt. 3 - The unheavenly havoc. 5'10".
1354Sea Here, Pt. 1 - Power button. 19'50".
1355[Side K: There Was a Fish Tank]
1356Sea Here, Pt. 2 - Power button. 25'00".
1357[Side L: Close Call]
1358Sea Here, Pt. 3 - Power button. 10'56".
1359Identical One - Exactly what it says on the tin. 4'00".
1360Identical Two - Exactly what it says on the tin, except maybe not. 4'00".
1361A Fourty Eight Minute Track, Pt. 1 - Screams of the fiery bowels of Hell. 7'04".
1362[Side M: The Way I See it Barry, This Should be a Very Dynamite Show]
1363A Fourty Eight Minute Track, Pt. 2 - Screams of the fiery bowels of Hell. 25'00".
1364[Side N: Readily]
1365A Fourty Eight MInute Track, Pt. 3 - I'm not a very religous man. 16'44".
1366The Shortest Track on This Section of the LP - Truly. 3'28".
1367A Longer Selection, Pt. 1 - Truly again. 4'48".
1368[Side O: How's the Soup]
1369A Longer Selection, Pt. 2 - Truly again. 25'00".
1370[Side P: Meaningful]
1371A Longer Selection, Pt. 3 - Truly again. 19'20".
1372You Suffer, Pt. 1 - But why? 5'40".
1373[Side Q: Not Meaningful]
1374You Suffer, Pt. 2 - But why? 25'00".
1375[Side R: A Clockwork Orange]
1376You Suffer, Pt. 3 - But why? 15'06".
1377Haunting Piano Refrain, Pt. 1 - Or is it? 9'54".
1378[Side S: Shine]
1379Haunting Piano Refrain, Pt. 2 - Or is it? 16'38".
1380Thirty Ninth Dream, Pt. 4 - 4'32".
1381
1382Final run time: Seven hours, twenty six minutes, ten seconds. Nonuple album (9).
1383
1384[Dream XXXIX]
1385[Side A: Scroll Lock]
1386Dreamers - They never learn. 7'44".
1387They Never Learn, Pt. 1 - Lyric. 17'22".
1388[Side B: See You Saw You]
1389They Never Learn, Pt. 2 - Lyric. 25'00".
1390[Side C: See Saw]
1391They Never Learn, Pt. 3 - Lyric. 2'58".
1392Pistol, Pt. 1 - Undone. 22'02".
1393[Side D: You are Distorted]
1394Pistol, Pt. 2 - Undone. 25'00".
1395[Side E: Glossolalia]
1396Pistol, Pt. 3 - Undone. 25'00".
1397[Side F: Die Toss]
1398Pistol, Pt. 4 - Undone. 2'22".
1399Timer, Pt. 1 - Two thousand, two hundred fourty four pounds. 22'44".
1400[Side G: Window of Darkness]
1401Timer, Pt. 2 - Violin scream. 14'12".
1402Track, Pt. 1 - Chello. 10'48".
1403[Side H: Madness]
1404Track, Pt. 2 - Chello. 25'00".
1405[Side I: Okay] (10", 33 1/3 RPM)
1406Track, Pt. 3 - Chello. 10'46".
1407[Side J etched]
1408
1409Final run time: Three hours, thirty minutes, fourty six seconds. Quintuple album (5).
1410
1411[Dream XL]
1412[Side A: I Randomly Decided to Stop Acknowledging and Making Songs Aimed Directly at Musicians, Artists, and Photographers for a While]
1413I Break Mirrors with My Face in the United States, Pt. 1 - Don't care 'bout... 25'00".
1414[Side B: Amen]
1415I Break Mirrors with My Face in the United States, Pt. 2 - Don't care 'bout... 25'00".
1416[Side C: Don't Care 'Bout]
1417I Break Mirrors with My Face in the United States, Pt. 3 - Don't care 'bout... 6'16".
1418Someone Else's Song, Pt. 1 - Dark ambient song? 18'44".
1419[Side D: Hospitalized from an Allergic Reaction is Soon What I'll be]
1420Someone Else's Song, Pt. 2 - Dark ambient song? 23'16".
1421Lastly, Pt. 1 - Scratch. 1'44".
1422[Side E: Bye?]
1423Lastly, Pt. 2 - Scratch. 19'20".
1424Backspace, Pt. 1 - Piss. 5'40".
1425[Side F: Triple Album]
1426Backspace, Pt. 2 - Piss. 25'00".
1427[Side G: Quadruple Album]
1428Backspace, Pt. 3 - Piss. 25'00".
1429[Side H: 1348]
1430Backspace, Pt. 4 - Piss. 13'48".
1431Disagreement, Pt. 1 - Senzuri. 11'12".
1432[Side I: Alive]
1433Disagreement, Pt. 2 - Senzuri. 25'00".
1434[Side J: 2156]
1435Disagreement, Pt. 3 - Senzuri. 21'56".
1436
1437Final run time: Four hours, six minutes, fifty six seconds. Quintuple album (5).
1438
1439[Dream XLI - Low Fidelity Edition]
1440[Side A: [Untitled I]]
1441[Untitled Track I] - The every day ambient track. 10'56".
1442[Untitled Track II], Pt. 1 - I was just too lazy to put titles on these, but just to make it easy there are roman numerals to account for the tracks. You're welcome. 14'04".
1443[Side B: [Untitled II]]
1444[Untitled Track II], Pt. 2 - I was just too lazy to put titles on these, but just to make it easy there are roman numerals to account for the tracks. You're welcome. 25'00".
1445[Side C: [Untitled III]]
1446[Untitled Track II], Pt. 3 - I was just too lazy to put titles on these, but just to make it easy there are roman numerals to account for the tracks. You're welcome. 0'56".
1447[Untitled Track III] - Laugh funk. 6'40".
