· 6 years ago · Apr 12, 2019, 11:58 PM
1
2<!DOCTYPE html><script src="//archive.org/includes/analytics.js?v=cf34f82" type="text/javascript"></script>
3<script type="text/javascript">window.addEventListener('DOMContentLoaded',function(){var v=archive_analytics.values;v.service='wb';v.server_name='wwwb-app31.us.archive.org';v.server_ms=320;archive_analytics.send_pageview({});});</script><script type="text/javascript" src="/static/js/ait-client-rewrite.js?v=1555101866" charset="utf-8"></script>
4<script type="text/javascript">
5WB_wombat_Init("https://web.archive.org/web", "20180318205802", "three.god.jp");
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7<script type="text/javascript" src="/static/js/wbhack.js?v=1555101866" charset="utf-8"></script>
8<script type="text/javascript">
9__wbhack.init('https://web.archive.org/web');
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11<link rel="stylesheet" type="text/css" href="/static/css/banner-styles.css?v=1555101866" />
12<link rel="stylesheet" type="text/css" href="/static/css/iconochive.css?v=1555101866" />
13<!-- End Wayback Rewrite JS Include -->
14<script>var __pbpa = true;</script><script>var translated_warning_string = 'Warning: Never enter your Tumblr password unless \u201chttps://www.tumblr.com/login\u201d\x0ais the address in your web browser.\x0a\x0aYou should also see a green \u201cTumblr, Inc.\u201d identification in the address bar.\x0a\x0aSpammers and other bad guys use fake forms to steal passwords.\x0a\x0aTumblr will never ask you to log in from a user\u2019s blog.\x0a\x0aAre you absolutely sure you want to continue?';</script><script type="text/javascript" language="javascript" src="https://web.archive.org/web/20180318205802js_/http://assets.tumblr.com/assets/scripts/pre_tumblelog.js?_v=472beb185dc3d62d59bcf893499ebf45"></script><!DOCTYPE html>
15<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">
16
17<!-- BEGIN WAYBACK TOOLBAR INSERT -->
18<script type="text/javascript" src="/static/js/timestamp.js?v=1555101866" charset="utf-8"></script>
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36<div id="wm-ipp-base" lang="en" style="display:none;direction:ltr;">
37<div id="wm-ipp" style="position:fixed;left:0;top:0;right:0;">
38<div id="wm-ipp-inside">
39 <div style="position:relative;">
40 <div id="wm-logo" style="float:left;width:130px;padding-top:10px;">
41 <a href="/web/" title="Wayback Machine home page"><img src="/static/images/toolbar/wayback-toolbar-logo.png" alt="Wayback Machine" width="110" height="39" border="0" /></a>
42 </div>
43 <div class="r" style="float:right;">
44 <div id="wm-btns" style="text-align:right;height:25px;">
45 <div id="wm-save-snapshot-success">success</div>
46 <div id="wm-save-snapshot-fail">fail</div>
47 <a href="#"
48 onclick="__wm.saveSnapshot('http://three.god.jp/', '20180318205802')"
49 title="Share via My Web Archive"
50 id="wm-save-snapshot-open"
51 >
52 <span class="iconochive-web"></span>
53 </a>
54 <a href="https://archive.org/account/login.php"
55 title="Sign In"
56 id="wm-sign-in"
57 >
58 <span class="iconochive-person"></span>
59 </a>
60 <span id="wm-save-snapshot-in-progress" class="iconochive-web"></span>
61 <a href="http://faq.web.archive.org/" title="Get some help using the Wayback Machine" style="top:-6px;"><span class="iconochive-question" style="color:rgb(87,186,244);font-size:160%;"></span></a>
62 <a id="wm-tb-close" href="#close" onclick="__wm.h(event);return false;" style="top:-2px;" title="Close the toolbar"><span class="iconochive-remove-circle" style="color:#888888;font-size:240%;"></span></a>
63 </div>
64 <div id="wm-share" style="text-align:right;">
65 <a href="#" onclick="window.open('https://www.facebook.com/sharer/sharer.php?u=https://web.archive.org/web/20180318205802/http://three.god.jp/', '', 'height=400,width=600'); return false;" title="Share on Facebook" style="margin-right:5px;" target="_blank"><span class="iconochive-facebook" style="color:#3b5998;font-size:160%;"></span></a>
66 <a href="#" onclick="window.open('https://twitter.com/intent/tweet?text=https://web.archive.org/web/20180318205802/http://three.god.jp/&via=internetarchive', '', 'height=400,width=600'); return false;" title="Share on Twitter" style="margin-right:5px;" target="_blank"><span class="iconochive-twitter" style="color:#1dcaff;font-size:160%;"></span></a>
67 </div>
68 </div>
69 <table class="c" style="">
70 <tbody>
71 <tr>
72 <td class="u" colspan="2">
73 <form target="_top" method="get" action="/web/submit" name="wmtb" id="wmtb"><input type="text" name="url" id="wmtbURL" value="http://three.god.jp/" onfocus="this.focus();this.select();" /><input type="hidden" name="type" value="replay" /><input type="hidden" name="date" value="20180318205802" /><input type="submit" value="Go" /></form>
74 </td>
75 <td class="n" rowspan="2" style="width:110px;">
76 <table>
77 <tbody>
78 <!-- NEXT/PREV MONTH NAV AND MONTH INDICATOR -->
79 <tr class="m">
80 <td class="b" nowrap="nowrap"><a href="https://web.archive.org/web/20170425231525/http://three.god.jp:80/" title="25 Apr 2017"><strong>Apr</strong></a></td>
81 <td class="c" id="displayMonthEl" title="You are here: 20:58:02 Mar 18, 2018">MAR</td>
82 <td class="f" nowrap="nowrap"><a href="https://web.archive.org/web/20181114192827/http://three.god.jp/" title="14 Nov 2018"><strong>Nov</strong></a></td>
83 </tr>
84 <!-- NEXT/PREV CAPTURE NAV AND DAY OF MONTH INDICATOR -->
85 <tr class="d">
86 <td class="b" nowrap="nowrap"><a href="https://web.archive.org/web/20170425231525/http://three.god.jp:80/" title="23:15:25 Apr 25, 2017"><img src="/static/images/toolbar/wm_tb_prv_on.png" alt="Previous capture" width="14" height="16" border="0" /></a></td>
87 <td class="c" id="displayDayEl" style="width:34px;font-size:24px;white-space:nowrap;" title="You are here: 20:58:02 Mar 18, 2018">18</td>
88 <td class="f" nowrap="nowrap"><a href="https://web.archive.org/web/20181114192827/http://three.god.jp/" title="19:28:27 Nov 14, 2018"><img src="/static/images/toolbar/wm_tb_nxt_on.png" alt="Next capture" width="14" height="16" border="0" /></a></td>
89 </tr>
90 <!-- NEXT/PREV YEAR NAV AND YEAR INDICATOR -->
91 <tr class="y">
92 <td class="b" nowrap="nowrap"><a href="https://web.archive.org/web/20170213083155/http://three.god.jp/" title="13 Feb 2017"><strong>2017</strong></a></td>
93 <td class="c" id="displayYearEl" title="You are here: 20:58:02 Mar 18, 2018">2018</td>
94 <td class="f" nowrap="nowrap">2019</td>
95 </tr>
96 </tbody>
97 </table>
98 </td>
99 </tr>
100 <tr>
101 <td class="s">
102 <div id="wm-nav-captures">
103 <a class="t" href="/web/20180318205802*/http://three.god.jp/" title="See a list of every capture for this URL">26 captures</a>
104 <div class="r" title="Timespan for captures of this URL">27 Feb 2015 - 14 Nov 2018</div>
105 </div>
106 </td>
107 <td class="k">
108 <a href="" id="wm-graph-anchor">
109 <div id="wm-ipp-sparkline" title="Explore captures for this URL" style="position: relative">
110 <canvas id="wm-sparkline-canvas" width="600" height="27" border="0"></canvas>
111 </div>
112 </a>
113 </td>
114 </tr>
115 </tbody>
116 </table>
117 <div style="position:absolute;bottom:0;right:2px;text-align:right;">
118 <a id="wm-expand" class="wm-btn wm-closed" href="#expand" onclick="__wm.ex(event);return false;"><span id="wm-expand-icon" class="iconochive-down-solid"></span> <span style="font-size:80%">About this capture</span></a>
119 </div>
120 </div>
121 <div id="wm-capinfo" style="border-top:1px solid #777;display:none; overflow: hidden">
122 <div style="background-color:#666;color:#fff;font-weight:bold;text-align:center">COLLECTED BY</div>
123 <div style="padding:3px;position:relative" id="wm-collected-by-content">
124 <div style="display:inline-block;vertical-align:top;width:50%;">
125 <span class="c-logo" style="background-image:url(https://archive.org/services/img/webwidecrawl);"></span>
126 Organization: <a style="color:#33f;" href="https://archive.org/details/webwidecrawl" target="_new"><span class="wm-title">Internet Archive</span></a>
127 <div style="max-height:75px;overflow:hidden;position:relative;">
128 <div style="position:absolute;top:0;left:0;width:100%;height:75px;background:linear-gradient(to bottom,rgba(255,255,255,0) 0%,rgba(255,255,255,0) 90%,rgba(255,255,255,255) 100%);"></div>
129 The Internet Archive discovers and captures web pages through many different web crawls.
130
131At any given time several distinct crawls are running, some for months, and some every day or longer.
