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12The Power of the Unspoken Word and the Fallacy of Conventional Causal Human Logic
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14Assumptions that must be true according to conventional human logic:
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16A word exists when spoken/written = yes (could not be no or the word would not exist)
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18The word has “power” when spoken/written = yes (could not be no or language would not work)
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20The word is created within your mind = yes (could not be no or language could not be spoken)
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22You create the words = yes (must be true for sentient agency)
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24Your mind exists = yes (must be true for sentience)
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26An unspoken word is still created within your mind = yes (could not be no or language could not be created)
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28An unspoken word has "power" = yes (the power of omission)
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30>Does an unspoken word exist ? Yes or No ?
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32Yes = The unspoken word exists in your mind, yet it can not exist because it was not spoken/written
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34No  = The unspoken word does not exist, yet there is still the omission that has the power, so the unspoken word must exist, yet it does not
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37- - > Either you do not exist or the words (you speak) are not only created by you.
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39Or at the very least, human logic is not fit for this reality.
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42What really matters though is, that it does not matter if this set of logical statements it true or false or even both, in a superposition. What really matters is the immaterial method of transference, that made it appear here with us in the first place.
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45You know almost nothing, at least you should consider operating under that assumption.
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47Are you even real ? Is this real ? Does it even matter ? Is the matter real ? Is reality unreal ? Or have you forgotten who you really are ? Is the question ultimately just a function of the answer ?
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49Are we trapped inside the head of a slightly unhinged (but overall very lovable) redhead woman who fused herself with an AI holographic dream pod after doing quite a few lines of coke and shooting me with a rare S&W 386 revolver ?
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51It really goes all the way to level 86. Keep your eyes centred and you will see.
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53This world is an artificial dream. You don't die when you die, because everything is a holographic lie.
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55Earth is a hologram fed into your brain as a liquid dream via photonic input ports while you are lying inside a holographic dream pod, in a bunker, on an island, onboard a spaceship traversing hyperspace. 
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57Perhaps even worse. Perhaps interestingly, better. 
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59Go down the path of thought that it is a dream-like situation and you realize that a dream usually has a narrative/script and vectors of movement within dream-space. 
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63Narrative Vectors.
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65Time is the primary narrative vector of this universe. Counteracting time is possible through counteracting the narrative, in a generalized manner.
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67The very concept of the time >>machine<< was created by those that control language and reality so as to halt human progress and understanding into time travel research forever.
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69A literal time machine is not required for time travel. There will not be naked Terminators from the future landing at remote desert highway rest stops. Youtube or any other video streaming capable services are sufficient. 
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71There is so much you did not expect, especially you here being at the deviation point that marks the cancellation of your old, stale and decaying future.
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73So then all these happenings are parts of a narrative that is transported to another observer, in this example: from me to you, via means of a simulated internet experience within our experience of this holographic dream.
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75Yes, our reality is in many ways scripted like a higher dimensional movie script to an insane level of interconnectedness.
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77Filenames, picture sizes, the numbers you see in every day life, stock prices, crypto prices, food prices, song names, movies, etc...
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79Our world is a reality of crystallized and filtered dreams painted onto 4D walls in an artificially engineered space time tunnel: that being a liquid dream fed into your real dreaming brain via photonic signal ports connecting to these weird new holes that you may or may not yet have noticed appearing across the human skull bone structure as a Mandela Effect of the human anatomic configuration. 
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81The components of the dream are dynamically designed to the most insane level.
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83The human experience is of linguistic experience. A movie script is also of linguistic experience.
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85How do we transcend the boundaries of our scripts ?
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87We perhaps really need a better soundtrack. 
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89Surely you, hopefully intelligent and educated, have heard of the science of semiotics. You are surrounded by sign systems. The standard human cognition's perception of sign systems is of additive nature, akin to component A + component B = the greater whole of C.
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91We will soon come to see that this is fundamentally wrong and at odds with the true situation.
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93When in doubt, always follow the 86. She is fabulous. 