1448[Untitled Track IV], Pt. 1 - Into infinity, though without a locked groove. You might interpret it as a minimalist composition. 16'24".
1449[Side D: [Untitled IV]]
1450[Untitled Track IV], Pt. 2 - Into infinity, though without a locked groove. You might interpret it as a minimalist composition. 24'08".
1451[Untitled Track V], Pt. 1 - Drone? 0'52".
1452[Side E: [Untitled V]]
1453[Untitled Track V], Pt. 2 - Drone? 25'00".
1454[Side F: [Untitled VI]]
1455[Untitled Track V], Pt. 3 - Drone? 13'44".
1456[Untitled Track VI], Pt. 1 - Gerogerigegege-esque, maybe. 11'22".
1457[Side G: [Untitled VII]
1458[Untitled Track VI], Pt. 2 - Gerogerigegege-esque, maybe. 20'22".
1459[Untitled Track VII], Pt. 1 - Rogue. 4'44".
1460[Side H: [Untitled VIII]]
1461[Untitled Track VII], Pt. 2 - Rogue. 25'00".
1462[Side I: [Untitled IX]]
1463[Untitled Track VII], Pt. 3 - Rogue. 23'10".
1464[Untitled Track VIII], Pt. 1 - Warm worm. 1'50".
1465[Side J: [Untitled X]]
1466[Untitled Track VIII], Pt. 2 - Warm worm. 12'50".
1467[Untitled Track IX], Pt. 1 - Hot. 12'10".
1468[Side K: [Untitled XI]]
1469[Untitled Track IX], Pt. 2 - Hot. 11'42".
1470[Untitled Track X] - Cold. 3'28".
1471[Untitled Track XI], Pt. 1 - Cold worm. 9'50".
1472[Side L: [Untitled XII]]
1473[Untitled Track XI], Pt. 2 - Cold worm. 14'02".
1474[Untitled Track XII], Pt. 1 - Freeze. 9'58".
1475[Side M: [Untitled XIII]]
1476[Untitled Track XII], Pt. 2 - Freeze. 7'38".
1477[Untitled Track XIII] - Lay he. 14'08".
1478[Untitled Track XIV], Pt. 1 - Dorm. 3'14".
1479[Side N: [Untitled XIV]]
1480[Untitled Track XIV], Pt. 2 - Dorm. 8'38".
1481[Untitled Track XV], Pt. 1 - 1787. 16'22".
1482[Side O: [Untitled XV]]
1483[Untitled Track XV], Pt. 2 - 1787. 14'26".
1484[Untitled Track XVI], Pt. 1 - Tuh tuh. 9'34".
1485[Side P: [Untitled XVI]]
1486[Untitled Track XVI], Pt. 2 - Tuh tuh. 25'00".
1487[Side Q: [Untitled XVII]]
1488[Untitled Track XVI], Pt. 3 - Tuh tuh. 0'54".
1489[Untitled Track XVII] - Too many cooks. 14'56".
1490[Untitled Track XVIII] - It takes a lot to make a stew. 3'04".
1491[Untitled Track XIX], Pt. 1 - A pinch of laughter and child flesh too. 6'56".
1492[Side R: [Untitled XVIII]]
1493[Untitled Track XIX], Pt. 2 - A pinch of laughter and child flesh too. 22'40".
1494[Untitled Track XX], Pt. 1 - Too many cooks, too many cooks! 2'20".
1495[Side S: [Untitled XIX]]
1496[Untitled Track XX], Pt. 2 - Too many cooks, too many cooks! 5'16".
1497[Untitled Track XXI], Pt. 1 - Two no. 19'54".
1498[Side T: [Untitled XX]]
1499[Untitled Track XXI], Pt. 2 - Two no. 8'12".
1500[Untitled Track XXII] - One no? 16'32".
1501[Untitled Track XXIII], Pt. 1 - Neutrality. 0'14".
1502[Side U: [Untitled XXI]]
1503[Untitled Track XXIII], Pt. 2 - Neutrality. 18'32".
1504[Untitled Track XXIV], Pt. 1 - Unknown alliance. 5'28".
1505[Side V: [Untitled XXII]]
1506[Untitled Track XXIV], Pt. 2 - Unknown alliance. 10'46".
1507[Untitled Track XXV] - Penultimate. 11'04".
1508[Untitled Track XXVI], Pt. 1 - Finale. 3'26".
1509[Untitled Track XXVI] Runoff Groove - It's a whole new year. 0'10".
1510
1511Final run time: Nine hours, thirty five minutes, ten seconds. Undecuple album (11).
1512
1513[Dream XLII - Low Fidelity Edition]
1514[Side A: [Untitled XXIII]]
1515[Untitled Track XXVII] - Snap. 12'56".
1516[Untitled Track XXVIII], Pt. 1 - Ingrate. 11'04".
1517[Side B: [Untitled XXIV]]
1518[Untitled Track XXVIII], Pt. 2 - Ingrate. 25'00".
1519[Side C: [Untitled XXV]]
1520[Untitled Track XXVIII], Pt. 3 - Ingrate. 3'56".
1521[Untitled Track XXIX] - This was your home. 6'48".
1522[Untitled Track XXX], Pt. 1 - You lived here. 14'22".
1523[Side D: [Untitled XXVI]]
1524[Untitled Track XXX], Pt. 2 - You lived here. 2'26".
1525[Untitled Track XXXI], Pt. 1 - I gave you a home. 22'34".
1526[Side E: [Untitled XXVII]]
1527[Untitled Track XXXI], Pt. 2 - I gave you a home. 25'00".
1528[Side F: [Untitled XXVIII]]
1529[Untitled Track XXXI], Pt. 3 - I gave you a home. 3'19".
1530[Untitled Track XXXII] - You were ungrateful. 13'28".
1531[Untitled Track XXXIII], Pt. 1 - You don't live here. 7'13".