132
133View the web archive through the <a href="http://archive.org/web/web.php">Wayback Machine</a>.
134 </div>
135 </div>
136 <div style="display:inline-block;vertical-align:top;width:49%;">
137 <span class="c-logo" style="background-image:url(https://archive.org/services/img/survey_00007)"></span>
138 <div>Collection: <a style="color:#33f;" href="https://archive.org/details/survey_00007" target="_new"><span class="wm-title">Survey Crawl Number 7</span></a></div>
139 <div style="max-height:75px;overflow:hidden;position:relative;">
140 <div style="position:absolute;top:0;left:0;width:100%;height:75px;background:linear-gradient(to bottom,rgba(255,255,255,0) 0%,rgba(255,255,255,0) 90%,rgba(255,255,255,255) 100%);"></div>
141 This "Survey" crawl was started on Feb. 24, 2018.<p>This crawl was run with a Heritrix setting of "maxHops=0" (URLs including their embeds)<br></p><p>Survey 7 is based on a seed list of 339,249,218 URLs which is all the URLs in the Wayback Machine that we saw a 200 response code from in 2017 based on a query we ran on Feb. 1st, 2018. <br></p><p>The WARC files associated with this crawl are not currently available to the general public.</p>
142 </div>
143 </div>
144 </div>
145 <div style="background-color:#666;color:#fff;font-weight:bold;text-align:center" title="Timestamps for the elements of this page">TIMESTAMPS</div>
146 <div>
147 <div id="wm-capresources" style="margin:0 5px 5px 5px;max-height:250px;overflow-y:scroll !important"></div>
148 <div id="wm-capresources-loading" style="text-align:left;margin:0 20px 5px 5px;display:none"><img src="/static/images/loading.gif" alt="loading" /></div>
149 </div>
150 </div></div></div></div><script type="text/javascript">
151__wm.bt(600,27,25,2,"web","http://three.god.jp/","2018-03-18",1996,"/static/",['css/banner-styles.css','css/iconochive.css']);
152</script>
153<!-- END WAYBACK TOOLBAR INSERT --><html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
154
155<!--- * THEME BY VIVI( scindeva / violavox @ tumblr ) --->
156<!--- * do NOT copypaste and splice any of my code into your own, thank you! --->
157<head prefix="og: http://ogp.me/ns# fb: http://ogp.me/ns/fb# blog: http://ogp.me/ns/blog#">
158
159 <title>RAID OF REDEMPTION.</title>
160 <style>figure{margin:0}.tmblr-iframe{position:absolute}.tmblr-iframe.hide{display:none}.tmblr-iframe--amp-cta-button{visibility:hidden;position:fixed;bottom:10px;left:50%;transform:translateX(-50%);z-index:100}.tmblr-iframe--amp-cta-button.tmblr-iframe--loaded{visibility:visible;animation:iframe-app-cta-transition .2s ease-out}</style><link rel="shortcut icon" href="https://web.archive.org/web/20180318205802im_/http://78.media.tumblr.com/avatar_6b45898538aa_128.pnj">
161 <link rel="alternate" type="application/rss+xml" href="https://web.archive.org/web/20180318205802/http://three.god.jp/rss">
162
163 <meta name="description" content="indie Three of Drakengard 3"/>
164
165
166
167<!--- IMAGES --->
168<meta name="image:Background Image" content=""/>
169
170
171<!--- TEXT COLORS --->
172<meta name="color:Text" content="#494949"/>
173<meta name="color:Bolded Text" content="#473729"/>
174<meta name="color:Italic Text" content="#e5e5e5"/>
175<meta name="color:Text Link" content="#ffffff"/>
176<meta name="color:Tags" content="#cecece"/>
177
178<!--- NAVIGATION --->
179<meta name="text:Link01 Text" content="extra (popup) link 1">
180<meta name="text:Link02 Text" content="extra (popup) link 2"/>
181<meta name="text:Link03 Text" content="extra (popup) link 3"/>
182
183<!--- SCRIPTS --->
184<script src="https://web.archive.org/web/20180318205802js_/http://ajax.googleapis.com/ajax/libs/jquery/1.7/jquery.min.js"></script>
185
186 <!--- tooltips --->
187 <script src="https://web.archive.org/web/20180318205802js_/http://static.tumblr.com/iuw14ew/VSQma1786/jquery.style-my-tooltips.js"></script>
188 <script>
189 (function($){
190 $(document).ready(function(){
191 $("a[title]").style_my_tooltips({
192 tip_follows_cursor:true,
193 tip_delay_time:0,
194 tip_fade_speed:0,
195 attribute:"title"
196 });
197 });
198 })(jQuery);
199 </script>
200
201
202 <!--- popups --->
203 <script type="text/javascript" src="https://web.archive.org/web/20180318205802js_/http://ajax.googleapis.com/ajax/libs/jquery/1.4.1/jquery.min.js"></script>
204 <script>
205 $(document).ready(function() {
206 //
207 $('a.poplight[href^=#]').click(function() {
208 var popID = $(this).attr('rel');
209 var popURL = $(this).attr('href');
210 var query= popURL.split('?');
211 var dim= query[1].split('&');
212 var popWidth = dim[0].split('=')[1];
213 $('#' + popID).fadeIn().css({ 'width': Number( popWidth ) }).prepend('<a href="#" class="close"');
214 var popMargTop = ($('#' + popID).height() + 80) / 2;
215 var popMargLeft = ($('#' + popID).width() + 80) / 2;
216 //Apply Margin to Popup
217 $('#' + popID).css({
218 'margin-top' : -popMargTop,
219 'margin-left' : -popMargLeft
220 });
221 $('body').append('<div id="fade"></div>');
222 $('#fade').css({'filter' : 'alpha(opacity=80)'}).fadeIn();
223 return false;
224 });
225 $('a.close, #fade').live('click', function() {
226 $('#fade , .popup_block').fadeOut(function() {
227 $('#fade, a.close').remove();
228 });
229 return false;
230 });
231 });
232 </script>
233
234<style type="text/css">
235
236
237/** FONTS **/
238@import url('https://web.archive.org/web/20180318205802cs_/https://fonts.googleapis.com/css?family=Courgette');
239@import url('https://web.archive.org/web/20180318205802cs_/https://fonts.googleapis.com/css?family=Brawler');
240@import url('https://web.archive.org/web/20180318205802cs_/https://fonts.googleapis.com/css?family=Oswald');
241
242/** scrollbar **/
243
244 ::-webkit-scrollbar {
245 background:#ffffff opacity:0.7;
246 height:6px;
247 width:6px;
248 }
249
250 ::-webkit-scrollbar-thumb:vertical {
251 background-color:#ffffff;
252 height:6px;
253 border-right:2px solid #d4c0e4;
254 border-left:0px solid #d4c0e4;
255 border-top:0px solid #d4c0e4;
256 border-bottom:1px solid #d4c0e4;
257 box-shadow:1px 1px 0px #d4c0e4;
258 }
259
260 ::-webkit-scrollbar-thumb:horizontal {
261 background-color:#d4c0e4;
262 height:6px;
263 }
264
265 ::-webkit-scrollbar-button:start:decrement,
266 ::-webkit-scrollbar-button:end:increment{
267 display:block;
268 height:7px;
269 background-color:#ffffff;
270 border-right:2px solid #d4c0e4;
271 border-bottom:2px solid #d4c0e4;
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273
274
275/** highlight **/
276
277 ::selection {
278 color: #c59ce5;
279 text-shadow: 1px 1px 1px #fdccdb;
280}
281
282
283/** tooltips **/
284
285#s-m-t-tooltip {
286 background-color: #faedfa;
287 color: #9063b2;
288 font-family: 'Oswald', sans-serif;
289 text-transform:uppercase;
290 font-size: 12px;
291 margin-top:-10px;
292 margin-left:15px;
293 padding:5px;
294 z-index: 999999;
295 transition: all 0.4s ease-in-out;
296}
297
298body {
299 background-image:url(https://web.archive.org/web/20180318205802im_/http://static.tumblr.com/b68759b882ee1e662805f1c2aee334cf/hxhrbud/vKBohbjep/tumblr_static_cxod4wda1bwcowgs4g0g4kc8w.png);
300 background-color:#f2f0f0;
301 background-attachment:fixed;
302 background-repeat:no-repeat;
303 color: #5e3f65;
304 font-family:'helvetica';
305 font-size:11px;
306 overflow:hidden;
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309img {
310 max-width: 100%;
311 text-align: center;
312 opacity: 0.6;
313 transition: all 0.4s ease-in-out;
314}
315
316img:hover {
317 opacity: 1;
318 transition: all 0.4s ease-in-out;
319}
320
321iframe.photoset {
322 opacity: 0.6;
323 transition: all 0.4s ease-in-out;
324}
325
326iframe.photoset:hover {
327 opacity: 1;
328 transition: all 0.4s ease-in-out;
329}
330
331table {
332 background-color: #e8e5e8;
333 border-left: 4px solid #a480c1;
334 border-right: 4px solid #a480c1;
335 border-radius: 10px;
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337
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341 color: #c0a1df;
342 font-family: 'Courgette', cursive;
343 font-size:13px;
344 text-decoration:none;
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346 transition: all 0.4s ease-in-out;
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350 color: #8686e8;
351 text-shadow: 1px 1px 1px #879def;
352 transition: all 0.4s ease-in-out;
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356 color: #b997ce;
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362 font-size:12px;
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365u {
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402 padding-left: 5px;
403 border-left: 2px solid #d6c8e8;
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406hr {
407 background-image:url('https://web.archive.org/web/20180318205802im_/http://static.tumblr.com/hxhrbud/vC9oaggbl/skizzors.png');
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409 height:50px;
410 border:none;
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412
413
414/** permalink & tags **/
415
416#permalink {
417 position: relative;
418 background-color: #e4e1e9;
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420 font-size:12px;
421 text-align:center;
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423 width:200px;
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443 font-size:10px;
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469.entry:hover #tags {
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472 -webkit-transition-duration: 1s;
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476.tagsa {
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513 margin-top: 15px;
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515
516
517/** navigation links **/
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831<!-- Wikplayer code end -->
832
833
834
835<!--- title/description/navigation --->
836<div id="descript">
837
838<h3>OF INQUIRY</h3>
839ind. selective
840<br><i>Lady Three</i>
841<br>of Drakengard 3
842
843<br><br>as written by vivi.