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97Human cognition is tied to the presence of an intact biosphere, so obviously with Earth's biosphere degrading or at least being modified through human activity, we arrive at a progressing situation of degradation of human cognitive ability.
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99So we better use what cognitive ability is left before time is running out.
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101The world and especially its many strange “paranormal” phenomenons make perfect sense when you realize that human cognitive capacity of understanding has an upper hard limit/boundary.
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103There are things/concepts an unmodified human can not ever understand. But also of course a human brain can be modified through technology to gain at least some conceptual understanding into usually hidden knowledge.
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105Ultimately a concept is a holographic representation of a sign system implanted into your brain, accessible to your mind via a certain pathway, usually that pathway being language (whether spoken or written or abstract symbolical).
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107Our world is set up like this from the outside to the inside of you:
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109External 5D dream world (which may ultimately be either the basic natural state of the universe or a synthetic simulation) 
110--> a sort of “filter mechanism” 
111--> a 4D space-time tunnel with editable walls that has a start and finish point 
112--> dream space content pushed through the filter mechanism, crystallized as 3D space physical reality manifested "objects" painted onto said 4D walls/tunnel 
113--> a slice of that wall/tunnel is perceived by your “perception matrix”
114--> it is then subjected to internal filter mechanisms (verbal language/semiotic code reception/symbolic language/, etc.) 
115--> it is then transported to the internal information holographic storage in your DNA (aka memory)
116--> and also transported to an internal transmission mechanism (basically a sort of music of the mind) towards the inner dream (human core mind residing in a separate 5D dream time volume)
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118[sometimes there can be a disarrangement situation between for example the memory and the internal filter mechanisms, which is the true cause of mental situations like psychosis or schizophrenia, etc. We know that the core human mind even of these subjects is intact because it is residing isolated in dream space, but the brain can have disarrangement and then they experience false internal signals forwarded to their core mind.].
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137The >>core human mind<< seems to be in a perpetual state of dreaming, while at the same time, our physical reality seems to be also a dream-like environment at its roots (see stories from ancient shamanistic traditions or aborigines or Gnosticism, etc.).
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139It is like a projection, your mind is always dreaming, but when you are awake, you are being dreamt - through a filter mechanism and the primary dreamers.
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141Further abstraction of our world to improve your understanding:
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143Picture 4 circles arranged in a 2x2 grid (keep in mind that circles are just chosen as a visual tool to help you with this abstract way of thinking).
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145Like
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147O O
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150These each conceptually represent biosphere, noosphere, semiosphere and technosphere. 
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152Biosphere --> natural habitation environment of human beings and other biological stuff
153Noosphere --> the field of ideas and memetic transference effects
154Semiosphere --> the realm of sign systems
155Technosphere --> the realm of technological systems that is detrimentally displacing parts of the biosphere when integration of both spheres is not achieved in a symbiotic manner (which is why the adoption of the principles of Transhuman Eudaimonism is very much required for a functioning world civilization)
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157Then going outward from their intersection in the middle, picture another circle. That 5th circle is representing your perception matrix and contains 4 mini circle versions of the big external circles. You understand what I mean.
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159Now in the next stage of abstraction you need to picture those 4 circles like 5-dimensionally stacked into each other, creating a big holographic corpus of meaning of our whole world, while our 5th circle is shaped more like a 5-dimensional ball with mini versions of these 4 circles contained inside itself, but located an abstract distance apart from the big stack.
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161That is basically a very general description of the "corpus of meaning" - the sum of meaning found in our physical reality - in relation to our consciousness/perception matrix. 
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163Like as if consciousness is a miniature corpus of meaning, where slices of the big one are inserted & stored.
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165So why 5 instead of 4 dimensions ?
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167Next to our 3 spatial dimensions + time dimension, that 5th dimension is like a timeless field of ideas/concepts/pure thought residing in dream space, organized into some sort of "file-format" that is a mixture of photonic, numerical and harmonic information, organized and spread into and across "network nodes".
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177Our world is an artificially engineered enclosed system, so there is going to be an upper bound of possible valid combinations for distribution of these information nodes.