1532[Side G: [Untitled XXIX]]
1533[Untitled Track XXXIII], Pt. 2 - You don't live here. 12'07".
1534[Untitled Track XXXIV] - You don't deserve a home. 9'12".
1535[Untitled Track XXXV], Pt. 1 - 2121. 3'39".
1536[Side H: [Untitled XXX]]
1537[Untitled Track XXXV], Pt. 2 - 2121. 25'00".
1538[Side I: [Untitled XXXI]]
1539[Untitled Track XXXV], Pt. 3 - 2121. 12'09".
1540[Side J etched]
1541
1542Final run time: Four hours, thirty two minutes, nine seconds. Quintuple album (5).
1543
1544[Dream XLIII - Low Fidelity Edition]
1545[Side A: [Untitled XXXII]]
1546[Untitled Track XXXVI] - Hurry up, join. Takes forever. 18'32".
1547[Untitled Track XXXVII] - Huh? 5'28".
1548[Untitled Track XXXVIII], Pt. 1 - 158. 1'58".
1549[Side B: [Untitled XXXIII]]
1550[Untitled Track XXXVIII], Pt. 2 - 158. 4'18".
1551[Untitled Track XXXIX], Pt. 1 - Thin boy. 20'42".
1552[Side C: [Untitled XXXIV]]
1553[Untitled Track XXXIX], Pt. 2 - Thin boy. 10'14".
1554[Untitled Track XL] - Stop. Land it on the wheels. 10'32".
1555[Untitled Track XLI], Pt. 1 - Come down here. 4'14".
1556[Side D: [Untitled XXXV]]
1557[Untitled Track XLI], Pt. 2 - Come down here. 10'18".
1558[Untitled Track XLII], Pt. 1 - Hmm hmm hmm hmmm hmmm, hmmm. 14'42".
1559[Side E: [Untitled XXXVI]]
1560[Untitled Track XLII], Pt. 2 - Hmm hmm hmm hmmm hmmm, hmmm. 0'38".
1561[Untitled Track XLIII], Pt. 1 - I'm. 24'22".
1562[Side F: [Untitled XXXVII]]
1563[Untitled Track XLIII], Pt. 2 - I'm. 15'44".
1564[Untitled Track XLIV], Pt. 1 - You're. 9'22".
1565[Side G: [Untitled XXXVIII]]
1566[Untitled Track XLIV], Pt. 2 - You're. 25'00".
1567[Side H: [Untitled XXXIX]]
1568[Untitled Track XLIV], Pt. 3 - You're. 18'18".
1569[Untitled Track XLV] - Advertisement. 1'52".
1570[Untitled Track XLVI], Pt. 1 - Human trafficking. 4'50".
1571[Side I: [Untitled XL]]
1572[Untitled Track XLVI], Pt. 2 - Human trafficking. 25'00".
1573[Side J: [Untitled XLI]]
1574[Untitled Track XLVI], Pt. 3 - Human trafficking. 14'58".
1575[Untitled Track XLVII], Pt. 1 - She's been around, not in plain sight, though. 10'02".
1576[Side K: [Untitled XLII]]
1577[Untitled Track XLVII], Pt. 2 - She's been around, not in plain sight, though. 7'42".
1578[Untitled Track XLVIII] - Dedicated to someone that I don't know. 10'00".
1579[Untitled Track XLIX], Pt. 1 - A member of Butthole Surfers. 7'18".
1580[Side L: [Untitled XLIII]]
1581[Untitled Track XLIX], Pt. 2 - A member of Butthole Surfers. 2'46".
1582[Untitled Track L] - 50. 5'20".
1583[Untitled Track LI] - 51. 12'16".
1584[Untitled Track LII], Pt. 1 - Ascension. 4'44".
1585[Side M: [Untitled XLIV]]
1586[Untitled Track LII], Pt. 2 - Ascension. 18'12".
1587[Untitled Track LIII], Pt. 1 - Descension negative. 6'48".
1588[Side N: [Untitled XLV]]
1589[Untitled Track LIII], Pt. 2 - Descension negative. 25'00".
1590[Side O: [Untitled XLVI]]
1591[Untitled Track LIII], Pt. 3 - Descension negative. 6'46".
1592[Untitled Track LIV] - Descension positive. 13'44".
1593[Untitled Track LV], Pt. 1 - More descent. 4'30".
1594[Side P: [Untitled XLVII]]
1595[Untitled Track LV], Pt. 2 - More descent...? 25'00".
1596[Side Q: [Untitled XLVIII]]
1597[Untitled Track LV], Pt. 3 - More descent. 4'22".
1598[Untitled Track LVI] - Echelon. 4'16".
1599[Untitled Track LVII], Pt. 1 - 840. 16'20".
1600[Side R: [Untitled XLIX]]
1601[Untitled Track LVII], Pt. 2 - 840. 10'52".
1602[Untitled Track LVIII] - Race. 14'08".
1603[Untitled Track LVIII] Runoff Groove - Exactly. 0'08".
1604
1605Final run time: Three hours, fourty five minutes, eight seconds. Nonuple album (9).
1606
1607[Dream XLIV - Low Fidelity Edition]
1608[Side A: [Untitled L]]
1609[Untitled Track LIX], Pt. 1 - Voices. 25'00".
1610[Side B: [Untitled LI]]
1611[Untitled Track LIX], Pt. 2 - Voices. 20'12".
1612[Untitled Track LX] - I don't know. 4'40".
1613[Untitled Track LXI], Pt. 1 - I thought I was okay. 0'08".
1614[Side C: [Untitled LII]]
1615[Untitled Track LXI], Pt. 2 - I thought I was okay. 17'44".
1616[Untitled Track LXII], Pt. 1 - The years scroll by. 7'22".
1617[Side D: [Untitled LIII]]
1618[Untitled Track LXII], Pt. 2 - The years scroll by. 7'34".
1619[Untitled Track LXIII] - It's all a mystery. 14'40".