844<br><br>read rules <b>before</b> following
845<h3>OF OBSESSION</h3>
846<i>"she’s a violet disease, violence covered in soul."</i>
847<br><br>
848#scindeva
849
850<h3>EXCLUSIVES</h3>
851<a href="https://web.archive.org/web/20180318205802/http://lxyalmarquis.tumblr.com/" title="xiahou dun"><img src="https://web.archive.org/web/20180318205802im_/http://static.tumblr.com/hxhrbud/lMgoha5i9/lxyalmarquis.png"></a>
852<a href="https://web.archive.org/web/20180318205802/http://kxrei.tumblr.com/" title="kotomine kirei"><img src="https://web.archive.org/web/20180318205802im_/http://static.tumblr.com/hxhrbud/1Rmoha5fa/kxrei.png"></a>
853<a href="https://web.archive.org/web/20180318205802/http://viperyean.tumblr.com/" title="yuuki terumi"><img src="https://web.archive.org/web/20180318205802im_/http://static.tumblr.com/hxhrbud/x6soha5zv/viperyean.png" < a>
854<a href="https://web.archive.org/web/20180318205802/http://infiniitas.tumblr.com/" title="caius ballad"><img src="https://web.archive.org/web/20180318205802im_/http://static.tumblr.com/hxhrbud/jPDoha5m5/infiniitas.png"></a>
855<br>
856<a href="https://web.archive.org/web/20180318205802/http://skopertan.tumblr.com/" title="fc: skai jackson"><img src="https://web.archive.org/web/20180318205802im_/http://static.tumblr.com/hxhrbud/t1Voha6gj/rosehaired.png"></a>
857<a href="https://web.archive.org/web/20180318205802/http://maskedpride.tumblr.com/" title="han jumin"><img src="https://web.archive.org/web/20180318205802im_/http://static.tumblr.com/hxhrbud/Ie8ohasa2/maskedpride.png" < a>
858</div>
859
860<div class="phoenix1"><a href="/web/20180318205802/http://three.god.jp/" title="return" class="phoenix1a">✦</a></div>
861
862<div class="phoenix2"><a href="/web/20180318205802/http://three.god.jp/ask" title="inquiry" class="phoenix2a">✦</a></div>
863
864<div class="phoenix3"><a href="#?w=400" rel="02" title="obey" class="poplight">✦</a></div>
865
866<div class="phoenix4"><a href="#?w=400" rel="03" title="learn" class="poplight">✦</a></div>
867
868<div class="phoenix5"><a href="#?w=400" rel="04" title="branches" class="poplight">✦</a></div>
869
870<div class="phoenix6"><a href="#?w=400" rel="05" title="more" class="poplight">✦</a></div>
871
872
873<!--- pagination --->
874
875
876
877<a class="next" href="/web/20180318205802/http://three.god.jp/page/2">↪</a>
878
879
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882<!--- posts --->
883
884<div id="nina">
885
886
887<div class="entry">
888
889
890<h1></h1>
891<p><a href="https://web.archive.org/web/20180318205802/http://problematicdirectory.tumblr.com/post/167117719759/hello-aku-as-a-team-we-didnt-desire-for-any" class="tumblr_blog" target="_blank">problematicdirectory</a>:</p><blockquote><p>Hello, Aku. As a team, we didn’t desire for any of this to come to this point. However, we’ve seen that despite us approaching you about your behavior civilly you’ve refused to keep people’s names out of your mouth. We’ve reached a breaking point regarding your seeming obsession and blatantly bad behavior in regards to multiple blogs. Knowing you, you will undoubtedly chalk up everything within this callout post, should you even bother to read it, to being mere bullying against you in an attempt at playing the victim and shrugging off your obligation to take responsibility for your actions. We are sure your inner circle, as usual, will come to your aid and support and validate you in being a ‘good person’ when you, in fact, are an <b>ABUSIVE BULLY</b> – one who has a long history of repeating this behavior towards people you either deem as elitist or someone who has become the focus of your obsessive jealousy. We wish we could say that we’re surprised that you continue to treat others in such a childish and unnecessary fashion, but sadly we’re not.</p><p>It’s fairly evident that leaving you alone and pretending you don’t exist will not encourage you to leave people alone. As a result, we’re forced to resort to a method that even we, as a team, don’t entirely agree with, with the hopes that maybe, this time, you will finally realize that your actions are not contained in a bubble and they have real consequences.</p><blockquote><p> <a href="https://web.archive.org/web/20180318205802/https://t.umblr.com/redirect?z=https%3A%2F%2Fdocs.google.com%2Fdocument%2Fd%2F1nfSEgiLyacDo4D64-kS_facuDlF_bkVdUMHmX7AWJGc%2Fedit%3Fusp%3Dsharing&t=MGU0NmNkNThmOWNmMzk1YzZhNmY5ZmQ5Y2U0ZWQ5ZTgwYTA1MDhkOSxUMlM0cTlpcg%3D%3D&b=t%3AGtRiz9OTS-fGDTU2iNQIUg&p=http%3A%2F%2Fthree.god.jp%2Fpost%2F167126087741%2Fproblematicdirectory-hello-aku-as-a-team-we&m=0" target="_blank"><b>LINK TO THE GOOGLE DOC / 173 PAGES.</b></a></p></blockquote></blockquote>
892
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895
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909
910<!--- permalinks --->
911
912<div id="permalink">
913<a href="https://web.archive.org/web/20180318205802/http://three.god.jp/post/167126087741/problematicdirectory-hello-aku-as-a-team-we" class="permadate" title="4 months ago">1142017</a> &&
914
915<a href="https://web.archive.org/web/20180318205802/http://three.god.jp/post/167126087741/problematicdirectory-hello-aku-as-a-team-we" class="permanote" title="131 notes">
916131</a>
917
918<a class="permasrc" href="https://web.archive.org/web/20180318205802/http://whtcoats.tumblr.com/post/167119094557/problematicdirectory-hello-aku-as-a-team-we" title="whtcoats">via</a>
919
920<a class="permasrc" href="https://web.archive.org/web/20180318205802/http://www.tumblr.com/blog/private_344773040?167117719759" title="">src</a>
921<br>
922</div>
923<div id="tags"><a href="https://web.archive.org/web/20180318205802/http://three.god.jp/tagged/callout-cw" class="tagsa">callout cw</a> , <a href="https://web.archive.org/web/20180318205802/http://three.god.jp/tagged/rolls-back-here-to-support-j-n-other-victims" class="tagsa">rolls back here to support j n other victims</a> , <a href="https://web.archive.org/web/20180318205802/http://three.god.jp/tagged/when-i-first-read-this-i-had-flashbacks-at-some-points-like" class="tagsa">when i first read this i had flashbacks at some points like</a> , <a href="https://web.archive.org/web/20180318205802/http://three.god.jp/tagged/imagine-being-this-ugly-%21%21" class="tagsa">imagine being this ugly !!</a> , <a href="https://web.archive.org/web/20180318205802/http://three.god.jp/tagged/%E2%96%90%E2%96%92-%2A-my-queues-are-nice-queues" class="tagsa">â–â–’ * my queues are nice queues</a> , </div>
924
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928
929</div> <!-- end div entry --->
930
931
932<div class="entry">
933
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936
937<a href="https://web.archive.org/web/20180318205802/http://three.god.jp/image/166543805072"><center><img src="https://web.archive.org/web/20180318205802im_/http://78.media.tumblr.com/95e5ceec0fb9835aba06f3604f8ef05e/tumblr_oy19oclZi01ted1aoo1_400.jpg"/></center></a>
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955<!--- permalinks --->
956
957<div id="permalink">
958<a href="https://web.archive.org/web/20180318205802/http://three.god.jp/post/166543805072" class="permadate" title="5 months ago">10182017</a> &&
959
960<a href="https://web.archive.org/web/20180318205802/http://three.god.jp/post/166543805072" class="permanote" title="12 notes">
96112</a>
962
963
964
965
966<br>
967</div>
968<div id="tags"><a href="https://web.archive.org/web/20180318205802/http://three.god.jp/tagged/thats-it-thats-all-i-logged-in-to-say" class="tagsa">thats it thats all i logged in to say</a> , <a href="https://web.archive.org/web/20180318205802/http://three.god.jp/tagged/new-drakengard-if-he-gets-paid-enough-u-say" class="tagsa">new drakengard if he gets paid enough u say</a> , </div>
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974</div> <!-- end div entry --->
975
976
977<div class="entry">
978
979
980<h1></h1>
981<p><small><a class="username" href="https://web.archive.org/web/20180318205802/http://shadowspath.tumblr.com/" data-peepr="{"tumblelog":"shadowspath"}" target="_blank">shadowspath</a> replied to your <a class="notification_target" href="https://web.archive.org/web/20180318205802/http://scindeva.tumblr.com/post/163660661967/so-irisviels-account-is-literally-broken-because" data-peepr="{"tumblelog":"scindeva","postId":"163660661967"}" target="_blank">post</a>:</small></p><blockquote><div><small>