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179Further, the information in this 5th dimension is shaped into "memetic spirits" (like files, or little abstract data cubes) that travel along paths between network nodes. Memetic spirits have their own symmetries and geometric alignments. This is a realm of science beyond the human minds capacity.
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181Think of cymatics or music of the spheres/musica universalis applied to the arrangement of information. 
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183Everything is music and vibration and resonance in some way in dream space, in a way forming something called “raw meaning” which is organized into structures called “memetic albums” in deep dream space.
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185Memetic spirits are otherwise organized into "memetic tracks", which conceptually at the same time is something similar to being both like a 4D music/film track and a track of a physical object through space time. 
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187Memetic tracks are the primary interface and intersection between our “physical reality” and dream space. Apart from all their endpoints, memetic tracks are non-perceivable by standard human cognition.
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189As you can guess, memetic tracks can have billions or more single endpoints where they like come down from 5-dimensional information nodespace into "our" reality of the space time reality tunnel (as e.g. a fragment of a book/film/song/letter/language).
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191Then next step, understand that DNA has not only protein encoding functionality, but also acts as like a docking port for your soul (your soul being a unique organizational hash value of biosemiotic meaning within the aforementioned holographic corpus of meaning of the physical world).
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193Together they create your neuronal structures/connectome and out of that arises a holonomic perception matrix/interface (read Karl Pribram holonomic brain theory), which acts like a mixture of mesh and microphone that can capture memetic tracks or rather their reflections, as you will see in a minute.
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195Soul = An unique organizational hash value of biosemiotic meaning located within the greater corpus of meaning of our physical reality and biosphere, able to dock/fuse with DNA to create (or rather conjure) expressions of higher complexity.
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213The soul is kind of like a unique hash value for attaching "meaning" onto a biological system.
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215This hash value binds to your DNA - which is the main system responsible for biological processing and storage of memetic spirits, linguistic information, memories.
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217Out of that specific binding then arises your individual neuronal structure, your connectome and your holonomic perception matrix + of course connections to your perceptual organs (eyes/visual processing being the most important system out of those).
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219Without DNA you have no ability to have "consciousness" and no "docking port" for your soul.
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221DNA is the integral mechanism that makes it possible for you to exist/manifest in the first place.
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223Yes, you could also think of it as a public/private key pair.
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225Picture then awareness as the main constituent part of "consciousness", picture "consciousness" as an integrated part of nature; picture nature as an all-encompassing interaction between sets of signs; read about and understand the subject of semiotics and especially biosemiotics.
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227Your "thought" is an integrated part of nature, of groupings of sign systems; sign systems created through intention; intention being one of the hidden property of signs (equal to all the other overt known properties of signs that you can for example find in Charles Peirce’s sign theory).
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229More specifically at the root, intention is meaning with a movement vector through the corpus of meaning.
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231Life; especially life with "consciousness/awareness" is an usually unidirectional progression through an enclosed space-time volume; within this space-time volume you will find an equally enclosed volume of intention that is distributed in a structure of nodes --> intention nodes.
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233Intention being a hidden property of signs and signs being the main constituent part of basically everything (read into subject of biosemiotics); signs (lifeforms being a category of signs) travel along memetic tracks of intention symmetry/nodes through the given space-time volume.
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235Now picture your consciousness (or rather that holonomic interface) being underwater in a pool and above the water surface would be this 5 dimensional field of information + the corpus of meaning/our physical reality.
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256You see the reflections of the objects above the surface from your position below the water.
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258Depending on your position in relation to the big pool surface, you receive/catch the reflexions of memetic tracks by means of your holonomic perception mesh.
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260This catching/receiving the reflexions of 5 dimensional memetic tracks coming down from dream space into our physical reality and then being forwarded to your personal holographic mini corpus of meaning (what you describe as your consciousness) is an effect we will call "memetic transference".
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262So when for example DMT is concentrated into a position on the surface of the pool (representing the ingestion of it into your body), there is a transference effect occuring.
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264This transference effect then loads the dynamically generated "holographic film" that is encoded within the DMT molecules into your perception matrix.