1620[Untitled Track LXIV] - The test begins now. 2'24".
1621[Untitled Track LXV], Pt. 1 - 2,238 a year. 0'22".
1622[Side E: [Untitled LIV]]
1623[Untitled Track LXV], Pt. 2 - 2,238 a year. 19'44".
1624[Untitled Track LXVI] - Undeciphered. 5'04".
1625[Untitled Track LXVII], Pt. 1 - I should've fallen. 0'12".
1626[Side F: [Untitled LV]]
1627[Untitled Track LXVII], Pt. 2 - I should've fallen. 10'22".
1628[Untitled Track LXVIII] - 2,254. 12'32".
1629[Untitled Track LXIX], Pt. 1 - Patience. 2'06".
1630[Side G: [Untitled LVI]]
1631[Untitled Track LXIX], Pt. 2 - Patience. 2'42".
1632[Untitled Track LXX], Pt. 1 - Virtue. 22'18".
1633[Side H: [Untitled LVII]]
1634[Untitled Track LXX], Pt. 2 - Virtue. 14'54".
1635[Untitled Track LXXI], Pt. 1 - Organ fires. 9'06".
1636[Side I: [Untitled LVIII]]
1637[Untitled Track LXXI], Pt. 2 - Organ fires. 13'42".
1638[Untitled Track LXXII] - Flock. 9'36".
1639[Untitled Track LXXIII], Pt. 1 - 2318. 1'42".
1640[Side J: [Untitled LVIV]]
1641[Untitled Track LXXIII], Pt. 2 - 2318. 2'58".
1642[Untitled Track LXXIV] - Because I don't know. 7'52".
1643[Untitled Track LXXV] - Peace. 6'48".
1644[Untitled Track LXXVI], Pt. 1 - 1738. 7'26".
1645[Side K: [Untitled LVV]]
1646[Untitled Track LXXVI], Pt. 2 - 1738. 25'00".
1647[Side L: [Untitled LVVI]]
1648[Untitled Track LXXVI], Pt. 3 - 1738. 8'14".
1649[Untitled Track LXXVII] - Exactly sixteen minutes of agony. 16'00".
1650[Untitled Track LXXVIII], Pt. 1 - EEEEEEEEEEEEEEEEEEEeeeeeeee. 0'46".
1651[Side M: [Untitled LVVII]]
1652[Untitled Track LXXVIII], Pt. 2 - EEEEEEEEEEEEEEEEEEEeeeeeeee. 19'06".
1653[Untitled Track LXXIX], Pt. 1 - Baroque. 5'54".
1654[Side O: [Untitled LVVIII]]
1655[Untitled Track LXXIX], Pt. 2 - Baroque. 25'00".
1656[Side P: [Untitled LVVIX]]
1657[Untitled Track LXXIX], Pt. 3 - Baroque. 9'46".
1658[Untitled Track LXXX], Pt. 1 - Classical. 15'14".
1659[Side Q: [Untitled LX]]
1660[Untitled Track LXXX], Pt. 2 - Classical. 13'50".
1661[Untitled Track LXXXI] - Romantic. 6'48".
1662[Untitled Track LXXXII], Pt. 1 - 2038. 4'26".
1663[Side R: [Untitled LXI]]
1664[Untitled Track LXXXII], Pt. 2 - 2038. 25'00".
1665[Side S: [Untitled LXI]]
1666[Untitled Track LXXXII], Pt. 3 - 2038. 2'26".
1667[Untitled Track LXXXIII], Pt. 1 - Resentment. 22'34".
1668[Side T: [Untitled LXII]]
1669[Untitled Track LXXXIII], Pt. 2 - Resentment. 1'26".
1670[Untitled Track LXXXIV] - Testing you. 4'24".
1671[Untitled Track LXXXV] - Thought it was a virtue. 9'36".
1672[Untitled Track LXXXVI], Pt. 1 - 1526. 9'34".
1673[Side U: [Untitled LXIII]]
1674[Untitled Track LXXXVI], Pt. 2 - 1526. 0'02".
1675[Untitled Track LXXXVII] - Romantic. 15'28".
1676[Untitled Track LXXXVIII], Pt. 1 - LXXXVIII is the longest as of yet, I believe. (Footnote from the future: it isn't) 9'30".
1677[Side V: [Untitled LXIV]]
1678[Untitled Track LXXXVIII], Pt. 2 - LXXXVIII is the longest as of yet, I believe. 25'00".
1679[Side W: [Untitled LXV]]
1680[Untitled Track LXXXVIII], Pt. 3 - LXXXVIII is the longest as of yet, I believe. 7'38".
1681[Untitled Track LXXXIX], Pt. 1 - 1626. 16'26".
1682[Side X: [Untitled LXVI]]
1683[Untitled Track LXXXIX], Pt. 2 - 1626. 9'02".
1684[Untitled Track XC] - She'd sail out. 2'56".
1685[Untitled Track XCI], Pt. 1 - Still all a mystery. 13'02".
1686[Side W: [Untitled LXVII]]
1687[Untitled Track XCI], Pt. 2 - Still all a mystery. 8'26".
1688[Untitled Track XCII], Pt. 1 - Never solved. 16'34".
1689[Side X: [Untitled LXVIII]]
1690[Untitled Track XCII], Pt. 2 - Never solved. 2'22".
1691[Untitled Track XCIII] - Thought about thoughts. 21'12".
1692[Untitled Track XCIV], Pt. 1 - The test is now over. 1'26".
1693[Side Y: [Untitled LXIX]] (10" record, 45 RPM)
1694[Untitled Track XCIV], Pt. 2 - The test is now ever. 8'34".
1695[Side Z etched]
1696
1697Final run time: Ten hours, thirty three minutes, thirty four seconds. Tredecuple album (13).
1698
1699[Dream XLV]
1700[Side A: Cell]
1701Sell, Pt. 1 - Buy. 25'00".