982 EVERYTHING IS BREAKING I CAN’T GET TO YOUR IMS VIVI WHAT’S HAPPENING </small></div></blockquote><p><span style="font-size: 11.6667px;">CURSED REVELATION I’VE GONE TOO FAR…</span></p>
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1006<a href="https://web.archive.org/web/20180318205802/http://three.god.jp/post/163660789027/shadowspath-replied-to-your-post-everything" class="permanote" title="1 note">
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1014<div id="tags"><a href="https://web.archive.org/web/20180318205802/http://three.god.jp/tagged/shadowspath" class="tagsa">shadowspath</a> , </div>
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1026<h1></h1>
1027<figure data-orig-height="85" data-orig-width="85"><img src="https://web.archive.org/web/20180318205802im_/http://78.media.tumblr.com/ab72c42123d2b5ddfd9f31a553c47e8d/tumblr_inline_otzjezMeXR1sinjct_100.png" data-orig-height="85" data-orig-width="85" width="85" height="85" alt="image"/></figure><p><small>so irisviel’s account is literally broken because i threw money into the ocean so…. hi how are you guys</small></p>
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1049<a href="https://web.archive.org/web/20180318205802/http://three.god.jp/post/163660661967/so-irisviels-account-is-literally-broken-because" class="permadate" title="7 months ago">7312017</a> &&
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1051<a href="https://web.archive.org/web/20180318205802/http://three.god.jp/post/163660661967/so-irisviels-account-is-literally-broken-because" class="permanote" title="5 notes">
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1072<p><span><a href="https://web.archive.org/web/20180318205802/http://gctsugas.tumblr.com/post/163138104208" target="_blank">gctsugas</a></span>:</p><blockquote><figure><img src="https://web.archive.org/web/20180318205802im_/http://78.media.tumblr.com/f274113510ebb545077a891a969d95c5/tumblr_inline_ot9pzg0PDv1v1een5_540.png" class="" alt="image"/></figure><p><small>( ♚ ) ❝ then this would be Hell. ❞</small></p></blockquote><div class="media-holder media-holder-draggable media-holder-figure" contenteditable="false" draggable="true" style="display: block;"><figure class="" data-orig-height="85" data-orig-width="85"><img src="https://web.archive.org/web/20180318205802im_/http://78.media.tumblr.com/e6d8de92e2b4aa1b9cf383687d418fc9/tumblr_inline_otbjubQ9KT1sinjct_100.png" data-img-key="1285" data-orig-height="85" data-orig-width="85" width="85" height="85" alt="image"/></figure></div><p><small> ❝ you’re confused. dolls aren’t hellish.</small><small>❞</small><br/></p><p>(Source: <a href="https://web.archive.org/web/20180318205802/http://scindeva.tumblr.com/post/163120441892/youre-all-dolls" title="scindeva">scindeva</a>)</p>
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1094<a href="https://web.archive.org/web/20180318205802/http://three.god.jp/post/163160201552/gctsugas-then-this-would-be-hell" class="permadate" title="8 months ago">7182017</a> &&
1095
1096<a href="https://web.archive.org/web/20180318205802/http://three.god.jp/post/163160201552/gctsugas-then-this-would-be-hell" class="permanote" title="12 notes">
109712</a>
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1099<a class="permasrc" href="https://web.archive.org/web/20180318205802/http://gctsugas-deactivated20180305.tumblr.com/post/163138104208/scindeva-youre-all-dolls" title="gctsugas-deactivated20180305">via</a>
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1101<a class="permasrc" href="https://web.archive.org/web/20180318205802/http://three.god.jp/post/163120441892/youre-all-dolls" title="scindeva">src</a>
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1103</div>
1104<div id="tags"><a href="https://web.archive.org/web/20180318205802/http://three.god.jp/tagged/gctsugas" class="tagsa">gctsugas</a> , <a href="https://web.archive.org/web/20180318205802/http://three.god.jp/tagged/eeeyy-daniel-%21%21-good-to-see-you-back-%3A%5E%29" class="tagsa">eeeyy daniel !! good to see you back :^)</a> , </div>
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1116<h1></h1>
1117<figure data-orig-height="85" data-orig-width="85"><img src="https://web.archive.org/web/20180318205802im_/http://78.media.tumblr.com/f67b34c9e52ac3691972b33ce662f740/tumblr_inline_ot9ox6zRDV1sinjct_100.png" data-orig-height="85" data-orig-width="85" width="85" height="85" alt="image"/></figure><p><small> ❝ you’re all dolls. </small><small>❞</small><br/></p>
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1139<a href="https://web.archive.org/web/20180318205802/http://three.god.jp/post/163120441892/youre-all-dolls" class="permadate" title="8 months ago">7172017</a> &&
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1141<a href="https://web.archive.org/web/20180318205802/http://three.god.jp/post/163120441892/youre-all-dolls" class="permanote" title="12 notes">
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1149<div id="tags"><a href="https://web.archive.org/web/20180318205802/http://three.god.jp/tagged/maaaann" class="tagsa">maaaann</a> , <a href="https://web.archive.org/web/20180318205802/http://three.god.jp/tagged/i-miss-three-so-much" class="tagsa">i miss three so much</a> , <a href="https://web.archive.org/web/20180318205802/http://three.god.jp/tagged/my-apathetic-morally-askew-princess-when-will-i-find-direction-for-you-again" class="tagsa">my apathetic morally askew princess when will i find direction for you again</a> , </div>
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1173<div id="mplayer"><span id="audio_player_163120266597"><div class="audio_player"><iframe class="tumblr_audio_player tumblr_audio_player_163120266597" src="https://web.archive.org/web/20180318205802if_/http://three.god.jp/post/163120266597/audio_player_iframe/scindeva/tumblr_m0x1dpYtio1r0fb2j?audio_file=https%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fscindeva%2F163120266597%2Ftumblr_m0x1dpYtio1r0fb2j&color=white&simple=1" frameborder="0" allowtransparency="true" scrolling="no" width="207" height="27"></iframe></div></span> </div>
1174<div id="audioinfo">
1175<div class="aline"><b>Track Name: </b> Pain</div>
1176<div class="aline"><b>Artist:</b> Ayreon</div>
1177<div class="aline"><b>Album:</b> The Human Equation</div>
1178<div class="aline"><b>Play count:</b> 3142</div>
1179</div><!--audioinfo-->
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1189<a href="https://web.archive.org/web/20180318205802/http://three.god.jp/post/163120266597/ambitiousbard-i-am-pain-i-am-the-wound-that" class="permadate" title="8 months ago">7172017</a> &&
1190
1191<a href="https://web.archive.org/web/20180318205802/http://three.god.jp/post/163120266597/ambitiousbard-i-am-pain-i-am-the-wound-that" class="permanote" title="127 notes">
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1194<a class="permasrc" href="https://web.archive.org/web/20180318205802/http://organdoom-deactivated20180211.tumblr.com/post/163119979528/ambitiousbard-i-am-pain-i-am-the-wound-that-never" title="organdoom-deactivated20180211">via</a>
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1196<a class="permasrc" href="https://web.archive.org/web/20180318205802/http://shonensupreme.tumblr.com/post/19336855569/i-am-pain-i-am-the-wound-that-never-heals" title="shonensupreme">src</a>
1197<br>
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1199<div id="tags"><a href="https://web.archive.org/web/20180318205802/http://three.god.jp/tagged/oh-man-i-remember-ayreon" class="tagsa">oh man i remember ayreon</a> , <a href="https://web.archive.org/web/20180318205802/http://three.god.jp/tagged/the-human-equation-is-my-jam" class="tagsa">the human equation is my jam</a> , <a href="https://web.archive.org/web/20180318205802/http://three.god.jp/tagged/i-forgot-my-music-tag" class="tagsa">i forgot my music tag</a> , </div>
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1211<h1></h1>
1212<p><a class="tumblr_blog" href="https://web.archive.org/web/20180318205802/http://snout.tumblr.com/post/137038966915" target="_blank">snout</a>:</p><blockquote><p>being a macroorganism is so stressful. i want to know what my cells are doing. I don’t like how unsupervised they are</p></blockquote>
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1234<a href="https://web.archive.org/web/20180318205802/http://three.god.jp/post/162327986382/snout-being-a-macroorganism-is-so-stressful-i" class="permadate" title="8 months ago">6272017</a> &&