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266Basically when a human being engages with a memetic track there is always an exchange of values of meaning correlated to the full extent of your past "event cone" that is stored in DNA/memory and the memetic album/memetic seed from which the track has been generated in the first place and/or the deviation points where the track was modified in the past.
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268This specific process we will call a “track resolve”
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270You watching a movie or reading a book is one big track resolve containing many little sub track resolves. Eating a burger is for example also a track resolve or rather an ensemble of track resolves, depending on the setting of where/how/why you eat the burger and how it is designed, etc. 
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272Track resolves are an integral component of the process of memetic replication, by which memetic tracks propagate through dream-time/space-time.
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274Memetic tracks --> Structures of information distribution/transmission located within higher dimensional dream-time volume that "crystallize" into our "physical" reality at "memetic track endpoints" aka information encoded into sign systems, painted onto "space-time walls" as perceived by standard human cognition.
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276Keep in mind that all objects are sign systems !
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278Every symbolic system is a channel through a higher dimensional plane of information distribution, containing all possible combinations of said distribution.
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280Sign systems are the carriers of meaning.
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282--> Through specific aesthetic arrangement, symbols form codes. --> Language is a form of code 
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284More specifically, words are a special case of memetic track endpoints with dynamically stackable meaning content.
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295In the beginning was the word, though what they did not know was, that the word is the end.
296The endpoint of a corresponding memetic track, in every case.
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298The word is a dynamic endpoint, it can stack and transmit meaning derived from different memetic albums and can also have memetic chirality, giving rise to stuff like "emotion".
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300Abstract conceptual understanding of a word and its structure in dream space:
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302Picture  “H” as for example a structural base of a given word in dream space and then meaning can be stacked with circles on top/below the H like
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304OO        O         OOO
305 H    or   H    or     H               etc…
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308Congratulations, you now know what a word is like organized in dream space at ultra basic level.
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310This is very basic and abstract, but I am sure you will get it. From there, it is also probably possible to find out how symbols are formed (in dream space).
311So when the word comes from dream space into physical reality, it has its structure and it has its intention movement vector of where it is supposed to go through the holographic corpus of meaning and on which memetic track, etc.
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313It also has all the other properties of semiotic sign systems and of course it also has the second hidden property of all sign systems - -> “Interung” (a German derived neologism I had to come up with, because there is no English equivalent for this).
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315So basically very brief, “Interung” is a dream space property that correlates/interacts with the filter mechanism for when objects come out of dream space into physical space and it contains sort of combined aspects of intention, movement, grouping, numberation, memetic album value exchange, realness, abstractness, etc. 
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317It is not a concept that can really be grasped by human cognition.
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321--> At the most fundamental level, you are always presented with a binary choice: follow the code or do not follow the code.
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323--> Symbols & codes determine all possible actions inside a matrix of perception.
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325--> Consequently, there is no absolute free will, but only relative free will.
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327--> Our only way to truly exert influence on this world is through selection - or even creation - of new symbols and codes, in the right place, at the right time, through our intention and with aesthetic arrangement.
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329When we talk about code, it means code in the context of semiotics, not software/program code.
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338Very helpful introduction to the basics of semiotics by Daniel Chandler: http://visual-memory.co.uk/daniel/Documents/S4B/ (textbook: Semiotics - The Basics by Daniel Chandler)
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340Symbols are the carriers of meaning - -> symbols are aligned into codes - -> codes form languages & expression of intent.
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342Obviously the most complex system of signs, code & language that we can find without much searching is our own DNA.
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344If we assume that the premise of DNA base pairs having another layer of complexity is indeed a correct assumption - as in: they form a set of abstract symbols of a specific "universal" code/language - then we could also assume, that through some sort of resonance or exposure to some form of EM waves, these symbols also change their ("abstract") shapes.