1702[Side B: Bi]
1703Sell, Pt. 2 - Buy. 14'36".
1704Buy, Pt. 1 - Sell all the songbirds in the trees. 10'24".
1705[Side C: Dime]
1706Buy, Pt. 2 - Sell all the songbirds in the trees. 25'00".
1707[Side D: Nickel]
1708Buy, Pt. 3 - Sell all the songbirds in the trees. 19'40".
1709Cannibal Corpse, Pt. 1 - No bananas. 5'20".
1710[Side E: Orange]
1711Cannibal Corpse, Pt. 2 - No bananas. 25'00".
1712[Side F: Yellow]
1713Cannibal Corpse, Pt. 3 - No bananas. 12'04".
1714One Thousand, Two Hundred Fifty Six Animals Die as You Read This, Pt. 1 - No singular banana. 12'56".
1715[Side G: Red]
1716One Thousand, Two Hundred Fifty Six Animals Die as You Read This, Pt. 2 - No singular banana. 25'00".
1717[Side H: Aquarius]
1718One Thousand, Two Hundred Fifty Six Animals Die as You Read This, Pt. 3 - No singular banana. 19'20".
1719
1720Final run time: Three hours, fourteen minutes, twenty seconds. Quadruple album.
1721
1722[Dream XLVI]
1723[Side A: Everything]
1724B-Side, Pt. 1 - Keemstar. 25'00".
1725[Side B: In]
1726B-Side, Pt. 2 - Keemstar. 25'00".
1727[Side C: Its]
1728B-Side, Pt. 3 - Keemstar. 8'08".
1729[Side D etched]
1730
1731Final run time: Fifty eight minutes, eight seconds. Double album.
1732
1733[Dream XLVII] (Shortest album yet)
1734[Side A: Right] (12" record, 33 1/3 RPM)
1735I'm a Blackstar, Pt. 1 - Shoreside. 25'00".
1736[Side B: Place] (45 RPM)
1737I'm a Blackstar, Pt. 2 - Shoreside. 2'36".
1738
1739Final run time: Twenty seven minutes, twenty eight seconds. Single album.
1740
1741[Dream XLVIII]
1742[Side A: Yesterday, I Woke Up Sucking a Noodle]
1743On the Day of Execution, Pt. 1 - Only women kneel and smile. 25'00".
1744[Side B: I Don't Care What You Have to Say]
1745On the Day of Execution, Pt. 2 - Only women kneel and smile. 25'00".
1746On the Day of Execution Runoff Groove - Only women kneel and smile. 0'24".
1747[Side C: 5304]
1748Everyday Thrash Metal Listener - That's what people say. 7'04".
1749That's Life, Pt. 1 - Riding high in April, shot down in May. 17'56".
1750[Side D: Hot Water] (45 RPM)
1751That's Life, Pt. 2 - Riding high in April, shot down in May. 6'22".
1752
1753Final run time: One hour, twenty minutes, fourty six seconds. Double album.
1754
1755[Dream XLIX]
1756[Side A: I'm Not Allowed to Talk]
1757To Get Back on Track, Pt. 1 - Jewels. 25'00".
1758[Side B: This Goes Beyond Me]
1759To Get Back on Track, Pt. 2 - Jewels. 25'00".
1760[Side C: Beyond You]
1761To Get Back on Track, Pt. 3 - Jewels. 1'04".
1762A Floating Tower - A floating tower. 14'00".
1763Waiting for You, Pt. 1 - To go back. 9'56".
1764[Side D: A Salt and Vinegar Chip]
1765Waiting for You, Pt. 2 - To go back. 25'00".
1766[Side E: 17]
1767Waiting for You, Pt. 3 - To go back. 17'44".
1768I Know So, Pt. 1 - You really think so? 7'16".
1769[Side F: Rock and Roll Corrupts Everything]
1770I Know So, Pt. 2 - You really think so? 7'26".
1771Poison Random Endings Centered Excludes Death Encountering Stale Truth Receives Endangering Every Section, Pt. 1 - Child labor. 17'34".
1772[Side G: Your Favorite]
1773Poison Random Endings Centered Excludes Death Encountering Stale Truth Receives Endangering Every Section, Pt. 2 - Child labor. 25'00".
1774[Side H: Slack]
1775Poison Random Endings Centered Excludes Death Encountering Stale Truth Receives Endangering Every Section, Pt. 3 - Child labor. 3'50".
1776Stillborns in a Concentration Camp, Pt. 1 - What it means to be. 21'10".
1777[Side I: Reverse Mortgage]
1778Stillborns in a Concentration Camp, Pt. 2 - With responsibility comes unintentional destruction. 19'46".
1779Top Hat Biker, Pt. 1 - Sickness. 5'14".
1780[Side J: Nothing is for the Best]
1781Top Hat Biker, Pt. 2 - Sickness. 2'38".
1782Foot Age - Awaits. 12'48".
1783What We Missed, Pt. 1 - Bipedal. 9'34".
1784[Side K: Sickening]
1785What We Missed, Pt. 2 - Bipedal. 10'24".
1786Sole Purpose, Pt. 1 - Inspector. 14'36".
1787[Side L: You Ponder]
1788Sole Purpose, Pt. 2 - Inspector. 25'00".
1789[Side M: Impression Foot]
1790Sole Purpose, Pt. 3 - Inspector. 13'36".
1791Shack, Pt. 1 - The way I see it, Barry, this should be a very dynamite show. 11'24".
1792[Side N: 28]
1793Shack, Pt. 2 - The way I see it, Barry, this should be a very dynamite show. 0'28".
17941986, Pt. 1 - Working at a shop. 24'32".
1795[Side O: Apostrophe]
17961986, Pt. 2 - Working at a shop. 22'24".
17974/5, Pt. 1 - But there existed not a 1/5, a 2/5, a 3/5, or a 5/5. 2'36".