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1236<a href="https://web.archive.org/web/20180318205802/http://three.god.jp/post/162327986382/snout-being-a-macroorganism-is-so-stressful-i" class="permanote" title="226,217 notes">
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1239<a class="permasrc" href="https://web.archive.org/web/20180318205802/http://threeplz.tumblr.com/post/143331935813/snout-being-a-macroorganism-is-so-stressful-i" title="threeplz">via</a>
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1241<a class="permasrc" href="https://web.archive.org/web/20180318205802/http://snout.tumblr.com/post/137038966915/being-a-macroorganism-is-so-stressful-i-want-to" title="snout">src</a>
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1257<p><small>imagine being so utterly at the bottom of the barrel that you still use the vernacular “butthurt”</small></p>
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1279<a href="https://web.archive.org/web/20180318205802/http://three.god.jp/post/162056306087/imagine-being-so-utterly-at-the-bottom-of-the" class="permadate" title="9 months ago">6202017</a> &&
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1281<a href="https://web.archive.org/web/20180318205802/http://three.god.jp/post/162056306087/imagine-being-so-utterly-at-the-bottom-of-the" class="permanote" title="2 notes">
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1301<h1> call out for frcisier </h1>
1302<p><a href="https://web.archive.org/web/20180318205802/http://silencedglaive.tumblr.com/post/162053874960/call-out-for-frcisier" class="tumblr_blog" target="_blank">silencedglaive</a>:</p><blockquote><p><a href="https://web.archive.org/web/20180318205802/http://garnetorbed.tumblr.com/post/162053483841/call-out-for-frcisier" class="tumblr_blog" target="_blank">garnetorbed</a>:</p><blockquote><p><span><a href="https://web.archive.org/web/20180318205802/http://grandjustice.tumblr.com/post/162053342570" target="_blank">grandjustice</a></span>:</p><blockquote><hr/><p>hi so i’ve been around tumblr rp fandom for about 6-7 years now. through that i’ve experienced a lot of problematic culture, and the person i’d like to address is this tumblr user for being very close minded and very bigoted. i’m not about ruining people’s reputation, but i believe that some of this user’s actions need to come to light.</p><p>starting off, they believe in gender binary and very rude towards people who express that it’s not just some ‘special snowflake’ thing. it is 2017, and the more open minded we are, the better we as a whole are. but maverick keeps showing her bigoted side, and shows she isn’t as much of a good, open, person as you’d like to believe.</p><figure class="tmblr-full"><img src="https://web.archive.org/web/20180318205802im_/http://78.media.tumblr.com/de6b31435a1253adc48a4d56da6b0752/tumblr_inline_oruz8mEUHo1v0hapf_540.png" class="" alt="image"/></figure><figure class="tmblr-full"><img src="https://web.archive.org/web/20180318205802im_/http://78.media.tumblr.com/70ee258f72644a43d3ff5bc3cecaa132/tumblr_inline_oruzid61Qg1v0hapf_540.png" class="" alt="image"/></figure><p><br/></p><p>strange, isn’t it ? first saying you’re sorry, but actually turning right around and being a total douche by saying ‘lmao just kidding !111!!!’ like ? come on now, how old are you ?? grow the fuck up and open up for to be accepting. break the chain.</p><p>next i’d like to address the idea of racism. “As someone who has been unfollowed for being a black mun, it is absolutely true that racism still exists even in the rp scene.” An unknown friend.</p><figure class="tmblr-full"><img src="https://web.archive.org/web/20180318205802im_/http://78.media.tumblr.com/c6802f048860339de47bcfdf4679950c/tumblr_inline_oruzfluVSR1v0hapf_540.png" class="" alt="image"/></figure><figure class="tmblr-full"><img src="https://web.archive.org/web/20180318205802im_/http://78.media.tumblr.com/895f074910ad018857c60c30e666bac7/tumblr_inline_oruzg9njl81v0hapf_540.png" class="" alt="image"/></figure><p>unfortunately, there’s much more to this and i’m unable to put them into a single post. if you have more info, please be free to add, <i>and maverick, if you genuinely feel like i’ve tarnished you, please come speak to me. i’m just putting your bigotry out in the open so people may finally see what they’re getting into by following you.</i></p></blockquote><p>Just gonna add my own screencaps from a private conversation that I had with her from my <span><a class="tumblelog" href="https://web.archive.org/web/20180318205802/https://tmblr.co/mK0WHqMTxE1hztr1h80syow" target="_blank">@fatedcat</a></span>​ profile. COME CHAT IF YA’LL LIKE. My inbox is always open if anyone needs to talk about the discomfort they faced from this type of bigotry because it is NOT OKAY. Alright, onto the caps!</p><div class="media-holder media-holder-draggable media-holder-figure" contenteditable="false" draggable="true" style="display: block;"><figure class="tmblr-full" data-orig-height="461" data-orig-width="690"><img src="https://web.archive.org/web/20180318205802im_/http://78.media.tumblr.com/a83abe9ea7df3d079c9962cfcd37e988/tumblr_inline_oruztyudNx1sc2nj0_500.png" data-img-key="559" data-orig-height="461" data-orig-width="690" width="500" height="334" alt="image"/></figure></div><p class="fake"><br/></p><div class="media-holder media-holder-draggable media-holder-figure" contenteditable="false" draggable="true" style="display: block;"><figure class="tmblr-full" data-orig-height="507" data-orig-width="672"><img src="https://web.archive.org/web/20180318205802im_/http://78.media.tumblr.com/64a97eb029044f4ad434e5ebe3233fcd/tumblr_inline_oruztzAtXq1sc2nj0_500.png" data-img-key="560" data-orig-height="507" data-orig-width="672" width="500" height="377" alt="image"/></figure></div></blockquote><p>figured i should also include this little gem. because you can’t just dismiss the importance of queer characters in media. that’s not okay.<br/></p><figure class="tmblr-full" data-orig-height="422" data-orig-width="337"><img src="https://web.archive.org/web/20180318205802im_/http://78.media.tumblr.com/102273f2f5a4f5ebc9e64cebdbc4e555/tumblr_inline_orv0e4z5mP1u708jn_400.png" data-orig-height="422" data-orig-width="337" width="337" height="422" alt="image"/></figure></blockquote>
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1324<a href="https://web.archive.org/web/20180318205802/http://three.god.jp/post/162056152882/call-out-for-frcisier" class="permadate" title="9 months ago">6202017</a> &&
1325
1326<a href="https://web.archive.org/web/20180318205802/http://three.god.jp/post/162056152882/call-out-for-frcisier" class="permanote" title="110 notes">
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1329<a class="permasrc" href="https://web.archive.org/web/20180318205802/http://dragon.co.vu/post/162055046075/call-out-for-frcisier" title="shouxryuuxha">via</a>
1330
1331<a class="permasrc" href="https://web.archive.org/web/20180318205802/http://grandjustice.tumblr.com/post/162053342570/call-out-for-frcisier" title="grandjustice">src</a>
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1333</div>
1334<div id="tags"><a href="https://web.archive.org/web/20180318205802/http://three.god.jp/tagged/callout-cw" class="tagsa">callout cw</a> , <a href="https://web.archive.org/web/20180318205802/http://three.god.jp/tagged/racism-cw" class="tagsa">racism cw</a> , <a href="https://web.archive.org/web/20180318205802/http://three.god.jp/tagged/transphobia-cw" class="tagsa">transphobia cw</a> , <a href="https://web.archive.org/web/20180318205802/http://three.god.jp/tagged/lMAO-DISGUSTING" class="tagsa">lMAO DISGUSTING</a> , <a href="https://web.archive.org/web/20180318205802/http://three.god.jp/tagged/its-our-year-2017-and-people-like-this-still-exist-and-run-rampant-how-nasty" class="tagsa">its our year 2017 and people like this still exist and run rampant how nasty</a> , </div>
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1455
1456<div id="02" class="popup_block">
1457<h1>PART ONE</h1>
1458
1459this is an independent roleplay blog for <b>Lady Three of Drakengard 3,</b> established june 19th 2014. this portrayal is selective, private, closed ship, and exclusive upon request and is managed by a 25-year-old thai girl you can call <i><b>vivi</b></i>.