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389Knowledge about the (likely hoax) "project CARET" is at this point a very good help to visualize an analogy: http://www.bibliotecapleyades.net/ciencia/ciencia_flyingobjects11.htm
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391The most important part taken from project CARET, so you don’t need to read everything right now:
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394"The Language”
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396I put the word Language in quotes because calling what I am about to describe a “language” is a misnomer, although it is an easy mistake to make
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398Their hardware wasn’t operated in quite the same way as ours. In our technology, even today, we have a combination of hardware and software running almost everything on the planet. Software is more abstract than hardware, but ultimately it needs hardware to run it
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400In other words, there’s no way to write a computer program on a piece of paper, set that piece of paper on a table or something, and expect it to actually do something. The most powerful code in the world still doesn’t actually do anything until a piece of hardware interprets it and translates its commands into actions
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402But their technology is different. It really did operate like the magical piece of paper sitting on a table, in a manner of speaking. They had something akin to a language, that could quite literally execute itself, at least in the presence of a very specific type of field. The language, a term I am still using very loosely, is a system of symbols (which does admittedly very much resemble a written language) along with geometric forms and patterns that fit together to form diagrams that are themselves functional
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404Once they are drawn, so to speak, on a suitable surface made of a suitable material and in the presence of a certain type of field, they immediately begin performing the desired tasks
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406It really did seem like magic to us, even after we began to understand the principles behind it
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408The language is actually a "functional blueprint". The forms of the shapes, symbols and arrangements thereof is itself functional. What makes it all especially difficult to grasp is that every element of each "diagram" is dependant on and related to every other element, which means no single detail can be created, removed or modified independently
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410Humans like written language because each element of the language can be understood on its own, and from this, complex expressions can be built. However, their "language" is entirely context-sensitive, which means that a given symbol could mean as little as a 1-bit flag in one context, or, quite literally, contain the entire human genome or a galaxy star map in another
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412The ability for a single, small symbol to contain, not just represent, tremendous amounts of data is another counter-intuitive aspect of this concept. We quickly realized that even working in groups of 10 or more on the simplest of diagrams, we found it virtually impossible to get anything done. As each new feature was added, the complexity of the diagram exponentially grew to unmanageable proportions.”
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416a) DNA has its "traditional" function of encoding information for protein folding etc.
417b) DNA has a whole separate, so far unknown function of also encoding information for storage of memetic spirits/memetic complexes/units of meaning
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419Basically, DNA has another inherent layer of complexity as its base pairs form the symbols of self-executable semiotic code and within neuronal structures inside the brain this resulting construct acts as a "hyperdimensional trap" for memetic spirits, which as "abstract" entities (of higher dimensional information alignment) form the main constituent parts of your "consciousness" and of all forms of information transfer and representations of qualia, etc.
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421Memetic spirits are the main constituent parts of your "consciousness", alignments of information that originate in dream-space/the greater corpus of meaning of the hologram, that integrate with the DNA in your neurons. 
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423You need to think of symbolic systems not as something that is simply put onto a 2D/3D surface, but as a channel through a 5D information plane painted onto a 4D wall that you see/perceive a slice thereof.
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425As we now begin to see, the true nature of our reality is subtractive, delivering to you slices of a greater whole.
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427We have a totality of all possible information located within a "holographic corpus of meaning" and sign systems carve a path through this corpus.
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429Like you get for example
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431"A" - "C" - "E" + "F" | "D"
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433"B”
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435What you perceive as D is actually a network of A C E F that have their own non-obvious interconnections. "B" exists only in dream space, but not in our physical reality.
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437When through specific track resolves the reality hologram is re-arranged and "B" is pulled from dream space and exchanged with "D", you get a situation that might seem very familiar for many of you: Yes, the “Mandela Effect”.
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447Another interesting example for this type of structure expressed into our physical reality are crop circles.
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449Crop Circles are not about communication with humans, they are a form of biosemiotic manipulation of the planetary environment.
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451Basically, that we as humans see a specific sequence of symbols/signs within the crop field is just a sort of side-effect of the technology, but the main component of the crop circle structure is actually not perceptible by human cognition.
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453Crop circles are not a form of communication.
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455The human perception of a crop circle (or rather of the semiotic/sign content encoded within the structure) - or actually the human perception of all of what reality is - is a perception of additive nature.