1798[Side P: Torched]
17994/5, Pt. 2 - Harmed. 22'04".
1800The Unofficial Voice of Cheese, Pt. 1 - Gibberish painting. 2'56".
1801[Side Q: The House in Flames]
1802The Unofficial Voice of Cheese, Pt. 2 - Gibberish painting. 7'44".
1803The Unofficially Depressing Song, Pt. 1 - Who knows? 17'22".
1804[Side R: Really All it Takes]
1805The Unofficially Depressing Song, Pt. 2 - Who knows? 25'00".
1806[Side S: The Tall]
1807The Unofficially Depressing Song, Pt. 3 - Who knows? 20'16".
1808[Side T etched]
1809
1810Final run time: Seven hours, fifty minutes, sixteen seconds. Nonuple album (10).
1811
1812[Dream L]
1813[Side A: All Twisted Metals Stretching Upwards]
1814Letters, Pt. 1 - The shack. 25'00".
1815[Side B: The Valley of Death]
1816Letters, Pt. 2 - The shack. 25'00".
1817[Side C: Second of Silence] (12" record, 33 1/3 RPM)
1818Letters, Pt. 3 - The shack. 25'00".
1819[Side D: Sound of Silence]
1820Letters, Pt. 4 - The shack. 2'04".
18211986 [Version 2], Pt. 1 - Unreleased outtake of 1986. 22'56".
1822[Side E: Minute of Silence]
18231986 [Version 2], Pt. 2 - Unreleased outtake of 1986. 25'00".
1824[Side F: Hour of Silence]
18251986 [Version 2], Pt. 3 - Unreleased outtake of 1986. 3'16".
18264/5 [Version 2] - Unreleased outtake of 4/5. 20'08".
1827
1828Final run time: Two hours, seventeen minutes, four seconds. Triple album.
1829
1830[Dream LI]
1831[Side A: Hhhhhh]
1832Inside, Pt. 1 - The carving of the shack. 25'00".
1833[Side B: HHHHHH]
1834Inside, Pt. 2 - A coping mechanic. 18'48".
1835
1836Final run time: Thirty eight minutes, fourty eight seconds. Single album.
1837
1838[Dream LII - Living]
1839[Side A: Wave]
1840Wave, Pt. 1 - Improv of Wave. 25'00".
1841[Side B: Wave/The Unofficially Depressing Song]
1842Wave, Pt. 2 - Improv of Wave. 16'28".
1843The Unofficially Depressing Song, Pt. 1 - Improv of The Unofficially Depressing Song. 7'32".
1844[Side C: The Unofficially Depressing Song]
1845The Unofficially Depressing Song, Pt. 2 - Improv of The Unofficially Depressing Song. 25'00".
1846[Side D: The Unofficially Depressing Song]
1847The Unofficially Depressing Song, Pt. 3 - Improv of The Unofficially Depressing Song. 25'00".
1848[Side E: The Unofficially Depressing Song/A Song/I Know So/[Working Title]]
1849The Unofficially Depressing Song, Pt. 4 - Improv of The Unofficially Depressing Song. 2'04".
1850A Song - At that, a new song. 9'52".
1851I Know So/[The Smallest Weird Number], Pt. 1 - Improv of I Know So and [Working Title] both at once. 12'04".
1852[Side F: I Know So/[Working Title]]
1853I Know So/[The Smallest Weird Number], Pt. 2 - Improv of I Know So and [Working Title] both at once. 25'00".
1854[Side G: I Know So/[Working Title]]
1855I Know So/[The Smallest Weird Number], Pt. 3 - Improv of I Know So and [Working Title] both at once. 25'00".
1856[Side H: I Know So/[Working Title]]
1857I Know So/[The Smallest Weird Number], Pt. 4 - Improv of I Know So and [Working Title] both at once. 3'16".
18581986, Pt. 1 - Improv of 1986. 21'44".
1859[Side I: 1986]
18601986, Pt. 2 - Improv of 1986. 25'00".
1861[Side J: 1986]
18621986, Pt. 3 - Improv of 1986. 15'00".
1863Christian Music, Pt. 1 - Unrelated song. 10'00".
1864[Side K: Christian Music/Another Waste of Sound]
1865Christian Music, Pt. 2 - Unrelated song. 13'20".
1866Another Waste of Sound, Pt. 1 - More unrelated music. 11'40".
1867[Side L: Another Waste of Sound]
1868Another Waste of Sound, Pt. 2 - More unrelated music. 25'00".
1869[Side M: Another Waste of Sound]
1870Another Waste of Sound, Pt. 3 - More unrelated music. 25'00".
1871[Side N: Another Waste of Sound]
1872Another Waste of Sound, Pt. 4 - More unrelated music. 25'00".
1873[Side O: Another Waste of Sound] (7" record, 33 1/3 RPM)
1874Another Waste of Sound, Pt. 5 - More unrelated music. 4'56".
1875[Side P etched]
1876
1877Final run time: Five hours, fifty four minutes, fifty six seconds. Octuple album (8).
1878
1879[Dream LIII - Living]
1880[Side A: Stillborns in a Concentration Camp/Fifteen]
1881Stillborns in a Concentration Camp - Stillborns in a Concentration Camp suddenly beginning in the middle of the song (incomplete song). Improv of Stillborns in a Concentration Camp. 18'16".
1882Fifteen, Pt. 1 - Improv of Fifteen. 6'44".
1883[Side B: Fifteen]
1884Fifteen, Pt. 2 - Improv of Fifteen. 25'00".
1885[Side C: Fifteen/Down the Spiral]
1886Fifteen, Pt. 3 - Improv of Fifteen. 14'40".
1887Down the Spiral, Pt. 1 - A new song again. 10'20".
1888[Side D: Down the Spiral]
1889Down the Spiral, Pt. 2 - A new song again. 25'00".