1460<br><br>
1461all common courtesy applies - no godmod, metagame, or otherwise being a shitty person. i will softblock you if you interact with known abusers or people my friends take issue with. <u>what's mine is not yours - do not steal from me, imitate me, or take suspicious amounts of "inspiration" from me.</u>
1462<br><br>
1463the image used in the main body of these theme was commissioned from the incredible <a href="https://web.archive.org/web/20180318205802/http://magatsumandala.tumblr.com/">selena.</a> all actual blog assets are of my own creation, none of which -- to the best of my verifications -- have been made using the art of artists who have expressly prohibited the use of their work.
1464
1465<h1>PART TWO</h1>
1466
1467drakengard is a grimdark narrative, so themes of <b>violence</b> ( especially sororicide ), <b>sexual situations</b>, <b>death</b>, and allusions to <i>body horror</i> may be present in my writing at times. i tag all common triggers + those mentioned in my mutuals' rules as "___ cw". i use "for ts" for tumblr-related content such as long posts or mundays. please tag gore and trypophobia for me.
1468<br><br>
1469i prefer para-to-novella threads. i welcome OCs and muses from other fandoms and have a variety of verses and AUs in which we can write together if the canon high fantasy setting is not suitable. i don't tend to post starter calls, and more often will initiate threads based on my <a href="https://web.archive.org/web/20180318205802/http://three.god.jp/post/150323952627/also-known-as-starter-calls-are-stressful-so-im">permanent interaction call.</a>
1470<br><br>
1471note that three is canonically psuedo-immortal and while she can be rendered "functionally dead" if her body - or perhaps her head - is destroyed, she will eventually regenerate if the wound was not dealt by a dragon or dragon-based weapon.
1472
1473<h1>PART THREE.</h1>
1474
1475<b>do not follow me if you associate with juliette ( irafatum/acciidie )</b>. i have no interest in sharing social spaces with an abusive, possessive thief with a history of predatory tendencies - <a href="https://web.archive.org/web/20180318205802/http://three.god.jp/post/152610903927/scindeva-callout-post-3-for">these</a> are <a href="https://web.archive.org/web/20180318205802/http://three.god.jp/post/136687077697/">two</a> callout posts regarding her behavior.
1476<br><br>
1477<u>i support and contribute to callout posts on abusers and thieves.</u> i welcome you to blacklist "callout cw" if you don't want to see that kind of content, but i also ask that you save any rants about "we're not in high school anymore callout posts are mean" for another soapbox because i honestly Do Not Careâ„¢
1478<br><br>
1479<img align="left" src="https://web.archive.org/web/20180318205802im_/http://static.tumblr.com/hxhrbud/qVtoagmgt/wowwhatacute.png"><div style="background-color:#e8e5e8; padding:5px; margin-left:75px; border-left:4px solid #a480c1; border-right:4px solid #a480c1; border-radius:10px"> thanks for reading! i won't be asking you to send in a password or to like a post to prove that you've read my rules, and will be trusting you to follow them. i will be able to tell if you don't! again, you can call me <u>vivi</u> and i'm looking forward to writing with you!</div>
1480
1481<h1>MUN.</h1>
1482just to quickly summarize me, the mun, as a person -- my real name is <b>Charity</b> and so long as we're <i>friends</i> you do have full permission to call me so. if not, <i>vivi will do just fine</i>. i'm not related to the final fantasy character and the moniker is actually a shortened version of my personal blog's url at the time. my birthday is march 3rd and i'm a pisces, infj, enneagram type 4w3, and of the melancholic temperament.
1483<br><br>
1484I am an empath with tendencies to appropriate and internalize the feelings of other people, and while I tend to be curious about people I'm also prone to cycles of social evasiveness when worn out. I have very low energy levels and pretty much everything exhausts me, and I take a lot of naps.
1485<br><br>
1486</center></div>
1487
1488<div id="03" class="popup_block">
1489<center>
1490<h1>INQUIRY & OBSESSION</h1>
1491<i>i need new monsters in my head to speak my secret evils with
1492<br>i need new lovers in my bed to be my friends and special pets</i>
1493</center>
1494<br>
1495<table><tbody>
1496<tr>
1497<td width="250px">
1498<b>name:</b> Three/Viola
1499<br><b>age:</b> 2 (chronologically)/23
1500<br><b>birth:</b> February 998
1501<br><b>race:</b> Intoner
1502<br><b>mbti:</b> intp
1503<br><b>temperament:</b> melancholic
1504</td>
1505<td width="140px">
1506<b>eyes:</b> light violet
1507<br><b>hair:</b> violet
1508<br><b>height:</b> 5'6" ( 168cm )
1509<br><b>weight:</b> 121lb ( 55kg )
1510<br><b>alignment:</b> true neutral
1511<br><b>enneagram:</b> 5w4 sp
1512</td>
1513</tr>
1514</tbody></table>
1515
1516<div style="margin-top:20px;"><b>personality snapshot:</b> lazy, apathetic, detached, generally shows no interest towards things bearing no relation to her own hobbies, intelligent & analytical, amoral but innocent, inquisitive, childish, stubborn, inventive, introspective, rationalist, loves dolls and toys, lethargic, lacks work ethnic unless in regards to her own agenda, adopts positions of neutrality, will not actively impede others if they are not of threat to her but will not befriend them either, has tendencies towards “organized chaosâ€, detail-oriented, arrogant, cunning, enigmatic, introverted, doesn’t tend to bond with other people.
1517</div>
1518<br><br>
1519<img align="right" src="https://web.archive.org/web/20180318205802im_/http://static.tumblr.com/hxhrbud/qVtoagmgt/wowwhatacute.png"><div style="background-color:#e8e5e8; padding:5px; margin-right:75px; border-left:4px solid #a480c1; border-right:4px solid #a480c1; border-radius:10px"> Hey! The jist of what you ought to know about Three is just above! If you're still interested, below is a far more in-depth detailing as to her character. It's quite long, so thanks in advance if you decide to read it. Many thanks to lily @ masochisticsadist for allowing me to pull some inspiration from her wonderful layout!</div>
1520
1521<center>
1522<h1>APPEARANCE.</h1>
1523<i>how long your hair has grown; you could strangle a man in it</i>
1524</center>
1525<br>
1526Her palette is one of ivory and black and a variety of shades of violet and lavender, her preference inclined towards dresses and skirts and with no fondness for sleeves. ( but gauntlets are evidently exempt from such disinclination )
1527<br><br>
1528Three is described in canon material as having the prettiest face amongst Zero’s sisters. She is contrived of soft, dainty features, no one quality overtaking the others and instead working in perfect synergy with one-another to create something greater – a beauty found exclusively in the sum of her parts to create this woman whom is best described simply as “prettyâ€.
1529<br><br>
1530She is pale; her skin described as cool to the touch; lily-white, but not transparent. On a superficial level her complexion is clear and flawless, smooth like she were a porcelain doll. Her lips stand out from her ivory skin, colored a rosy pink that provides a perfect contrast from her white-and-violet palette. Such pretty lips she has, it’s a shame she rarely uses them to smile – and when she does, even rarer is it a good omen.
1531<br><br>
1532Her eyes are the color of heliotrope, pretty and almond-shaped and in possession of a gaze so vacant that she is more likely to look right through you than at you. Her stare is so often so empty, but her eyes are in all actuality very expressive little amethyst-colored traitors and are the first to betray Three’s deadpan when she becomes excited, lighting up and becoming animate before even her verbosity is wrought from her pretty mouth.
1533<br><br>But it's her hair you likely notice first. A different shade from her eyes but violet all the same, to the touch her hair is mistakable for silk, but cut haphazardly as she takes a great joy in cutting her hair. These splendid, silken tresses are ever-growing - a side-effect of her nature as an Intoner - and if left unattended can cover the floor of her bedroom within days. It is worth noting that she herself seems to be content with her hair kept somewhat long, given that it doesn't get in the way, and that her shoulder-length cut is done not by her, but by Octa.
1534
1535<center>
1536<h1>IDENTITY.</h1>
1537<i>indifference is the strongest force in the universe. It makes everything it touches meaningless. love and hate don't stand a chance against it - it lets neglect and decay and monstrous injustice go unchecked. it doesn't act, it allows; and that's what gives it so much power.</i>
1538</center>
1539<br>
1540In her own mind Three is naught but a child with her toys, yet outwardly she’s naught but a mad scientist. She carries with her a childlike curiosity, bright-eyed and inquisitive. Her questions often perennial, her stupor torn asunder when her interest is piqued. She is childish and innocent and loves her dolls, but too is she cruel and stubborn. She is possessive of that which she deems as hers, and she may just go to extremes to keep them that way – and reciprocation of such sentiment may not be necessary to her.