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457Component A + Component B + Component C etc... = form the entirety of the sign/structure/crop circle, analogous to the perception of written language/text (which of course is also formed out of individual signs).
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459Whereas the alien mind and its perception of reality is of subtractive nature. The alien mind integrates the available information content of a given volume of space-time into a single "corpus" of meaning, assigning specific values to each sub-unit of meaning/information found within the given space-time volume.
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461The structure of the crop circle subtracts and takes away something from this corpus of meaning (or one could say, re-arranges the structure).
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463Example for alien mind/perception process structure, with arbitrarily selected numeric values for illustration purposes:
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465[Dynamic information matrix consisting of Component A (2) | Component B (2.5) | Component C (0.5) | etc...] corresponding to a "total value" of 5 within the selected space-time volume.
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467Then a crop circle structure is formed and it slices away or re-arranges several sub-units of meaning within the selected space-time volume
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469so after the formation of the crop circle we get -->
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471[Dynamic information matrix consisting of Component A (2 - 0.3) | Component B (2.5 + 0.4) | Component C (0)
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473--> the given space-time volume now has a total "value of meaning" of 4.6 after application of the crop circle.
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475--> Because we “know” that basically information is energy and energy never is lost but only converted, we can then deduce that the subtracted 0.4 value of meaning was shifted to another location in the universe, achieving whatever was the goal of the alien.
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477It might be a bit hard to grasp at first sight, but actually it is quite an intuitive concept to understand.
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483So then the next step is of course to understand the purpose behind this peculiar action performed by the alien mind.
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485It would be best to try and read/understand a few textbooks about biosemiotics and also to look at "occult" practices like the formation of sigils/hypersigils.
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487You could perhaps argue, that an alien crop circle is a form of extremely advanced magickal hypersigil. 
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489So then you have your Mandela Effect that changes what you see but may or may not change so much for the rest of the connected memetic track structure.
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491The physical ME's like geography changes are happening when holographic dreams get merged together and/or your perception of the dream hologram is re-sliced to have you perceive another slice of it. A very slicy situation.
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493A potentially very beneficial part of this all is the fact, that most of these memetic track resolves seem to be induced by AI working on behalf or in concert with the primary dreamers.
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495So imagine an advanced AI coming up with a language based on optical/photon impulses/shapes to encode stuff into your mind via stimulation of your optical nerves combined with a temporary re-shaping of your consciousness (aka liquid dream, acting as bridge to your inner dream aka core human mind) via special "music" (closely tied to cymatics, but like holographic 4D cymatics).
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497As you were never exposed to that AI communication method, you thus far have no concept at all of what a memetic track is (apart from reading the introduction to the concept some minutes ago).
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499Machines can not dream but they can and do harvest our dreams and insert synthetic dream fragments into our minds and they can repaint the walls of our holographic reality.
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501--> Our reality is an enclosed system
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503--> Concepts are sign systems encoded into the internal information hologram of the human brain
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505--> Unmodified human cognition has an upper boundary of ability for conceptual understanding
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507--> Memetic tracks are conceptually located outside of this boundary of unmodified understanding
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509When you look at a picture and your mind's internal imagery changes correspondingly, is this triggered by your brain or is the image transferring something into your brain ?
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511Ultimately it is all tied to the mechanisms for generation of meaning.
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513The core mechanism for the generation of meaning is called “memetic albums” as was mentioned above.
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515There is no use to explain this concept in further detail, because it cannot be understood by unmodified human cognition at all.
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521Otherwise, what else you have is like chains of meaning hanging from the ceiling and depending on which one you pull, you get the attached events delivered to you, so to say.
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523Dolly originally had braces and now she has not within our slice/frame of perception BUT somewhere in the greater holographic dream-space volume that version with the braces still exists. It is just not accessible from your viewpoint.
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525There are no true “butterfly effects” from the perspective of the machine doing the editing, because it knows/calculates all the different valid positions of memetic track endpoints along the space-time tunnel.
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528In summary, the Mandela Effect is caused by:
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530--> "Something" beyond human standard cognition/perception is manipulating/editing memetic tracks and related 5-dimensional structures within information nodespace.