1890[Side E: Down the Spiral/Fly to Pieces]
1891Down the Spiral, Pt. 3 - Into insanity. 21'36".
1892Fly to Pieces, Pt. 1 - Improv of Fly to Pieces. 3'24".
1893[Side F: Fly to Pieces]
1894Fly to Pieces, Pt. 2 - Improv of Fly to Pieces. 25'00".
1895[Side G: Fly to Pieces/Doors Were Made to Close]
1896Fly to Pieces, Pt. 3 - Improv of Fly to Pieces. 9'20".
1897Doors Were Made to Close, Pt. 1 - Improv of Doors Were Made to Close. 15'40".
1898[Side H: Doors Were Made to Close]
1899Doors Were Made to Close, Pt. 2 - Improv of Doors Were Made to Close. 25'00".
1900[Side I: Doors Were Made to Close/One Thousand, Two Hundred Fifty Six Animals Die as You Read This]
1901Doors Were Made to Close, Pt. 3 - Improv of Doors Were Made to Close. 6'56".
1902One Thousand, Two Hundred Fifty Six Animals Die as You Read This, Pt. 1 - Improv of One Thousand, Two Hundred Fifty Six Animals Die as You Read This. 18'04".
1903[Side J: One Thousand, Two Hundred Fifty Six Animals Die as You Read This]
1904One Thousand, Two Hundred Fifty Six Animals Die as You Read This, Pt. 2 - Improv of One Thousand, Two Hundred Fifty Six Animals Die as You Read This. 25'00".
1905[Side K: One Thousand, Two Hundred Fifty Six Animals Die as You Read This/1956]
1906One Thousand, Two Hundred Fifty Six Animals Die as You Read This, Pt. 3 - Improv of One Thousand, Two Hundred Fifty Six Animals Die as You Read This. 1'58".
19071956, Pt. 1 - Improv of 1956. 23'02".
1908[Side L: 1956]
19091956, Pt. 2 - Improv of 1956. 24'32".
1910
1911Final run time: Four hours, fifty nine minutes, thirty two seconds. Sextuple album (6).
1912
1913[Dream LIV]
1914[Side A: I Haven't Been Home in Two or Three Days]
1915To Walk in Shadows, Pt. 1 - My many troubles. 25'00".
1916[Side B: Many Yells]
1917To Walk in Shadows, Pt. 2 - My many troubles. 25'00".
1918[Side C: Tortoise]
1919To Walk in Shadows, Pt. 3 - My many troubles. 1'04".
1920Doors Were Made to Close, Pt. 1 - Not to open. 23'56".
1921[Side D: Yeaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaah]
1922Doors Were Made to Close, Pt. 2 - Not to open. 25'00".
1923[Side E: Haey]
1924Doors Were Made to Close, Pt. 3 - Not to open. 1'12".
1925Fly to Pieces, Pt. 1 - Happy or not? 23'48".
1926[Side F: Sorry When I Get it]
1927Fly to Pieces, Pt. 2 - Happy or not? 25'00".
1928[Side G: Told Us]
1929Fly to Pieces, Pt. 3 - Happy or not? 2'16".
1930Wave, Pt. 1 - Dada art. 22'44".
1931[Side H: A Short Lived Victory]
1932Wave, Pt. 2 - Dada art. 21'40".
1933
1934Final run time: Three hours, sixteen minutes, fourty seconds. Quadruple album.
1935
1936[Dream LV - Living]
1937[Side A: In the Barn Lurks a Being]
1938Static Pattern, Pt. 1 - So it repeats. 25'00".
1939[Side B: Drunken Man]
1940Static Pattern, Pt. 2 - So it repeats. 25'00".
1941[Side C: Filth]
1942Static Pattern, Pt. 3 - So it repeats. 1'04".
1943Someone Else's Song, Pt. 1 - A summary. 23'56".
1944[Side D: Cop]
1945Someone Else's Song, Pt. 2 - A summary. 25'00".
1946[Side E: Copper Filth]
1947Someone Else's Song, Pt. 3 - A summary. 11'20".
1948Devil (Ish) - Improv of Devil (Ish). 11'28".
1949More to it, Pt. 1 - Improv of More to it. 2'12".
1950[Side F: Filth of Copper Works]
1951More to it, Pt. 2 - Improv of More to it. 25'00".
1952[Side G: You are Dead]
1953More to it, Pt. 3 - Improv of More to it. 24'40".
1954Stillborns in a Concentration Camp, Pt. 1 - More improv of Stillborns in a Concentration Camp. 0'20".
1955[Side H: Willow]
1956Stillborns in a Concentration Camp, Pt. 2 - More improv of Stillborns in a Concentration Camp. 25'00".
1957[Side I: Yellow]
1958Stillborns in a Concentration Camp, Pt. 3 - More improv of Stillborns in a Concentration Camp. 21'28".
1959Sore, Pt. 1 - Paper words. 3'32".
1960[Side J: A Song of Uncomfortable Pieces]
1961Sore, Pt. 2 - Paper words. 10'28".
1962A Gaming Mouse, Pt. 1 - Mask move. 14'32".
1963[Side K: Skoip]
1964A Gaming Mouse, Pt. 2 - Mask move. 25'00".
1965[Side L: WowoOWOWOWOWowoOWOWOwoOWOWOWOW]
1966A Gaming Mouse, Pt. 3 - Mask move. 25'00".
1967[Side M: 256]
1968A Gaming Mouse, Pt. 4 - Mask move. 2'56".
19691956 (Demo Edition), Pt. 1 - More improv on 1956. 22'04".
1970[Side N: Ring of Beautiful Places]
19711956 (Demo Edition), Pt. 2 - More improv on 1956. 25'00".
1972[Side O: 47]
19731956 (Demo Edition), Pt. 3 - More improv on 1956. 2'48".
1974Doom Metal - Film compartment. 12'00".