1541<br><br>
1542She is apathetic and listless, detached and at times seemingly oblivious to the world around her. Self-contained to great extremes, it's nigh impossible to ascertain her thoughts and feelings due to the degree she internalizes and keeps them to herself, safeguarded by the unwavering defense of her vacant demeanor. But apathy is not synonymous with emotionless, for though she may not love a lot, what she does, she loves very, <i>very</i> much. And should you allow her to speak on the subject of what she loves, oh will she animate to a degree you may not have thought possible of her.
1543<br><br>
1544Sleep her favorite passtime, she is noted to be capable of falling asleep if she “can get horizontalâ€. Almost unnaturally lazy, Three has bowed out of active combat simply because she’d been “too tiredâ€. Make conscious effort to hold her interest, lest she fall asleep before you make your point.
1545<br><br>
1546Lethargic though she is, she is also highly intelligent and quietly arrogant. That which dismantles her apathy are often the subjects of her fixations, and amongst such obsessions is her research. What she loves is not necessarily her toys themselves, but the <u>process of making them.</u> She strives to improve her craft, to learn to the fullest extent of that which interests her. It is this morbid fascination that leads her to invent a number of beasts and biological weapons - the cyclops in particular is one of the greatest, longest-lasting marks she's left on Midgard.
1547<br><br>
1548Despite possessing the Power of Song, she is in fact very docile and non-combative so long as she is not provoked or her hobbies impeded. She has no interest in befriending others, but by the same coin she will not actively oppose another if not given reason to. She's simply too lazy, and finds there to be little return for the effort.
1549<br><br>
1550Morality is lost to her, that childlike inquisitiveness twisted into a morbid innocence by a moral compass so askew. Fundamentally flawed is her comprehension of right and wrong, and it spirals only downwards as she continues with her macabre frivolties and stubborn obsessions. But oh, she is not evil. Not inherently so. In fact, she means so well...most of the time. <i>Poor misguided puppet girl.</i>
1551
1552<center>
1553<h1>ARNAMENT.</h1>
1554<i>So lead me down to the dusty garden, overgrown aged and rotten.
1555And here they lie, children forsaken - and I see myself as one among them</i>
1556</center>
1557<br>
1558Despite the swords sheathed to her greaves, Three's weapon are two pairs of imposing scissors. As extraordinary as she is, these shears can allegedly cut through anything and serve as both her weaponry and a tool with which to cut her hair. They are not especially heavy, but due to her own sloth Three's movements with them are slower than ideal, and their reach is quite short - but be wary if she should land a hit, because she excels in raw damage all the same. However, as per her lethargic movements and her short reach, she is open to counter attacks if her opponent is both resilient and analytical. Using her magic she is able to extend the reach of her shears - shown by a sharp, clean-cut violet aura where the blades would extend - but it is a short-lived effect and thus a situational skill.
1559<br><br>
1560As an Intoner, Three, as well as her sisters, are revered as Goddesses of Song. This is a misnomer, but it is well-earned as each displays great power and superhuman abilities. Powerful but not quite holy, she and her sisters are bestowed with power and resilience exclusive their brood. As such Three is both physically stronger and faster than any human being. Her body is also exceptionally durable and she is able to rebound after being crushed by great weights without taking any apparent damage.
1561<br><br>
1562However, Three's most prominent power and the core of all her prowess is her ability to harness the <i>Power of Song</i>. This is a very versatile form of power, fundamentally different from normal magic as it draws energy by harnessing common properties of multiple worlds and timelines.
1563<br>
1564Moreover, there are a variety of ways in which an Intoner can utilize their Song;
1565<br><br>
1566<b>AUGMENTATION:</b> by singing, an Intoner can bolster their physical prowess. In the game, this is represented by the mechanic of “Intoner Modeâ€. Besides increasing overall strength, it’s apparent that an Intoner with this augment active also moves at an increased speed and can only be wounded by something with equal or greater power output (such as another Intoner). This power is also represented and identified by the appearance of angelic runes in the form of a type of “ribbon†that wrap around the user’s limbs. As the source of the Power of Song's energy is essentially infinite, an Intoner can theoretically increase her power output infinitely so long as she can sing.
1567<br><br>
1568<b>SHIELD:</b> It is shown that each sister possesses the ability to use their Song to generate a protective shield. Three’s barrier is likely fairly stalwart, perhaps second to Four’s as she and her sister’s basic Angels have similar abilities (Armisael can restrain, Four’s Armaros can paralyze).
1569This shield is by far most effective when used in conjunction with those of the other sisters, as 4 are capable of repelling even dragon-fire.
1570<br><br>
1571<b>INVOCATION:</b> each Intoner is guarded by Angels that are beckoned to their aid by their respective song. Quite likely, the original (first-encountered) Angels and which sister they correspond to is preordained, as these are the duos that existed since the beginning of their lives. With her song, Three is able to call to her side Armisael and Ezrael.
1572<br><br>
1573Armisael materializes in one of two ways: as an army of 50 doll-like beings of varying size and height, or as a series of puppet-strings that restrain their target – the former being its true form. As a child, she can only summon the latter manifestation, as its full form requires power output only her adult body can generate.
1574Though existing as a swarm in which each body acts independently from one-another, Armisael appears to operate as a hivemind tied directly to Three’s will. However, it does seem to have its own personality, as when not directed to behave one way or another, it takes on a playful persona and will dance and prance about. They are agile despite their fragility (a large beast, like a dragon, can easily dismantle them), and capable of jumping to extreme heights, as well as self-destruction.
1575<br><br>
1576Ezrael is an Wyrm (otherwise known as an Ancient Dragon) that Three had seized and turned into an Angel. Wyrms exist in their own tier of extreme power amongst dragons, and it’s considered almost blasphemous for “lesser†dragons to challenge them, as on multiple occasions dragons have shown an instinctual fear of the Wyrms. This Angel displays extreme speed, and the ability to utilize magic to teleport over distances. This inherent power is further bolstered by transformation into an Angel, making Ezrael statistically more powerful than other dragon-angels like Zophiel. However, it is shown that it isn’t entirely impossible for an “ordinary†dragon to defeat a Wyrm, but the proper tactics must be employed – for example, Ezrael is only defeated after its speed is nullified by the power of another Angel. The fact that Three had subdued one of these beasts is a testament to her power.
1577<br><br>
1578<b>APOTHEOSIS:</b> As touched on in regards to Ezrael, it has been shown that an Intoner can use their song to transform people and beasts into Angels (such in the case of Ezrael, Zophiel, and Gabriel). It is also implied that when a number of Armisael’s bodies are destroyed, Three replenishes their ranks by experimenting on her own soldiers and then using her song to transform them into Angels.
1579<br><br>
1580<b>EVENT HORIZON:</b> The invocation of her song will create a sealing band that will encompass Three’s vicinity. Contrived of the angelic alphabet, this band serves as the edge of a barrier in which the contained area becomes a sphere of her immediate influence, and cannot be entered or left until she disengages or is incapacitated.
1581<br><br>Lesser, but still notable skills include her ability to "teleport" or "blink" over moderate distances, in which she disappears in a flash of purple light and reappears in the same manner. She is also able to force anybody branded with her seal - a Disciple - into absolute servitude by merely willing so.
1582<br><br>The greatest drawback of The Power of Song is perhaps the inability to use it on other beings. Even if used with the best of intentions, The Power of Song is ultimately destructive in nature and will have detrimental effects on the minds of the weak if they are subjected to it. While an Intoner might heal a wounded soldier through her Song, if they are weak of mind ( and any human almost certainly will be ), their sanity will buckle under the Song’s power and they will be driven mad. Those especially weak, such as children, may even have their bodies contort and mutate. To this end, The Power of Song is not one that can be used for the good of others, for it is bound to destroy what it builds. It is possible for an Intoner herself to succumb to her own Song as well, as shown in the case of Two.
1583
1584<center>
1585<h1>DESIGN.</h1>
1586<i>an anvil tyed by lock and lash; her works abounding like the hare</i>
1587</center>
1588<br>
1589How she loves her dolls. Apathy dispelled by a loquacious fit when allowed to speak on their subject - be they made of rag and cloth or of beast and man. So fascinated by the nature of humans is she, so driven to innovation and experimentation that she might meld monster and men to create her precious menagerie of toy soldiers. To create blasphemous life and take it away as if pulling weeds from a garden - does this make her mother or god?
1590<br><br>
1591But what is a heralded goddess without her angels? By the power of her song might she beckon to her side her army of heretics or her great wyrm. Armisael & Ezrael.