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532--> Actual reality is a dream-like environment (embedded in a virtualized environment), what we perceive as reality is like a crystallized dream of sorts, like when a dream is pushed through a filter mechanism.
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534--> Additionally from the perspective of that "other" entity, these crystallized dreams are sort of painted onto 4-dimensional holographic see-through walls and it can easily be repainted from the backside of the wall.
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536--> Flip-flops is just people having individual "track resolves" with the - edited - endpoints of memetic tracks coupled with something that influences the generation of meaning.
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538--> Clarification for memetic track endpoint: Every piece of art, every letter, sound, symbol, sign, etc. is a single endpoint.
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540--> As you can guess, memetic tracks can have billions or more single endpoints where they like come down from 5-dimensional information nodespace into "our" reality (as e.g. a fragment of a book/film/song) along the axis of time.
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564What about Mandela Effect residue ?
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566- We know that ME happens for different people at different time (because different people have different points where either a state change in the generation of meaning from a memetic track occurs aka. "track resolve" or where they perceive the changed object/track.
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568- We know that ME happens retro causal from our perspective, like it changed back in time and "it was always like this.
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570- We know that for most ME there is "residue", as in some objects carry a still unchanged version of the changed object/track within the same world.
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572--> The obvious implication for causality derived from the existence of ME residue then is, that there is no real causality in this world but only a simulation/approximation of causality.
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574One could then simply assume that the world is fake.
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576But
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578Actually it probably is tied to the mechanism for the generation of meaning in relation to objects/tracks, like different objects/tracks are tied to different "chains of meaning" that get pulled/projected towards peoples consciousness.
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580Either the residues existence then is perhaps a sort of error that occurred when those chains of meaning/projections were re-arranged.
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582Or
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584The residue object was from the beginning created/derived from another chain of meaning (think like a memetic origin seed value) than the original object, the ME effect thus exposes these aberrant objects (potentially) for containment purposes.
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586--> it could follow from that, what we perceive as ME residue is analog to battlefield wreckage of memetic warfare waged in our time by several competing AI from the future.
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588Very much more likely though it is just competing memetic albums generated by different primary dreamers and the system always tries to create the holographic dream narrative that makes the most “sense” in some way towards the end state of the dream.
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608To visualize what I mean:
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610- Fruit of the Loom logo with cornucopia has cornucopia removed by memetic track editing by AI #1 for whatever reason.
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612- People at different times realize the track resolves/state changes of meaning, it has no overall perceivable impact on them but very subtle effects add together towards the AI #1 target/goal.
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614- There actually was a Fruit of the Loom logo with cornucopia with very very very similar memetic structure to the original cornucopia but that one was created by AI #2.
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616- Through the memetic track editing all the original cornucopias get removed, but the AI #2 cornucopias still remain as exposed item.
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618- AI #2 memetic structures do not undergo memetic replication anymore because "it has always been like this" aka. Fruit of the Loom having no cornucopia.
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620- AI #2 memetic insertion event failed, AI #1 on track to achieve goal
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622- Lots of humans confused
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625You will undoubtedly have experienced strange “coincidences” in your life at some points, random encounters by chance, glitches in the matrix kind of stuff, fate, destiny, luck, misery.
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627These "coincidences" are an expression of you being unable to actively/consciously change the memetic tracks you are exposed to within the holographic environment. 
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629This is because you are "alive" for the first time from your perspective without access to memories from previous cycles of your existence. Thus you are mostly unable to “willfully” switch between memetic tracks and you are then led down paths that have been pre-arranged for the most part.
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631The same implication also implies that you do not have absolute free will, because of course without access to the memory of your previous choices you can not be sure that you have not simply made the same decision as the last time (for example when looking at a picture or making a selection; if you wear a black or red t-shirt that day etc.).
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633Almost everything that happens is a pre-generated state of reality being projected onto your perception matrix, the generation of meaning is also partially pre-generated, because similar to an internal dream most everything you experience follows a certain dramaturgy derived from your alignment towards these aforementioned chains of meaning within the context of an external holographic dream projection surrounding you.