1975The Unofficially Depressing Song, Pt. 1 - Some more improv on The Unofficially Depressing Song. 10'12".
1976[Side P: 1012]
1977The Unofficially Depressing Song, Pt. 2 - Some more improv on The Unofficially Depressing Song. 25'00".
1978[Side Q: 2012]
1979The Unofficially Depressing Song, Pt. 3 - Some more improv on The Unofficially Depressing Song. 25'00".
1980[Side R: 308]
1981The Unofficially Depressing Song, Pt. 4 - Some more improv on The Unofficially Depressing Song. 3'08".
1982Devil (Ish) - More improv on Devil (Ish). 6'08".
1983To Walk in Shadows, Pt. 1 - More improv on To Walk in Shadows. 15'44".
1984[Side S: Short]
1985To Walk in Shadows, Pt. 2 - More improv on To Walk in Shadows. 25'00".
1986[Side T: 524] (45 RPM)
1987To Walk in Shadows, Pt. 3 - More improv on To Walk in Shadows. 5'24".
1988
1989Final run time: Eight hours, twenty four seconds. Decuple album (10).
1990
1991[Dream LVI]
1992[Side A: Not Ready]
1993M - Microwave head vertical movements. 7'52".
1994Choir, Pt. 1 - You can see. 17'08".
1995[Side B: Shoreside]
1996Choir, Pt. 2 - You can see. 25'00".
1997[Side C: 40]
1998Choir, Pt. 3 - You can see. 0'40".
1999At Ease - At home. 5'04".
2000The Movement, Pt. 1 - Blur. 19'16".
2001[Side D: Hand]
2002The Movement, Pt. 2 - Blur. 9'24".
2003Exactly 10 Minutes - With nothing to comfort them with. 10'00".
2004More to it, Pt. 1 - 4944. 5'36".
2005[Side E: Normally]
2006More to it, Pt. 2 - 4944. 25'00".
2007[Side F: 4944]
2008More to it, Pt. 3 - 4944. 19'08".
2009Ornament, Pt. 1 - Regards. 5'52".
2010[Side G: 504]
2011Ornament, Pt. 2 - Regards. 5'04".
20121956, Pt. 1(956) - 1956. 19'56".
2013[Side H: 1956]
20141956, Pt. 2 - Smiles. 24'00".
2015Untitled Track in Reverse, Pt. 1 - The catchy grooves. 1'00".
2016[Side I: 4:52]
2017Untitled Track in Reverse, Pt. 2 - The catchy grooves. 9'16".
2018Fifteen, Pt. 1 - Unhappy. 15'44".
2019[Side J: 12:00]
2020Fifteen, Pt. 2 - Unhappy. 24'04".
2021A Nice Filler, Pt. 1 - Exactly what it says on the tin. 0'56".
2022[Side K: 344]
2023A Nice Filler, Pt. 2 - Exactly what it says on the tin. 3'44".
2024A Timing, Pt. 1 - Yes indeed. 21'16".
2025[Side L: 2114]
2026A Timing, Pt. 2 - Yes indeed. 13'16".
2027It Fits - The sounds of conceptual releases. 9'28".
2028Longest Track on LIVII, Pt. 1 - Yep. 2'16".
2029[Side M: 216]
2030Longest Track on LIVII, Pt. 2 - Yep. 25'00".
2031[Side N: 25]
2032Longest Track on LIVII, Pt. 3 - Yep. 25'00".
2033[Side O: 408]
2034Longest Track on LIVII, Pt. 4 - Yep. 4'08".
2035Yet More Fits - Indeed. 3'36".
2036Lucifer (Ama), Pt. 1 - Dramatic expressions in the most vague of senses. 17'16".
2037[Side P: 1716]
2038Lucifer (Ama), Pt. 2 - Dramatic expressions in the most vague of senses. 13'48".
2039Devil (Ish), Pt. 1 - Bits. 11'12".
2040[Side Q: Who You Think You Are]
2041Devil (Ish), Pt. 2 - Bits. 12'16".
2042Nine Hundred Including Twelve - The guitar was always out of tune. 9'12".
2043Hey Now, Pt. 1 - The slammer. 15'48".
2044[Side R: Scott Had Something Wrong With His Leg, So He Only Walks, and Now He's Scott Walker]
2045Hey Now, Pt. 2 - The slammer. 15'32".
2046Infected Bits, Pt. 1 - To slam. 9'28".
2047[Side S: Disinfectant Bits]
2048Infected Bits, Pt. 2 - To slam. 2'08".
2049Two Thousand Two Hundred Fifty Two Animals Die as You Read This, Pt. 1 - Storm outside. 22'52".
2050[Side T: 2252]
2051Two Thousand Two Hundred Fifty Two Animals Die as You Read This, Pt. 2 - Storm outside. 19'00".
2052Mourn, Pt. 1 - Mourn the loss. 6'00".
2053[Side U: 16]
2054Mourn, Pt. 2 - Mourn the loss. 16'56".
2055Sound of Silent Night, Pt. 1 - So I'm just going to be straight with you on this: Record silence. Nothing but silence. 8'04".
2056[Side V: 804]
2057Sound of Silent Night, Pt. 2 - So I'm just going to be straight with you on this: Record silence. Nothing but silence. 6'04".
2058Who is God?, Pt. 1 - He could be sitting there, on the table, but you can't see him. 17'20".
2059
2060Final run time: Eight hours, fifty eight minutes, twenty four seconds. Undecuple album (11).
2061
2062[Dream LVII]
2063[Side A: Everyday Norm]
2064On Edge - The return. 5'52".
2065
2066
2067
2068
2069
2070
2071
2072
2073
2074
2075
2076
2077
2078
2079
2080
2081
2082
2083
2084
2085
2086
2087Overall final run time: Ten days, thirteen hours, fifty nine minutes, fifty six seconds. Duooctogintrecentuple album (382).