1592
1593</div>
1594
1595<!--- POPUP BOX 3 --->
1596<div id="04" class="popup_block">
1597<img align="left" src="https://web.archive.org/web/20180318205802im_/http://static.tumblr.com/hxhrbud/qVtoagmgt/wowwhatacute.png"><div style="background-color:#e8e5e8; padding:5px; margin-left:75px; border-left:4px solid #a480c1; border-right:4px solid #a480c1; border-radius:10px">To save on scrollbar mileage this popup only details a brief summary of each verse. I'm gradually making proper posts dedicated to full overviews, so make sure to see if a link to one of those is available!</div>
1598<h1>THE INQUIRER :: DRAKENGARD</h1>
1599Three's home and canon universe. Naturally taking place during the events of the third game, Three's personality is based mainly on her appearance in <u>Branch B</u> and <u>Branch E</u> ( the story side novel ). Though it follows the premise of Drakengard 3, this verse is not necessarily meant to retell canon events and may diverge or interactions within it may occur at nondescript points in time. Unless for a plotted thread, I generally will not tag interactions from this verse.
1600
1601<h1>HORIZONS LOOK DIFFERENT :: MODERN AGE</h1>
1602<center><a href="https://web.archive.org/web/20180318205802/http://three.god.jp/post/147161962742/">VERSE POST HERE</a></center>
1603<br>
1604The obligatory modern verse for the originally high-fantasy muse. In this verse, Three is named <b>Viola Casmen</b>, and is one of six daughters of a man known only as Mr. Casmen, the head of a great business conglomerate. Estranged from her father and resenting his absence, Viola seeks to escape his influence and moves from Barcelona to Sicily, only to later move once again to attend university elsewhere. If not related to the plot this university is in Luoyang, China by default, but is "officially" non-descript as to allow her to be someplace convenient for interactions.
1605<br><br>
1606Three's ( as Viola ) faceclaim in this verse when applicable is <i>Troian Bellisario.</i> As per Troian's ethnicity, Viola is mixed albeit white-passing.
1607<br><br>
1608<center><b>tag:</b><a href="/web/20180318205802/http://three.god.jp/tagged/%E2%96%90%E2%96%92-%2A-horizons-look-different-in-a-modern-age-%28-verse%3B-modern-%29">â–â–’ * horizons look different in a modern age ( verse; modern )</a></center>
1609
1610<h1>FOREST OF DOLLS :: THE WITCHER</h1>
1611<center><a href="https://web.archive.org/web/20180318205802/http://three.god.jp/post/147162370367/">VERSE POST HERE</a></center>
1612<br>
1613One of the many supernatural beings introduced to The Continent by the Conjunction of the Spheres, Three is an enigmatic woman who makes her home in the Forests of Velen. As this is the territory too of The Crones, she maintains a tense co-existence with her legendary neighbors, though she's not all so fond of them. She spends her days toiling with her dolls, at times experimenting on beasts as part of her research. She is especially interested in Witchers, and is quite curious in regards to their mixed existence of science and magic.
1614<br><br>
1615<center><b>tag:</b><a href="/web/20180318205802/http://three.god.jp/tagged/%E2%96%90%E2%96%92-%2A-forest-of-dolls-%28-verse%3B-the-witcher-%29">â–â–’ * FOREST OF DOLLS ( VERSE; THE WITCHER )</a></center>
1616
1617<h1>SMALLER SONGS :: UTAHIME FIVE</h1>
1618<center><a href="https://web.archive.org/web/20180318205802/http://three.god.jp/post/147174337982/">VERSE POST HERE</a></center>
1619<br>
1620A secondary verse in which Three is still a child. Physically she appears to be around 11 years old, and mentally arguably fairly older. She travels Midgard with her sisters, supporting One's goal to free the land from the tyrants that rule it and to, in time, usurp control. This verse is based on the premise of the Utahime Five prequel manga, but is a similar case to the main verse in that it isn't meant to perfectly replicate canon.
1621<br><br>
1622There is a divergent version of this verse in which the story splits off from the point the sisters' ship is attacked by the sea moster. As opposed to only One going overboard as per canon, instead the ship itself is destroyed and Three washes up elsewhere. This is to create opportunity for interactions with muses of other canons.
1623<br><br>
1624<center><b>tag:</b><a href="/web/20180318205802/http://three.god.jp/tagged/%E2%96%90%E2%96%92-%2A-smaller-songs-%28-verse%3B-utahime-five-%29">â–â–’ * smaller songs ( verse; utahime five )</a> <b>&&</b> <a href="/web/20180318205802/http://three.god.jp/tagged/%E2%96%90%E2%96%92-%2A-smaller-songs%3Bretrace-%28-verse%3B-utahime-five-%29">â–â–’ * smaller songs;retrace ( verse; utahime five )</a></center>
1625
1626<h1>Dragon Age</h1>
1627lmao
1628<h1>The Elder Scrolls</h1>
1629shrug emojis
1630<h1>Modern Fantasy</h1>
1631👀 👀 👀
1632</div>
1633
1634<!--- POPUP BOX 4 --->
1635<div id="05" class="popup_block">
1636<center>
1637
1638<h1>PAGES</h1>
1639<a href="/web/20180318205802/http://three.god.jp/e" class="button">exclusives</a>
1640<a href="/web/20180318205802/http://three.god.jp/m" class="button">mun</a>
1641
1642
1643<h1>TAGS</h1>
1644<a href="/web/20180318205802/http://three.god.jp/tagged/â–â–’ * VIVI PLZ ( out )." class="button">ooc</a>
1645
1646<a href="/web/20180318205802/http://three.god.jp/tagged/â–â–’ * paracosm" class="button">meta</a>
1647
1648<a href="/web/20180318205802/http://three.god.jp/tagged/â–â–’ * my tradition is the art of superstition" class="button">headcanon</a>
1649
1650<a href="/web/20180318205802/http://three.god.jp/tagged/â–â–’ * poetry for the poisoned" class="button">musings</a>
1651
1652<a href="/web/20180318205802/http://three.god.jp/tagged/â–â–’ * BETWIXT ITS VOUL LABYRINTHIN ROOTS" class="button">World</a>
1653
1654<a href="/web/20180318205802/http://three.god.jp/tagged/â–â–’ * effigies" class="button">gallery</a>
1655
1656<a href="/web/20180318205802/http://three.god.jp/tagged/â–â–’ * music box" class="button">music</a>
1657
1658<a href="/web/20180318205802/http://three.god.jp/tagged/â–â–’ * another little doll to join my menagerie!" class="button">gifts</a>
1659
1660<a href="/web/20180318205802/http://three.god.jp/tagged/â–â–’ * 0. A EULOGY BENEATH HER BOOTS ( songs of truth )" class="button">Zero</a>
1661
1662<a href="/web/20180318205802/http://three.god.jp/tagged/â–â–’ * I. A CORK PULLED FROM THE WINE ( songs of salvation )" class="button">One</a>
1663
1664<a href="/web/20180318205802/http://three.god.jp/tagged/â–â–’ * II. AN ICY LOVE BY FIRE KNASHED ( songs of mercy )" class="button">Two</a>
1665
1666<a href="/web/20180318205802/http://three.god.jp/tagged/â–â–’ * III. AN ANVIL TYED BY LOCK AND LASH ( songs of obsession )" class="button">Three</a>
1667
1668<a href="/web/20180318205802/http://three.god.jp/tagged/â–â–’ * IV. HER WALLS VANSIEGED BY FALSEFUL MITE ( songs of justice )" class="button">Four</a>
1669
1670<a href="/web/20180318205802/http://three.god.jp/tagged/â–â–’ * V. A THIRSTFUL WHORE WITH LIPS AGASM ( songs of enrapture )" class="button">Five</a>
1671
1672<a href="/web/20180318205802/http://three.god.jp/tagged/â–â–’ * GOD FROM THE MACHINE ( songs of falsities )" class="button">Bro. One</a>
1673
1674<a href="/web/20180318205802/http://three.god.jp/tagged/â–â–’ * UNTIL MY BODY BURNS; LOVE ME UNTIL IT HURTS ( songs of adoration )" class="button">Xiahou Dun</a>
1675
1676<a href="/web/20180318205802/http://three.god.jp/tagged/â–â–’ * INTENT NEVER MAKES A SOUND" class="button">Caim</a>
1677
1678<a href="/web/20180318205802/http://three.god.jp/tagged/â–â–’ * TINY SAVAGE" class="button">Dito</a>
1679
1680<a href="/web/20180318205802/http://three.god.jp/tagged/â–â–’ * MASOCHIST" class="button">Decadus</a>
1681
1682<a href="/web/20180318205802/http://three.god.jp/tagged/â–â–’ * ENDYMION" class="button">Cent</a>
1683
1684<a href="/web/20180318205802/http://three.god.jp/tagged/â–â–’ * REDDENS THIS OUR DEARTHLY STEIN ( songs of anguish ) " class="button">Manah</a>
1685
1686</center>
1687</div>
1688</div>
1689
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